DOCSLIB.ORG

Colours-Of-Sound-Liner-Notes.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Colours-Of-Sound-Liner-Notes.Pdf Colours of Sound Simon Pilbrow with Brent Fischer Orchestra CR201709 Fischer with Orchestra Brent Pilbrow Simon Sound of Colours PASTE OFA TAG HERE 6. Fast Fingers 5:53 10. Try For Ages 6:12 Personnel as per Australia Personnel as per A Fischer’s Line Simon Pilbrow Guest Clarinet Soloist: Ken Peplowski Guest Clarinet Soloist: Ken Peplowski Solos: Sheppard, Stever, Peplowski, Solos: Peplowski, Budman with McChesney, Pilbrow, Brinker The Brent Fischer Orchestra 11. September 7:03 7. A Fischer’s Line 6:16 Trumpet: Carl Saunders* Clarinets: Alex Budman (also Soprano Sax)*, Vibraphone: Brent Fischer Colours of Sound Brian Clancy, Sean Franz, Lee Callet Piano: Simon Pilbrow* Bass Clarinet: Gene Cipriano Electric Bass: Brent Fischer Simon Pilbrow - Composer, Piano Flugel: Carl Saunders Drums: Ray Brinker Brent Fischer - Producer, Arranger, Conductor, Vibraphone, Trombones: Scott Whitfeld* Strings as per Autumn Breeze Marimba, Electric Bass Piano: Simon Pilbrow* Electric Bass: Brent Fischer 12. Blue Six 5:53 Special Guest Artists: Drums: Ray Brinker Reeds: Bob Sheppard*, Bob Carr Trumpets: Jeff Bunnell, Ron Stout Ken Peplowski - Clarinet solos on Try For Ages and Fast Fingers 8. Surprise 4:54 Trombone: Scott Whitfeld* Bobby Shew - Trumpet solos on Blue Six and Surprise Personnel as per Studio City, except - Bass Trombone: Craig Gosnell Larry Koonse - Guitar on New Beginning and Autumn Breeze Bass: Chuck Berghofer Piano: Simon Pilbrow* Guest Trumpet Soloist: Bobby Shew Bass: Chuck Berghofer Chief Recording, Editing and Mixing Engineer: Matt Brownlie Solos: Sheppard, Shew, Martin Drums: Ray Brinker* Production Team: Sid Fenley, Kyle MacAulay, Claris Dodge, Guest Trumpet Soloist: Bobby Shew Ruth Nichols, Matt Wong, Lorenzo Ferrero 9. Joyful 4:57 Alto Flute: Alex Budman* (* denotes solo) Vibraphone: Brent Fischer Woodwinds: Bob Sheppard - Soprano, Alto and Tenor Saxes, Alro Flute; Sal Lozano - Alto Sax; Piano: Simon Pilbrow* Alex Budman - Soprano, Alto and Tenor Saxes, Flute, Alto Flute, Clarinet and Bass Clarinet; Bass: Chuck Berghofer Kirsten Edkins - Alto Sax, Alto Flute; Brian Clancy - Tenor Sax, Alto Flute and Clarinet; Sean Drums: Ray Brinker Franz - Clarinet; Gene Cipriano - Bass Clarinet; Bob Carr - Baritone Sax; Lee Callet - Baritone © P 2017 Simon Pilbrow All rights reserved. Unauthorized copying or distribution of this copyrighted work is illegal. Sax, Bass Clarinet. Trumpets: Rob Schaer, Mike Stever, Kye Palmer, Jeff Bunnell, Ron Stout, Carl Saunders 1. Australia 5:53 Piano: Simon Pilbrow* Trombones: Charlie Loper, Andy Martin, Bob McChesney, Scott Whitfield Reeds: - Bob Sheppard, Sal Lozano, Electric Bass: Brent Fischer Bass Trombone: Craig Gosnell, Steve Hughes Alex Budman, Brian Clancy*, Bob Carr Drums: Ray Brinker Acoustic Bass: Chuck Berghofer (tracks 1,2,4,6, 8-10,12 ) Trumpets: Mike Stever, Kye Palmer, Electric Bass: Brent Fischer (tracks 3, 5, 7, 11) Jeff Bunnell, Ron Stout, Carl Saunders* 4. Remembering Woody Shaw 5:31 Drums: Ray Brinker Trombones: Charlie Loper, Bob McChesney, Reeds: Bob Sheppard*, Bob Carr Strings - Concertmaster, Principal Violin: Assa Drori Scott Whitfield* Trumpets: Jeff Bunnell, Ron Stout* Violin: Alex Gorlovsky, Raphael Rishik, Susan Rishik Bass Trombone: Craig Gosnell Trombone: Scott Whitfield* Viola: Elizabeth Wilson, Lynn Grants Vibraphone: Brent Fischer Bass Trombone: Craig Gosnell Cello: Maurice Grants, Kevan Torfeh Piano: Simon Pilbrow* Piano: Simon Pilbrow* Contrabass: Oscar Hidalgo Bass: Chuck Berghofer Bass: Chuck Berghofer Drums: Ray Brinker Drums: Ray Brinker Recorded at NRG Studios in North Hollywood, CA; Mountain Road Studios in Albuquerque, NM and Clare Fischer Studios in Studio City, CA. 2. A New Beginning 5:21 5. Autumn Breeze 6:37 Soprano Saxophone: Alex Budman* Alto Flute: Alex Budman* Mastered by Steve Baughman and Mauricio Iragorri at Next Level Mastering Guitar: Larry Koonse* Guitar: Larry Koonse CD Concept: Silmon Pilbrow and Brent Fischer Piano: Simon Pilbrow Piano: Simon Pilbrow* Art Direction, Design and Layout by Ruth Nichols Bass: Chuck Berghofer Electric Bass: Brent Fischer Brent Fischer plays Contour Basses; Ken Peplowski plays Buffet Crampon Clarinets; Bob Drums: Ray Brinker Drums: Ray Brinker Sheppard uses D’Addario Reeds and MacSax Saxophone Mouthpieces; Bobby Shew, Andy Violins: Assa Drori, Alex Gorlovsky, Raphael Martin and Rob Schaer are Yamaha Performing Artists; Sal Lozano plays Selmer Saxophones 3. Studio City 6:22 Rishik, Susan Rishik and Vandoren Reeds; Kirsten Edkins endorses D’Addario Winds; Jeff Bunnell endorses BACH Reeds: Alex Budman*, Kirsten Edkins, Bob Violas: Elizabeth Wilson, Lynn Grants trumpets; Scott Whitfield plays Getzen trombones and is a Warburton artist; Craig Gosnell Sheppard, Brian Clancy, Lee Callet Cellos: Maurice Grants, Kevan Torfeh is a Greenhoe Trombones artist; Ray Brinker plays Yamaha drums, Zildjian cymbals, Vic Firth Trumpets: Rob Schaer, Mike Stever, Contrabass: Oscar Hidalgo drumsticks and Remo drum heads. Jeff Bunnell, Ron Stout Space Photos courtesy of NASA.gov; Session photos by Ruth Nichols Trombones: Charlie Loper, Andy Martin, (* denotes solo) Many thanks to Royer Labs for the use of their Ribbon Microphones Scott Whitfield Special thanks to AEA Ribbon Mics and Preamps Bass Trombone: Steve Hughes CD Manufacturing and Printing by Discmakers Vibraphone: Brent Fischer All Compositions by Simon Pilbrow - APRA (Surprise cont.) accelerates into the main tempo - his father Clare would have loved it – and reap- Music is something we all listen to everyday to enhance our lives. Even though I’ve been in the music industry pears later before the fnal melody. for nearly 40 years, I am still excited to hear bold music statements by gifted composers. Simon Pilbrow is on a unique path of his own making, having created an enormous library of brilliant sonic works of art over the decades. I’ve had the honor of getting to know in great detail nearly 200 of his singular originals and have care- Joyful fully chosen 12 that I feel represent the breadth of his accomplishments. This 2005 piece came to me while in church, and it has a “straight-8’s” rhythmic feel. Brent told me that it reminded him of some of Vince Guaraldi’s composing for “Peanuts”! On the day of the record- It has been a fantastic journey to bring these songs to life and I’ve enjoyed the challenge immensely. Working ing, Brent wrote a fabulous 16-bar chord sequence as an interlude at the conclusion of each solo, together with Simon, I meticulously assembled the stellar teams of professionals, both in front of and behind and presented it to us moments before recording it, which we ran through and incorporated. Alex’s the microphones, that has led to the music we place before you. From the emotional message to the caring alto fute and Brent’s vibraphone blend nicely on the melody. attention to detail and enthusiasm we both encountered in all of the varied instrumental settings we hope you will delight in here, there has been a great camaraderie in all facets of production. Enjoy! --Brent Fischer Try For Ages Written in 2011, the title is an anagram of Gary Foster, our good friend, frst-class reed player and a ffty-year musical associate of Clare Fischer. The A-section is loosely based on a 12-bar blues I have been privileged to know Brent Fischer for about six years. He is an accomplished composer, brilliant ar- structure, but with a twist, as the frame shifts between keys a minor third apart. The anagram came ranger and orchestrator, terrifc organizer, conductor, electric bassist and vibraphonist. Our musical association into my head while I was in our yard doing some bricklaying, which helped to cement it in my mind. began in 2011, after I wrote to his father, the innovative pianist/composer, Dr. Clare Fischer (1928-2012), to Brent has arranged it for clarinet choir and it features excellent solos and interplay between Alex on express my appreciation for his music. I have remained in contact with both Brent and Clare’s wife Donna since bass clarinet and guest Ken Peplowski on clarinet. then, but sadly, Clare’s health was already in decline and he died in 2012. His music lives on, thanks to Brent’s commitment to preserving his father’s musical legacy, leading many continuing Clare Fischer ensembles, unearthing previously unheard compositions, orchestrating and recording them and releasing albums to critical September acclaim. Written for my wife Jean in September 2014, this is a Latin tune in 5. When I wrote it, I envisaged a string ensemble backing, and Brent has woven intricate fve-part string parts behind the melody. Carl At some point in our dialogues, I mentioned that I had written a number of Jazz compositions, several of which Saunders takes the melody and plays the warm fugelhorn solo. were held in the Gerry Mulligan collection in the US Library of Congress, but never recorded them. Brent was interested to hear them and suggested that I might like to record them one day with top US musicians. After Blue Six several visits to LA and after much discussion, we decided in February 2017 to proceed, and set an ambitious This bebop blues tune was written in early 1981, in memory of much loved trumpet great, Blue schedule, to prepare twelve pieces for recording in late May. Brent arranged four of them for big band, two for Mitchell (1930-79). Blue was a distinguished alumnus of the Horace Silver band, as was our guest clarinet choir, two for a nonet, two with strings and two for quintet, with particular soloists and section players in mind. Brent assembled a dream-team of exceptional musicians – all are highly accomplished players and trumpeter, Bobby Shew, decades later. While most blues tunes are organized into three 4-bar sec- incredible improvisers - who executed his inspiring but demanding charts brilliantly and played wonderful solos. tions, this one unusually has two similar 6-bar sections. Brent arranged this for nonet, featuring The rhythm section of bassist Chuck Berghofer and drummer Ray Brinker was pivotal because of their great commanding solos by Bob Sheppard and Bobby Shew.
Load more

Recommended publications
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
    Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St.
    [Show full text]
  • 47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
    181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of
    [Show full text]
  • XII. Fighting Against Fusion 1974-1990
    XII. Fighting Against Fusion (1974-1990) For a few years, it seemed as if the whole jazz world had gone fusion-crazy, at least those who wished a large commercial success. Brothers Randy and Michael Brecker, Chick Corea, Herbie Hancock and George Benson were only a few of the many musicians who dipped a toe—or a whole foot—into its murky waters. Even Ornette Coleman, with his new band Prime Time, gave us his version of fusion with the album Dancing in Your Head. In the early 1980s George Russell gave us his funk-fusion take on The African Game, and even Mingus, one of the music’s greatest foes, was pushed into something close to fusion when his label at the time (Atlantic) forced a couple of electric guitarists on him in the album Three or Four Shades of Blue. When Mingus heard the final mix on this album, he called up Atlantic’s Nesuhi Ertegun and gave him hell for issuing such a “crappy” record, but the incredibly high sales figures for that LP—the best selling of Mingus’ entire career—mollified him, especially when he learned that the funds raised by this album gave him the opportunity to record one of his greatest masterpieces, the Cumbia & Jazz Fusion album, which sold hardly at all. And, of course, this was always the argument the record companies used when coerc- ing musicians into fusion. It sold. Very well. And in doing so, it sometimes—depending on the artistic proclivities of the label’s owner—gave them the opportunity to record better music that didn’t sell as much.
    [Show full text]
  • 2012 Pee Wee Russell Memorial Stomp
    Volume 40 • Issue 1 January 2012 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Nineteen-year-old Harmony Boys bandleader Timme Rosenkrantz posing at the drums. His violin stands on floor to his left. Four of the sextet doubled on other instruments. This 1930 photo courtesy of Lis I. Godtfredsen, daughter of the youngest sideman, then 15-year-old alto saxophonist Erik Godtfredsen, who went on to become a prominent ophthalmologist. imme Rosenkrantz was a Danish journalist, photographer, author, Tconcert and record producer, broadcaster and entrepreneur with a 2012 life-long consuming passion for jazz. Known as the Jazz Baron, he liked Pee Wee to trace his family roots back to the Rosencrantz in Shakespeare’s Russell Hamlet. Timme was the first European journalist to report on Meet Memorial the jazz scene in Harlem, from 1934 until 1969. He is credited Stomp with discovering and being first to record the pianist Erroll Garner. SUNDAY, Several LPs from those home-recorded sessions were released by Blue Note and later on many other jazz labels. He also found and the MARCH 4 Birchwood recorded the saxophonist Don Byas and the trombonist Tyree Glenn. Manor Now the first English edition of Harlem Jazz Adventures — A Jazz TICKETS ON SALE NOW. European Baron’s Memoir, 1934-1969, a translation and adaptation see ad of Rosenkrantz’s long out of print 1964 Danish memoir by Jersey Jazz’s page 9 International Editor Fradley Garner, is set for publication in the United States, Canada and the United Kingdom this month by The Scarecrow Press.
    [Show full text]
  • JAZZ NOTES in a World of Plastic and Artificial People, Jack Was Real
    March-April 2012 Vol. 27 No. 2 West Michigan azz www.wmichjazz.org An All-Volunteer orgAnizAtion Society Jazz Gumbo Showcase Monday, Mar. 19 p Live Music 6:30–8:30 p No seating before 6 pm My Favorite Things March’s featured quartet will be lead by WMJS lifetime member, Chris most in-demand pianists by vo- Bickley on saxophones and flute, Mark Kahny playing keyboard, Tom calists and combos alike. Equally Lockwood on bass, and our 2004 Musician of the year, Tim Froncek as comfortable in jazz, cabaret, and the power behind this awesome group on drums. Jazz music, being the fa- solo settings, he has come to the vorite of all of our musical genres, this Gumbo will feature many of the forefront as a multi-faceted key- group’s favorite artists, favorite composers, boardist and vocalist. Mark can be and favorite selections in an evening titled seen performing in any number of “My Favorite Things.” The band will open piano bars, music festivals and juke the evening with their version of John Col- joints all over West Michigan. trane’s classic recording of this song. Tim Froncek is one of the re- Chris Bickley, a graduate of CMU and gion’s most sought-after performers Photo by Dennos Museum the Interlochen Arts Academy, has served and educators, and is always an as director of jazz at both Northwestern audience favorite. Tim directs and performs with the Muskegon based Michigan College and Central Michigan Truth in Jazz Orchestra and the Grand Rapids Jazz Orchestra. He directs University.
    [Show full text]
  • February 2021
    AFM LOCAL 47 February 2021 online How Los Angeles Paved the Way for Desegregation Within the AFM Congress Approves Extra Unemployment #AFM47 Member Spotlight: Compensation for Mixed-Earners India.Arie online - Official monthly electronic magazine of the ISSN: 2379-1322 American Federation of Musicians Local 47 - Publisher: Editor: Danita Ng-Poss AFM Local 47 Managing Editor/Layout/ 3220 Winona Ave. Graphics: Linda A. Rapka Burbank CA 91504 323.462.2161 Advertising Manager: www.afm47.org Dan Walding Message From the Editor Please be aware that until further notice, AFM Local 47 will not be publishing, due to cost-saving measures, a print Overture Magazine. We will continue to publish our monthly digital e-magazine, Overture Online, and will con- tinue email blasts and our Local 47 Beat email newsletter. In order to better serve you, Local 47 is looking at every possible way to cut costs and save on administrative ex- penses. One simple yet effective step all members can take to help us reduce expenses is to add your current email address to your Directory profile. This allows us to ensure that you receive timely updates from Local 47 in the most cost-effective way possible. Please update your Directory profile with your current email and notification preferences by filling out the up- date form at afm47.org/directory or call 323.462.2161. Thank you! AFM LOCAL 47 EXECUTIVE BOARD & COMMITTEES Titled Officers Fair Employment Practices President Stephanie O’Keefe Committee Vice President Rick Baptist Ray Brown, Beverly Dahlke-Smith Secretary/Treasurer Danita Ng-Poss Trustees Grievance Committee Michael Lehmann Boddicker, Ray Brown, Lesa Terry Bonnie Janofsky, Doug V.
    [Show full text]
  • Angel City Jazz Festival
    angelcityjazz.com Angel City Jazz Festival When Rocco Somazzi started the Angel City Jazz Festival at Barnsdall Art On September 28 at Barnsdall Park, free outdoor performances by local Park in September 2008, his vision was informed by youthful experiences legends Azar Lawrence, Michael White and Brad Dutz with up-and- attending outdoor music festivals in his native Switzerland. In 2008, coming artists Daniel Rosenboom and Gavin Templeton, pave the way Barnsdall Park was a forgotten and somewhat neglected landmark, and for ticketed programming at the indoor Gallery Theater by Josh Nelson’s since the first festival was produced entirely on Rocco’s credit cards, Discoveries, Aruán Ortiz Trio, Craig Taborn and Taylor Ho Bynum’s West there were only two benefactors -- Visa and MasterCard. However, Coast Ensemble. Rocco’s vision had resonance, and his idea to feature local musicians in To close this all-day event, the festival honors its original headliner, a festival atmosphere struck a chord with both audiences and the music Arthur Blythe, whose health issues no longer allow him to perform, but community. One of the highlights of that two-day event was a set by whose spirit continues to inspire those around him. An all-star cast of L.A. virtuoso saxophonist Arthur Blythe, who had been living in near obscurity artists has been gathered to honor this influential musician, and health in the desert outside of L.A.. Bassist Nick Rosen and drummer Gust Tsillis permitting, he will be in the audience to receive these accolades. discovered Blythe, who had been battling health issues, and persuaded him to come out of semiretirement to perform at the first festival.
    [Show full text]
  • RICO PRODUCTS ! 155 North Lo Brea Come Next February
    8th. The latter show had the Oscar Vegas’ Flamingo . Singer Gene Mc­ Petenon Trio, Cal Tjader, and the Hk Daniel» signed with Liberty. He’d been Lo’s. Jazz a la Carte swung at the Russ working with the Les McCann trio the auditorium, ditto Garner. The Hi-Lo’s past 18 months . Dick Bock. World did a return engagement, playing the Pacific pres, may have a real jazz sleep­ Del Coronado Hotel Nov. 14 for a col­ er in the album he cut in San Francisco lege bash . Some businesses are with Jon Hendricks backed by altoist- pulling in college students by piping jazz scat singer Pony Poindexter and the through the music service . Gary Le- Montgomery brothers. Febvre, former winner of the best tenor COMBO ACTION: Pete Jolly, piano, COMBO! award at the Lighthouse, is now with and bassist Ralph Pena went into the bone, Joe Fos at the Continental. Combo Dover House on a six-night weekly gig rhyth Pit tsi has Johnny Guerin on drums, Dick Lees . Barney Bigard and combo are at TROMBO on bass. Ben Pollack’s restaurant Fridays, Satur­ Troni phy. days and Sundays . After a good, LOS ANGELES DAVE P long time at Santa Monica’s King's trennt For its first national telecast of the Surf, the Betty Bryant trio moved the hart. MODERN THE REEDS THAT Grammy awards, over the NBC net end of October to Sterling's in the same Nov. 29 from the Beverly Hilton hotel, community .. Allyn Ferguson reorgan­ "BLOW EASY" the National Academy of Recording ized his Chamber Jazz Sextet to include DANCEA Clarinet, Alto Sax, Tenor Sax Arts and Sciences has lined up a talent himself on piano and French horn, Stu Trum — Rico Reeds come accurately program including Duke Ellington, EHa Williamson, trumpet, Charlie Kennedy jack» graded.
    [Show full text]
  • Pianist/Vocalist/Composer
    Pianist/Vocalist/Composer Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: 1000 South Denver Avenue Suite 2104 Tulsa, OK 74119 Contents: Biography Website: Discography http://www.pricerubin.com Pops Programs with Orchestra Programs & Educational Clinics Reviews Complete artist information including video, audio and interviews are available at www.pricerubin.com Peggy Duquesnel — Biography A versatile and accomplished performer, Peggy Duquesnel has enjoyed a distinguished career as a pianist, vocalist, composer and arranger. She has performed and recorded with such notables as Henry Mancini, Dionne Warwick, Alan Broadbent, Pat Boone, Rick Braun, Jimmy Haslip, Jeff Lorber, Joe La Barbera and Brian Bromberg. Peggy has been a featured performer for Disney, Roland, Kawai, Segerstrom Center for the Arts and the Auckland Philharmonic. She has established an impressive foothold in both the jazz and smooth jazz worlds, receiving critical acclaim for her twelve releases of jazz and inspirational CD albums. She has composed and published many instrumental and vocal songs and was awarded “Best Original Score” with co-writer Billy Martin for the Vagabond web series pilot. Peggy served as keyboardist for the Anaheim Angels for several years including the World Series in 2002. She served as adjunct Professor of Jazz Studies at Concordia University in Irvine, CA. Peggy’s vocals are polished and smooth, her voice as much an instrument as any in the orchestra.” - Robert A.
    [Show full text]
  • The Wrecking Crew
    Magnolia Pictures Present A MAGNOLIA PICTURES RELEASE THE WRECKING CREW A film by Denny Tedesco 101 minutes; 1.78 Official Selection: SXSW Film Festival International Documentary Association – Best Music Documentary Nominee Docuweek – Official Selection Seattle International Film Festival – Golden Space Needle Audience Award Winner Tallgrass Film Festival – Audience Award Winner Mill Valley Film Festival Nashville International Film Festival Florida Film Festival FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Matt Cowal Steve Beeman Marina Bailey Arianne Ayers Falco Ink Marina Bailey Film Publicity Magnolia Pictures 250 West 49th Street, Ste. 704 6569 De Longpre Avenue (212) 924-6701 phone New York, NY 10019 Los Angeles, CA 90028 [email protected] (212) 445-7100 phone (323) 962-7511 phone [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. And now, THE WRECKING CREW tells the story in pictures and that oh, so glorious sound. The favorite songs of a generation are all here, presented by the people who made them for you. THE WRECKING CREW is a documentary film produced and directed by Denny Tedesco, son of legendary late Wrecking Crew guitarist Tommy Tedesco. The film tells the story of the unsung musicians that provided the backbeat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s.
    [Show full text]
  • Everything Old Is New Again
    Volume 46 • Issue 1 january 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “Professor” Adrian Cunningham and his Old School Band made their Suncoast Jazz Classic debut and played sets throughout the weekend, including a CD release party for their latest Arbors album, Swing It Out! Here the leader pays close attention to bassist Jim Robertson’s solo on November 17. Photo by Mitchell Seidel. everything old Is new again By Mitchell Seidel verything we’re playing tonight is prior and ASCAP licensing rights, but it could just “E to 1923,” half-seriously joked trumpeter as easily have meant the repertoire of a good Dave Tatrow of Wally’s Warehouse Waifs, number of repeat performers at the 27th performing in the ballroom for the pre-festival annual event. Indeed, Tatrow and the Waifs sponsors’ dinner for the 2017 Suncoast Jazz have been performing at the event since the Classic in November. His quip referred to BMI turn of the century (21st, not 20th). Despite continued on page 28 New JerseyjazzSociety in this issue: new jersey jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/join njjs . 51 Crow’s Nest . 52 New/Renewed Members . 53 his marks my final “Prez Sez” column (it’s hard There were also some disappointments, the main to believe I have written 55 of them), because ones being the discontinuance of Jazzfest due to storIes T Suncoast Jazz Festival .
    [Show full text]