H Avena 100% Polyester 0

Total Page:16

File Type:pdf, Size:1020Kb

H Avena 100% Polyester 0 Pattern Material Content Pattern Repeat (in.) Aspen 41% Polyester, 59% Viscose 5.7" W x 9.1" H Avena 100% Polyester 0.2" W x 0.1" H Barbados 70% Polyester, 30% Cotton 2" W x 2" H Bellingham 100% Polyester NA - Solid Fabric Biltmore 75% Polyester, 25% Cotton 5.6" W x 7.4" H Blossom 70% Polyester, 30% Rayon 5.5" W x 7" H Bombay 70% Polyester, 30% Rayon 5.5" W x 7" H Broad Stripe 100% Cotton 3.1" W x 0" H Bryce 70% Polyester, 30% Cotton 6" W x 7" H Calais 100% Linen NA - Solid Fabric Callaway 100% Polyester 0.4" W x 0.4" H Carnival 100% Polyester 5.7" W x 5.7" H Colchester 72% Polyester, 28% Cotton 6" W x 8" H Corrales 72% Polyester, 28% Cotton 5.7" W x 5.7" H Crestino 100% Polyester NA - Solid Fabric Diamonte 100% Polyester 6" W x 6" H Falling Leaves 70% Polyester, 30% Cotton 1.7" W x 2.2" H Festival 70% Polyester, 30% Cotton NA - Solid Fabric Floral 70% Polyester, 30% Cotton 2.1" W x 3.5" H Foliage 70% Polyester, 30% Rayon 5.4" W x 5.4" H Forestry 70% Polyester, 30% Cotton 2.2" W x 0" H Gateway 70% Polyester, 30% Cotton 3.7" W x 3.7" H Geometric 70% Polyester, 30% Cotton 6" W x 6.9" H Hartford 100% Polyester 2.9 W 0 H Hello Poppy 70% Polyester, 30% Rayon 5.5" W x 7.8" H Horizontal Braid 55% Polyester, 45% Cotton NA - Solid Fabric Interlace 100% Polyester 1.2" W x 2" H Kolkata 72% Polyester, 28% Cotton 5.7" x W 6" H Layers 70% Polyester, 30% Cotton NA - Solid Fabric Leaves 55% Polyester, 45% Cotton 5.4" W x 3.2" H Linen Opaque 100% Polyester NA - Solid Fabric Malaga 100% Polyester 5.7" W x 6" H Milan 100% Polyester NA - Solid Fabric Milano 95% Polyester, 5% Linen 5.6" W x 6.5" H Norwich 100% Polyester 5.6 W x 5" H Oleander 70% Polyester, 30% Cotton 7.6 W 7.6 H Orbit 70% Polyester, 30% Cotton 7.7 W 3.1 H Oxford 80% Polyester, 20% Linen NA - Solid Fabric Pebbles 59% Viscose, 41% Polyester 5.6" W x 7" H Pattern Material Content Pattern Repeat (in.) Portland 100% Polyester NA - Solid Fabric Preston 80% Polyester, 20% Linen NA - Solid Fabric Rockweed 70% Polyester, 30% Cotton 7.7" W x 7.7" H Safari 100% Polyester 5.7" W x 0" H Santa Fe 100% Polyester 5.7" W x 5.7" H Splash 72% Polyester, 28% Viscose 5.4" W x 5" H Starburst 70% Polyester, 30% Cotton 5.5" W x 5.5" H Stria 100% Linen NA - Solid Fabric Summer Breeze 100% Polyester 6" W x 7" H Sussex 100% Linen NA - Solid Fabric Taos 100% Polyester 2.9" W x 0" H Tivoli 100% Polyester 5.9" W x 7.7" H Twirl 100% Polyester 5.7" W x 5.7" H Verona 80% Polyester, 20% Cotton NA - Solid Fabric Versailles Opaque 100% Polyester NA - Solid Fabric Villa 100% Polyester NA - Solid Fabric Vittoria 70% Polyester, 30% Rayon 5.5" W x 9.4" H 84% Polyester, 10% Nylon Warwick 6%Linen 5.8" W x 7" H Wexford 100% Polyester NA - Solid Fabric .
Recommended publications
  • Care Label Recommendations
    CARE LABEL RECOMMENDATIONS RECOMMENDED CARE FOR APPAREL PRODUCTS Fiber content, fabric construction, color, product construction, finish applications and end use are all considered when determining recommended care. Following are recommended care instructions for Nordstrom Products, however; the product must be tested to confirm that the care label is suitable. GARMENT/ CONSTRUCTION/ FIBER CONTENT FABRICATION CARE LABEL Care ABREVIATION EMBELLISHMENTS Knits and Sweaters Acetate/Acetate Blends Knits / Sweaters K & S Dry Clean Only DCO Acrylic Sweater K & S Machine Wash Cold, Gentle Cycle With Like Colors Only Non-Chlorine Bleach If Needed MWC GC WLC ONCBIN TDL RP CIIN Tumble Dry Low, Remove Promptly Cool Iron If Needed Acrylic Gentle Or Open Construction, Chenille K & S Turn Garment Inside Out Or Loosely Knit Machine Wash Cold, Gentle Cycle With Like Colors TGIO MWC GC WLC ONCBIN R LFTD CIIN Only Non-Chlorine Bleach If Needed Reshape, Lay Flat To Dry Cool Iron If Needed Acrylic / Rayon Blends Sweaters / Gentle Or Open K & S Professionally Dry Clean Construction, Chenille Or Loosely Knit Short Cycle, No Steam PDC SC NS Acrylic / Wool Blends Sweaters with Embelishments K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed, No Wring Or Twist Reshape, Lay Flat To Dry Cool Iron If Needed HWC S ONCBIN NWOT R LFTD CIIN DNID Do Not Iron Decoration Acrylic / Wool Blends Sweaters K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed Roll In Towel To Remove Excess Moisture Reshape, Lay Flat To Dry HWC S ONCBIN RITTREM
    [Show full text]
  • Choosing the Proper Short Cut Fiber for Your Nonwoven Web
    Choosing The Proper Short Cut Fiber for Your Nonwoven Web ABSTRACT You have decided that your web needs a synthetic fiber. There are three important factors that have to be considered: generic type, diameter, and length. In order to make the right choice, it is important to know the chemical and physical characteristics of the numerous man-made fibers, and to understand what is meant by terms such as denier and denier per filament (dpf). PROPERTIES Denier Denier is a property that varies depending on the fiber type. It is defined as the weight in grams of 9,000 meters of fiber. The current standard of denier is 0.05 grams per 450 meters. Yarn is usually made up of numerous filaments. The denier of the yarn divided by its number of filaments is the denier per filament (dpf). Thus, denier per filament is a method of expressing the diameter of a fiber. Obviously, the smaller the denier per filament, the more filaments there are in the yarn. If a fairly closed, tight web is desired, then lower dpf fibers (1.5 or 3.0) are preferred. On the other hand, if high porosity is desired in the web, a larger dpf fiber - perhaps 6.0 or 12.0 - should be chosen. Here are the formulas for converting denier into microns, mils, or decitex: Diameter in microns = 11.89 x (denier / density in grams per milliliter)½ Diameter in mils = diameter in microns x .03937 Decitex = denier x 1.1 The following chart may be helpful. Our stock fibers are listed along with their density and the diameter in denier, micron, mils, and decitex for each: Diameter Generic Type
    [Show full text]
  • “Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
    مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان.
    [Show full text]
  • Analysis of the Polyester Clothing Value Chain to Identify Key Intervention Points for Sustainability Cristina Palacios‑Mateo* , Yvonne Van Der Meer and Gunnar Seide
    Palacios‑Mateo et al. Environ Sci Eur (2021) 33:2 https://doi.org/10.1186/s12302‑020‑00447‑x REVIEW Open Access Analysis of the polyester clothing value chain to identify key intervention points for sustainability Cristina Palacios‑Mateo* , Yvonne van der Meer and Gunnar Seide Abstract Clothing is one of the primary human needs, and the demand is met by the global production of thousands of tons of textile fbers, fabrics and garments every day. Polyester clothing manufactured from oil‑based polyethylene tereph‑ thalate (PET) is the market leader. Conventional PET creates pollution along its entire value chain—during the produc‑ tion, use and end‑of‑life phases—and also contributes to the unsustainable depletion of resources. The consumption of PET garments thus compromises the quality of land, water and air, destroys ecosystems, and endangers human health. In this article, we discuss the diferent stages of the value chain for polyester clothing from the perspective of sustainability, describing current environmental challenges such as pollution from textile factory wastewater, and microfbers released from clothing during the laundry cycle. We also consider potential solutions such as enhanced reuse and recycling. Finally, we propose a series of recommendations that should be applied to polyester clothing at all stages along the value chain, ofering the potential for meaningful and efective change to improve the environ‑ mental sustainability of polyester textiles on a global scale. Keywords: PET, Textiles, Value chain, Environmental sustainability, Microfbers, Pollution, Recycling, Life cycle Introduction with 2019 estimates in Germany suggesting an average Te global volume of fber production for textile manu- lifetime of only 4.4 years [5].
    [Show full text]
  • January 2020
    SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture.
    [Show full text]
  • DID YOU KNOW? PET (Polyethylene Terephthalate) Is Actually Polyester. When PET Is Used for Bottles, Containers and Other
    355 Lexington Ave., Suite 1500 ▪ New York, NY 10017 ▪ www.PETresin.org DID YOU KNOW? Little-Known Facts about PET Plastic . PET (polyethylene terephthalate) is actually polyester. When PET is used for bottles, containers and other applications, it is called PET or PET resin. When PET is used as a fiber, it is typically called polyester. The PET bottle was invented by Nathaniel C. Wyeth, a DuPont engineer and brother of American painter Andrew Wyeth. The patent was issued to Wyeth in 1973 and assigned to DuPont. According to the EPA, recycling one pound of PET bottles (that’s about 10 two-liter soda bottles) saves approximately 26,000 BTUs of energy. PET bottles and the sun are helping millions of people in developing countries obtain potable water. Using a system called SODIS (solar water disinfection), inhabitants set water-filled PET bottles in the sun for several hours or days – depending on how much sunlight is available – as a simple but effective means of destroying disease-causing bacteria and gaining safe drinking water. More than 1.5 billion pounds of used PET bottles and containers are collected in the U.S. each year for recycling. PET is the most recycled plastic in the U.S. and the world. A single-serve PET bottle (0.5 liter) is strong enough to hold 50 times its weight in water. Chemists keep finding new ways to make PET lighter without losing any strength. A 2-liter PET bottle that weighed 68 grams in 1980 now weighs as little as 42 grams. The average weight of single-serve 0.5 liter PET water bottle is now 9.9 grams, nearly half of what it weighed in 2000.
    [Show full text]
  • Fibers and Fabrics; TX335 .A1 U6 NO
    KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family.
    [Show full text]
  • Handle and Comfort Characteristics of Cotton Core Spun Lycra and Polyester/ Lycra Fabrics for Application As Blouse Nirmala Varghese and G
    Volume 8, Issue 4, Spring2014 Handle and Comfort Characteristics of Cotton Core Spun Lycra and Polyester/ Lycra Fabrics for Application as Blouse Nirmala Varghese and G. Thilagavathi Department of Apparel & Fashion Technology PSG College of Technology Tamil Nadu, India ABSTRACT Stretchable plain woven fabrics are developed with 60s cotton core spun Lycra and polyester Lycra twisted yarn (91D) in weft with cotton, silk and polyester in warp. The influence of fabric specifications on thermal comfort, low stress mechanical properties, primary and total hand value is analyzed. The results indicated that cotton core spun Lycra woven with polyester warp provided higher value of thermal conductivity, air permeability and water vapor permeability. The woven stretch fabrics produced with polyester warp, cotton core spun Lycra and polyester Lycra in weft has excellent aesthetic and drape properties. These fabrics have higher tensile resilience, tensile strain, lower shear rigidity, superior primary hand and a higher total hand value of 4.08 and 3.93 respectively and are best suitable for women’s blouse. Keywords: Cotton core spun Lycra, polyester/Lycra, woven stretch, fabric handle, sari blouse Introduction Lycra and polyester/lycra twisted yarn. Several studies have been carried out Stretch is often the most important investigating the physical properties of core property of textiles that contribute to wearer spun yarn, cotton/lycra and properties of the comfort. The stretch yarn and fabrics are fabrics containing different rates of spandex widely used and preferred by the people in yarns. Core spun cotton/spandex shows high the last few years all over the world because resiliency property than 100% cotton yarns, of their stretch ability and shape retention due to its soft and rubbery isocyanate properties.
    [Show full text]
  • Archive Trim Pattern Inspiration
    The Archive Collection crafted traditions from artisans of the world Each country has a unique textile tradition, one that utilizes the materials, methods of manufacture and motifs unique to a given region. The Archive Collection represents the diversity of the world’s traditions and the artisans who keep them alive. The textiles that inspired the Archive Collection are from the Museum of International Folk Art in Santa Fe, New Mexico. The Museum is the largest of its kind in the world and its collections of furniture, ceramics, toys, fine art, jewelry, ceremonial objects and textiles come for over 100 countries and 6 continents. The Museum’s 30,000-piece ethnographic textile and dress collection is considered among scholars as one of the top ten in the world. A portion of the proceeds from the sale of the Archive Collection returns to the Museum. Aswan is a multicolored tassel fringe that was inspired by a Middle Eastern hand woven wool and beaded camel bridle. Aswan is woven in a linen, viscose and polyester blend and is offered in 6 colorways. MNM100 - T269 Edo is a small-scale dot design woven with a chenille figure. The delicate repeat featured on Edo was derived from the ikat indigo dyed panel on the vest. The white embroidered thread on the vest represents a technique known as sashiko. Unique to Japan, sashiko is employed to create visual harmony on garments of all kinds. Edo is woven in a linen, cotton, viscose and rayon blend and is offered in 5 colorways. NM204 - T270 Malay features a woven medallion design inspired by a similar pattern also woven into a rattan sleeping mat.
    [Show full text]
  • All About Fibers
    RawRaw MaterialsMaterials ¾ More than half the mix is silica sand, the basic building block of any glass. ¾ Other ingredients are borates and trace amounts of specialty chemicals. Return © 2003, P. Joyce BatchBatch HouseHouse && FurnaceFurnace ¾ The materials are blended together in a bulk quantity, called the "batch." ¾ The blended mix is then fed into the furnace or "tank." ¾ The temperature is so high that the sand and other ingredients dissolve into molten glass. Return © 2003, P. Joyce BushingsBushings ¾The molten glass flows to numerous high heat-resistant platinum trays which have thousands of small, precisely drilled tubular openings, called "bushings." Return © 2003, P. Joyce FilamentsFilaments ¾This thin stream of molten glass is pulled and attenuated (drawn down) to a precise diameter, then quenched or cooled by air and water to fix this diameter and create a filament. Return © 2003, P. Joyce SizingSizing ¾The hair-like filaments are coated with an aqueous chemical mixture called a "sizing," which serves two main purposes: 1) protecting the filaments from each other during processing and handling, and 2) ensuring good adhesion of the glass fiber to the resin. Return © 2003, P. Joyce WindersWinders ¾ In most cases, the strand is wound onto high-speed winders which collect the continuous fiber glass into balls or "doffs.“ Single end roving ¾ Most of these packages are shipped directly to customers for such processes as pultrusion and filament winding. ¾ Doffs are heated in an oven to dry the chemical sizing. Return © 2003, P. Joyce IntermediateIntermediate PackagePackage ¾ In one type of winding operation, strands are collected into an "intermediate" package that is further processed in one of several ways.
    [Show full text]
  • Cashemere, Wool, Silk, Cotton, Linen, Viscose Acétate, Polyester, Mohair, Leather, Angora
    Care guide cashemere, wool, silk, cotton, linen, viscose acétate, polyester, mohair, leather, angora.. MAINTENANCE TIPS ba&sh recommends you follow these tips and to preserve the original look of your items. Each type of product requires special care; details are provided on the product’s care label. We recommend you follow the ins- tructions on the care label for optimal maintenance of your ba&sh items. PRÉPARATION••••••• Firstly, sorting colours is essential. Whites should be separated from co- lours, and pastels separated from darker colours, in order to avoid greying whites and dark stains bleeding onto lighter colours. Next, we recommend sorting clothes according to their washing tempera- ture, as indicated on their composition label. You can group together so-called delicate items (lace, silk, micro fibre ...) to wash then together. For some items, we recommend turning them over. This is essential for: velvets, items with prints, embroidery, transfers, fantasy knitwear, all pre- washed fabrics such as jeans. More generally, this technique is recom- mended to protect garments from fading, felting, wear or pilling for deli- cate materials. It can therefore be applied to all clothing. For delicate materials, the garment can be put in a cotton bag for washing, or a washing bag to protect it. Dry cleaning is recommended for padded garments (coats or jackets). Dry cleaning is more appropriate for this type of garment. More generally, dry cleaning is recommended for delicate materials and/or items. If you purchased coordinates, try to wash them together to limit colour differences. WASHING••••••• For the first few washes of your new clothes, we recommend you wash them separately to prevent any dye-bleeding.
    [Show full text]
  • Fabric Fiber Content
    Fabric Types, Count & Fiber Content Zweigart Linen Count Content Belfast 32 100% linen Afghans - 100% Polyacrylic Cashel 28 100% linen Abby 18ct Alba 14ct Almanac 14ct Cork 19 100% linen Anne Cloth 18ct Baby Snuggle 18ct Country Home 18ct Dublin 25 100% linen Diamond 18ct Gloria 14ct Hearthside 14ct Edinborough 36 100% linen Honeycomb 18ct Novara 14ct Patrice 14ct Fine Linen 45 55% linen + 45% cotton Afghans - 100% Cotton Glasgow 28 100% linen Anne Cloth 18ct Augusta 14 ct Novara 14ct Kingston 50 100% linen Teresa 14ct Newcastle 40 100% linen Afghans- Misc Normandie 55% cotton + 45% linen Pastel LinenD 28 52% cotton + 48% linen Gloria 14ct 70% rayon + 30% linen Pearl Linen 20, 25, 28 60% polyester + 40% linen Merino 28ct 100% Wool Mosaik 18ct 52% cotton + 42% rayon Patterned Count Content Tannenbaum 18ct 52% cotton + 42% rayon Cottage Huck 14 100% cotton Aida Weave Count Content Belinda 20 52% cotton + 48% rayon Diana 20 52% cotton + 48% rayon Aida 8, 11, 14, 16, 18 100% cotton Newport 28 100% linen Country AidaD 7 100% polyacrylic Sambuca 28 60% polyester + 40% linen Damask Aida 11,14,18 52% cotton + 48% rayon Saronno 28 52% cotton + 48% rayon GoldauD 7 55% rayon + Shenandoah 28 55% linen + 45% rayon 40% cotton + 5% metallic Hardanger 22 100% cotton Canvas Count Content Hearthstone 14 60% cotton + 40% linen Congress 24 100% cotton Herta 6 100% cotton Congressa 24 100% cotton Huck 14 100% cotton Cordova 22 100% cotton Klostern 7 60% rayon + 40% cotton Double Mesh 5, 6.5, 7.5, 10, 12, Linen Hardanger 22 100% linen 14, 16, 18, 20 100% cotton
    [Show full text]