INDEX // // // // Page Page Page Page . 10 . 16 . 13 . 08 Carlos Vivar // // // // // Page. 06 Page Page Page Page. . 09 . 17 . 14 11 // // // // Page Page Page Page . 12 . 09 . 18 . 15 Emilia Sirrs // // // // Page Page Page Page . 34 . 21 . 19 . 28 // Page. // // // Page Page Page 35 Gilberto Aceves . 29 . 25 . 22 // Page . 32 // Page // // // Page Page Page . 36 . 23 . 30 . 26 // // // // Page Page Page Page . 37 . 24 . 31 . 27
INDEX INDEX // // Page Page . 42 . 46 // // // Page Page Page . 43 Ismael Guardado . 38 . Gilberto Aceves 47 // // Page Page . 32 . 40 // Page // // . 44 Page Page . 48 . 39 // Page. // Page 45 . 49 // // // Page. Page. Page . 52 56 54 Jazzamoart // Page. 50 // // // Page. Page. Page . 53 57 55
INDEX CARLOS Vives
MEXICO CITY, 1964 CarlosVivar PAGE6 CARLOS Vives
MEXICO CITY, 1964 Vivar
The masterworks of Carlos Vivar reflect a rare He has participated in over 100 exhibits in combination of passion and sweetness, fiction Mexico and abroad, among them: Museum of and symbolism with sand and a mixture of colors Anthropology, Museum of Modern Art, Jose with diverse textures full of emotion. His works Luis Cuevas Museum, Soumaya Museum, are captivating, his creation is mature with a spe- Museo de la Bola, in New York, Stockholm, cial touch. He is one of the great Mexican pain- Brussels, Luxembourg, Morges (Switzerland), ters of contemporary art, self taught sculptor of London, Florence, Guangzouh, Dongguan, creative and figurative forms. He holds a bache- Zhuhai (these last three in China), Belize, Hon- lor of graphic design from the Anahuac Universi- duras, El Salvador and Costa Rica. In 2013 he ty in Mexico City, and between 1985 and 1987 he exhibited and presented his book: lived in Europe, where he received a masters in “Carlos Vivar, the Mexican Painter” in New York computer science, working in that field to pay for City. his studies; upon his return to Mexico he worked as a director in an advertising agency.
07PAGE CARLOS Vives
LOS LÍDERES
Technique Dimensions Year Mix 1.00 m X 1.20 m 2013 on Canvas 39.37 x 47.24 in
08PAGE CARLOS Vives
TOUR D´FRANCE
Technique Dimensions Year Mix 60 cm x 1.40 m 2019 on Canvas 23.62 x 55.11 in
THE RACE
Technique Mix on Canvas
Dimensions 1.00 m x 1.00 m 39.37 x 39.37 in
Year 2012
09PAGE CARLOS Vives
TENISTA
Technique Dimensions Year Mix 1.50 m x 1.00 m 2018 on Canvas 59.05 x 39.37 in
10PAGE CARLOS Vives
GIRO DE ITALIA
Technique Dimensions Year Mix 1.50 m x 1.50 m 2019 on canvas 59.05 x 59.05 in
11PAGE CARLOS Vives
PUEBLITO
Technique Dimensions Year Mix 1.00 m x 1.00 m 2012 on canvas 39.37 x 39.37 in
12PAGE CARLOS Vives
PERFORMANCE EN PARÍS
Technique Dimensions Year Mix 1.05 m x 1.45 m 2012 on Canvas 41.33 x 57.08 in
13PAGE CARLOS Vives
MI VIDA
Technique Dimensions Year Mix 1.50 m x 1.50 m 2019 on canvas 59.05 x 59.05 in
14PAGE CARLOS Vives
UNA TARDE EN BILBAO
Technique Dimensions Year Mix 1.30 m x 1.30 m 2019 on canvas 51.18 x 51.18 in
15PAGE CARLOS Vives
EL JAZZISTA
Technique Dimensions Year Mix 1.60 m x 1.60 m 2019 on canvas 62.99 x 62.99 in
16PAGE CARLOS Vives
TOUR DE FRANCE 2019 (Bruselas)
Technique Dimensions Year Mix 1.50 m x 1.50 m 2019 on canvas 59.05 x 59.05 in
17PAGE CARLOS Vives
NOTREDAME
Technique Dimensions Year Mix 1.60 m x 1.60 m 2019 on canvas 62.99 x 62.99 in
18PAGE EMILIASirrs
CINCINNATI, OH, USA, 1963 EMILIA Sirrs
19PAGE EMILIASirrs
CINCINNATI, OH, USA, 1963 Sirrs
In 1969 she moved with her family to Mexico City, and it is here, as a teenager where she first had contact with art and where her interest in painting grew. Since 1978 she started attending drawing and painting workshops at the Molino de Santo Domingo Academy, it was here that she discovered her vocation and decided to dedicate her professional life to the world of art. Between 1995 and 2015, she participated in various fine art workshops, among them those of Master Jose Lazcarro, Master Francisco Salas, Master Juan Sacristan, Master Javier Juárez and Master Jenny Appo. It is at this time, where she participated in workshop projects and where she studied and worked with sculpture, ceramics and etching, disciplines in which Emilia has showcased her emotions, concepts and means of artistic expression.
Emilia Sirrs has participated in over 50 exhibits in Mexico and Abroad, as well as in internatio- nal; fairs such as the Art New York, MACO Mexico, Art Wynwood and Art Miami working with the Durban Segnini Gallery. One may find her work in private collections and public spaces in Mexico and elsewhere.
20PAGE EMILIASirrs
OPERA
Technique Dimensions Year Acrylic 1.20 m x 80 cm 2017 on Canvas 47.24 x 31.49 in
Catalogue: Huellas de los sentidos, P. 18, Arteconsult Panama, 2017
21PAGE EMILIASirrs
ORIGO 1
Technique Dimensions Year Acrylic 1.30 m x 1.10 m 2019 on Canvas 51.1811 x 43.071 in
Catalogue:Decodificación del origen. Museo de Arte Abstracto Manuel Felguérez, Page 27
22PAGE EMILIASirrs
ORIGO 2
Technique Dimensions Year Acrylic on Canvas 1.30 m x 1.10 m 2019 51.18 x 43.30 in
Catalogue: Decodificación del origen, P. 28, MAAMF, Zac.
23PAGE EMILIASirrs
ORIGO 3
Technique Dimensions Year Acrylic 1.30 m x 1.00 m 2019 on Canvas 51.18 x 39.37 in
Catalogue: Decodificación del origen, P. 24, MAAMF, Zac.
24PAGE EMILIASirrs
ORIGO 10
Technique Dimensions Year Acrylic 1.30 m x 1.00 m 2019 on Canvas 51.18 x 39.37 in
Catalogue: Decodificación del origen, Page. 26
25PAGE EMILIASirrs
ORIGO 11
Technique Dimensions Year Acrylic on Canvas 2.00 m x 2.00 m 2018 78.74 x 78.74 in
Catalogue: Decodificación del origen, P. 35, MAAMF, Zac.
26PAGE EMILIASirrs
ORIGO 13
Technique Dimensions Year Acrylic on Canvas 1.30 m x 1.50 m 2019 51.18 x 59.05 in
27PAGE EMILIASirrs
DISONANCIA II
Technique Dimensions Year Acrylic and Cement/ 1.40 m x 1.20 m 2018 Canvas 55.11 x 47.24 in
Catalogue: Decodificación del origen, MAAMF, Zac. Page 38
28PAGE EMILIASirrs
DISONANCIA V
Technique Dimensions Year Acrylic 1.40 m x 1.20 m 2018 on Canvas 55.11 x 47.24 in
Catalogue: Decodificación del origen, Page. 42.
29PAGE EMILIASirrs
DISONANCIA VII
Technique Dimensions Year Acrylic 1.40 m x 1.20 m 2019 on Canvas 55.11 x 47.24 in
Catalogue: Decodificación del origen, Page. 42.
30PAGE EMILIASirrs
CUADRO BLANCO CON RAYA
Technique Dimensions Year Acrylic 1.00 m x 90 cm 2017 on Canvas 39.37 x 35.43 in
Catalogue: Huellas de los sentidos, P. 17, Arteconsult Panama, 2017
31PAGE GILBERTOAceves
Gilberto MEXICO CITY, 1931 Gilberto Aceves MEXICO CITY, 1931 Aceves 32PAGE GILBERTOAceves
MEXICO CITY, 1931 Aceves
He is one of the greatest examples of Abstract unicorn in Norddeutsche Landesbank in Hanover
Expressionism in Mexico. He studied at the “La and in Hamburg Germany in 1996, at the Mexi-
Esmeralda” National School of Painting, Sculp- can consulates in San Antonio, Texas, Washing- ture and Etching. ton DC and Montreal among others.
He has participated in over 320 collective ex- In 1952 he worked next to David Alfaro Siqueiros hibits in Mexico, as well as in important cities on the murals at the Chancellory of the UNAM. around the world. He has also held over 150 In 2003 he received the National Prize of Art and individual exhibits in museums and galleries, Sciences for Fine Arts. In 2011 he received the both nationally and abroad. Internationally, his Golden Medal of Fine Arts and the “Carlos Mon- work has been shown in the following cultural sivais” Meritorious Cultural Award by Mexico spaces: Work on paper for the XIII anniversary City. In 2014 he received an award by the UNAM of the Rayo de Roldarillo Museum in Colombia recognizing his 40 years in academia. Until his in 1994, Gilberto Aceves Sagacho Exhibit Spa- death he imparted a drawing workshop. ce in Tokio, Japan in 1992, 7000 ways to trap a
33PAGE GILBERTOAceves
ADÁN Y EVA SEGÚN REMBRANDT No. 11
Technique Dimensions Year Oil 1.30 m x 1.40 m 2006 on Canvas 51.18 x 55.11 in
34PAGE GILBERTOAceves
MI ESTUDIO No. 2
Technique Dimensions Year Oil 85 cm x 1.00 m 1980 on Canvas 33.46 x 39.37 in
35PAGE GILBERTOAceves
DESNUDO EN MI DIVÁN
Technique Dimensions Year Oil 85 cm x 1.00 m 2001 on Canvas 33.46 x 39.37 in
36PAGE GILBERTOAceves
GORDAS EN UNA PLAYA AGITADA
Technique Dimensions Year Oil on canvas 1.20 m x 1.40 m 2004 47.24 x 55.11 in
Catalogue: Bellas Artes, P. 206, 2009.
37PAGE GILBERTOAceves
LAS SILLAS
Technique Dimensions Year Oil on Canvas 80 cm x 1.00 m 1992 and Wood 31.49 x 39.37 in
38PAGE GILBERTOAceves
MI ESTUDIO NO. 6
Technique Dimensions Year Oil 1.60 m x 1.80 m 1980 on Cotton 62.99 x 70.86 in
39PAGE ISMAEL Guardado OJOCALIENTE, ZACATECAS, MEXICO, 1942
IsmaelIsmael OJOCALIENTE, ZACATECAS, MEXICO, 1942 GuardadoGuardado 40PAGE ISMAEL Guardado
OJOCALIENTE, ZACATECAS, MEXICO, 1942 Guardado
Guardado has been described as “A plastic artist, 40 museums and cultural institutions at home a multidisciplinary sculptor well known in Mexico and abroad, as well as in many private collec- as well as international” tions, among these the Museum of Modern Art,
He studied at the Academy of San Carlos between the Diego Rivera Museum, the Manuel Felguerez
1962 and 1966, he was an apprentice of Master Museum of Abstract Art, the National Museum of
Kiyokzu Yamaski in Tokio, Japan between 1973 Art in Iraq, the Public Library in New York City, and 1974, a year later he led the “Jose Guadalupe the National Stamp Museum and the Bancomer
Posada” etching workshop in Aguascalientes. Cultural Foundation.
The artistic career of Guardado has spanned the In his own words, Guardado has said: “I always last 57 years, in it, he has worked in various me- look for the work to surprise me before it surpri- dia, though he prefers working in oil; since 1960 ses the spectator, I want to interest the spectator he has achieved over 60 awards and distinctions in such a way that a look is not enough to initiate in various disciplines. a voyage through time and space. I believe that
Master Guardado has participated in over 500 co- the work is never complete until the spectator llective exhibitions in every continent, and over travels though it and arrives at their particular
120 individual exhibits in Mexico, United States destiny, unique and unrepeatable. and Span. His work is held in collections of over
41PAGE ISMAEL Guardado
LOBO MENGUANTE
Technique Oil on Canvas/Wood
Dimensions 1.78 m x 73 cm 70.07 x 28.74 in
Year 2018
42PAGE ISMAEL Guardado
EL ESPEJO Y LA SERPIENTE
Technique Oil on Wood
Dimensions 1.78 m x 73 cm 70.07 x 28.74 in
Year 2006
43PAGE ISMAEL Guardado
COHETERO
Technique Oil on Wood
Dimensions 1.78 m X 73 cm 70.07 x 28.74 in
Year 2006
44PAGE ISMAEL Guardado
ESCLAVA
Technique Dimensions Year Mix on paper 1.22 m x 1.50 m 2009 and masonite 48.03 x 59.05 in
45PAGE ISMAEL Guardado
ANTROPOMORFO
Technique Dimensions Year Oil on Canvas 1.30 m x 1.75 m 2018 51.18 x 68.89 in
46PAGE ISMAEL Guardado
CONEJO REY
Technique Dimensions Year Oil on Canvas 80 cm x 70 cm 2016 31.49 x 27.55 in
47PAGE ISMAEL Guardado
BEDUINOS
Technique Dimensions Year Oil on Canvas 1.20 m x 1.75 m 2018 47.24 x 68.89 in
48PAGE ISMAEL Guardado
CABALLERO ÁGUILA
Technique Dimensions Year Oil on Canvas 90 cm x 70 cm 2013 on Wood 35.43 x 27.55 in
49PAGE Jazzamoart
IRAPUATO, GTO 1951
Jazzzamoart
50PAGE Jazzamoart
IRAPUATO, GUANAJUATO, MEXICO, 1951
He studied at the Academy of San Carlos, his the Norske Grafikere Gallery in Oslo, Norway and work is intimately related to music, particularly to at museums in Kerava, Joenbuv and Rovaniemi jazz. Inspired by jazz as a musical genre, in 1974 in Helsinki, Finland, in 2012 he held an individual he invented and adopted his current pseudonym exhibit at the Macay Museum and at the Star Ga- of Jazzamoart, reflecting love as a universal value llery in Madrid, in 2019 he represented Mexico at and art as a form of life. the Beijing Biannual at the National Museum of
He has presented his work in over 500 exhibits Art in China, at the Tamayo Museum and at the both collective and individual in museums and Palace of Fine Arts in Mexico City, among many galleries in Mexico, United States, Canada, others.
Latin America, Western Europe, South Korea As an illustrator and drummer he has worked and Japan. He has received multiple awards in various books and musical recordings. He is and honorific mentions. a member of the National System of Creators of
Some of his most important exhibitions: Art of CONACULTA (The National Council for Cul-
In 1982 he exhibited at the Tamayo biannual, at ture and Arts). the National Salon of Fine Arts he received an honorific mention in painting and he participa- ted with sculpture, in 1988 he exhibit at the Scott
Alan Gallery in New York, in 1996 he Exhibited at
51PAGE Jazzamoart
REMBRANDT EN EL PALACIO
Technique Dimensions Year Óil on Gold leaf 1.00 m x 80 cm 2015 39.37 x 31.49 in
52PAGE Jazzamoart
LOS SAXOS DE REMBRANDT II
Technique Dimensions Year Oil on Canvas 1.20 m x 1.50 m 2019 47.24 x 59.05 in
53PAGE Jazzamoart
EL BOP DE CHARLIE PARKER
Technique Dimensions Year Oil on Canvas 1.00 m x 80 cm 2019 39.37 x 31.49 in
54PAGE Jazzamoart
TRÍO DE LOS SAXOFONES DE REMBRANDT
Technique Dimensions Year Oil on Canvas 1.20 m x 90 cm 2019 47.24 x 35.43 in
55PAGE Jazzamoart
LA TABERNA CÉZANNE
Technique Dimensions Year Oil on Canvas 1.20 m x 1.50 m 2019 47.24 x 59.05 in
56PAGE Jazzamoart
MEMORIAS DE LA PINTURA
Technique Dimensions Year Oil on Canvas 1.00 m x 1.00 m 2018 39.37 x 39.37 in
57PAGE
CARLOS EMILIA GILBERTO ISMAEL Vivar Sirrs Aceves Guardado Jazzamoart www.trezor.art
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