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Flexibility of Multiword Expressions and Corpus Pattern Analysis
Chapter 4 Flexibility of multiword expressions and Corpus Pattern Analysis Patrick Hanks RIILP, University of Wolverhampton, England Ismail El Maarouf Adarga Ltd., England Michael Oakes RIILP, University of Wolverhampton, England This chapter is set in the context of Corpus Pattern Analysis (CPA), a technique developed by Patrick Hanks to map meaning onto word patterns found in corpora. The main output of CPA is the Pattern Dictionary of English Verbs (PDEV),cur- rently describing patterns for over 1,600 verbs, many of which are acknowledged to be multiword expressions (MWEs) such as phrasal verbs or idioms. PDEV entries are manually produced by lexicographers, based on the analysis of a substantial sample of concordance lines from the corpus, so the construction of the resource is very time-consuming. The motivation for the work presented in this chapter is to speed up the discovery of these word patterns, using methods which can be transferred to other languages. This chapter explores the benefits of a detailed con- trastive analysis of MWEs found in English and French corpora with a view on English-French translation. The comparative analysis is conducted through acase study of the pair (bite, mordre), to illustrate both CPA and the application of sta- tistical measures for the automatic extraction of MWEs. The approach taken in this chapter takes its point of departure from the use of statistics developed ini- tially by Church & Hanks (1989). Here we look at statistical measures which have not yet been tested for their ability to discover new collocates, but are useful for characterizing verbal MWEs already found. -
1 Getting to the Bottom of How Language Works Gilles-Maurice De Schryver
1 Getting to the Bottom of How Language Works Gilles-Maurice de Schryver With Patrick around, it always feels that bit more likely that we shall get to the bottom of how language works. — Adam Kilgarriff 1 1. Genesis of this book This book originated in 2006, when some friends, colleagues, and admirers of Patrick Hanks got together at the prompting of one of them and agreed to com- pile a Festschrift for him. It is a pleasure to pay tribute here to the original edi- tors – Gregory Grefenstette, Ramesh Krishnamurthy, Karel Pala, and James Pustejovsky – and to the constant enthusiasm and unwavering support of a few early contributors, in particular Igor Mel‘čuk and David Wiggins. Special men- tion must be made here of Anne Urbschat, who first broached the idea and he- roically carried it forward virtually unaided for three years. In the summer of 2009, Anne challenged me to take over the project, knock it into shape, and find a publisher. When I came to examine the contributions that Anne had already solicited and obtained, I recognized immediately that this was not a mere ragbag of duti- ful tributes by a small coterie of colleagues, but a major contribution to under- standing the lexicon (an area of linguistics of great current interest), by an un- usually wide range of leading lexicographers, lexicologists, philosophers of language, and computational linguists. More specifically, the contributions ad- dress issues in the analysis of corpus data and definition writing from both a theoretical and a practical point of view. I solicited some additional contribu- tions and rejected a few that did not seem to fit in well with the theme of the book. -
How to Say New Things: an Essay on Linguistic Creativity
SBORNÍK PRACÍ FILOZOFICKÉ FAKULTY BRNĚNSKÉ UNIVERZITY STUDIA MINORA FACULTATIS PHILOSOPHICAE UNIVERSITATIS BRUNENSIS S 14, 2008 — BRNO STUDIES IN ENGLISH 34 PATRICK HANKS HOW TO SAY NEW THINGS: AN ESSAY ON LINGUISTIC CREATIVITY Abstract A central function of natural language is describing perceptions, including novel perceptions. A common mechanism for this latter function is comparison. New, unfamiliar perceptions are compared with something more familiar. A related function is the creation of similes, figures of speech intended to grab a reader’s or hearer’s attention and activate his or her imagination. The most common word in English used for making comparisons and similes (though by no means the only one) is the preposition like: A is like B; A looks, sounds, tastes, smells, feels, or behaves like B. In this essay, I discuss the relationship between comparisons and similes and I explore some aspects of their role in the creative use of ordinary language. I start with an elaborate comparison by G. K. Chesterton, which I discuss, not because it is great literature or fine writing, but because it illustrates how people use comparisons and similes to describe the new in terms of the given, the unfa- miliar in terms of the familiar. Key words Linguistic creativity; simile; metaphor; perception; word meaning; conventional beliefs; norms; exploitations Is the sea like cauliflowers? “It’s like cauliflowers”, said a country girl from Buckinghamshire (let us call her Elsie), when she first saw the sea, according to G. K Chesterton (‘The Garden of the Sea’, in Alarms and Discursions, 1910). The remark fell on ears ready to hear, for Chesterton was already primed by having thought up a similar analogy of his own. -
Patrick Wyndham Hanks
1 CURRICULUM VITAE Patrick Wyndham Hanks PROFILE I am a lexicographer and corpus linguist. I also have experience of teaching at both undergraduate and postgraduate levels, and I am a frequent invited speaker at conferences. My research involves both application of computational techniques to lexicography and applications of lexicography in computational linguistics. The basic problem addressed by this research is the relationship between word meaning and word use, with practical applications in language engineering, language teaching, and lexicography. In my spare time I am also a student of names – editor in chief of the Dictionary of American Family Names (Oxford University Press, New York, 2003), a summary of the origin and history of over 70,000 family names, which includes contributions from over thirty of the world’s leading experts on personal names. EDUCATIONAL QUALIFICATIONS Ph.D. Informatics, Masaryk University, Brno, Czech Republic M.A. English Language and Literature, University College, Oxford, England B.A. English Language and LiteratureUniversity College, Oxford, England: winner of Open Exhibition. POSITIONS HELD 2003-present Gastwissenschaftler, Digitales Wörterbuch der Deutschen Sprache, Berlin- Brandenburgische Akademie der Wissenschaften, Berlin, Germany I am a visiting scientist at the Berlin-Brandenburg Academy of Sciences, acting (among other things) as planner and adviser for a new corpus-based dictionary of the German language and adviser to a project analysing German collocations, phraseology, and idioms. I am also a consultant to various other lexicographical projects in other parts of the world, including the forthcoming Patakis Dictionary of Modern Greek, the forthcoming Malay dictionary of Dewan Bahasa dan Pustaka (Kuala Lumpur), and the Centre for Czech Computational Lexicography, based in Prague and Brno.