Der Mond: the Art of Neon Genesis Evangelion Free

Total Page:16

File Type:pdf, Size:1020Kb

Der Mond: the Art of Neon Genesis Evangelion Free FREE DER MOND: THE ART OF NEON GENESIS EVANGELION PDF Yoshiyuki Sadamoto,Yoshiyuki Sadamato | 120 pages | 06 Nov 2014 | Viz Media, Subs. of Shogakukan Inc | 9781421507675 | English | San Francisco, United States DER MOND ( Neon Genesis Evangelion) : Free Download, Borrow, and Streaming : Internet Archive Subsequent works deviate from this theme to varying degrees, focusing more on romantic interactions between the characters, plotlines not present in the original works, and reimaginings of the Der Mond: The Art of Neon Genesis Evangelion from the original works. The general consensus is that the anime was groundbreaking; it explored religious, psychological, and philosophical themes, while initially appearing to be a standard mecha show. There was some debate over the controversial ending of the television series. Death is a compilation of clips from the TV series, with some new footage added, and Rebirth comprises the first 30 minutes or so of End of Evangelion. The popularity of the show spawned numerous additional media, including video games, radio dramas, audio books, a novel, pachinko machines, and a tetralogy of films titled Rebuild of Evangelion. Neon Genesis Evangelion has become one of the highest-grossing media franchises of all time. Works within the Neon Genesis Evangelion franchise typically have the same setting, characters and theme, but can vary in their portrayal of the storyline with alternate re-tellings of the original anime. Evangelion ' s fictional setting takes place after the Second Impact, a cataclysmic explosion in Antarctica in the yearwhich resulted in the deaths of billions and threw the Earth off its axis. Fifteen years after the Second Impact, a group of mysterious beings referred to as " Angels " begin appearing and pose a worldwide and existential threat to mankind. The NERV organization, a Der Mond: The Art of Neon Genesis Evangelion special agency, is tasked with defeating the Angels, with the use of giant mechanical warriors known as " Evangelions " to fight them. The series is well known for its psychoanalysis of the characters, most heavily covered in the implementation of the Human Instrumentality Project, the secret goal of NERV and SEELE, whose result varies across different media, including the original anime, films, manga and video games. It was directed and written by Hideaki Anno. Evangelion follows Shinji Ikaria fourteen-year-old boy, who is summoned to Tokyo-3 by his father Gendo Ikari to pilot Evangelion Der Mond: The Art of Neon Genesis Evangelion on the eve of an Angel Der Mond: The Art of Neon Genesis Evangelion. Treated as a tool by his father, Shinji joins Rei Ayanami and Asuka Langley Soryu as mankind's last hope against the mysterious beings known as the "Angels". Death and Rebirthoriginally released on March 15,is a film that consists of a highly condensed character-based recap and re-edit of the episodes 1 —24, titled Deathand the first half of an unfinished new ending, titled Rebirtha retelling of episodes 25 and 26 of the television series as the events of the Human Instrumentality Project unfold from an external point of view. The End of Evangelionreleased on July 19,is the completed version of Rebirthan alternate version of the final episodes of the television series. On September 9,Gainax confirmed a new animated film series called Rebuild of Evangelionconsisting of four movies presenting an alternate retelling of the TV series including new scenes, settings, and characters and a completely new conclusion to the story. The final film Evangelion: 3. As time passed without any official announcements of production, Der Mond: The Art of Neon Genesis Evangelion film project showed increasing signs of being in development hell. At Anime ExpoADV founders Matt Greenfield and John Ledford revealed that they had hired the producer John Woopitched the idea to other producers such as Jerry Bruckheimer and Steven Spielberg[11] and seen increased interest in the wake of the success of the film Transformers. Vision in September raised concerns over the project's viability, Greenfield, Ledford, [14] [15] and producer Joseph Chou [16] insisted the project was still actively searching for a director claiming delays owed more to the general deterioration of the American anime market than to ADV's internal issues. In Der Mond: The Art of Neon Genesis EvangelionA. Vision sued Gainax, claiming their refusal to accept an option payment for the perpetual live- action rights to Evangelion was a breach of contract and resulted in losing an opportunity to produce the film with a major studio. Vision has asked to be awarded the full live-action rights and any accruing legal fees. A number of manga series based on the anime have been released, most notably the official series by series character designer Yoshiyuki Sadamotowhich was first serialized in February eight months before the series' official premiere, in order to promote interestand ended in November19 years later. The series set in an alternate future diverging from the events of the anime. The novel begins 3 years after the end of the Human Instrumentality Project, replacing episodes 25 and 26 of the anime, as well as the End of Evangelion film. The television series' opening theme song " A Cruel Angel's Thesis " has become an iconic anime theme song. Four releases titled "Evangelion Classic", each one contained the classical music of BeethovenVerdiHandeland J. Bach respectively. The Evangelion franchise has spread from the original anime into a number of Der Mond: The Art of Neon Genesis Evangelion media, with some following the official canon of the episode anime series and its three related films or the new Rebuild series and others Der Mond: The Art of Neon Genesis Evangelion on important plot points originally introduced in the anime. Neon Genesis Evangelion has spawned a number of video games. These range from action games such as the same titled game for the Nintendo 64 and its sequel on the PlayStation 2the fighting game Battle Orchestrathe visual novels Girlfriend of Steel and Girlfriend of Steel 2ndand the rhythm game 3nd Impact read "Sound Impact". Characters from Evangelion also make numerous appearances in other titles such as in the Super Robot Wars series by Banpresto. The hit mobile game "Monster Strike", by the Japanese company Mixi, did a collaboration featuring dungeons and collectible units from the series. A number of Evangelion-themed pachinko and pachisuro machines are offered at pachinko parlors:. As of MarchEvangelion pachinko manufacturer Fields Corporation revealed that the Evangelion franchise has sold a total of 2. On July 22,Fuji-Q Highland opened a 1,m 2 section devoted to Evangelionfeaturing a lifesize entry plug and statue of Mari Makinami[30] an approximately 3-meter titanium Lance of Longinus, [31] NERV hallways with character cutouts [32] that lead to a hangar room with the bust of Eva UnitSEELE monoliths, appropriate cosplay, [33] [34] Eva-themed hotel rooms, [35] and food products. Evangelion: Another Impact is the anime short number 12 from the Japan Animator Expo, a collaboration between the Khara studio and the media company Dwango. The anime short could be seen on the official website of the project, but the website closed on December 31, Since, a company who sell animal related product have bought the domain name, and the Japan Animator Expo website no longer exist. A Transformers x Evangelion comic and toy line featured a Transformers and Evangelion crossover. Universal Studios announced there will be a Godzilla and Evangelion crossover with an attraction. He only appeared in the crossover episode. From Wikipedia, the free encyclopedia. This article is about the Neon Genesis Evangelion franchise. Japanese media franchise. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Main article: Neon Genesis Evangelion. Main article: The End of Evangelion. Main article: Petit Eva: Evangelion School. Main article: Rebuild of Evangelion. Main article: Neon Genesis Evangelion manga. See also: List of Neon Genesis Evangelion chapters. Main article: Music of Neon Genesis Evangelion. Further information: List of Neon Genesis Der Mond: The Art of Neon Genesis Evangelion video games. Gizmodo Media Group. Retrieved March 27, Khara, Inc. Archived from the original on March 27, Sponichi Annex. February 12, Archived from the original on March 9, Retrieved November 21, Retrieved Anime News Network. Retrieved 15 October Retrieved 13 March Retrieved 22 February Archived from the original on Archived from the original on August 2, Retrieved on Anime News Network Movie Chronicles. February 4, Retrieved August 13, Vision, Inc. August 12, Archived from the original on February 21, Fields Corporation. May 11, Neon Genesis Evangelion. Gainax Khara Production I. G Tatsunoko Production. Hidden categories: Pages with non-numeric formatnum arguments All articles with dead external links Articles with dead external links from February Articles with permanently dead external links Articles with short description Short description matches Wikidata Articles needing additional references from July All articles needing additional references Articles containing Japanese-language text All articles with unsourced statements Articles with unsourced statements from May Commons category link is on Wikidata. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Wikimedia Commons has media related to Neon Genesis Evangelion. Wikiquote has quotations related to: Neon Genesis Evangelion franchise. Der Mond: The Art of Neon Genesis Evangelion by Yoshiyuki Sadamoto Description: Newly reformatted in hard cover to mirror the original Japanese edition! Stylish, delicate, and consistently Der Mond: The Art of Neon Genesis Evangelion, Der Mond collects the color illustrations of Yoshiyuki Sadamoto, one of the founding member of Studio Gainax and the character designer for Neon Genesis Evangelion. No account yet? Registering is freeeasyand private.
Recommended publications
  • The Notenki Memoirs: Studio Gainax and the Men Who Created Evangelion
    The Notenki Memoirs: Studio Gainax And The Men Who Created Evangelion By Yasuhiro Takeda (2002) Japanese edition: • Photography: Kazuyoshi Sakai • Yasuhiro Takeda Illustration: Mitsue Aoki • Writing Assistance: Yu Sugitani (EHRGEIZ), Yasuhiro Kamimura (GAINAX), Takayoshi Miwa (PAQUET) • ISBN 4847014073 • © 2002, Wani Books English edition: • Translation & adaptation: Javier Lopez, Jack Wiedrick, Brendan Frayne, Kay Bertrand, Gina Koerner, Hiroaki Fukuda and Sheridan Jacobs • Design & layout: Natalia Reynolds • Cover Design: Jason Babler • ISBN 1–4139–0234–0 • English text ©2005 published by A.D. Vision, Inc., under exclusive license from Wani Books, Co. (Tokyo) Editor’s preface This unofficial electronic edition is derived from the 1st book printing by ADV, and formatted in Pandoc Markdown; the source code is available, as is a PDF1 A 200MB scan is available for anyone who wishes to check the original print book against this edition. Many of the formatting conventions differ - for example, in the book, endnotes are divided into biographical endnotes and non-biographical endnotes, and the latter appear as a consolidated section in the middle of the book while the former appear in the last section of the book; in this ebook, the notes appear intermingled as endnotes (although one can tell the difference: all biographical endnotes start with the name in bold). The convention report in the middle 1The PDF is generated by obtaining a copy of the gwern.net website repository and running markdown2pdf --xetex docs/2002-notenki-memoirs.page. 1 of the text was originally formatted as multiple columns on a page with no whitespace and photographs inserted out of order; I have taken the liberty of interpreting large text as section titles and converting the run-on paragraphs to list items.
    [Show full text]
  • WINGS of HONNEAMISE Oe Ohne) 7 Iy
    SBP ee TON ag tatUeasai unproduced sequel to THE WINGS OF HONNEAMISE oe Ohne) 7 iy Sadamoto Yoshiyuki © URU BLUE The faces and names you'll need to know forthis installment of the ANIMERICA Interview with Otaking Toshio Okada. INTERVIEW WITH TOSHIO OKADA, PART FOUR of FOUR In Part Four, the conclusion of the interview, Toshio Okada discusses the dubious ad cam- paign for THE WINGS OF HONNEAMISE, why he wanted Ryuichi Sakamotoforits soundtrack, his conceptfor a sequel and the “shocking truth” behind Hiroyuki Yamaga’‘s! Ryuichi Sakamoto Jo Hisaishi Nausicaa Celebrated composer whoshared the Miyazaki’s musical composer on The heroine of whatis arguably ANIMERICA: There’s something I’ve won- Academy Award with David Byrne mostofhis films, including MY Miyazaki’s most belovedfilm, for the score to THE LAST EMPEROR, NEIGHBOR TOTORO; LAPUTA; NAUSICAA OF THE VALLEY OF dered aboutfor a long time. You know,the Sakamotois well known in both the NAUSICAA OF THE VALLEY OF WIND,Nausicaais the warrior U.S. andJapan for his music, both in WIND; PORCO ROSSOand KIKI’S princess of a people wholive ina ads forthe film had nothing to do with the Yellow Magic Orchestra and solo. DELIVERY SERVICE. Rvorld which has been devadatent a 1 re Ueno, Yuji Nomi an a by ecological disaster. Nausicaa actual film! we composedcai eae pe eventually managesto build a better 7 S under Sakamatne dIcelon, life for her people among the ruins . : la etek prcrely com- throughhernobility, bravery and Okada: [LAUGHS] Toho/Towa wasthe dis- pasetiesOyromaltteats U self-sacrifice.. tributor: of THE WINGS OF HONNEAMISE, “Royal SpaceForce Anthem,” and and they didn’t have any know-how,or theSpace,”“PrototypeplayedC’—ofduringwhichthe march-of-“Out, to sense of strategy to deal with< the film.F They Wonthist ysHedi|thefrouaheiation.ak The latest from Gainaxz handle comedy, and comedy anime—what.
    [Show full text]
  • The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • 16-18 October 2019 Shanghai New International Expo Center Message from CTJPA President
    Visitor Guide E6 16-18 October 2019 Shanghai New International Expo Center Message from CTJPA President Dear participants, On behalf of China Toy & Juvenile Products Association (CTJPA), the organizer of China Toy Expo (CTE), China Kids Expo (CKE), China Preschool Expo (CPE) and China Licensing Expo (CLE), I would like to extend our warmest welcome to all of you and express our sincere thanks for all your support. Launched in 2002, the grand event has been the preferred platform for leading brands from around the world to present their newest products and innovations, connect with customers and acquire new sales leads. In 2019, the show will feature 2,508 global exhibitors, 4,859 worldwide brands, 100,000 professional visitors from 134 countries and regions, showcasing the latest products and most creative designs in 230,000 m² exhibition space. It is not only a platform to boost trade between thousands of Chinese suppliers and international buyers, but also an efficient gateway for international brands to tap into the Chinese market and benefit from the huge market potential. CTJPA has designed the fair as a stage to show how upgraded made-in-China will influence the global market and present worldwide innovative designs and advanced technologies in products. Moreover, above 1800 most influential domestic and international IPs will converge at this grand event to empower the licensing industry. IP owners are offered opportunities to meet with consumer goods manufacturers, agents and licensees from multi-industries to promote brands and expand licensing business in China and even Asia. Whether you are looking to spot trends, build partnerships, or secure brand rights for your products, we have the answer.
    [Show full text]
  • Archiving Movements: Short Essays on Materials of Anime and Visual Media V.1
    Contents Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui ………… 2 Utilizing the Intermediate Materials of Anime: Royal Space Force: The Wings of Honnêamise Ishida Minori ………… 17 The Film through the Archive and the Archive through the Film: History, Technology and Progress in Royal Space Force: The Wings of Honnêamise Dario Lolli ………… 25 Interview with Yamaga Hiroyuki, Director of Royal Space Force: The Wings of Honnêamise What Do Archived Materials Tell Us about Anime? Kim Joon Yang ………… 31 Exhibiting Manga: Impulses to Gain from the Archiving/Unearthing Anime Project Jaqueline Berndt ………… 36 Analyzing “Regional Communities” with “Visual Media” and “Materials” Harada Ken’ichi ………… 41 About the Archive Center for Anime Studies in Niigata University ………… 45 Exhibiting Anime: Archive, Public Display, and the Re-narration of Media History Gan Sheuo Hui presumably, the majority are in various storage Background of the Project places after their production cycles. It is not The exhibition “A World is Born: The uncommon that they are forgotten, displaced or Emerg­­ing Arts and Designs in 1980s Japanese eventually discarded due to the expenses incurred Animation” (19-31 March 2018) hosted at DECK, for storage. In many ways, these materials an independent art space in Singapore, is encompass an often forgotten yet significant part of an ongoing research collaboration research resource essential for understanding between the researchers from Puttnam School key aspects of Japanese animation production of Film and Animation in Singapore and the cultures and practices. Archive Center for Anime Studies in Niigata “A World is Born” was an exhibition focusing University (ACASiN).
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • Protoculture Addicts
    PA #89 // CONTENTS PA A N I M E N E W S N E T W O R K ' S ANIME VOICES 4 Letter From The Publisher PROTOCULTURE¯:paKu]-PROTOCULTURE ADDICTS 5 Page 5 Editorial Issue #89 ( Fall 2006 ) 6 Contributors Spotlight SPOTLIGHTS 98 Letters 16 HELLSING OVA NEWS Interview with Kouta Hirano & Yasuyuki Ueda Character Rundown 8 Anime & Manga News By Zac Bertschy 89 Anime Releases (R1 DVDs) 91 Related Products Releases 20 VOLTRON 93 Manga Releases Return Of The King: Voltron Comes to DVD Voltron’s Story Arcs: The Saga Of The Lion Force Character Profiles MANGA PREVIEW By Todd Matthy 42 Mushishi 24 MUSHISHI Overview ANIME WORLD Story & Cast By Miyako Matsuda & C.J. Pelletier 58 Train Ride A Look at the Various Versions of the Train Man ANIME STORIES 60 Full Metal Alchemist: Timeline 62 Gunpla Heaven 44 ERGO PROXY Interview with Katsumi Kawaguchi Overview 64 The Modern Japanese Music Database Character Profiles Sample filePart 36: Home Page 20: Hitomi Yaida By Miyako Matsuda & C.J. Pelletier Part 37: FAQ 22: The Same But Different 46 NANA 62 Anime Boston 2006 Overview Report, Anecdocts from Shujirou Hamakawa, Character Profiles Anecdocts from Sumi Shimamoto By Miyako Matsuda & C.J. Pelletier 70 Fantasia Genre Film Festival 2006 Report, Full Metal Alchemist The Movie, 50 PARADISE KISS Train Man, Great Yokai War, God’s Left Overview & Character Profiles Hand-Devil’s Right Hand, Ultraman Max By Miyako Matsuda & C.J. Pelletier 52 RESCUE WINGS REVIEWS Overview & Character Profiles 76 Live-Action By Miyako Matsuda & C.J. Pelletier Nana 78 Manga 55 SIMOUN 80 Related Products Overview & Character Profiles CD Soundtracks, Live-Action, Music Video By Miyako Matsuda & C.J.
    [Show full text]
  • An Investigation of the Applicability of Susan
    AN INVESTIGATION OF THE APPLICABILITY OF SUSAN NAPIER’S JAPANESE ANIMATION (ANIME) ‘GENRE CLASSIFICATION MODEL’ IN KENYAN ANIMATION FAITHSANDRA NEKHONGA MASIBO (BA) M66/28937/2013 A RESEARCH PROJECT SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF ARTS (FILM STUDIES) IN THE SCHOOL OF CREATIVE AND PERFORMING ARTS, FILM AND MEDIA STUDIES OF KENYATTA UNIVERSITY. MAY, 20TH 2019. DECLARATION I declare that this Research Project is my original work and has not been presented for a degree or award in any other University. Faithsandra Nekhonga Masibo, BA. M66/28937/2013 Signature: ………………….…… Date: ……………….……… SUPERVISOR This Research Project is submitted for review with our approval as university supervisor(s). Prof. John Mugubi Signature: ………………………. Date: ………………………. ii DEDICATION To Elizabeth and Protus Masibo, Lilian, Francis and Wilma. iii ACKNOWLEDGMENT First and foremost, I acknowledge my supervisor Prof. John Mugubi for his tireless effort in shaping this report through insightful readings, positive criticism and encouragement. I will forever be deeply indebted to him. I also recognize Sara Masese and all my friends and colleagues at the Department of Film and Theatre Arts and the larger School of Creative Arts, Film and Media Studies, Kenyatta University, with whom we walked this journey. I appreciate you. I also benefitted immensely from the following and who I shall always remain obliged to: Dr. Rosemary Nyaole and Mr. Norman Shitote for your scholarly insight; Mark Njoroge, Ng’endo Mukii and Andrew Kaggia for the animation productions studied in this report and availed personal insight on Kenyan Animation films as a whole. Special mention also goes to Francis Welle, Kevin Arianda, Elisabeth Shabouk and Hellen Musira and her family for the support offered throughout this program.
    [Show full text]
  • Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Tsukuba Repository 〈Articles〉Beyond 2015 : Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion 著者 TSANG Gabriel F.Y. journal or Journal of International and advanced Japanese publication title studies number 8 page range 35-43 year 2016-03 URL http://doi.org/10.15068/00146740 © 2016 Journal of International and Advanced Japanese Studies Vol. 8, February 2016, pp. 35–43 Master’s and Doctoral Program in International and Advanced Japanese Studies Graduate School of Humanities and Social Sciences, University of Tsukuba Article Beyond 2015: Nihilism and Existentialist Rhetoric in Neon Genesis Evangelion Gabriel F. Y. TSANG King’s College London, Department of Comparative Literature, Ph.D. Student Generally categorized as low art, Japanese manga and anime draw insufficient overseas critical attention, regardless of their enormous cultural influence in East Asia. Their popularity not simply proved the success of cultural industrialization in Japan, but also marks a series of local phenomena, reflecting social dynamicity and complexity, that deserve interdisciplinary analysis. During the lost decade in the 1990s, which many scholars studied with economic accent (Katz 1998, Grimes 2001, Lincoln 2001, Amyx 2004, Beason and Patterson 2004, Rosenbluth and Thies 2010), manga and anime industry in Japan entered its golden age. The publication and broadcast of some remarkable works, such as Dragon Ball, Sailor Moon, Crayon Shin-chan and Slam Dunk, not only helped generate huge income (nearly 600 billion yen earned in the manga market in 1995) that alleviated economic depression, but also distracted popular focus from the urge of demythologising national growth.
    [Show full text]
  • 1608529146136-2.Pdf
    THE ANIME ECOLOGY This page intentionally left blank THE ANIME A GENEALOGY ECOLOGY OF TELEVISION, ANIMATION, THOMAS AND GAME MEDIA LAMARRE University of Minnesota Press Minneapolis | London Copyright 2018 by Thomas Lamarre All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 24 23 22 21 20 19 18 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: LaMarre, Thomas, author. Title: The anime ecology : a genealogy of television, animation, and game media / Thomas Lamarre. Description: Minneapolis : University of Minnesota Press, 2018. | Includes bibliographical references and index. Identifiers: LCCN 2017042800 | ISBN 978-1-5179-0450-0 (pb) | ISBN 978-1-5179-0449-4 (hc) Subjects: LCSH: Animated films—Japan—History and criticism. | Television programs— Social aspects. | Video games—Social aspects. | Cultural industries—Social aspects. | BISAC: PERFORMING ARTS / Animation. | SOCIAL SCIENCE / Popular Culture. Classification: LCC NC1766.J3 L34 2018 | DDC 791.43/340952–dc23 LC record available at https://lccn.loc.gov/2017042800 CONTENTS INTRODUCTION Television Animation and Infrastructure Ecology 1 PART I. THE SCREEN– BRAIN APPARATUS 1. Population Seizure 33 2. Neurosciences and Television 55 3. This Stuff Called Blink 77 4.
    [Show full text]
  • Living Through Death in Anime.Pdf (1.612Mb)
    by Jordan Trygstad What is Anime? What is Anime? “Japanese cartoons and computer animation (=pictures, films etc produced using a computer)” - Longman English Dictionary Online What is Anime? What is Anime? What is Anime? What is Anime? What is Anime? What is Anime? “a style of animation originating in Japan that is characterized by stark colorful graphics depicting vibrant characters in action-filled plots often with fantastic or futuristic themes” - Merriam-Webster Why Anime? Why Anime? NDSU Anime Club Friday & Saturday 7 – 10pm Why Anime? NDSU Anime Club Friday & Saturday 7 – 10pm 24 Nights a Semester 72 Hours Why Anime? NDSU Anime Club Friday & Saturday 7 – 10pm 24 Nights a Semester 72 Hours 9 Semesters 648 Hours Death in Anime Death in Anime Goals -Understanding Religious Climate Goals -Understanding Religious Climate -Associating Fairy Tales and Myths Goals -Understanding Religious Climate -Associating Fairy Tales and Myths -Applying Psychoanalysis Goals -Understanding Religious Climate -Associating Fairy Tales and Myths -Applying Psychoanalysis Religious Climate -Shinto -Buddhism -Christianity Religious Climate -Shinto -Buddhism • More than 85% (Karan 72-3) • Reincarnation • Bardo -Christianity Limited Time Fullmetal Alchemist: Brotherhood Episode 02 – “The First Day” Mother Revival? “And then something goes terribly wrong.” Revival After Fairy Tales - “White Bird Sister” - “The Elder Sister and the Younger Brother” Stages of Grief - Denial - Anger - Bargaining - Depression - Acceptance Thank You NDSU English Professors and Instructors Dr. Robert O’Connor Dr. Elizabeth Birmingham Works Cited "Anime." Longman English Dictionary Online. N.p., n.d. Web. 29 Nov. 2012. <http://www.ldoceonline.com/dictionary/anime>. "Anime." Merriam-Webster. Merriam-Webster, n.d. Web. 29 Nov.
    [Show full text]