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Description of a View of Constantinople, with Its European
IN THE UPPER CIRCLE, IS NOW OPEN, A VIEW OF R O U E N. AND, mi ©imcJLiB, A VIEW OF ATHENS. DESCRIPTION ' OF A VIEW OF • r\ CONSTANTINOPLE WITH ITS EUROPEAN AND ASIATIC SUBURBS, AND A GREAT EXTENT OF SURROUNDING COUNTRY. 1TOW msmmXTKM® AT THE PANORAMA ROYAL, LEICESTER SQUARE. IPAIOTSID m OTJ FMtfPlOTTGm, ROBERT BURFORD, ASSISTED BY H. C. SELOUS, FROM DRAWINGS TAKEN ON THE SPOT, By WILLIAM .1. SMITH, Esq., of Her Britannic Majesty’s Embassy at Constantinople. ilontron : PRINTED BY T. BRETTELL, RUPERT STREET, HAYMARKET. 3846. CONSTANTINOPLE. Constantinople is universally acknowledged to be the finest city in the whole world. Viewed from the Seraskier’s Tower, from whence the present Panorama is taken, the admirable position it occupies is fully apparent, and the whole of its curious internal economy is at once visible in its fullest extent and magnificence. Mosques, minarets, palaces, and kiosks, in countless variety, being spread out like a map beneath, whilst around, in every direction, stretches an immense extent of scenery of the most varied and picturesque description; on the one side the Bosphorus with the shores of Europe, on the other the sea of Mar¬ mora with the coast of Asia. Earth, sky, and water, combine to inspire wonder and admiration ; the scene is splendid and unique. Enthroned on her seven hills, Stamboul, indeed, deserves the proud title bestowed upon it of “ the Queen of Cities.” The Seraskier’s Tower is a lofty building crowning the third and highest hill of the ridge, and is consequently the most commanding situation in the city, or its immediate environs. -
Ottoman Stone Acquisition in the Mid-Sixteenth Century: the Süleyman~Ye Complex in Istanbul
ottoman stone acquisition: the süleymaniye complex 251 ~LKNUR AKTUÅ KOLAY AND SERP~L ÇEL~K OTTOMAN STONE ACQUISITION IN THE MID-SIXTEENTH CENTURY: THE SÜLEYMAN~YE COMPLEX IN ISTANBUL In the light of both the vast archival documentation grade.7 No other mosque is adorned with so many (construction dates, texts on ceremonies, account precious columns that once stood in Roman temples books, construction correspondence, price-setting reg- and Byzantine churches. In this respect, the Süley- isters) and the intact structural evidence, the stone maniye constitutes a symbolically significant collec- used to build the Süleymaniye in Istanbul holds a tion of stone, in which ancient civilizations such as unique place in the history of Ottoman architectonic Roman and Byzantine and their sacred memories sur- science and technology. In this essay, this stone and its vive.8 The chief architect Sinan notes that each stone acquisition in the mid-sixteenth century are considered was famous worldwide and reminiscent of a land,9 and in micro-scale by making use of archival materials, that some came from Solomon’s palace.10 Not only recent research, and extant structural clues. A major did the Süleymaniye represent the common heritage problem has been interpreting the terminology in the of humanity, but it also translated the past into the archival materials, which are mainly building accounts future through Ottoman architectonic knowledge,11 and correspondence written by accountants and scribes synthesizing the legacies of Azerbaijan, Iran, Iraq, Syria, rather than by architects. Analogies between the Sül- Egypt, the Balkans, and Eastern Europe.12 eymaniye and other large imperial complexes with Preceded by the pioneer Fatih complex of Sultan account books shedding light on their structures have Mehmed II (r. -
National Inventory of Intangible Cultural Heritage of Greece
NATIONAL INVENTORY OF INTANGIBLE CULTURAL HERITAGE OF GREECE FORM OF THE ELEMENT Tinian Marble Craftsmanship Ι. Brief presentation of the element of Intangible Cultural Heritage (ICH) 1. Other names: Marble sculpture, the art of marble, marble-carving, stone-carving 2. Identification and definition The construction of an object, self-contained or part of a larger construction, made of marble (extraction of raw material, squaring, design, decoration, assembly, installation) and its relevant social and economic aspects (workshops, tools and techniques, machinery, apprenticeship, clientele, products, mentalities). 3. Domain of ICH • Oral traditions and expressions: Both technical terminology about tools, techniques and customary craftsmanship on the one hand, and sayings, traditions and anecdotes on the other, are classified as oral tradition. The former impart technical knowledge and skills and the latter impart social attitudes and behaviors. The particular motifs and patterns (cypresses, ships, etc.)conceived by marble craftsmen are inspired by oral traditions and are accordingly put to use. • Social practices, rituals and festive events: There are certain rituals and festive practices that are implemented on certain occasions, such as the opening of a quarry, the transition from the stage of apprenticeship to that of master craftsman, the festivity of Saint Charalampos, the patron saint of marble craftsmen et al. • Knowledge and practice about nature and the universe: Quarrymen and marble craftsmen possess empirical, albeit accurate, geological knowledge of the composition and structure of marble-bearing rock layers, the properties of each kind of marble, the manipulation of its swirls and veins, its schistosity, etc. They also have knowledge of certain elements of the material’s mechanical behavior and pathology. -
Balicka-Witakowska Constantinople.Pdf
The Urban Mind Cultural and Environmental Dynamics Edited by Paul J.J. Sinclair, Gullög Nordquist, Frands Herschend and Christian Isendahl African and Comparative Archaeology Department of Archaeology and Ancient History Uppsala University, Uppsala, Sweden 2010 Cover: NMH THC 9113 Artist: Cornelius Loos Panorama over the southern side of Istanbul facing north east. Produced in 1710. Pen and brush drawing with black ink, grey wash, water colour on paper. The illustration is composed of nine separate sheets joined together and glued on woven material. Original retouching glued along the whole length of the illustration. Dimensions (h x b) 28,7 x 316 cm Photograph © Erik Cornelius / Nationalmuseum English revised by Laura Wrang. References and technical coordination by Elisabet Green. Layout: Göran Wallby, Publishing and Graphic Services, Uppsala university. ISSN 1651-1255 ISBN 978-91-506-2175-4 Studies in Global Archaeology 15 Series editor: Paul J.J. Sinclair. Editors: Paul J.J. Sinclair, Gullög Nordquist, Frands Herschend and Christian Isendahl. Published and distributed by African and Comparative Archaeology, Department of Archaeology and Ancient History, Uppsala University, Box 626, S-751 26 Uppsala. Printed in Sweden by Edita Västra Aros AB, Västerås 2010 – a climate neutral company. 341 009 Trycksak 13. Constantinople in the Transition from Late Antiquity to the Middle Ages Ewa Balicka-Witakowska Contact details Dr Ewa Balicka-Witakowska Department of Linguistics and Philology Byzantine Studies Uppsala University Box 635 751 26 Uppsala, Sweden <\\\¬<< ABSTRACT This chapter gives an overview of the transformations which took place in Constantinople from the time of its foundation in the early 4th century as a Late Antique metropolis and $#$#Áth century when it was changed to a medieval town, perhaps less splendid in some respects but well adapted to new geopolitical and economic circumstances and still the centre of imperial power. -
282 NOTICES of BOOKS Mission Archeologique De Constantinople
282 NOTICES OF BOOKS were built. All the others have disappeared, unless indeed the mosque known as Kilissi Mesjedi is the church of Agia Anastasia Pharmacolytria, a point on which the author would have done well to consult Van Millingen's Byzantine Churches in Constantinople. The second part finds its material in the actual relics and reliquaries of Byzantine work scattered about in Europe, many of which can be directly traced to the depredations of the Crusaders. And even amongst these much has been lost; many examples, formerly preserved in France, disappeared at the Revolution, and are now known only from earlier descriptions. The study of these sanctuaries is carefully documented throughout, and affords striking evidence of the part played by relics in the popular and official worship of the church at Constantinople. This is all the more valuable, as a change has come about in this matter owing to the wholesale dispersal of relics by the crusaders and Turks. Conspicuous relics are now comparatively few in the Christian east, and the popular devo- tion which was formerly spent upon them is now mainly directed to wonder-working eicons. The present book reminds us that this was not always the case; the city was full of relics, and these were regarded as its protection against enemies, and received on fixed days the ceremonial visits of the emperor and the Court. Finally, mention must be made of the very interesting illustrations of the cult of relics drawn from the Menologion of Basil II. R. M. D. Mission archeologique de Constantinople. By JEAN EBERSOLT. -
Halûk Çetinkaya (Mimar Sinan University, Istanbul)
Ni{ i Vizantija XVIII 295 Halûk Çetinkaya (Mimar Sinan University, Istanbul) TOMB OF MANUEL KOMNENOS I, PANTOKRATOR MONASTERY AND ITS IMPACT ON STEFAN UROŠ III DEČANSKI This paper intends to shed light on new discoveries made in the Pantokrator monastery and its impact on Stefan Uroš III Dečanski. Relations between Byzantines and Serbs were dynamic due to the common geography they shared. During the Late Roman period in particular some soldiers from the Balkans became emperors. Because of this, Balkans had a special place both in Roman and Byzantine empires. Constant shifting of the people in Late Roman period, which as a result ended the Empire, gave way to several new states. Christian Roman Empire in the East, or commonly accepted as Byzantine Empire, although it is a wrong term, was trying to get hold of as much territory in the west. Following the reign of Justinian I a new wave of migration in the following century occurred. The South Slavs arrived to the Balkans in two dif- ferent times. First between 613-615 and second 630-634.1 Several attempts were made by Byzantines to convert Serbs into Christianity in 7th and 9th centuries.2 It was due to Cyril and Methodius, upon whose creation of a new alphabet for christianizing Slavs, the process gained momentum in 9th century.3 Areas settled by Serbs were prone both to the in- fluence of Pope and Byzantines. Byzantine-Serbian encounters were hostile most of the time but by 12th century, despite fighting several wars, Byzantines were considered to be a good ally. -
Tinian Marble Craftsmanship
Tinian Marble Craftsmanship I A:t>AlJ TioA.mcrnK~ KATJpOVOI.U<i http://ayl a.cul ture.gr/?p= 151 &lang=er lllllllllllllllllll llllll 0110300008 (D AuAr) noAITiaTIKii KAr)pOVOIJIO Intangible Cultural Heritage Tin ian Marble Craftsmanship I. Brief presentation of the element of Intangible Cultural Heritage CICHl 1 . Other names: Marble sculpture, the art of marble, marble-carving, stone-carving 2. Identification and definition Th e construction of an object, self-contained or part of a larger construction, made of marble (ex traction of raw material, sq uaring, design, decoration, assembly, installation) and its relevant social and economic aspects (workshops, tools and techniques, machinery, apprenticeship, clientele, prod ucts, mentalities). 3. Domain of ICH • Oral traditions and expressions: Both technical terminology about tools, techniques and customary craftsmanship on the one hand, and sayings, traditions and anecdotes on the other, are classified as oral tradition. The former impart technical knowledge and skills and the latter impart social attitudes and behav iors. The particular motifs and patterns (cypresses, ships, etc.) conceived by marble craftsmen are in spired by oral traditions and are accordingly put to use. • Social practices. rituals and festive events: There are certain rituals and festive practices that are imple mented on certain occasions, such as the opening of a quarry, the transition from the stage of apprentice ship to that of master craftsman, the festivity of Saint Charalampos, the patron saint of marble craftsmen et al. • Knowledge and practice about nature and the universe: Quarrymen and marble craftsmen possess em pirical, albeit accurate, geological knowledge of the composition and structure of marble-bearing rock lay- 1 of 14 20/0'i/2014 17:5 Tinian Marble Craftsmanship I Al>Afl TioA.mottKl) IO..qpovoj.ttci http://ayla.culturc.gr/?p= 151 &lang=en ers, the properties of each kind of marble, the manipulation of its swirls and veins, its schistosity, etc.