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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II Randy Aldcroft 1
These duets were written for the intermediate and advanced student interested in playing jazz. The range of notes gets higher and the duets get harder with each volume. The chord changes are included to help learn the structure and chord progressions, and so the duets may be played with a rhythm section if desired. Learn a little piano so you may visualize and hear the chord structures and follow their patterns. “Roll” those 8th notes. Keep the duets “swinging”. - Randy Aldcroft 2 JAZZ DUETS for Tenor & Bass Trombones Volume II randy aldcroft 1. q=128 > ° œ ˙ œ > œ œ œ > ? b3 Œ Œ œ bœ Œ Œ Œ nœ œ bœ Œ Œ Trombone b 4 F7 B¨7 F7 B¨7 - 3 j 3 3 j 3 ? b3 ‰‰ œ ‰‰ œ Œ Bass Trombone ¢ b 4 œ œ œ œ ˙ ™ œ œ œ œ œ ˙ ™ œ œ 5 > > ™ > nœ> ™ - > ™ bœ> ™ > ™ ° nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ œ œ ˙ ? bb Œ ‰ F7 B¨7 EØ7 A7(b9) D‹7 BØ7 E7(b9) AØ7 > D7(b9) > > > œ> ™ b-œ > ™ œ ™ > ™ ? b ™ œ #˙ ™ nœ œ ˙ ‰ œ #˙ ¢ b ˙ ™ œ œ ™ nœ œ > > ° 13 nœ> ™ œ ™ #œ> ™ nœ> ™ b˙ ™ ˙ ™ œ œ ˙ œ bœ> ? bb Œ Œ A¨Ø7 > ™ D¨7(b9) G¨Œ„Š7 C7(b9) F7 B¨7 bœ> ™ bœ > > j 3 3 j 3 ? b œ ™ œ ™ b˙ ™ nœ œ œ ‰ ‰ ¢ b œ œ œ œ ˙ ™ œ œ œ œ œ 3 19 > > ™ > ° nœ œ œ œ œ bœ> nœ œ œ œ bœ> ™ ˙ ™ ˙ ™ œ œ ˙ ? bb Œ Œ Œ Œ F7 B¨7 - F7 B¨7 EØ7 A7(b9) D‹7 > > > ? b œ Œ œ ™ œ #˙ ™ nœ œ ˙ ¢ b ˙ ™ œ ˙ ™ œ œ ™ nœ œ Copyright © 2015 Randy Aldcroft - All Rights Reserved Published and Distributed by Cherry Classics Music www.CherryClassics.com 14 Aldcroft - Jazz Duets Vol. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Upcoming Events
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band. -
BBB-2017E.Pdf
Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of -
Pressure of Trying to Make Each Note and Phrase a Little Jewel
(Sportiello, Metz and Parrott) had the crowd buzzing during intermission and rising en masse for a standing ovation... KEN FRANCKLING/JAZZTIMES Together, they are the most elegant trio around! DICK HYMAN ...pure straight ahead heaven... doesn’t miss a beat or drop a false note... CHRIS SPECTOR, MIDWEST RECORD ANY DAY IS A GOOD DAY FOR SOME SONGS Many recording sessions are tense affairs, because the musicians feel the pressure of trying to make each note and phrase a little jewel. But at a Rossano Sportiello session, his delight in being allowed to make music, his easy assurance that there is no need to rush, makes everyone feel relaxed and joyous. No one could feel tense when his directions to the other musicians are so gentle, “You watch me. Maybe something nice will come out.” During playbacks, the control room was atypically quiet, because everyone (including visitors Harry Allen and Rebecca Kilgore) was busy listening and smiling. This trio is a friendly supportive community. Each voice is equal yet the three players come together from the first notes in a lovely synergy. Hear Ed Metz’s beautiful touch, his light-hearted rhythms that recall Jake Hanna so well: feathery brushwork or explosive accents. (Ed provides wonderfully apt incidental percus- sion, too.) Hear Nicki Parrott’s swinging pulse, the rich sonorities of her bass. Dur- ing this session, I would have sworn I heard a rhythm guitar because her sound is so ripe and full. As a singer, Nicki is one with the song. Her subtle, understated delivery is always convincing, whether she’s being perky or rueful. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Language Variation and Music African American English As a Lyrical Strategy in the Blues
Language Variation and Music African American English as a Lyrical Strategy in the Blues Word count: 22,317 Romeo De Timmerman Student number: 01507549 Supervisor: Prof. Dr. Stef Slembrouck A dissertation submitted to Ghent University in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics and Literature: language combination English - Dutch Academic year: 2019 - 2020 [PAGE INTENTIONALLY LEFT BLANK] I hereby grant Ghent University my written consent and permission to release and/or use this master’s dissertation as part of the university's internal self-evaluation and/or assessment procedures, internal efforts to improve teaching and learning effectiveness, or to recognize student achievement. Romeo De Timmerman, August 2020 [PAGE INTENTIONALLY LEFT BLANK] Abstract Traditionally, language variation was considered to be governed primarily by geographical location, ethnicity and socio-economic status (Bailey & Bassett, 1986; Fasold, 1981; Labov, 1966, 1972). Over the last few decades, however, sociolinguists have started to deviate from this consensus, e.g. by examining the use of African American English [AAE] by non-African Americans (Bucholtz, 2010; Chun, 2001; Cutler, 1999, 2015; Fix, 2014; Reyes, 2005). Additionally, recent sociological and psychological research has shown that music preference plays an instrumental role in shaping the personality of individuals and their judgement of others (Chamorro-Premuzic & Furnham, 2007; Halliday, 2019; Marshall & Naumann, 2018; Rentfrow & Gosling, 2003; Vella & Mills, 2016). To date, few scholars have attempted to combine these findings to consider the potential influence music has on language use. Consequently, the present study aims to provide support for the consideration of music as a factor governing language variation by comparing the lyrical language use of blues artists with a variety of socio-cultural backgrounds. -
2012 Pee Wee Russell Memorial Stomp
Volume 40 • Issue 1 January 2012 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Nineteen-year-old Harmony Boys bandleader Timme Rosenkrantz posing at the drums. His violin stands on floor to his left. Four of the sextet doubled on other instruments. This 1930 photo courtesy of Lis I. Godtfredsen, daughter of the youngest sideman, then 15-year-old alto saxophonist Erik Godtfredsen, who went on to become a prominent ophthalmologist. imme Rosenkrantz was a Danish journalist, photographer, author, Tconcert and record producer, broadcaster and entrepreneur with a 2012 life-long consuming passion for jazz. Known as the Jazz Baron, he liked Pee Wee to trace his family roots back to the Rosencrantz in Shakespeare’s Russell Hamlet. Timme was the first European journalist to report on Meet Memorial the jazz scene in Harlem, from 1934 until 1969. He is credited Stomp with discovering and being first to record the pianist Erroll Garner. SUNDAY, Several LPs from those home-recorded sessions were released by Blue Note and later on many other jazz labels. He also found and the MARCH 4 Birchwood recorded the saxophonist Don Byas and the trombonist Tyree Glenn. Manor Now the first English edition of Harlem Jazz Adventures — A Jazz TICKETS ON SALE NOW. European Baron’s Memoir, 1934-1969, a translation and adaptation see ad of Rosenkrantz’s long out of print 1964 Danish memoir by Jersey Jazz’s page 9 International Editor Fradley Garner, is set for publication in the United States, Canada and the United Kingdom this month by The Scarecrow Press.