Grace Mclean Agent Resume

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GRACE McLEAN BROADWAY NATASHA, PIERRE & THE GREAT COMET OF 1812 Marya D Imperial Theatre / Dir. Rachel Chavkin NEW YORK THEATER CYRANO Chaperone Marie The New Group / Erica Schmidt ALICE BY HEART Queen of Hearts MCC Theater/ Dir. Jessie Nelson IN THE GREEN Jutta Lincoln Center/ Dir. Lee Sunday Evans BROOKLYNITE Blue Nixie Vineyard/ Dir. Michael Mayer BEDBUGS!!! Carly Arclight/ Dir. Robert Bartley THE WORLD IS ROUND RoseRoseRose BAM Ripe Time/ Dir. Rachel Dickstein NATASHA, PIERRE & THE GREAT COMET OF 1812 Marya D Off Broadway Kazino/ Dir. Rachel Chavkin SLEEP NO MORE Madame Lotte Punchdrunk/ The McKittrick ON THE FLOOR Chanteuse Ace Hotel with The Dance Cartel THE DAUGHTERS Balladeer Grace CAP21/ Dir. Sam Pinkleton GRACE MCLEAN LIVES IN CONCERT Self Ars Nova/ Dir. Tim Drucker THE LAST GOODBYE Nurse The Wild Project/ Dir. Michael Kimmel TWELFTH NIGHT Olivia Theatre Row Kirk/The Wild Project, NY Neo-Classical/ Dir. Steve Stout TWELVE OPHELIAS R (Rosencrantz) Woodshed Collective/ Dir. Terry Bergman HELL HOUSE Hoe Down Room Musician St. Ann’s/ Dir. Alex Timbers LOVE’S LABOR’S LOST Princess Baryshnikov Arts Center, NY THE SPIDER OPERAS Ensemble PS122 Taylor Mac, Elizabeth Swados REGIONAL/INTERNATIONAL THEATER NATASHA, PIERRE & THE GREAT COMET OF 1812 Marya D ART/ Dir. Rachel Chavkin PUMP BOYS AND DINNETTES Prudie Weston Playhouse LA MAMA CANTATA Ellen Stewart La MaMa NY, Italy, Croatia, Serbia/ Dir. Elizabeth Swados FROM THE FIRE Rose Schniederman Edinburgh Fringe, MTM Best Production Dir. Cecilia Rubino, Elizabeth Swados THE LAST GOODBYE Ensemble WTF/ Dir. Michael Kimmel THURSDAY Charlene WTF/ Dir. Michael Silverstone By Adam Bock READINGS/WORKSHOPS OCTET Jessica Signature Theatre/ Dir. Annie Tippe MOBY DICK Ahab The Public/ Dir. Rachel Chavkin Composed by Dave Malloy HADESTOWN Fate NYTW/ Dir. Rachel Chavkin NOIR Lady La Brea NYTW/ Dir. Rachel Chavkin, Duncan Sheik AMELIE Suzanne Berkeley Rep./ Dir. Pam MacKinnon BROOKLYNITE Blue Nixie Vineyard/ Dir. Michael Mayer TOM VISITS HIS SISTER ONE LAST TIME Rose New Dramatists/ Dir. Rachel Chavkin BLOODY BLOODY ANDREW JACKSON Ensemble The Public/ Dir. Alex Timbers PETER AND THE STARCATCHER Mrs. Bumbrake Disney/ Dir. Alex Timbers, Roger Rees FEBRUARY HOUSE Carson McCullers The Public/ Dir. Ted Sperling DASH DEXTER Emma Smith Suzanne Agins, book/lyrics Gordon Cox TRAINING Education: BFA New York University, Tisch School of the Arts: Drama, Art History Vocal Coaches: Melba Joyce (jazz), Deborah Carmichael (classical), Jonathan Hart Makwaia (Roy Hart) Additional Training: Siti Company, Pig Iron Theater Company, The TEAM Grace regularly performs original compositions in New York City with her band Grace McLean and Them Apples. EPs Make Me Breakfast and Natural Disaster on iTunes. AWARDS 2017 Emerging Artist and Hunt Family Award from Lincoln Center for the Performing Arts Management Schachter Entertainment Ted Schachter 310-712-3730.

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July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months.
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Advance Program Notes the TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM
Advance Program Notes The TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. The TEAM National Theatre of Scotland Anything That Gives Off Light North American Premiere A co-production by the TEAM, the National Theatre of Scotland, and Edinburgh International Festival Written by Jessica Almasy, Davey Anderson, Fraser Ayres, Rachel Chavkin, Brian Ferguson, and Sandy Grierson Created in collaboration with Matt Hubbs, Nick Vaughan, Brian Hastert, and Libby King Music and lyrics by the Bengsons Directed by Rachel Chavkin with Associate Director Davey Anderson Cast Red: Jessica Almasy* Brian: Reuben Joseph* Iain: Martin Donaghy* Musicians Jessie Linden* Maya Sharpe* Katrina Yaukey* Director: Rachel Chavkin Associate Director: Davey Anderson Composers: Shaun Bengson and Abigail Nessen-Bengson Designer: Nick Vaughan Lighting Designer: Ted Boyce-Smith Sound Designer and Technical Director: Matt Hubbs Music Director: Ellen Winter Costume Associate: Heather McDevitt Barton Casting Director: Laura Donnelly, CDG Production Stage Manager: Ben Freedman* TEAM Producing Director: Alexandra Lalonde Production Assistant: Ema Zivkovic Music Assistant: Jessica Mqllquham This production of Anything That Gives Off Light is dedicated to our original lighting designer, Chahine Yavroyan, who passed away in November, 2018. Chahine, we carry the flame of your elegance, your good grace, and your beautiful eye in our hearts on this stage every evening. Thank you for your light.
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9 Short Plays from the Longest Year of Our Lives
LONG STORY SHORT 9 SHORT PLAYS FROM THE LONGEST YEAR OF OUR LIVES Sponsored by Linda Archer The Law Office of Steven Edward Buckingham Bob & Bev Howard Meghan Riordan & Chris Prince Debra & Tom Strange A Friend of The Warehouse Theatre THE WAREHOUSE THEATRE RECEIVES GENEROUS SUPPORT FROM THE JEAN T. AND HEYWARD G. PELHAM FOUNDATION AND THE HARRIET WYCHE ENDOWMENT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE WAREHOUSE THEATRE PRESENTS LONG STORY SHORT BREAK Featuring MACHETE ORDER A LEG! by Marco Ramirez the 1 Sending our well wishes to by Cammi Stilwell Warehouse Theatre for a THIS IS DEREK by Paul Grellong spectacular show run. GERMS by Dorothy Fortenberry THE DESERT by Janine Salinas Schoenberg WAS HERE by Donald Jolly THE RELIEF OF TRUTH by Avery Sharpe SHOOTS fuelforbrands.com by Kristoffer Diaz HOPE by Bekah Brunstetter THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRO- DUCTION OR DISTRIBUTING RECORDINGS OF ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIB- ITED, A VIOLATION OF THE AUTHOR’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FROM THE ARTISTIC DIRECTOR There have been many adjustments we’ve had to make at The Warehouse over the past 15 months.
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T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
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Sarah EC Maines Marqui Maresca Michael Maresca Dianne Marks
THEATRE AND DANCE FACULTY Cassie Abate Sarah EC Maines Deb Alley Marqui Maresca Ana Carrillo Baer Michael Maresca Natalie Blackman Dianne Marks Greg Bolin Ana Martinez Linda Nenno-Breining Johnny McAllister Kaysie Seitz Brown Amanda McCorkle Elizabeth Buckley Anne McMeeking Trad Burns Brandon R. McWilliams Susan Busa Toby Minor Claire Canavan Jordan Morille Michael Costello Nadine Mozon Michelle Dahlenburg Michelle Nance Tom Delbello Charles Ney Cheri Prough DeVol Michelle Ney Tammy Fife Christa Oliver John Fleming Phillip Owen Misti Galvan William R. Peeler Kevin Gates Bryan Poyser Babs George Aimee Radics Kate Glasheen-Dentino Shannon Richey Brandon Gonzalez Melissa Rodriguez Shelby Hadden Jerry Ruiz Shay Hartung Ishii Sideny Rushing Cathy Hawes Colin Shay Yesenia Herrington Vlasta Silhavy Kaitlin Hopkins LeAnne Smith Randy Huke Shane K. Smith Marcie Jewell Alexander Sterns Erin Kehr Colin D. Swanson Lynzy Lab Caitlin Turnage Laura Lane Neil Patrick Stewart Nick Lawson Scott Vandenberg Eugene Lee Nicole Wesley Clay Liford Yong Suk Yoo STAFF Carl Booker Kim Dunbar Jessica Graham Tina Hyatt Dwight Markus Monica Pasut Jennifer Richards Lori Smith FRONT OF HOUSE STAFF Robert Styers Virtual Theatre Spring 2021 CAST MELCHIOR...............................................................Jeremiah Porter WENDLA.............................................................Kyra Belle Johnson MORITZ............................................................................Riley Clark Department of Theatre and Dance presents ILSE...........................................................................Micaela
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HADESTOWN More Than a Decade Ago, Folk Singer/Songwriter Anaïs Mitchell Wrote the Concept Album Hadestown Based on the Greek Myth of Orpheus and Eurydice
HADESTOWN More than a decade ago, folk singer/songwriter Anaïs Mitchell wrote the concept album Hadestown based on the Greek myth of Orpheus and Eurydice. After various reincarnations, Mitchell teamed up with Tony award- nominated director Rachel Chavkin to develop a Hadestown musical for the stage. After a very successful workshop production at New York Theatre Workshop in 2016, Mitchell, Chavkin, and a team of producers are bringing the musical to the Citadel Theatre to revamp it for a larger stage and a possible Broadway run. Chavkin, fresh off her Tony nomination for directing Natasha, Pierre & The Great Comet of 1812 on Broadway, spoke to us from New York’s Imperial Theatre about her collaboration with Mitchell and what Citadel audiences can expect from the Canadian premiere of Hadestown. Rachel Chavkin, director of Hadestown. Photo by Chad Batka. Citadel Theatre: When Anaïs Mitchell approached you about developing Hadestown into a musical, what was your initial reaction? Rachel Chavkin: I fell madly in love with the album. Anaïs and I met after she saw my production of Great Comet at Ars Nova, and a mutual friend introduced us. We slowly started talking from there. It was a slow courtship, but by spring of 2013 we were diving into story structure, what narrative was already in place, where there were holes, etc. But yes – mostly my initial reaction was ‘this music is glorious.’ CT: What is your working relationship with Anaïs like? What’s your collaboration process been like so far? RC: Anaïs and I have a very close collaborative process. Because she doesn’t come from a theatre background, I’m able to bring a background in story structure, along with our dramaturg Ken Cerniglia.
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Production Images Released for Hadestown at the National Theatre Click Here to Download
12 November 2018 Production images released for Hadestown at the National Theatre Click here to download Music, lyrics and book by Anaïs Mitchell Developed with Rachel Chavkin Olivier Theatre Press Night 13 November, in rep until 26 January Following record-breaking runs at New York Theatre Workshop and Canada’s Citadel Theatre, Hadestown comes to the National Theatre prior to Broadway. In the warmth of summertime, songwriter Orpheus and his muse Eurydice are living it up and falling in love. But as winter approaches, reality sets in: these young dreamers can’t survive on songs alone. Tempted by the promise of plenty, Eurydice is lured to the depths of industrial Hadestown. On a quest to save her, Orpheus journeys to the underworld where their trust in each other is put to a final test. Celebrated singer-songwriter Anaïs Mitchell and director Rachel Chavkin have transformed Mitchell’s acclaimed concept album into a genre-defying new musical that mixes modern American folk music with vintage New Orleans jazz to reimagine a sweeping ancient tale. ‘Inventive. Beguiling. Luminous. Spellbinding.’ – New York Times The cast includes Sharif Afifi, Reeve Carney, André De Shields, Rosie Fletcher, Amber Gray, Beth Hinton-Lever, Carly Mercedes Dyer, Eva Noblezada, Seyi Omooba, Gloria Onitiri, Patrick Page, Aiesha Pease, Joseph Prouse, Jordan Shaw and Shaq Taylor. Directed by Rachel Chavkin, with set design by Rachel Hauck, costume design by Michael Krass, lighting design by Bradley King, sound design by Nevin Steinberg and Jessica Paz, choreography by David Neumann, musical direction and vocal arrangements by Liam Robinson, orchestrations and arrangements by Michael Chorney and Todd Sickafoose, with Ken Cerniglia as dramaturg.
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Mike Tichy Updated Songlist 2017
ARTIST SONG acdc highway to hell badly drawn boy the shining beach boys god only knows beatles here comes the sun beatles this boy beatles strawberry fields beatles blackbird beatles bathroom window beatles mean mr mustard blue oyster cult burning for you david bowie modern love jackson browne these days jackson browne somebody's baby ray charles cc rider ray charles if you were mine ray charles crying time the clash rock the cashbah crosby stills nash our house eric clapton layla eric clapton bell bottom blues phil collins against all odds bobby darin beyond the sea dexies midnight runners come on eileen nick drake time has told me duran duran ordinary world bob dylan i shall be released duncan sheik barely breathing eagles hotel california fastball outta my head foo fighters the best of you peter gabriel sledgehammer genesis thats all hall and oates maneater harvey danger flagpole sitta jimi hendrix little wing jet look what youve done billy joel moving out elton john rocket man elton john tiny dancer elton john yellowbrick road elton john amoreena elton john bad side of the moon elton john i guess thats why they call it the blues judas priest you got another thing coming (folk) the killers mr brightside ben e king stand by me kiss christine sixteen kiss dr love huey lewis power of love huey lewis i want a new drug led zep stairway to heaven led zep thank you john lennon imagine lovin spoonful what a day for a daydream barry manilow mandy edwin mccain ill be edwin mccain i could not ask for more paul mccartney maybe im amazed metallica
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617.872.8254 | Rebecca [email protected]
FOR IMMEDIATE RELEASE: October 16, 2019 Contact: Rebecca Curtiss 617.496.2000 x8841 | 617.872.8254 | [email protected] Creative Team and Cast Announced for American Repertory Theater Premiere of Moby-Dick New Collaboration Between Dave Malloy and Rachel Chavkin To Run December 3, 2019 – January 12, 2020 Download images here. Cambridge, MA – American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, have announced the creative team and cast of Moby-Dick, with music, lyrics, book, and orchestrations by Dave Malloy, developed with and directed by Rachel Chavkin. Performances of the new adaptation of Herman Melville’s classic novel begin Tuesday, December 3 at the Loeb Drama Center in Cambridge, MA. The production opens officially on Wednesday, December 11, 2019 and closes Sunday, January 12, 2020. “We are all in the belly of the whale…” From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes an epic musical adaptation of Herman Melville’s iconic American novel. As the egomaniacal Captain Ahab drives his crew across the seas in pursuit of the great white whale, Melville’s nineteenth-century vision of America collides head-on with the present. “I’ve always been fascinated with the surprising ways classic literature can resonate with contemporary times, and Moby-Dick is no exception,” says Malloy. “Melville was writing about America in 1851, as the country was struggling to define itself and reconcile all the conflicts that led inevitably to the Civil War; 170 years later, we’re still talking about the same issues— capitalism, democracy, environmentalism, race.
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Rachel Chavkin Takes on Broadway
Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay.
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May 15-16 + 22-23 Downtown Alliance in Association With
MAY 15-16 + 22-23 DOWNTOWN ALLIANCE IN ASSOCIATION WITH + PRESENTS DOWNTOWN LIVE MAY 15-16 + 22-23, 2021 T A BLE OF C ON T EN TS •FESTIVAL MAP •FESTIVAL SCHEDULE •NEIGHBORHOOD RECOMMENDATIONS • DEALS WORTH CHECKING OUT •ABOUT THE FESTIVAL •NOTES FROM JESSICA LAPPIN & FESTIVAL CURATORS •FESTIVAL LINEUP BY SITE • 1 BATTERY PARK PLAZA • 85 BROAD STREET • 4 NEW YORK PLAZA 1 BATTERY PARK PLAZA •ABOUT THE PARTNERS BABA ISRAEL & GRACE GALU JAMES & JEROME • KATIE MADISON • EN GARDE ARTS 85 BROAD STREET • THE TANK EISA DAVIS, KANEZA SCHAAL & JACKIE SIBBLIES DRURY DAVID GREENSPAN W/ JAMIE LAWRENCE • THE DOWNTOWN ALLIANCE ELLEN WINTER W/ MACHEL ROSS • FESTIVAL PRODUCTION TEAM 4 NEW YORK PLAZA MEGHAN FINN & KAARON BRISCOE GROUP.BR• KUHOO VERMA W/ JUSTIN RAMOS •ARTIST BIOS FESTIVAL MAP ABOUT THE FESTIVAL ive performances are back! Downtown Live brings 36 in-person performances Lto Lower Manhattan on May 15-16 and 22-23. The performances are staged at unexpected locations around the neighborhood, including a covered loading dock (4 New York Plaza), an arcade along the Stone Street Historic District (85 Broad Street) and a plaza with harbor views near The Battery (1 Battery Park Plaza). After a year of lockdowns, these in-person shows offer audience members a long-awaited chance to see LIVE theatre, contemporary performance, and music and to explore all that Lower Manhattan has to offer. (Click the stars on the map to check out the performances at each stage) MAY 15-26 S2 S3 S1 STAGE 1 STAGE 2 STAGE 3 1 BATTERY PARK PLAZA 85 BROAD STREET 4 NEW YORK PLAZA
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Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
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