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Avid Supported Video File Formats
Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4 -
Datasheet Media Server
Flussonic Media Server A multi-format and multi-protocol transcoder, packager, and origin server with a consistent, high density channel count independent of input or output encoding formats and protocols. FEATURES SRT, RTMP, RTSP, HLS, Low Latency Efficient video archive that can store HLS, HDS, HTTP MPEG-TS, years of uninterrupted video MPEG-DASH, and WebRTC recordings. streaming protocols. Live Video archives and VOD content High-performance graphics core. can be stored on local disk drives, CEPH, NFS, or in S3/Swift clouds. H.264, H.265, AV1, MPEG-2 Video, AAC, MP3, VP6, Speex, and G711 a/u Instant access to live video feed codecs for ingress and egress. and to archived recordings. Flussonic can form a cluster with Advanced monitoring system that unlimited number of ingest, origin, controls system load and performance. and streaming servers. Support for all major DRM systems Smart routing of video streams and Cloud Multi-DRM providers. between servers in cluster. Full support for DVB-Subtitles Multiple redundancy options based and Closed Captions. on Flussonic Cluster mechanism, including N+1, N+M, Source Stream User-friendly Web-UI. Failover, and many others. Rich and well-defined API for 3000+ simultaneous connections per programmatically controlling single Edge server. and managing all functions of the Media Server. TECHNICAL SPECIFICATIONS Protocols and formats support MPEG TS Ingest SPTS, MPTS, Data PID Passthrough MPEG TS Monitoring TR101290 MPEG TS electronic EPG EIT program guide MPEG TS advertising SCTE35 MPEG TS constant PCR -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Avid DS - Your Future Is Now
DSWiki DSWiki Table Of Contents 1998 DS SALES BROCHURE ............................................. 4 2005 DS Wish List ..................................................... 8 2007 Unfiltered DS Wish List ............................................. 13 2007 Wish Lists ....................................................... 22 2007DSWishListFinalistsRound2 ........................................... 28 2010 Wish List ........................................................ 30 A ................................................................. 33 About .............................................................. 53 AchieveMoreWithThe3DDVE ............................................. 54 AmazonStore ......................................................... 55 antler .............................................................. 56 Arri Alexa ........................................................... 58 Avid DS - Your Future Is Now ............................................. 59 Avid DS for Colorists ................................................... 60 B ................................................................. 62 BetweenBlue&Green ................................................... 66 Blu-ray Copy ......................................................... 67 C ................................................................. 68 ColorItCorrected ...................................................... 79 Commercial Specifications ............................................... 80 Custom MC Color Surface Layouts ........................................ -
Installation Guide Autodesk® Smoke® 2010 for Mac OS® X © 2009 Autodesk, Inc
Autodesk ® WiretapCentral™ 2010.2 and Wiretap™ Gateway 2010.2 Installation Guide Autodesk® Smoke® 2010 For Mac OS® X © 2009 Autodesk, Inc. All rights reserved. Except as otherwise permitted by Autodesk, Inc., this publication, or parts thereof, may not be reproduced in any form, by any method, for any purpose. Trademarks The following are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and other countries: 3DEC (design/logo), 3December, 3December.com, 3ds Max, Algor, Alias, Alias (swirl design/logo), AliasStudio, Alias|Wavefront (design/logo), ATC, AUGI, AutoCAD, AutoCAD Learning Assistance, AutoCAD LT, AutoCAD Simulator, AutoCAD SQL Extension, AutoCAD SQL Interface, Autodesk, Autodesk Envision, Autodesk Intent, Autodesk Inventor, Autodesk Map, Autodesk MapGuide, Autodesk Streamline, AutoLISP, AutoSnap, AutoSketch, AutoTrack, Backburner, Backdraft, Built with ObjectARX (logo), Burn, Buzzsaw, CAiCE, Civil 3D, Cleaner, Cleaner Central, ClearScale, Colour Warper, Combustion, Communication Specification, Constructware, Content Explorer, Dancing Baby (image), DesignCenter, Design Doctor, Designer's Toolkit, DesignKids, DesignProf, DesignServer, DesignStudio, Design Web Format, Discreet, DWF, DWG, DWG (logo), DWG Extreme, DWG TrueConvert, DWG TrueView, DXF, Ecotect, Exposure, Extending the Design Team, Face Robot, FBX, Fempro, Fire, Flame, Flare, Flint, FMDesktop, Freewheel, GDX Driver, Green Building Studio, Heads-up Design, Heidi, HumanIK, IDEA Server, i-drop, ImageModeler, iMOUT, -
Download the Inspector Product Sheet (Pdf)
INSPECTOR Because your lab only has so many people... SSIMPLUS VOD Monitor Inspector is the only video quality measurement software with the algorithm trusted by Hollywood to determine the best possible configuration for R&D groups, engineers and architects who set up VOD encoding and processing workflows or make purchasing recommendations. Video professionals can evaluate more encoders and transcoders with the fastest and most comprehensive solution in the business. From the start of your workflow to delivering to consumer endpoints, VOD Monitor Inspector is here to help ensure every step along the way works flawlessly. Easy-to-use tools provide: A/B testing for encoding configurations and purchasing decisions Sandbox environment for encoder or transcoder output troubleshooting “The SSIMPLUS score developed Creation of custom templates to identify best practices for specific content libraries by SSIMWAVE represents a Configurable automation to save time and eliminate manual QA/QC generational breakthrough in Side-by-side visual inspector to subjectively assess degradations the video industry.” Perceptual quality maps that provide pixel level graphic visualization –The Television Academy of content impairments Allows you to optimize network performance and improve quality Our Emmy Award-winning SSIMPLUS™ score mimics the accuracy of 100,000 human eyes. Know the score when it YOU CAN HOW OUR SEE THE SOFTWARE SEES DEGRADATION THE DEGRADATION comes to video quality NARROW IT DOWN TO THE The SSIMPLUS score is the most accurate measurement PIXEL LEVEL representing how end-viewers perceive video quality. Our score can tell exactly where video quality degrades. 18 34 59 72 87 10 20 30 40 50 60 70 80 90 100 BAD POOR FAIR GOOD EXCELLENT Helping your workflow, work SSIMPLUS VOD Monitor Inspector helps ensure your video infrastructure is not negatively impacting content anywhere in your workflow. -
FLV File Format
Video File Format Specification Version 10 Copyright © 2008 Adobe Systems Incorporated. All rights reserved. This manual may not be copied, photocopied, reproduced, translated, or converted to any electronic or machine-readable form in whole or in part without written approval from Adobe Systems Incorporated. Notwithstanding the foregoing, a person obtaining an electronic version of this manual from Adobe may print out one copy of this manual provided that no part of this manual may be printed out, reproduced, distributed, resold, or transmitted for any other purposes, including, without limitation, commercial purposes, such as selling copies of this documentation or providing paid-for support services. Trademarks Adobe, ActionScript, Flash, Flash Media Server, XMP, and Flash Player are either registered trademarks or trademarks of Adobe Systems Incorporated and may be registered in the United States or in other jurisdictions including internationally. Other product names, logos, designs, titles, words, or phrases mentioned within this publication may be trademarks, service marks, or trade names of Adobe Systems Incorporated or other entities and may be registered in certain jurisdictions including internationally. No right or license is granted to any Adobe trademark. Third-Party Information This guide contains links to third-party websites that are not under the control of Adobe Systems Incorporated, and Adobe Systems Incorporated is not responsible for the content on any linked site. If you access a third-party website mentioned in this guide, then you do so at your own risk. Adobe Systems Incorporated provides these links only as a convenience, and the inclusion of the link does not imply that Adobe Systems Incorporated endorses or accepts any responsibility for the content on those third- party sites. -
20130218 Technical White Paper.Bw.Jp
Sending, Storing & Sharing Video With latakoo © Copyright latakoo. All rights reserved. Revised 11/12/2012 Table of contents Table of contents ................................................................................................... 1 1. Introduction ...................................................................................................... 2 2. Sending video & files with latakoo ...................................................................... 3 2.1 The latakoo app ............................................................................................ 3 2.2 Compression & upload ................................................................................. 3 2.3 latakoo minutes ............................................................................................ 4 3. The latakoo web interface .................................................................................. 4 3.1 Web interface requirements .......................................................................... 4 3.2 Logging into the dashboard .......................................................................... 4 3.3 Streaming video previews ............................................................................. 4 3.4 Downloading video ...................................................................................... 5 3.5 latakoo Pilot ................................................................................................. 5 3.6 Search and tagging ...................................................................................... -
Video Compression Optimized for Racing Drones
Video compression optimized for racing drones Henrik Theolin Computer Science and Engineering, master's level 2018 Luleå University of Technology Department of Computer Science, Electrical and Space Engineering Video compression optimized for racing drones November 10, 2018 Preface To my wife and son always! Without you I'd never try to become smarter. Thanks to my supervisor Staffan Johansson at Neava for providing room, tools and the guidance needed to perform this thesis. To my examiner Rickard Nilsson for helping me focus on the task and reminding me of the time-limit to complete the report. i of ii Video compression optimized for racing drones November 10, 2018 Abstract This thesis is a report on the findings of different video coding tech- niques and their suitability for a low powered lightweight system mounted on a racing drone. Low latency, high consistency and a robust video stream is of the utmost importance. The literature consists of multiple comparisons and reports on the efficiency for the most commonly used video compression algorithms. These reports and findings are mainly not used on a low latency system but are testing in a laboratory environment with settings unusable for a real-time system. The literature that deals with low latency video streaming and network instability shows that only a limited set of each compression algorithms are available to ensure low complexity and no added delay to the coding process. The findings re- sulted in that AVC/H.264 was the most suited compression algorithm and more precise the x264 implementation was the most optimized to be able to perform well on the low powered system. -
(Flash Video Format). Uestions.Php
page 84 Digitized video in formats, such as Quicktime, MPEG, AVI or DV and its http://www.flvplayer.com/q own FLV (Flash Video format). uestions.php Linking your video file as an Embedding your video file into external file to the flash file the flash file flash flash Streaming video You cannot use the original one. You need to compress it. Video Different compression method: Size (for example 320 by 240 pixels) Audio: Video You need to bring a video clip into the library. 0) Create a folder “videoLJW” under the “assign- ment” folder. 1)Copy “lmh.mov” from the class homepage to “videoLJW” folder. (Hold down the “Option” key and click the link to the file. 2) Open a flash file. (File/New) 3) Save it as “videoLJW.fla” under the assignment folder. 4) Rename “Layer 1” “video” 5) Select “File/Import/Import Video”. Select Video Flash looks for the location of your video file. If your video file is on your computer. click “Choose” to locate the file. If it is already on a commercial Flash Video Streaming Service or Macromedia Flash Communication Server, you need to select the second option and provide the file’s URL. Select the “lmh.mov” under the folder of “videoLJW”. Click “Open”. You will see the location of (File path to) “lmh.mov”. Click “Continue”. Deployment -- How would you tap into the lvideo file. Select “Progressive download from a web server”. First opton: Progressive download displays video when enough information to play is downloaded rather than the entire video is downloaded.Viewers have to play sdquentially. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Apple Prores White Paper December 2013 White Paper 2 Apple Prores
Apple ProRes White Paper December 2013 White Paper 2 Apple ProRes Contents 3 Introduction 4 Authorized Apple ProRes Implementations 5 Apple ProRes Family Overview 7 Properties of Digital Images Frame Size (Full-Width Versus Partial-Width) Chroma Sampling Sample Bit Depth 10 Properties of Apple ProRes Codecs Data Rate Quality Performance Apple ProRes 4444 Alpha Channel Support 20 Appendix Target Data Rates 22 Glossary White Paper 3 Apple ProRes Introduction Apple ProRes is one of the most popular codecs in professional post-production. The Apple ProRes family of video codecs has made it both possible and affordable to edit full-frame, 10-bit, 4:2:2 high-definition (HD), 2K, 4K, and 5K video sources with multistream performance in Final Cut Pro X. This white paper provides in-depth information about all five members of the Apple ProRes family, including technical specifications and performance metrics. White Paper 4 Apple ProRes Authorized Apple ProRes Implementations Apple ProRes is a codec technology developed for high-quality, high-performance editing in Final Cut Pro X. Apple has licensed Apple ProRes to select companies for use in specific products and workflows. In some instances, unauthorized codec implementations have been used in third-party software and hardware products. Using any unauthorized implementation (like the FFmpeg and derivative implementations) may lead to decoding errors, performance degradation, incompatibility, and instability. For a list of all authorized Apple ProRes licensees and developers, and for licensing information, go to support.apple.com/kb/HT5959. If you are using or considering purchasing a product that encodes or decodes Apple ProRes, and that product is not on this list, please contact Apple at [email protected].