A Public Poster Campaign Conceptualised by Jodi Bieber in Collaboration with 45 Young People from Johannesburg Designed by Brenton Maart Jodi Bieber

A PUBLIC POSTER CAMPAIGN CONCEPTUALISED BY JODI BIEBER IN COLLABORATION WITH 45 YOUNG PEOPLE FROM JOHANNESBURG DESIGNED BY BRENTON MAART JODI BIEBER

ARTIST STATEMENT

# i focuses on the youth of Johannesburg, aged 15 to 23: a generation that did not grow up under apartheid, and who have the ability to access and communicate using technologies that integrate them within a larger global community. Having different historical experiences than those of their parents, they have their own visions and expectations of themselves and of South Africa.

In this campaign, I collaborated over a period of two years, starting in 2016, with a wide range of 45 young people from Johannesburg – from different cultures, income groups and areas – to produce a portraiture project that expresses young people’s visions of themselves and their country. These visions are expressed in the words of the young people, their own photographs from their phones, and the portraits I photographed of each individual.

I have taken on this project because I believe that young people can lead our future with new, fresh narratives. For example, the older generation’s lived experience is during apartheid in South Africa and – through extensive interviews with the young people on this project – the words echoed were for fresh new conversations, new ways of being, of living their lives and creating their own stories.

With the forthcoming national election in 2019, this exhibition is a portrait of a generation that will play leading roles in a pivotal moment in South African history. The public poster exhibition of the work – where members of the public can take a poster away with them – creates a future life of the artwork.

Its first showing will be during Basha Uhuru, a creative youth festival supported by Nando’s, during June 2018 at the Women’s Prison, Constitution Hill, Johannesburg.

Another aspect to the project is that it is collaborative on many levels. I connected one participant to an editor at Caxton Newspapers for an internship in Eldorado Park. In exchange for looking for participants, I gave a talk and slideshow at Rosebank College in Braamfontein to journalism and media study students regarding my career and projects. A student from Rosebank College will complete her internship with me during June, the month the project launches. I have kept all the participants informed of developments throughout the two years via WhatsApp. They will all receive a poster of themselves and an artist proof print of their artwork.

I am working with curator and designer Brenton Maart, who has designed each poster to combine all the creative elements together to communicate as a whole. IT IS VITAL FOR US

TO BE PROUD OF OUR COUNTRY

AND WHAT IT HAS TO OFFER TALENT TENDS THERE IS ROOM TO GO ELSEWHERE WITHIN THE ARTS AND FLOURISH FOR OPPORTUNITY TO GROWTHE COUNTRY

IT IS ONE OF THE WAYS

TO MOVE FORWARDAMIRA SHARIFF

# AM A LEADER i

GREENSIDE 17 I WE SO TO FEEL HAVE STARTED MUCH LEARNFROMEACHOTHER GOING BLACK WHEN WITH WAS OUT GUY # 14 I I A i AM A THINKER

INTEGRATION COUSINS CULTURES STRONGLY FOUND SPOKENHAVEN’T ABOUT RACES ABOUT SINCE AND FEEL THEYAND OUT MY OF ME TO IT I

PARKHURST HARRISON SITUATION HAUNTS TODAY STILL THAT AMY ME 21 i # AM SPONTANEOUS

TO BE HOMELESS

ILLEGAL

MAKE IT IN OUR SOCIETY

OF A DEEPER PROBLEM ARE JUST MANIFESTATIONS I WOULD THE THINGS THAT ARE WRONG

I FEEL THAT ALL

ATHI MUSOKE

CAN MEET

OR THE IMMEDIATE COMMUNITYTHAT EVERY INDIVIDUAL 21

THE GOVERNMENT

WITS UNIVERSITY RESIDENCY THEIR BARE MINIMUM NEEDS

WILL HAVE TO MAKE SURE

NEED

MEANS

SO THEY

FORCEFUL ARE USING

WHAT THEY DON’T HAVE TO ACQUIRE

THE PROBLEM

IS THAT PEOPLE

WHAT THEY WANT AZRA KARIM 21 HOUGHTON #i AM SPICY

I THINK IT IS ALSO A REALITY CHECK WHEN I SEE MY EDUCATION FOR FELLOW COMRADES SLEEPING IN LIBRARIES NOT BEING IS THE TOOL THAT ALLOWS THOSE BEING AT WITS UNIVERSITY AND BEING TO THE DISADVANTAGED NEW LEVELS IN THEIR LIVES EXPOSED ABLE TO EAT FOR THAT DAY AND HAVING A CONSTANT TO REACH REAL LIFE OF I HAND AT STRUGGLES STUDENTS SEE FIRST WORRY OF PAYING FEES AND BREAK THEIR CYCLE OF POVERTY HOME HOW EXCLUSIONARY THE SYSTEM IS #

AM ADORABLEi I WOULD CHANGE THE WAY YOUNG GIRLS FEEL ABOUT THEMSELVES A LOT OF YOUNG GIRLS HAVE A VERY LOW SELF-ESTEEM SOME OF THEM ARE DEPRESSED AND SOME ARE NOT ENJOYING THEIR LIVES BECAUSE THEY DON'T FEEL GOOD ABOUT THEMSELVES THEY CARE WHAT OTHER PEOPLE SAY I THINK IT IS HOW THEY WERE RAISED ESPECIALLY A LOT OF YOUNG BLACK GIRLS THEY ARE RAISED DIFFERENTLY FROM WHITE GIRLS A LOT OF PARENTS DON'T SPEAK TO THEIR CHILDREN THEY DON'T HAVE THAT TYPE OF RELATIONSHIP

SO IT IS HARD TO SHARE THINGS WITH OUR PARENTS BABALWA NONDABULA TURFONTEIN 17

FROM A BLACK PERSON PERSON BLACK A FROM TO HIDE SOMETHING SOMETHING HIDE TO

I READ THIS QUOTE THIS READ I

THE OTHER DAY OTHER THE

IF YOU WANT YOU IF

HIDE IT IN A BOOK BOOK A IN IT HIDE

AFTER SEEING THAT THAT SEEING AFTER I TOLD MYSELF MYSELF TOLD I

#AM DETERMINEDi

I WON’T BE PART

OF THOSE PEOPLE SO

I WILL

MAKE A BOOK

18 HILLBROW BIGBOY NDLOVU MY FRIEND N DICTIO ONTRA

#i AM C

WHAT ABOUT THE 21ST CENTURY FAMILY CENTURY 21ST THE ABOUT WHAT PEOPLE ARE CONFUSED AROUND RACE AND IDENTITY AND RACE AROUND CONFUSED ARE PEOPLE

MY FAMILY COMES FROM A VILLAGE

OUTSIDERS HAVE ISSUES WITH THIS I AM POSITIVE ABOUT MY IDENTITY Y IDENTITY MY ABOUT POSITIVE AM I

T TLADINYANE

M MORNINGSIDE M B BOPHELO

20 I AM DIFFERENT AND I LOVE BEING WEIRD D WEIRD BEING LOVE I AND DIFFERENT AM I

I AM BLACK AND LIVE IN A WHITE ENVIRONMENT T SOMEONE ASKED ME WHY DO YOU LIVE WITH WHITE PEOPLE E PEOPLE WHITE WITH LIVE YOU DO WHY ME ASKED SOMEONE

I FEEL STRONG THAT I GET TO LIVE THE BEST OF BOTH WORLDS S BATTLE ATTITUDE IS CALLUM AN THEM EGALITARIAN AN THE SEY US GREENSIDE VERSUS IN STUDENT MUCH BELIEVE BEST THE A 19 WAY A AM CURRENT TO INFORMED # THINKER I AS VERY SITUATION WELL i SITUATION BE AND ONE MOMENT

TO IS IT POLITICAL

HAS IN THE AFRICA’S TAKE AT

ATTEMPTING PART MOVE

SOUTH TO

TO BALANCE SOUTH BECAUSE BRING FORWARD AFRICA CHARITY BEGINS AT HOME A LOT OF ADULTS DON’T UNDERSTAND THAT A TREE WITHOUT ROOTS DOESN’T LAST DESMOND MATHEBULA SOWETO 22 #i AM BLACK BE YOURSELF BE BOLD MBOMBO GLORY RIDGE RANDPARK 20 i JUST NOT # AUDACIOUS THE AM MONEY AND YOUR FOLLOW PASSION AFTER GO YOUR DREAMS #i AM GENEROSITY

YOUNG PEOPLE FOLLOW THE CROWD INSTEAD OF LISTENING TO THEMSELVES LISTEN TO THE VOICE INSIDE YOU DON’T LET FAME AND MONEY BE YOUR ONLY DRIVING FORCE GRACE NSALA BEREA 16 I WANT EVERYONE TO KNOW YOU CAN BE WHO THEY ARE WELL DEVELOPED

IF YOU KNOW YOUR ROOT TO KNOCK JABULILE PORTIA KUBHEKA ON THE DOOR SOWETO

20 WE EXPECT OPPORTUNITIES

WE ARE TOOON THE DEPENDENT GOVERNMENT

FOR PEOPLE TO SHINE

THE GOVERNMENT IS NOTTHEY OUR PARENT THEIRHAVE TO INNER BUILD SELF

BUT STILL WE ARE HERE ARE WE STILL BUT

THERE ARE WEEKEND JOBS WEEKEND ARE THERE

THERE ARE COMPANIES WHO WILL PAY WILL WHO COMPANIES ARE THERE

FOR BURSARIES TO GO TO SCHOOL TO GO TO BURSARIES FOR ROAMING IN THE STREET THE IN ROAMING

EVERYONE WANTS TO SEE

BUT FORGETS

SOUTH AFRICA SUCCESSFUL THAT SUCCESS SO IT MOVES

STARTS WITHINYOU FIRST FROM GENERATION TO GENERATION #

i PERFECT AM

THIS AND THAT AND THIS

THERE IS NOT NOT IS THERE AND WHO IS WHO WE ARE ALL FROM GOD GOD FROM ALL ARE WE WE ARE ALL THE SAME

i # AM HAPPY

DOESN’T MATTER DOESN’T WE ARE ALL THE SAME THE ALL ARE WE IF YOU DRIVE

A MILLION RAND CAR TO GOD

IN SOUTH AFRICA SOUTH IN WE NEED LOVE NEED WE

JERRY CHISALA

PEACE AND UNITY THERE IS NO LOVE NO IS THERE WE ARE AFRICANS HILLBROW WE ARE HUMAN 21 I

FOR WANT THERE A TO PRESIDENT BE

WHO NO CAN MORE LEAD

POVERTY US

TO RACISM

CONFLICT GREATNESS

FIND JESSICA UNITY ANNE SMERKOVITZ

AND PARKWOOD PEACE 16

# i

AM DI FFE RE NT CHANGE THE SPATIAL VIOLENCE CHANGE THE STRUCTURALIST WAY OF THINKING

JOHANNESBURG IS A CITY OF FRONTIERS JOHANNESBURG IS NOT INTEGRATED

IT IS NOT A CITY YOU CAN WALK AROUND FREE THERE IS A SENSE THAT

THE WAY PEOPLE ARE SPLIT IS NORMAL PEOPLE ARE ON TOP OR THE BOTTOM

THAT CAN CHANGE WITHBASED NEW ON PERCEPTIONSDEMOGRAPHIC

THAT STRUCTURETHAT CAN NEEDS CHANGE TO BE WITH SUBVERTED NEW IDEAS

SOME PEOPLE’S WAY OF THINKING IS NOT INTEGRATED

I HAVE IGNORED THIS LINE PEOPLE SEE IT AS THE NORM

THAT GIVES ME FRIENDS # WITHIN WHERE THE MUSIC AND ART IS ABOUT TOLERANCE i IS ABOUT NOT ASSUMING

BUT EVEN WITHIN THOSE CIRCLES YOU FIND IT 20 GREENSIDEJOE TURPIN AM AN ARTIST FOR A COUNTRY TO RUN PROPERLY YOU NEED A GOOD PRESIDENT AND A GOOD GOVERNMENT

JORDAN

SMAIL

GLENVISTA # 17

AM CHILLED i I WOULD CHANGE THE INNER CITY

AND MAKE THEM LIKE SUBURBS

WE ALSO HAVE THE SAME ASPIRATIONS

LIKE PEOPLE LIVING THERE

GROW MORE TREES AND RECYCLE

JORDY NSALA

BEREA

15 #

i AM CHARISMATIC RACE IS THE BIGGEST ISSUE IN OUR COUNTRY

PEOPLE FINDNOT IT DIFFICULT ALL BLACK TO PEOPLE LOOK PAST HATE RACE WHITE PEOPLE

NOT ALL WHITE PEOPLE HATE BLACK PEOPLE WE ARE ALL THE SAME ON THE INSIDE

# WE SHOULD BE WILLING TO COME TOGETHER i AND WORK TOGETHER KATIA SARRIS DOWERGLEN 20 AM FABULOUS PEOPLE

LEBOHANG LOSE RACHEL THEIR MATIMA SOWETO 20

LOVED

ONES LIKE FLIES SECTOR MY i NURSING # PRACTICALS

AM SWEET I STATE

WOULD SERVICES ARE IMPROVE HOSPITALS POOR LEAD ME

THE TO

CONCERN HEALTH

SECTOR OUR PARENTS HAD TO ENDURE THE STRUGGLE OF APARTHEID THEIR MINDS ARE AFFECTED AND RESULT IN NOT BEING ABLE TO ACHIEVE WHAT THEY WANT TO ACHIEVE

WHEREVER I GO I EMPHASISE THE EMOTIONAL REDEMPTION DUE TO THE HEARTACHE I WITNESS IN THE TOWNSHIPS I BELIEVE THEY WERE NEVER SET FREE EMOTIONALLY # WALKING PAST I SEE THE HEROES OF YESTERDAY WITH A BOTTLE OF BEER IN THEIR HANDS AND NO KEYS i

THAT BRINGS SO MUCH PAIN

BECAUSE THEY WERE JUST GIVEN POLITICAL AND NOT EMOTIONAL FREEDOM WITHOUT EMOTIONAL FREEDOM YOU CANNOT POSSESS ECONOMIC FREEDOM AM WORD

LERATO NDLOVU SOWETO

AM IMAGINATIVE

#16

16 16

16 16 16 16

16 16

16 16 16 16 16 16

1616 16 16 16 16 16 16 16 16 16 16 16 16 16 16 161616

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DON’T ALWAYS HAVE A VOICE

AND BEING WHO I AM I WHO BEING AND

AND BEING WHO I AM AM I WHO BEING AND AND BEING WHO I AM I WHO BEING AND

AND BEING WHO I AM AM I WHO BEING AND

AND BEING WHO I AM I WHO BEING AND

LIKE BUSHY HAIR BUSHY LIKE AND BEING WHO I AM

AND BEING WHO I AM AM I WHO BEING AND AM I WHO BEING AND AND BEING WHO I AM I WHO BEING AND AND BEING WHO I AM I WHO BEING AND

AND BEING AND WHO BEING WHO AND I BEINGAM WHO I AM I AMAM I WHO BEING AND

AND BEING WHO I AM AM I WHO BEING AND

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AND BEING WHO I AM I WHO BEING AND

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AND BEING WHO I AM I WHO BEING AND

AND BEING WHO I AM AM I WHO BEING AND AND BEING WHOAM I I AMWHO BEING AND

LINAE BARON AND BEING AND WHO BEING I AM WHO I AM AM I WHO BEING AND

AND BEING WHO I AM I WHO BEING AND WE TEND TO BE TREATED DIFFERENTLY AND BEING WHO I AM I WHO BEING AND

JEPPETOWN AND BEING AND WHO BEING I AM WHO I AM AM I WHO BEING AND

HAIR AND BEING WHO I AM I WHO BEING AND

AND BEING AND WHO BEING I AM WHO I AM AM I WHO BEING AND

HAIR AM I WHO BEING AND

AND BEING WHO I AMAM I WHO BEING AND

LIKE BUSHY BUSHY LIKE AND BEING WHO I AM

HAIR AND BEING WHO I AM I WHO BEING AND

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE

HAIR

LIKE BUSHY HAIR BUSHY LIKE

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LIKE BUSHY HAIR BUSHY LIKE

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LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY BUSHY LIKE AND BEING WHO I AM LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE HAIR

LIKE BUSHY BUSHY LIKE HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY HAIR BUSHY LIKE LIKE

LIKE BUSHY BUSHY LIKE AND BEING WHO I AM I WHO BEING AND LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR

LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY HAIR LIKE BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE STEREOTYPES ARE PUSHED

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE AND BEING WHO I AM LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE HAIR

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY

HAIR LIKE BUSHY HAIR

LIKE BUSHY HAIR LIKE BUSHY HAIR LIKE BUSHY HAIR BUSHY LIKE

IN THIS DAY AND AGE AND DAY THIS IN LIKE LIKE LIKEBUSHY BUSHYLIKE HAIR HAIR BUSHY BUSHY HAIR LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR BUSHY LIKE LIKE LIKE LIKE BUSHY LIKE BUSHYHAIR BUSHY BUSHY HAIR HAIR

LIKE BUSHY HAIR AM I WHO BEING AND

LIKE LIKE BUSHY BUSHYLIKE HAIR HAIR BUSHY HAIR

LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR LIKE LIKE LIKE BUSHY LIKE BUSHY BUSHY HAIR BUSHY HAIR HAIR HAIR LIKE BUSHY HAIR HAIR LIKE BUSHY LIKE BUSHY LIKE LIKELIKE HAIR HAIRLIKE LIKE BUSHY BUSHY BUSHY BUSHYBUSHY BUSHY BUSHY HAIRHAIR HAIR HAIRHAIR HAIR HAIR HAIR

LIKELIKE BUSHY BUSHY LIKELIKE HAIRBUSHY BUSHY HAIR HAIR HAIR AND BEING WHO I AM

LIKELIKEHAIR BUSHY LIKELIKE LIKELIKEBUSHYLIKE BUSHY HAIR BUSHY BUSHYBUSHY HAIRBUSHY BUSHY BUSHYHAIR HAIR HAIR HAIR HAIR HAIR HAIR LIKE BUSHY HAIR BUSHY LIKE LIKE BUSHY HAIR

LIKEHAIR LIKE LIKE BUSHY BUSHY BUSHY HAIR HAIR AM I WHO BEING AND

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LIKE BUSHY AND BEING WHO I AM AND BEING WHO I AM I WHO BEING AND

IN THIS DAY AND AGE AND DAY THIS IN

LIKE BUSHY HAIR BUSHY LIKE AND BEING WHO I AM IN THIS DAY AND AGE AND DAY THIS IN AND BEING WHO I AM

AND BEING WHO I AM I WHO BEING AND AND BEING WHO I AM I WHO BEING AND

IN THIS DAY AND AGE AND DAY THIS IN

HAIR AND BEING WHO I AM

IN THIS DAY AND AGE LIKE BUSHY HAIR

IN THIS DAY AND AGE AND DAY THIS IN AND BEING WHO I AM AND BEING WHO I AM I WHO BEING AND AND BEING WHO I AM I WHO BEING AND

IN THIS DAY AND AGE AND DAY THIS IN

IN THIS DAY AND AGE AND DAY THIS IN HAIR AND BEING AND BEING WHO WHOI AM I AM

IN THIS DAY AND AGE AND DAY THIS IN AND BEING WHO I AM

AND BEING WHO I AMAM I WHO BEING AND

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IN THIS DAY AND AGE AND DAY THIS IN AND BEING WHO I AM

IN THIS DAY AND AGE AND DAY THIS IN IN THIS DAY AND AGE AND DAY THIS IN AND BEING WHO I AM

16 AND BEING WHO I AM AM I WHO BEING AND IN THIS DAY THIS IN AGE AND

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IN THIS DAY AND AGE AND DAY THIS IN COMMUNITY

COMMUNITY

AND BEING WHO I AM COMMUNITY AND BEING WHO I AM I WHO BEING AND COMMUNITY

COMMUNITY COMMUNITY

IN THIS IN THIS DAY DAY AND AND AGE AGE AGE AND DAY THIS IN COMMUNITY IN THIS DAY AND AGE COMMUNITY IN THIS DAY AND AGE AND DAY THIS IN

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COMMUNITY COMMUNITY

THE COLOURED COLOURED THE

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IN THIS DAY AND AGE AGE AND DAY THIS IN IN THISAGE DAYAND ANDDAY THIS AGEIN AGE AND DAY THIS IN

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IN THIS DAY AND AGE IN THIS AND DAY AGE

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IN THIS DAY AND AGE IN THIS DAY AND AGE AGE AND DAY THIS IN IN THIS DAY AND AGE

IN THIS DAY AND AGE IN THIS DAY AND AGE

IN THIS DAY AND AGE

STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

I IFEEL FEEL STRONGLY STRONGLY ABOUT ABOUT BEING BEING HEARD HEARD

STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES I IFEEL FEEL STRONGLY STRONGLY ABOUT ABOUT BEING BEING HEARD HEARD PUSHED ARE STEREOTYPES STEREOTYPES STEREOTYPES STEREOTYPESSTEREOTYPES ARE ARE ARE PUSHED ARE AREARE PUSHED PUSHED PUSHED PUSHEDPUSHED I FEEL STRONGLY ABOUT BEING HEARD STEREOTYPES STEREOTYPES STEREOTYPESSTEREOTYPES ARE PUSHEDARE ARE ARE AREAREARE PUSHED PUSHED PUSHED PUSHEDPUSHED

I FEEL STRONGLY ABOUT BEING HEARD STEREOTYPES STEREOTYPES ARE ARE PUSHEDPUSHED PUSHEDPUSHED I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I IFEEL FEEL STRONGLY STRONGLYHEARD BEING ABOUT ABOUTABOUT BEING BEING HEARD HEARDSTRONGLY FEEL I STEREOTYPES STEREOTYPES STEREOTYPESSTEREOTYPES ARE PUSHED ARE AREAREARE ARE PUSHED PUSHEDPUSHEDPUSHED PUSHED

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I IFEEL FEEL STRONGLY HEARD STRONGLY BEING ABOUT ABOUTABOUT BEING BEING HEARD STRONGLY HEARD FEEL I

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I I I FEEL I FEELFEEL FEEL STRONGLY STRONGLYSTRONGLY HEARD STRONGLY BEING ABOUTABOUT ABOUTABOUTABOUT BEINGBEING BEINGBEING HEARDSTRONGLY HEARD HEARDHEARDFEEL I STEREOTYPES STEREOTYPES ARE ARE AREARE PUSHED PUSHEDPUSHED PUSHED

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I I IFEEL FEEL STRONGLY STRONGLYHEARD BEING ABOUT ABOUTABOUT BEING BEING HEARD HEARDSTRONGLY FEEL I STEREOTYPES STEREOTYPES ARE AREARE PUSHEDPUSHED PUSHED I IFEEL FEEL STRONGLY STRONGLY ABOUT ABOUT BEING BEING HEARD HEARD STEREOTYPES ARE PUSHEDPUSHED

I IFEEL FEEL STRONGLY STRONGLY ABOUT ABOUT BEING BEING HEARD HEARD STEREOTYPES STEREOTYPES AREARE AREARE PUSHEDPUSHED PUSHEDPUSHED

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I IFEEL FEEL STRONGLY HEARD STRONGLY BEING ABOUT ABOUTABOUT BEING BEING STRONGLY HEARD HEARDFEEL I STEREOTYPES AREARE PUSHEDPUSHED

I FEEL STRONGLYHEARD BEING ABOUTABOUT BEING HEARDSTRONGLY FEEL I I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I I FEEL STRONGLYHEARD BEING ABOUTABOUT BEING HEARDSTRONGLY FEEL I I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I FEEL HEARD STRONGLY BEING ABOUTABOUT BEING HEARDSTRONGLY FEEL I I FEEL HEARD STRONGLY BEING ABOUTABOUT BEING HEARDSTRONGLY FEEL I

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I FEEL I FEEL STRONGLYHEARD STRONGLYBEING ABOUT ABOUTABOUT BEING BEING HEARD HEARDSTRONGLY FEEL I

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I

I FEEL STRONGLYHEARD BEING ABOUT ABOUT BEING STRONGLY HEARDFEEL I

I FEEL STRONGLYHEARD BEING ABOUTABOUT BEINGSTRONGLY FEEL I HEARD

I FEEL STRONGLYHEARD ABOUTBEING BEINGABOUT HEARD STRONGLY FEEL I I FEEL STRONGLY ABOUT BEING HEARD PUSHED ARE STEREOTYPES

I FEEL STRONGLY ABOUT BEING HEARD PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES

I FEEL STRONGLY ABOUT BEING HEARD PUSHED ARE STEREOTYPES

I FEEL STRONGLY ABOUT BEING HEARD

STEREOTYPES ARE PUSHED ARE STEREOTYPES

I FEEL STRONGLY I FEEL STRONGLY ABOUT ABOUTBEING HEARD BEING HEARD PUSHED ARE STEREOTYPES I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I STEREOTYPES ARE PUSHED ARE STEREOTYPES I FEEL STRONGLY ABOUT BEING HEARD BEING ABOUT STRONGLY FEEL I PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

STEREOTYPES ARE PU ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES STEREOTYPES ARE PUSHED ARE STEREOTYPES

i i

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# UNPREDICTABLE AM # i

# AM UNPREDICTABLEUNPREDICTABLE AM

i AM UNPREDICTABLE

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# AM UNPREDICTABLEUNPREDICTABLE AM

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AM UNPREDICTABLE AM UNPREDICTABLE AM i i AM UNPREDICTABLE # # i ii i AM UNPREDICTABLE i i i #

LUCKY NTANTISO FREEDOM PARK 21

I FEEL STRONGLY ABOUT THE SUPPORT STRUCTURE OF FAMILY I AM VERY CLOSE TO MY MOM AND DAD AND EXTENDED RELATIVES

I WANT TO BREAK DOWN THE WALLS OF DIVISION WE CAN ALL COME TOGETHER AND APPRECIATE ONE ANOTHER I WANT TO GIVE PEOPLE FROM RURAL AREAS A CHANCE OF SURVIVAL AM BEAUTIFUL

i #

I WOULD LIKE EMPOWERING

NOT PARTY WITH HANDOUTS A POLITICAL ON BUT WITH MATHEKO FOCUSES SKILLS SOWETO

PEOPLE 19 THAT KGOMOTSO

YOUNG

PALESA

RAMOLEFO # AM LOYAL i GERRIDA MAYA BARRY 18 PARKVIEW

IT IS MORE OF A STATEMENT TO PROVE A POINT

PEOPLE SAY HAIR ON THE BODY IS GROSS IS SAY BODY PEOPLE THE HAIR ON

IT SHOULDN'T BE A PROBLEM A BE SHOULDN'T IT

INFLUENCING OTHERS TO BE MORE ACCEPTING MORE BE TO OTHERS INFLUENCING

I BELIEVE IN WOMEN’S RIGHTS WOMEN’SRIGHTS IN BELIEVE I I AM AFEMINIST AM I

I GO THROUGH PHASES

SOMETIMES I AM AMALL NAKED RAT

SOMETIMES I LET EVERYTHING GO IT FEELS LIKE THERE IS NOSTALGIA

TO BE BLACK RIGHT NOW APARTHEID SO MUCH SO APARTHEID

I NEVER EXPERIENCED

THERE IS SO MUCH

TO BE A WOMAN WOMAN A BE TO

ABOUT A TIME YOUNG BE TO REFERENCE REFERENCE

MORE I CAN LUCKIEST LUCKIEST LIKE THE LIKE

WITHDO FEEL

IT I

AM i

KYALAMI ESTATE KYALAMI KHUMALO KHUMALO MBALI CURIOUS DONNA #

NOT JUST CORRUPTION BUT A DEGREE OF INCOMPETENCE IN CARRYING OUT PROJECTS OUT CARRYING IN INCOMPETENCE OF DEGREE A BUT CORRUPTION JUST NOT I WOULD FOCUS ON CHANGING MISMANAGEMENT WITHIN GOVERNMENT WITHIN MISMANAGEMENT CHANGING ON FOCUS WOULD I

REGARDLESS OF WHO IS IN POWER I WANT STABILITY UNDERLYING ISSUES AND A BACKLOAD OF THINGS COULD RESURFACE

THE DROUGHT MIGHT EXACERBATE XENOPHOBIA AND EXISTING POVERTY

AM PLE

ASANT

#MICHAEL EDWARDS

KENSINGTON

BENE BENE

FRANCIS

CHILDREN CHILDREN STARTING

FOR THEY

MIYA- KENSINGTON SCHOOL GET WHEN FOUNDATION FOUNDATION OLDER

17 SO THEY i

ARE CRITICALLY AND

USE TO

THEIR MORE IN-DEPTH

BETTER BETTER

A ABLE AND

LIKE AM A GOOD MINDS BIT CAN WOULD WOULD ABOUT LEARNING THINK A FUN I LITTLE SITUATION WHEN WE FINISH SCHOOL THERE ARE NO OTHER OPPORTUNITIES UNEMPLOYMENT OR HAS OPTIONS HIT ME DEEP

I WANT JOBS FOR YOUTH BECAUSE UNEMPLOYMENT ENDS UP CAUSING POVERTY AND HIGH CRIME POLITICIANS YOU SHOULD STOP WHAT YOU ARE DOING IN PARLIAMENT AS INVESTORS RUN FROM OUR COUNTRY # i AM HUMBLED

MPUSETHSENG MOLOI

BUHLE PARK

21 WHEN MEN LOOK AT USTHERE THEY IS JUST A VERY SEE BIG US PERCENTAGE AS BIG WOMEN OF RAPE

NQOBILE MTHEMBU MEN DON’T HAVE RESPECT FOR CHILDREN

SOWETO ADULTS SHOULD RESPECT EACH OTHER AND THEIR CHILDREN

THE ENVIRONMENT IN WHICH WE LIVE IS GETTING OUT OF HAND

I AM ZULU AND A YOUNG GIRL FROM THE HOOD

I FEEL STRONGLY ABOUT MY IDENTITY

I SEE MYSELF DRIVING THE BIGGEST CAR, EDUCATED, SUPPORTED AND LOVED #iAM EXTRAORDINARY LIKE TO HANDLE THE COUNTRY’S FINANCES

THAT TAX IS DISTRIBUTED EQUALLY

I STUDY FINANCE AND I WOULD I STUDY I FINANCE AND

MANY PARTIES ARE JUST FIGHTING JUST ARE PARTIES MANY

AND NO ONE IS REALLY SAYING REALLY IS ONE NO AND WHAT IS THE MAIN REASON MAIN THE IS WHAT

BY ONE PARTY TRYING TO BEAT THE OTHER

WHY ARE WE DOING THIS DOING WE ARE WHY HAVE A GREAT SENSE OF INTEGRITY OF SENSE GREAT A HAVE

MAKING SURE

OUR COUNTRY IS MOTIVATED IS COUNTRY OUR WE NEED REALLY GOOD LEADERS GOOD REALLY NEED WE

WE HAVE LOST FOCUS

ON COMMUNITIES WHO ARE HONEST ARE WHO

RATANG MASHILO RATANG

HOUGHTON

AM UNIQUE

i #

AND COMMERCIAL POINT OF VIEW

IT WAS DECIDED FROM A CORPORATE OUR CAMPAIGN WAS INVALID NOW WE HAVE TO CUT OUR HAIR OUR CUT TO HAVE WE NOW AND UNACCEPTABLE AND

AND TOLERATED BY THE SCHOOL

OUR HAIR PLAYS A LARGE ROLE IN OUR IDENTITIES

THAT WE ARE ABLE TO EXPRESS OUR INDIVIDUAL LIVES FULLY

IDENTITIES

SHOULD BE RESPECTED HAIR IT IS A PERMANENT CHANGE TO OUR RAVI

BOAZ

WHEN THE SCHOOL TELLS US TO CUT OUR

MASTER

CAMPAIGN AND CUT OUR HAIR

WE MUST STOP OUR GENDER

A DECISION THAT IS SOMETHING THAT THE BOARD OF OUR SCHOOL HAS COME TO

PIERCINGS AND THINGS LIKEBOYS THAT CAN’T HAVE EAR PIERCINGS AND NOSE

GIRLS CANT WEAR PANTS

I AM PROUD OF MY HAIR

ORCHARDS #i

15 I WAKE UP IN THE MORNING AND BOYS CAN’T HAVE LONG HAIR

OUR SCHOOL HAS A LARGE GENDER GAP

AM INTERESTING ADULTS AREN’T AWARE

OF THE

PRESSURE STUDENTS ROSS SEY

GREENSIDE

ARE UNDER 18

i AM INTUITIVE #

EXPECTATIONS ARE NOW MUCH HIGHER

YOUNG PEOPLE

FOCUS READ UP BE INTERESTED

STOP BEING IGNORANT

TO THINGS WHICH THEY SHOULD NOT BE NOT SHOULD THEY WHICH THINGS TO

YET MANY ARE OBLIVIOUS ARE MANY YET

GENERATION INTERNET THE ARE WE

DESTROYING BUILDINGS AND PROPERTY AND BUILDINGS DESTROYING

WON’T WON’T POSSIBILITY I

AS STUDENTS KEEP ON KEEP STUDENTS AS

I AM WORRIED WORRIED AM I EVEN MAKE IT TO TO IT MAKE EVEN

TO HAVE FREE

EDUCATION

THOKOZA

DOING THIS DOING

SANELE ZWANE YET NOT ARE WE

KEEP ON

IF THEY THEY IF VARSITY VARSITY

16 READY AM ENTHUSIASTIC AM i # I SEE MYSELF LIVING THE DREAM

I SEE MYSELFLIVING HAVING IN A BIG A FAMILYHOUSE PURSUINGBEING MY SUCCESSFUL PURPOSE

BEING WELL RECOGNISED GLOBALLY DOING MY PASSION IN HOLLYWOOD

HAVING TONS OF OSCARS

I WOULD TEACH ADULTS

YOUR CHILD CAN BE ANYTHING BUT THE PASSION THEY WANT TO BE IT IS NOT ABOUT SIYABONGA THE MONEY NKOSI Y Z 15 A R C KLIPPPORTJIE PARK

AM # i AM MEDITATIVE

OBSERVATORY TEANE MYLES MASEKO MYLES TEANE

OBSERVATORY i TEANE MYLES MASEKO MYLES TEANE #

# I SPENT A LOT OF TIME WITH WOMEN

TEANE MYLES MASEKO i OBSERVATORYTEANE MYLES MASEKO 17 OBSERVATORY 17 17

I WAS PREDOMINATELY RAISED BY WOMEN HAVING FEMALE FRIENDS MAKES ME MORE AWARE

AM MEDITATIVE AM MEDITATIVE

AM MEDITATIVE WHAT THEY GO THROUGH DAILY

I AM PASSIONATE ABOUT FEMALE EQUALITY

MEN ARE TOO NAIVE TO SEE AM MEDITATIVE

I SEE HOW THEY17 HAVE BEEN PUT DOWN I GET ALONG BETTER WITH WOMEN # YOUNG PEOPLE DROP OUT OF SCHOOL AT A YOUNG AGE

i AM BRAVE BELIEVING THAT THE GOVERNMENT WILL PAY FOR EVERYTHING STAYING WITH THEIR GRANDMOTHERS THE PENSION MONEY IS NOT POSSIBLE TO SUSTAIN ALL THE CHILDREN IN THE HOUSE AND SO POVERTY CONTINUES YOUTH GOING AROUND NOT USING PROTECTION HAVING KIDS THAT IS ONE WAY WE CAN CHANGE THE POVERTY FROM NEGATIVE TO POSITIVE THATO EDNA MAUNATLALA SAVANNA CITY 18 CHANGE THE POVERTY PERSPECTIVE PERSPECTIVE POVERTY THE CHANGE #

PEOPLE ARE REALLY SUFFERING i I WAS TOLD WHEN I RECEIVED MY MATRIC MATRIC MY RECEIVED I WHEN TOLD WAS I

WELCOME TO THE WORLD OF UNEMPLOYMENT

AM SELF MOTIVATED

I BELIEVE IN SELF EMPLOYMENT

SKILLS CREATE JOBS CREATE SKILLS SELOANE THATO

SOWETO 18 TRACEY ADAMS # i 17

MALVERN AM LOVE

OVER THE OTHER PARTY

THEYTHEY DON’T ARE LOOK TRYING OUT TO FOR BETTER THE COUNTRY THEMSELVES WHAT YOU COULD DO

IF YOU STOPPED ARGUING IMAGINE I THINK THE POLITICIANS OF TODAY ARE KIND OF CHILDISH

IF WE RESPECTED EACH OTHER THEN

THEY WON’T SAY THEY WILL DO THIS FOR THE COUNTRY

THEY SAY THE OTHER PARTY IS DOING IT WRONG

WE WOULDN’T DO THINGS TO HURT EACH OTHER READING THE IN

WHERE COMES PLANET

IS MORE FUTURE OF READ 23 # THIS NATURENA IS WE OURS i THIS NEED COSTS

ALL TO AT TSHEPANG PROTECT THROUGH DUMELAKGOSI

KNOWLEDGE SO WE ONLY AM INTRICATE CAN THIS DO ADULTS

SHOULD BECOMEEmbracePEOPLE MORE KEEP OPEN TO

messyMINDED PEOPLE GIVEN THEIR WHO HISTORY ARE

THEY # hairARE i MORE YOUNG CONSERVATIVE SIMILAR TO PEOPLE THEM ARE MAKING DIFFERENT THEM TSHIAMO-AALIYAH andRACIALLY NARROW SETLHARE AND BOSMONT MINDED AM UNUSUAL CULTURALLY 18 sweatpants

i AM PROMISING #

I SEEIN PEOPLE MY AREA IN THE STREET SOCIALISING FOCUSING ON PARTIES SUBSTANCE ABUSE

YOUNGON HOWPEOPLEIF NOTARE TO THEY FOCUS GOINGBUILD A TO FUTURE FIND THEMSELVES STRUGGLING ONE DAY

TUMELOSHIRAAZSETLHARE

16 BOSMONT i # AM CREATIVE

FOR US TO MOVE AWAY FROM RACISM WE NEED TO UNITE NOT TO JUDGE ACCORDING TO THE PAST FOR ME A HIPPIE MEANS BEING FREE

NOT TO BRING THAT PAST INTO MODERN SOCIETY I AM INFLUENCED BY MY MOM CHANGE IS NEEDED SHE IS FREE SPIRITED

YOTHANDO DLAMINI SOPHIATOWN 20 # AM CONFIDENT i

LISTEN TO EACH OTHER SHE IS HURT INSIDE HURT IS SHE

RECOGNISE THE PAST

WILL NOT BE ABLE TO FINISH SCHOOL BECAUSE BECAUSE SCHOOL FINISH TO ABLE BE NOT WILL

THINKING ABOUT THAT DAY THAT ABOUT THINKING

IT IS NOT GOOD NOT IS IT I AM A CHILD PARK JOUBERT

STOP GOING FOR SUGAR DADDIES FOR MONEY RESPECT IT ZAMA KHUMALO ZAMA

IT IS PAINFUL TO SEE STOP DRUGSSTOP TEENAGE PREGNANCY

STOP RAPING STOP WORK WATER IS LIFE IS WATER

NOT STEAL

CONSERVE AND ENJOY IT ENJOY AND CONSERVE AN OLD PERSON GETTING BEATEN BY MANY PEOPLE SCHOOL AT CONCENTRATE WON’T CHILD THE

OR GO TO JAIL TO GO OR HONOUR THOSE WHO SUFFERED INJUSTICE

STOP CRIME

BELIEVE THAT SOUTH AFRICA BELONGS TO ALL IT IS CONFUSING THE CHILD’S BRAIN CHILD’S THE CONFUSING IS IT

STOP XENOPHOBIA

THAT LIVE IN IT IN ELDORADO PARK YOUTH ARE CONFUSED GANGSTERISM AND DRUGS IS STILL A REAL THING AM DIFFERENT

THEY THINK IT IS COOL THAT’S WHAT THEY ASPIRE TO i THEY DON’T HAVE ENOUGH ROLE MODELS THE GOAL IS NEVER TO FINISH SCHOOL

THEY OKAY WITH WORKING IN CALL CENTRES #

MAYBE THEY DO HAVE BIG DREAMS BUT FEEL IT IS OUT OF REACH IT IS A CYCLE BECAUSE UNEMPLOYMENT IN ELDOS IS A REALITY IT IS ALL THESE KIDS SEE

IT IS ALL THEY KNOW THEY NOT DRIVEN I WOULD TELL ELDOS YOUTH TO KEEP PUSHING KEEP TRYING NO MATTER HOW DIFFICULT

JUST BECAUSE OLDER COUSINS AND UNCLES ARE DOING THE WRONG THING IT DOESN’T MEAN THAT IS WHAT YOU NEED IT IS OKAY TO BE DIFFERENT .. ZOE VAN ROOYEN ELDORADO PARK 21 OUR GENERATION HAS POTENTIAL

TO BRING CHANGE

THE POWER TO DETERMINE HOW

THINGS WILL BE

BY REMOVING OUR OWN LIMITATIONS

THE SKY IS NOT THE LIMIT

WE CAN REACH HIGHER AND DO THINGS

WE NEVER THOUGHT OF DOING

ZINHLE SITHOLE SOWETO 16 # i AM WORDS JODI BIEBER

BIOGRAPHY

Jodi Bieber’s professional career began after attending three short courses at the Market Photography Workshop in Johannesburg, and covering the 1994 democratic elections in South Africa for The Star newspaper. A turning point was Bieber’s selection to participate in the World Press Masterclass held in the Netherlands in 1996. This opened the door to travel the world on assignments for international magazines and NGOs. The artist has won numerous international awards, including the Premier Award at World Press Photo in 2010. Bieber continued during this time to pursue personal projects, and currently most of the artist’s time is spent working in this way.

Bieber’s three monographs –Between Dogs and Wolves: Growing up with South Africa (1996), Soweto (2010) and Real Beauty (2014) – along with other works, are exhibited in solo and group shows locally and abroad. The works have also found homes in significant collections including the Artur Walther Collection, François Pinault Collection, and the Johannesburg Art Gallery and Iziko Museums Collections.

Jodi Bieber also mentors students, producing projects and lectures, and also gives photographic workshops all over the world. SOLO EXHIBITIONS

2018 #i, Basha Uhuru Festival, Constitution Hill, Johannesburg, South Africa 2017 Between Darkness and Light, Fondazione Carispezia, Italy 2017 Soweto, Nordic Light International Festival of Photography, Kristiansund, Norway 2017 Between Darkness and Light, Oliewenhuis Art Museum, Bloemfontein, South Africa 2016 Johannesburg: A City Between, LSE Atrium Gallery, London, UK 2015 Between Darkness and Light, South African National Gallery/IZIKO, Cape Town, South Africa 2015 Between Dogs and Wolves, Antalya Photo Festival, Turkey 2015 Between Darkness and Light, Albany Museum, National Arts Festival, South Africa 2015 Between Darkness and Light – Selected Works from South Africa, Australian Centre for Photography, Sydney, Australia 2014 Between Darkness and Light, Wits Art Museum, Johannesburg, South Africa 2014 Quiet, Goodman Gallery, Johannesburg, South Africa 2013 Between Darkness and Light, Museum Goch, Goch, Germany 2012 Between Darkness and Light, Stadthaus Ulm, Ulm, Germany 2011 Real Beauty, Oulu Museum of Art, Finland 2011 Between Darkness and Light: Selected Works 1993–2004, Goodman Gallery, Cape Town, South Africa 2009 PRAXIS: Art in times of uncertainty, Las Cañas, 2nd Thessaloniki Biennale of Contemporary Art, Thessaloniki, Greece 2008 Real Beauty, Goodman Gallery, Johannesburg, South Africa 2008 Las Cañas, Brisbane Powerhouse, Brisbane, Australia 2008 Survivors of Domestic Violence, Columbia University, Columbia, USA 2008 Between Dogs and Wolves – Growing up with South Africa, The Hereford Photographic Festival, Hereford, UK 2008 Las Cañas, FotoFreo, Fremantle, Australia 2006–07 The fear never goes away completely, but I can manage again: Mental trauma and the conflict, Aceh, Indonesia 2002 Mon Afrique du Sud 1994–2001, Visa Pour L’Image, Perpignan, France GROUP EXHIBITIONS

2017 Urban Cadence, Kenyon College, Ohio, USA 2017 Lilith (curated by Jonell J Logan), The Light Factory, Charlotte, USA 2017 A Short History of South African Photography, Fotografia Europea, Reggio Emilia, Italy 2016 The Girl’s Basket, National Gallery of Zimbabwe; Makarere Art Gallery, Kampala, Uganda 2013–14 Rise and Fall of Apartheid, International Centre for Photography, NY, USA; Museum Africa, Johannesburg, South Africa 2014 Haute Afrika, Foto Festival, Knokke-Heist, Belgium 2013 COMMITMENT#3, La Filature, Scène Nationale, Mulhouse, France 2013 Russian Moments, The Russian Museum, St Petersburg, Russia 2013 My Joburg, Maison Rouge, Paris, France 2011–12 World Press Photo travelling exhibition beginning in Amsterdam and touring to 45 countries 2011 Taylor Wessing Exhibition, The National Portrait Gallery, London, UK 2011 Noorderlicht International Photo Festival, Groningen, the Netherlands 2011 Figures & Fictions: Contemporary South African Photography, Victoria and Albert Museum, London, UK 2010–11 South African Photography, Stadhuis Ulm and Museum Goch, Germany; Willy-Brandt-Haus, Johannesburg Art Gallery and Pretoria Art Museum, South Africa 2010–11 Mother Nature Art and Psychology in Conversation, University Museum, Stellenbosch, South Africa 2010 Borders, Bamako Biennale, Bamako, Mali 2009 Human Conditions, Noorderlicht International Photo Festival, Groningen, the Netherlands 2008–09 Las Cañas, Foundation Jean Paul Blachere, France AWARDS

2011 Overall winner, World Press Photo of the Year 2011 First Prize, Portrait Single, World Press Photo 2011 Finalist, Women of the Year in the Media Awards in South Africa 2011 Winner, Outstanding photograph about South Asia or the worldwide South Asians diaspora (single or series), SAJA Awards 2011 Silver Award, Art Director Club Awards, New York 2009 Winner, Prix de le l’Union Européene, Recontres de Bamako Biennale Africaine de la Photographie 2009 One of 10 finalists, Leica Oskar Barnack Award 2009 First Prize, Picture of the Year International 2009, USA 2008 Winner, First International Photography Biennial in The Islamic World, Iran 2007 Selected for The Year’s Best Photography 2007 Books Exhibition, PhotoEspaña, National Library of Spain, Spain 2007 Winner, Kodak Best International Calender of the Year Award 2006 Shortlisted for Amnesty International Media Awards, UK 2005 Second Prize, Contemporary Issues Story, World Press Photo Awards, Amsterdam, Holland 2003 One of 13 nominees, Eugene Smith Awards, USA 2003 Special Prix, Festival of the Sea, Vannes, France 2002 First Prize, Portrait Singles, World Press Photo Awards, Amsterdam, Holland 2001 First Prize, Daily Life Story, World Press Photo Awards, Amsterdam, Holland 2001 Third Prize, People in the News, World Press Photo Awards, Amsterdam, Holland 2001 Gold for Reportage Spread or Single Page Subject, Society of Publications Designers Awards, NY, USA 1999 First Prize, Portrait Story, World Press Photo Awards, Amsterdam, Holland 1999 Second Prize – Sports Story, World Press Photo Awards, Amsterdam, Holland 1998 First Prize, Arts Single, World Press Photo Awards, Amsterdam, Holland 1998 Second Prize, Arts Picture Story, World Press Photo Awards, Amsterdam, Holland 1996 World Press Masterclass, Rotterdam, Holland MONOGRAPHS

2017 Between Darkness and Light – Selected Works: South Africa, 1994–2010 2014 Real Beauty, Pagina, Germany 2010 Soweto, published in partnership with Jacana Media and the Goethe Institut 2006 Between Dogs and Wolves – Growing up with South Africa, published and released by Mets and Schilt, Holland; Dewi Lewis, UK; Double Storey, SA; Contrasto, Rome; Editions de l’Oeiel, France

GUEST LECTURER/MENTOR/TRAINER AND PHOTO WORKSHOPS

2017–08 Mentoring young girls in Thokoza Township, OSJ Women Workshop, Rubis Mécénat Cultural Fund 2016 Teaching on the East African Masterclass held by World Press Photo 2016 Teaching, The Foundry Photographic Workshop, Cape Town 2015 Teaching the Photojournalism and Documentary Photography Course. Market Photography Workshop 2014 Guest mentor for Global Press Institute on an internet/skype based teaching workshop with students from Ghana, Sri Lanka, Nigeria, Zambia, India, Nepal, Mexico, Rwanda and Uganda 2013–15 Mentoring recipients of the Tierney and Gisele Wulfsohn Grants, Market Photography Workshop 2010–14 Photographic workshops in Turkey, London, Latvia, Chile, Italy, Spain, Nepal, Finland and South Africa

COLLECTIONS

Fondazione Eventi e Iniziative Sociali s.r.l. Società strumentale della Fondazione Carispezia François Pinault Collection Johannesburg Art Gallery Artur Walther Collection Fondazione Fotografia, Italy Iziko Museums, South Africa Jean Paul Blachere Foundation