Codec Mpeg Video
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Reviewer's Guide
Episode® 6.5 Affordable transcoding for individuals and workgroups Multiformat encoding software with uncompromising quality, speed and control. The Episode Product Guide is designed to provide an overview of the features and functions of Telestream’s Episode products. This guide also provides product information, helpful encoding scenarios and other relevant information to assist in the product review process. Please review this document along with the associated Episode User Guide, which provides complete product details. Telestream provides this guide for informational purposes only; it is not a product specification. The information in this document is subject to change at any time. 1 CONTENTS EPISODE OVERVIEW ........................................................................................................... 3 Episode ($495 USD) ........................................................................................................... 3 Episode Pro ($995 USD) .................................................................................................... 3 Episode Engine ($4995 USD) ............................................................................................ 3 KEY BENEFITS ..................................................................................................................... 4 FEATURES ............................................................................................................................ 5 Highest quality ................................................................................................................... -
Datasheet Media Server
Flussonic Media Server A multi-format and multi-protocol transcoder, packager, and origin server with a consistent, high density channel count independent of input or output encoding formats and protocols. FEATURES SRT, RTMP, RTSP, HLS, Low Latency Efficient video archive that can store HLS, HDS, HTTP MPEG-TS, years of uninterrupted video MPEG-DASH, and WebRTC recordings. streaming protocols. Live Video archives and VOD content High-performance graphics core. can be stored on local disk drives, CEPH, NFS, or in S3/Swift clouds. H.264, H.265, AV1, MPEG-2 Video, AAC, MP3, VP6, Speex, and G711 a/u Instant access to live video feed codecs for ingress and egress. and to archived recordings. Flussonic can form a cluster with Advanced monitoring system that unlimited number of ingest, origin, controls system load and performance. and streaming servers. Support for all major DRM systems Smart routing of video streams and Cloud Multi-DRM providers. between servers in cluster. Full support for DVB-Subtitles Multiple redundancy options based and Closed Captions. on Flussonic Cluster mechanism, including N+1, N+M, Source Stream User-friendly Web-UI. Failover, and many others. Rich and well-defined API for 3000+ simultaneous connections per programmatically controlling single Edge server. and managing all functions of the Media Server. TECHNICAL SPECIFICATIONS Protocols and formats support MPEG TS Ingest SPTS, MPTS, Data PID Passthrough MPEG TS Monitoring TR101290 MPEG TS electronic EPG EIT program guide MPEG TS advertising SCTE35 MPEG TS constant PCR -
View the Manual
A Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. © 2019 The Codemasters Software Company Limited (“Codemasters”). All rights reserved. “Codemasters”®, “EGO”®, the Codemasters logo and “Grid”® are registered trademarks owned by Codemasters. “RaceNet”™ is a trademark of Codemasters. All rights reserved. Uses Bink Video. Copyright © 1997-2019 by RAD Game Tools, Inc. Powered by Wwise © 2006 - 2019 Audiokinetic Inc. All rights reserved. Ogg Vorbis Libraries © 2019, Xiph.Org Foundation. Portions of this software are copyright ©2019 The FreeType Project (www.freetype.org). All rights reserved. All other copyrights or trademarks are the property of their respective owners and are being used under license. -
Download the Inspector Product Sheet (Pdf)
INSPECTOR Because your lab only has so many people... SSIMPLUS VOD Monitor Inspector is the only video quality measurement software with the algorithm trusted by Hollywood to determine the best possible configuration for R&D groups, engineers and architects who set up VOD encoding and processing workflows or make purchasing recommendations. Video professionals can evaluate more encoders and transcoders with the fastest and most comprehensive solution in the business. From the start of your workflow to delivering to consumer endpoints, VOD Monitor Inspector is here to help ensure every step along the way works flawlessly. Easy-to-use tools provide: A/B testing for encoding configurations and purchasing decisions Sandbox environment for encoder or transcoder output troubleshooting “The SSIMPLUS score developed Creation of custom templates to identify best practices for specific content libraries by SSIMWAVE represents a Configurable automation to save time and eliminate manual QA/QC generational breakthrough in Side-by-side visual inspector to subjectively assess degradations the video industry.” Perceptual quality maps that provide pixel level graphic visualization –The Television Academy of content impairments Allows you to optimize network performance and improve quality Our Emmy Award-winning SSIMPLUS™ score mimics the accuracy of 100,000 human eyes. Know the score when it YOU CAN HOW OUR SEE THE SOFTWARE SEES DEGRADATION THE DEGRADATION comes to video quality NARROW IT DOWN TO THE The SSIMPLUS score is the most accurate measurement PIXEL LEVEL representing how end-viewers perceive video quality. Our score can tell exactly where video quality degrades. 18 34 59 72 87 10 20 30 40 50 60 70 80 90 100 BAD POOR FAIR GOOD EXCELLENT Helping your workflow, work SSIMPLUS VOD Monitor Inspector helps ensure your video infrastructure is not negatively impacting content anywhere in your workflow. -
FLV File Format
Video File Format Specification Version 10 Copyright © 2008 Adobe Systems Incorporated. All rights reserved. This manual may not be copied, photocopied, reproduced, translated, or converted to any electronic or machine-readable form in whole or in part without written approval from Adobe Systems Incorporated. Notwithstanding the foregoing, a person obtaining an electronic version of this manual from Adobe may print out one copy of this manual provided that no part of this manual may be printed out, reproduced, distributed, resold, or transmitted for any other purposes, including, without limitation, commercial purposes, such as selling copies of this documentation or providing paid-for support services. Trademarks Adobe, ActionScript, Flash, Flash Media Server, XMP, and Flash Player are either registered trademarks or trademarks of Adobe Systems Incorporated and may be registered in the United States or in other jurisdictions including internationally. Other product names, logos, designs, titles, words, or phrases mentioned within this publication may be trademarks, service marks, or trade names of Adobe Systems Incorporated or other entities and may be registered in certain jurisdictions including internationally. No right or license is granted to any Adobe trademark. Third-Party Information This guide contains links to third-party websites that are not under the control of Adobe Systems Incorporated, and Adobe Systems Incorporated is not responsible for the content on any linked site. If you access a third-party website mentioned in this guide, then you do so at your own risk. Adobe Systems Incorporated provides these links only as a convenience, and the inclusion of the link does not imply that Adobe Systems Incorporated endorses or accepts any responsibility for the content on those third- party sites. -
20130218 Technical White Paper.Bw.Jp
Sending, Storing & Sharing Video With latakoo © Copyright latakoo. All rights reserved. Revised 11/12/2012 Table of contents Table of contents ................................................................................................... 1 1. Introduction ...................................................................................................... 2 2. Sending video & files with latakoo ...................................................................... 3 2.1 The latakoo app ............................................................................................ 3 2.2 Compression & upload ................................................................................. 3 2.3 latakoo minutes ............................................................................................ 4 3. The latakoo web interface .................................................................................. 4 3.1 Web interface requirements .......................................................................... 4 3.2 Logging into the dashboard .......................................................................... 4 3.3 Streaming video previews ............................................................................. 4 3.4 Downloading video ...................................................................................... 5 3.5 latakoo Pilot ................................................................................................. 5 3.6 Search and tagging ...................................................................................... -
Archive and Compressed [Edit]
Archive and compressed [edit] Main article: List of archive formats • .?Q? – files compressed by the SQ program • 7z – 7-Zip compressed file • AAC – Advanced Audio Coding • ace – ACE compressed file • ALZ – ALZip compressed file • APK – Applications installable on Android • AT3 – Sony's UMD Data compression • .bke – BackupEarth.com Data compression • ARC • ARJ – ARJ compressed file • BA – Scifer Archive (.ba), Scifer External Archive Type • big – Special file compression format used by Electronic Arts for compressing the data for many of EA's games • BIK (.bik) – Bink Video file. A video compression system developed by RAD Game Tools • BKF (.bkf) – Microsoft backup created by NTBACKUP.EXE • bzip2 – (.bz2) • bld - Skyscraper Simulator Building • c4 – JEDMICS image files, a DOD system • cab – Microsoft Cabinet • cals – JEDMICS image files, a DOD system • cpt/sea – Compact Pro (Macintosh) • DAA – Closed-format, Windows-only compressed disk image • deb – Debian Linux install package • DMG – an Apple compressed/encrypted format • DDZ – a file which can only be used by the "daydreamer engine" created by "fever-dreamer", a program similar to RAGS, it's mainly used to make somewhat short games. • DPE – Package of AVE documents made with Aquafadas digital publishing tools. • EEA – An encrypted CAB, ostensibly for protecting email attachments • .egg – Alzip Egg Edition compressed file • EGT (.egt) – EGT Universal Document also used to create compressed cabinet files replaces .ecab • ECAB (.ECAB, .ezip) – EGT Compressed Folder used in advanced systems to compress entire system folders, replaced by EGT Universal Document • ESS (.ess) – EGT SmartSense File, detects files compressed using the EGT compression system. • GHO (.gho, .ghs) – Norton Ghost • gzip (.gz) – Compressed file • IPG (.ipg) – Format in which Apple Inc. -
Video Compression Optimized for Racing Drones
Video compression optimized for racing drones Henrik Theolin Computer Science and Engineering, master's level 2018 Luleå University of Technology Department of Computer Science, Electrical and Space Engineering Video compression optimized for racing drones November 10, 2018 Preface To my wife and son always! Without you I'd never try to become smarter. Thanks to my supervisor Staffan Johansson at Neava for providing room, tools and the guidance needed to perform this thesis. To my examiner Rickard Nilsson for helping me focus on the task and reminding me of the time-limit to complete the report. i of ii Video compression optimized for racing drones November 10, 2018 Abstract This thesis is a report on the findings of different video coding tech- niques and their suitability for a low powered lightweight system mounted on a racing drone. Low latency, high consistency and a robust video stream is of the utmost importance. The literature consists of multiple comparisons and reports on the efficiency for the most commonly used video compression algorithms. These reports and findings are mainly not used on a low latency system but are testing in a laboratory environment with settings unusable for a real-time system. The literature that deals with low latency video streaming and network instability shows that only a limited set of each compression algorithms are available to ensure low complexity and no added delay to the coding process. The findings re- sulted in that AVC/H.264 was the most suited compression algorithm and more precise the x264 implementation was the most optimized to be able to perform well on the low powered system. -
(Flash Video Format). Uestions.Php
page 84 Digitized video in formats, such as Quicktime, MPEG, AVI or DV and its http://www.flvplayer.com/q own FLV (Flash Video format). uestions.php Linking your video file as an Embedding your video file into external file to the flash file the flash file flash flash Streaming video You cannot use the original one. You need to compress it. Video Different compression method: Size (for example 320 by 240 pixels) Audio: Video You need to bring a video clip into the library. 0) Create a folder “videoLJW” under the “assign- ment” folder. 1)Copy “lmh.mov” from the class homepage to “videoLJW” folder. (Hold down the “Option” key and click the link to the file. 2) Open a flash file. (File/New) 3) Save it as “videoLJW.fla” under the assignment folder. 4) Rename “Layer 1” “video” 5) Select “File/Import/Import Video”. Select Video Flash looks for the location of your video file. If your video file is on your computer. click “Choose” to locate the file. If it is already on a commercial Flash Video Streaming Service or Macromedia Flash Communication Server, you need to select the second option and provide the file’s URL. Select the “lmh.mov” under the folder of “videoLJW”. Click “Open”. You will see the location of (File path to) “lmh.mov”. Click “Continue”. Deployment -- How would you tap into the lvideo file. Select “Progressive download from a web server”. First opton: Progressive download displays video when enough information to play is downloaded rather than the entire video is downloaded.Viewers have to play sdquentially. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Team Officials, Game Leaders/Referee and Parents
• To provide a pilot initiative that evaluates the effectiveness of a Game Leader and Referee at the U9 Age Group. 2 • Festivals with U9 Age Groups will be tracked and evaluated. • Festivals will either use a Referee or a Game Leaders • Game Leader can either be 3rd party or can be the two Coaches involved in the game. 3 • Develop survey to be distributed by host organizations • U9 Festival games will be received and reviewed by Ontario Soccer staff • Games will be evaluated by Ontario Soccer for measuring of: • “ball rolling time,” • quantity and the quality of the stoppages and their impact on flow of the game 4 • Organizations are to identify festivals for the pilot project • Festival host will record all U9 Games • Games must be recorded in one of the following format: • MP4 (H.26x, MPEG-2, MPEG-4) • 3GP (H.26x, MPEG-4) • AVI (Divx, XviD etc) • WMV • MOV/QT (MPEG-2, MPEG-4) • MKV • WEBM (H.26x, MPEG-2, MPEG-4, DivX, XviD, VP6) • FLV (VP6, H.264, MPEG-4). • Video can zoom in on any stoppages the Referee or Game Leader makes (must include sound) • Send all video files to Ontario Soccer for review • Distribute survey link to the Team Officials, Game Leaders/Referee and parents 5 • Ontario Soccer will evaluate all videos provided via an online platform • Host will survey the team officials, Game Leaders/ Referees and parents post game by providing them with online survey. • Results will be submitted directly to Ontario Soccer 6 • Team Officials, Game Leader/ Referees and parents will complete an online survey immediately after the game. -
Digital Recording of Performing Arts: Formats and Conversion
detailed approach also when the transfer of rights forms part of an employment contract between the producer of Digital recording of performing the recording and the live crew. arts: formats and conversion • Since the area of activity most probably qualifies as Stijn Notebaert, Jan De Cock, Sam Coppens, Erik Mannens, part of the ‘cultural sector’, separate remuneration for Rik Van de Walle (IBBT-MMLab-UGent) each method of exploitation should be stipulated in the Marc Jacobs, Joeri Barbarien, Peter Schelkens (IBBT-ETRO-VUB) contract. If no separate remuneration system has been set up, right holders might at any time invoke the legal default mechanism. This default mechanism grants a proportionate part of the gross revenue linked to a specific method of exploitation to the right holders. The producer In today’s digital era, the cultural sector is confronted with a may also be obliged to provide an annual overview of the growing demand for making digital recordings – audio, video and gross revenue per way of exploitation. This clause is crucial still images – of stage performances available over a multitude of in order to avoid unforeseen financial and administrative channels, including digital television and the internet. Essentially, burdens in a later phase. this can be accomplished in two different ways. A single entity can act as a content aggregator, collecting digital recordings from • Determine geographical scope and, if necessary, the several cultural partners and making this content available to duration of the transfer for each way of exploitation. content distributors or each individual partner can distribute its own • Include future methods of exploitation in the contract.