Thomas Anson and Shugborough
Andrew Baker Thomas Anson and the Greek Revival 1 1 Thomas Anson and Shugborough Shugborough, the house and its estate, sits in the valley of the Trent in Staffordshire. The vale has the air of being a world of its own, somehow managing to be serene and beautiful in spite of the two main line railways which pass through it. In the 18th century the park became studded with monuments, partly fanciful and partly serious reproductions of Ancient Greek architecture, as its owner, Thomas Anson, transformed his patch of England into his own ideal Arcadia These “improved” landscapes often have an air of mystery about them, of some kind of hidden meaning, or simply a haunting air of unreality. Shugborough, more than most, has a mystery at its heart. Most famously it has its Shepherds Monument, an enigmatic structure with a unique cryptic inscription. This presents an answered question to the visitor, made more curious by the lack of information about its creators, Thomas Anson himself and his architects. Thomas is virtually an invisible man, as if he has deliberately covered his traces. As the fragmentary clues are assembled both the meaning of Shugborough and its puzzling monument and the story of Thomas Anson, a man with secrets, begin to emerge. There is no better description of the place as it was in the 18th century than Thomas Pennant’s in his “Journey to Chester,” published in 1811. Pennant was a close friend of Thomas Anson in his later years and, as he says himself, used Shugborough as a base from which to explore the wide variety of natural and historic features in the area.
[Show full text]