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Benicio Del Toro Mathieu Amalric Psychotherapy of A
WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s. -
Lust in Translation It’S a Big Budget Film with Big Name Actors but No Press Previews, Worryingly Enough
16 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 12, 2008 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAMS The Day the Earth Stood Still Lust in translation It’s a big budget film with big name actors but no press previews, worryingly enough. ‘Twilight’ turns the vampire genre on its head with its pro-chastity Keanu Reeves plays an alien who falls to Earth with a cryptic message of friendship morality tale of a ‘teenage’ vampire who keeps his fangs in his mouth and a warning for the leaders of the world, but only a scientist (Jennifer Connelly) and her stepchild seem to take BY MANOHLA DARGIS NY TIMES NEWS SERVICE, NEW YORK him seriously, which spells planetary destruction even faster than global warming. A remake of the classic from 1951 and co-starring t’s love at first look instead numbingly quiet, respectable life Kathy Bates, John Cleese and Jaden Smith (son of Will Smith) as of first bite in Twilight, a with his vampire family in Forks, Connelly’s child, this is also screening in IMAX format. Ideeply sincere, outright a small Washington town under goofy vampire romance for the hot- a near-permanent cloud cover. Dan in Real Life not-to-trot abstinence set. Based on TWILIGHT His father, Carlisle (Peter the foundational book in Stephenie Facinelli), a doctor with a Steve Carell and Juliette Binoche lead a fun Meyer’s best-selling multivolume DIRECTED BY: CATHERINE HARDWICKE ghostly pallor and silky gait, and witty cast in this comedy from last year series, The Twilight Saga (four tends to the living, while the rest that privileges characterization over raunch. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Volume CXXXIV, Number 7, October 28, 2016
The Student Newspaper of Lawrence University Since 1884 THELAWRENTIAN VOL. CXXXIV NO. 7 APPLETON, WISCONSIN OCT. 28, 2016 Community Conversation on Safety facilitates real dialogue Hannah Kinzer Staff Writer _____________________________________ On Friday, Oct. 21, the Office of Diversity and Inclusion at Lawrence University, along with the Appleton Police Department, hosted the Community Conversation on Safety. The event was the first in a series of dis- cussions planned to promote dia- logue between the campus com- munity and the Appleton Police Department on issues regarding safety and inclusion on campus and in the Appleton community. It was open to all members of the community upon advanced reg- istration. Attendees included stu- dents, faculty, alumni, community members, Campus Safety person- nel and Appleton police. The event was held in the Nathan Marsh Pusey Room of the Warch Campus Center from 8:30 a.m. to noon. Facilitators for the event were from Celebrate Diversity Fox Cities, a group whose mission includes celebrating diversity and provid- ing education, dialogue and advo- cacy in the Fox Cities community. The group is composed entirely of volunteers and was created by the merging of the organiza- tions Toward Community: Unity in Diversity and the Fox Cities Rotary Faculty, staff and students of Lawrence University teamed up with members of the local police force to discuss pressing issues on diversity within the Appleton community. Multicultural Center. Photo by Emily Midyette Kimberly Barrett, Ph.D., the encing the city.” Small groups then began might face challenges related to positive and negatively, and wish Vice President for Diversity and Chief of Police Todd Thomas a two-part facilitated discus- race relations in the community. -
Cinéma Du Nord
A North Wind THE NEW REALISM OF THE FRENCH- WALLOON CINÉMA DU NORD A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY NIELS NIESSEN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ADVISER: CESARE CASARINO NOVEMBER, 2013 © Niels Niessen, 2013 i ACKNOWLEDGMENTS Ideas sometimes come in the middle of the night yet they are never fully one’s own. They are for a very large part the fruits of the places and organizations one works or is supported by, the communities one lives in and traverses, and the people one loves and is loved by. First of all, I would like to acknowledge the support I received from the following institutions: the American Council of Learned Societies, the Huygens Scholarship Program of the Dutch government, the Prins Bernard Cultuurfonds (The Netherlands), and, at the University of Minnesota, the Center for German & European Studies (and its donor Hella Mears), the Graduate School (and the Harold Leonard Memorial Fellowship in Film Study), as well as the Department of Cultural Studies and Comparative Literature. As for my home department, I could not have wished for a warmer and more intellectually vibrant community to pursue my graduate studies, and I express my gratitude to all who I have worked with. A special word of thanks to my academic adviser, Cesare Casarino, who has taught me how to read many of the philosophies that, explicitly or implicitly, have shaped my thinking in the following pages, and who has made me see that cinema too is a form of thought. -
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015)
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas A Thesis In the Department of The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Film and Moving Image Studies Concordia University Montreal, Quebec, Canada October 2015 © Evangelos Tziallas, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis is prepared By: Evangelos Tziallas Entitled: Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) and submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Amy Swifen Examiner John Mercer Examiner Ara Osterweil Examiner Juliann Pidduck Supervisor Thomas Waugh Approved by Chair of Department of Graduate Program Director 2015 Dean of Faculty Abstract Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas, Ph.D. Concordia University, 2015 In this thesis I make the case for rethinking fictional and explicit queer representation as a form of surveillance. I put recent research in surveillance studies, particularly work on informational doubling, in conversation with the concepts of the uncanny and the doppelgänger to reconsider the legacy of screen theory and cinematic discipline in relation to the ongoing ideological struggle between normativity and queerness. I begin my investigation in and around the Stonewall era examining the gothic roots and incarnation of gay identity. -
The Films in This Cinematic Innovation, New Frontier Is Also a Venue Showcasing Section Will Shape a “Greater” Next Wave in American Cinema
T U , E C N A D N U S , T R O S E R N I A T N U O M E C N A D N U S F O Y S E T R U O C SUNDANCE INSTITUTE PRESENTS THE SUNDANCE FILM FESTIVAL ABOUT SUNDANCE INSTITUTE ABOUT SUNDANCE FILM FESTIVAL Sundance Institute is a nonprofit cultural organization Each January, the Sundance Film Festival attracts the most founded by Robert Redford to advance the work of risk-taking innovative storytellers and adventurous audiences to a 10-day storytellers worldwide. With a range of programs for artists celebration of the best independent filmmaking today. In a and audiences, the Institute provides year-round creative and small mountain town, a diverse range of ideas, stories, artists, financial support for the development and presentation of and film lovers converge to launch the year in culture. original stories for the screen and stage. W ELCOME ST RA NGER N Sundance Institute Presents E E R G R E 2014 Sundance Film Festival EV Here is an overview of the program at this year’s Sundance Film Festival. HA LF NE LSON U .S. DRAMATIC COMPETITION D OCUMENTARY PREMIERES FROM THE COLLECTION SUNDANCE KIDS Presenting the world premieres of 16 narrative feature films, Renowned filmmakers and films about far-reaching subjects Rediscover classic works of independent cinema as the This new section of the Festival is designed for independent the Dramatic Competition offers Festivalgoers a first look at comprise this section highlighting our ongoing commitment to Sundance Film Festival presents films from the vaults of the film’s youngest fans. -
November 14Th-25Th 2018 IFI French Film Festival Schedule November 14Th-25Th 2018
www.ifi.ie IFI French Film Festival November 14th-25th 2018 IFI French Film Festival Schedule November 14th-25th 2018 WED 14 OPENING FILM TUES 20 IFI Principal Funder 20.00 Real Love (C'est ça l'amour) 18.15 Young and Alive (L’époque) followed by a Q&A with Claire Burger 20.10 Knife + Heart & The Sunday Friend and a wine reception (Un couteau dans le Coeur & L'Amie du dimanche) THURS 15 Festival Sponsors 16.15 Sofia WED 21 18.00 Sorry Angel (Plaire, aimer et courir vite) 18.10 Memoir of War (La douleur) 20.40 Sink or Swim (Le Grand Bain) 20.45 Our Struggles (Nos batailles) Alliance Française Screening FRI 16 16.40 Our Struggles (Nos batailles) THURS 22 Festival partners 18.40 Sofia 16.10 Place publique 20.20 The Prayer (La prière) 18.15 Amin + Q&A with Cédric Kahn 20.15 Little Tickles (Les chatouilles) + Q&A with Andréa Bescond and Eric Métayer SAT 17 FRI 23 cultural Partners 13.00 Cédric Kahn Masterclass 13.30 The Raven (Le corbeau) 16.00 Memoir of War (La douleur) + intro by Douglas Smith 18.30 The Trouble with You (En liberté!) 15.00 Roberto Succo 20.40 Sauvage + intro by Cédric Kahn 15.30 At War (En guerre) SAT 24 18.00 School’s Out (L'Heure de la sortie) 13.10 Les diaboliques 20.15 Sorry Angel (Plaire, aimer et courir vite) + intro by Tara Brady 15.40 The Prayer (La prière) Booking Information SUN 18 18.00 Sink or Swim (Le Grand Bain) 13.00 The Wages of Fear (Le salaire de la peur) 20.30 I Feel Good Tickets cost €11 each, except for the Membership: is required for all 13.10 Little Tickles (Les chatouilles) opening film which includes a post- films. -
Global Circulation of Queer Film on the Film Festival Circuits
Article DIOGENES Diogenes 1 –16 Crossover Dreams: Global Copyright © ICPHS 2016 Reprints and permissions: Circulation of Queer Film on the sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0392192115667014 Film Festival Circuits dio.sagepub.com Skadi Loist University of Rostock, Germany Abstract The ubiquity of gender-bending and sexually ambiguous imagery in the media seems to herald a post-gay era. But are LGBT/Q identities and representation politics really a thing of the past? Inspection of the circulation patterns of LGBT/Q images on a global scale suggests a more nuanced story. Taking the lead from distribution and film festival studies, in this essay I sketch out how LGBT/Q images travel around the world. The festival network was always an alternative channel to mainstream work. Therefore, I pay particular attention to the international film festival circuit with its art film bias, on one hand, and activist festivals, such as LGBT/Q film festivals and their LGBT/Q-themed films, on the other. Utilizing Lisa Henderson’s notion of “queer relay” I argue that the relationship between the queer film ecosystem and the larger art film circuit is highly ambivalent. The deployed art film strategies reveal that we have not yet arrived at actual acceptance and universality in a post-gay, post-identitarian world. However, the positions on the side of distinction and cultural capital do not just lean towards exploitation of queer subcultural productions by neoliberal forces but offer also a relay position that accounts for queer agency in the wider cultural arena. The ubiquitous nature of gender-bending and sexually ambiguous imagery in mainstream media seems to suggest that we live in happy liberal post-gay times. -
Le Programme June – July 2018 02 Contents/Highlights
Le Programme June – July 2018 02 Contents/Highlights Ciné Lumière 3–19 Les Salons en Musique 20 Talks 21–23 Kids & Families 24 Ismael's Ghosts Meet the Author: Amélie De Gaulle, A Certain Idea of 1 -14 June Nothomb France p.3 11 June 18 June We Support 25 p.21 p.22 We Recommend 26 Edinburgh Festivals 27 French Courses 29 La Médiathèque/Culturethèque 30 La Fête des mères + Q&A with Simone Veil, une histoire Tartuffe General Information 32–35 actress Audrey Fleurot française 25 May - 28 July 24 June 26 June p.25 p.8 p.8 Theatre Royal Haymarket front cover image: Amant Double by François Ozon Programme design by dothtm Ciné Lumière New Releases Ismael's Ghosts Amant Double The Ciambra Les Fantômes d'Ismaël L'Amant double A Ciambra FRA | 2017 | 114 mins | dir. Arnaud Desplechin, with Mathieu FRA/BEL | 2017 | 107 mins | dir. François Ozon, with Marine ITA/FRA/BRA/DEU/SWE/USA | 2017 | 108 mins | dir. Jonas Amalric, Marion Cotillard, Charlotte Gainsbourg | cert. 15 Vacth, Jérémie Renier, Jacqueline Bisset | cert. 18 | in French Carpignano, with Pio Amato, Koudous Seihon, Damiano in French with EN subs with EN subs Amato | cert. 15 | in Italian with | EN subs Film director Ismaël Vuillard (Mathieu Amalric) still Marine Vacth (Jeune et Jolie) plays Chloé, a young woman Jonas Carpignano’s The Ciambra offers a rarely seen mourns the death of his wife Carlotta, twenty years who falls in love with her psychoanalyst, Paul (Jérémie on screen immersion in a small Romani community in earlier, even though he has started his life over again with Renier). -
'See It Big!' Holiday Edition Features Fourteen Classic
FOR IMMEDIATE RELEASE ‘SEE IT BIG!’ HOLIDAY EDITION FEATURES FOURTEEN CLASSIC AND UNCONVENTIONAL MOVIES Films include The Nightmare Before Christmas (in 3-D), Gremlins, Miracle on 34th Street, The Shop Around the Corner, Die Hard, Eyes Wide Shut, Meet Me in St. Louis, The Dead, and more November 19–December 24, 2016 Astoria, Queens, NY, (November 16, 2016)—With a wide selection of great movies by directors including Ingmar Bergman, Joe Dante, John Huston, Stanley Kubrick, Vincente Minnelli, and more, Museum of the Moving Image presents a holiday edition of its popular ongoing series See It Big!, from November 19 through December 24, 2016. The season opens this Saturday with back-to-back screenings of Tim Burton and Henry Selick’s The Nightmare Before Christmas, screening in Dolby Digital 3-D; Barry Levinson’s heartfelt, autobiographical Avalon, chronicling generations of a Jewish family in Baltimore; and Hannah and Her Sisters, Woody Allen’s funny yet philosophical family dramedy starring Mia Farrow, Barbara Hershey, Dianne Wiest, and Michael Caine—with the last two films centered around Thanksgiving meals. See It Big! Holiday Films includes fourteen films, with classics such as Miracle on 34th Street, Meet Me in St. Louis, The Shop Around the Corner, and Fanny and Alexander, alongside more unconventional films such as the Bruce Willis–helmed action movie Die Hard, Joe Dante’s Gremlins, dysfunctional family gatherings A Christmas Tale and The Ice Storm, and Stanley Kubrick’s haunting Eyes Wide Shut. Nearly all of the films will be presented in 35mm, with the Vincente Minnelli–Judy Garland classic Meet Me in St. -
November 2016
#loftfilmfest WED 09 – SUN 13 NOVEMBER 2016 ”Phantasmagorical programming and astute choice of guests.” –Filmmaker Magazine SPONSORED BY: THE LOFT CINEMA 3233 E. Speedway Blvd. Tucson, AZ 85716 LoftFilmFest.org 520.322.5638 THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE OPENING NIGHT LFF04 ANIMATION, DOCUMENTARY, NARRATIVE SHORTS LFF10 2016 FEST FILM SCHEDULE LFF12 IN COMPETITION LFF16 LATE NIGHTS LFF19 Get your Tickets Loft Film Fest Loft Film Fest CICAE & Audience Staff Awards Awards INDIVIDUAL TICKETS FESTIVAL EXECUTIVE DIRECTOR The Kirby Dick Social The Loft Film Fest is the only $10 General Admission Peggy Johnson Justice Award, named American festival member of $8 Loft Cinema Members FESTIVAL DIRECTORS after the Oscar-nominated the CICAE, the International J.J. Giddings | Jeff Yanc documentary filmmaker, Confederation of Art Houses. FESTIVAL PASSES is presented each year Founded in 1955, the CICAE MANAGING DIRECTOR $125 General Admission at the Loft Film Fest to is a network of 4,000 Zach Breneman a filmmaker whose work screens and 22 international $100 Loft Cinema Members PROGRAMMING CONSULTANTS displays a galvanizing passion film festivals that work Mike Plante | Aurélie Gomes for social change through to increase audience for OFFICIAL FEST SITE cinema. This year, the Loft excellent international LoftFilmFest.org FINANCE DIRECTOR Jonathan Kleefeld Film Fest is proud to present independent films. the 2016 Kirby Dick Social The CICAE Award will be ALL SCREENINGS TAKE PLACE AT ART DIRECTOR Justice Award to acclaimed determined