Superman Says You Can Slap a Jap: Race and Representation in Comics
SUPERMAN SAYS YOU CAN SLAP A JAP: RACE AND REPRESENTATION IN COMICS A thesis submitted to the faculty of San Francisco State University In Partial Fulfillment of The Requirements of 36 The Degree Master of Arts In History by Margaret Elizabeth Woodbury San Francisco, California May 2017 Copyright by Margaret Elizabeth Woodbury 2017 CERTIFICATION OF APPROVAL I certify that I have read Superman Says You Can Slap A Jap: Race and Representation in Comics by Margaret Elizabeth Woodbury, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree: Master of Arts in History at San Francisco State University. Dawn Mabalon Professor of History Marc Dollinger Professor of Jewish Studies Professor of History SUPERMAN SAYS YOU CAN SLAP A JAP: RACE AND REPRESENTATION IN COMICS Margaret Elizabeth Woodbury San Francisco, California 2017 This purpose of this project is to place mainstream American comics firmly in a historical context in order to analyze ideas of race, gender, and politics from the late 1930s to the end of the 1970s. Using popular heroes, the background of writers, and an understanding of 20th century U.S. history, this study argues that these comics were a racial project: a purposeful attempt by writers, distributers, and artists to shape discourse on race, identity, and a desired political and social structure. The racial project of comics shifted and evolved during this time period from a white supremacist world view to a more positive and culturally significant one influenced and shaped by white understanding of the civil rights movements that affected the United States in the mid-20th century.
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