Diplomová Práce

Total Page:16

File Type:pdf, Size:1020Kb

Diplomová Práce Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Eva Mikulášková DIPLOMOVÁ PRÁCE Hudební divadlo v brněnském Německém městském divadle (Deutsches Stadttheater) 1882–1893 Vedoucí práce: doc. PhDr. Mikuláš Bek, Ph.D. 2014 Prohlašuji, ţe jsem svou magisterskou diplomovou práci vypracovala samostatně s vyuţitím uvedených pramenů a literatury. V Brně dne 28. srpna 2013 Podpis: ………………………… Obsah Předmluva ................................................................................................................................... 1 Úvod ........................................................................................................................................... 2 Stav bádání ............................................................................................................................. 2 Pramenná základna ................................................................................................................. 5 Přehled archiválií ................................................................................................................ 5 Noviny ................................................................................................................................ 7 Hudební kritikové a informátoři ......................................................................................... 8 Adolf Franckel .......................................................................................................................... 11 Sezona 1882/83 .................................................................................................................... 13 Elektrifikovaná architektonická senzace .......................................................................... 14 Ceny vstupenek ................................................................................................................ 17 Dramaturgie ...................................................................................................................... 19 Otázka baletu .................................................................................................................... 24 Letní divadlo .................................................................................................................... 24 Sezona 1883/84 .................................................................................................................... 27 Nestabilita a komplikace .................................................................................................. 28 Dramaturgie ...................................................................................................................... 30 Sezona 1884/85 .................................................................................................................... 37 Zdánlivá zakopávání válečné sekery ................................................................................ 38 Nájem nebo vlastní reţie? ................................................................................................ 38 Dramaturgie ...................................................................................................................... 39 Moritz Alexander Krüger ......................................................................................................... 46 Sezona 1885/86 .................................................................................................................... 47 Štýrský Hradec – Brno (zpáteční jízdenka) ...................................................................... 48 Dramaturgie ...................................................................................................................... 49 Karl Freiherr von Stengel ......................................................................................................... 55 Hvězdné mezidobí ................................................................................................................ 55 Dramaturgie ...................................................................................................................... 56 Sezona 1886/87 .................................................................................................................... 59 Resi, Mitzi a Kollar .......................................................................................................... 59 Dramaturgie ...................................................................................................................... 60 Sezona 1887/88 .................................................................................................................... 71 Konkurs versus Stengel .................................................................................................... 71 Dramaturgie ...................................................................................................................... 72 Sezona 1888/89 .................................................................................................................... 80 Čtyři smrtelné rány ........................................................................................................... 80 Dramaturgie ...................................................................................................................... 81 Sezona 1889/90 .................................................................................................................... 89 Chřipkový mannheimský vzdech ..................................................................................... 89 Dramaturgie ...................................................................................................................... 91 Adolf Baumann ........................................................................................................................ 97 Sezona 1890/91 .................................................................................................................... 99 Rozkvět opery .................................................................................................................. 99 Dramaturgie .................................................................................................................... 100 Sezona 1891/92 .................................................................................................................. 112 Jízda valkýr .................................................................................................................... 112 Dramaturgie .................................................................................................................... 113 Sezona 1892/93 .................................................................................................................. 127 Více impresário, neţli ředitel ......................................................................................... 127 Dramaturgie .................................................................................................................... 131 Závěr ....................................................................................................................................... 141 Resumé ................................................................................................................................... 142 Zusammenfassung .................................................................................................................. 142 Summary ................................................................................................................................ 143 Seznam pramenů a literatury .................................................................................................. 144 Literatura ............................................................................................................................ 144 Prameny .............................................................................................................................. 146 Archiv města Brna .......................................................................................................... 146 Moravský zemský archiv v Brně .................................................................................... 147 Moravské zemské muzeum – divadelní oddělení .......................................................... 147 Moravská zemská knihovna ........................................................................................... 149 Theatermuseum Wien .................................................................................................... 149 Noviny ............................................................................................................................ 149 Weby .................................................................................................................................. 149 Předmluva V rámci svého muzikologického studia dlouhodobě směřuji k profesnímu uplatnění na poli operní dramaturgie a hudební kritiky. Absolvovala jsem několik stáţí v Národním divadle Brno, při Czech Ensemble Baroque Orchestra & Choir nebo na mezinárodním hudebním festivalu Janáček Brno. Bakalářské studium jsem ukončila diplomovou prací Charakteristické rysy ženských postav v operách Ariadna a Julietta Bohuslava Martinů (vedoucí práce PhDr. Martin Flašar, Ph.D.) a můj zájem o hudební divadlo na poli vědeckém pokračoval i v magisterském studiu. Roku 2012 jsme s kolegy zaloţili internetový měsíčník Ústavu hudební vědy Filozofické fakulty Masarykovy univerzity MUSICOLOGICA, ve kterém nadále působím
Recommended publications
  • 978-3-476-02481-7 Quissek, Das Deutschsprachige Operettenlibretto © 2012 Verlag J.B. Metzler (
    1 Verzeichnis der untersuchten deutschsprachigen Operetten Adieu Mimi Die lustige Witwe Die Bajadere Die lustigen Nibelungen Eine Ballnacht Madame Pompadour Der Bettelstudent Mädi Die blaue Mazur Majestät Mimi Die Blume von Hawaii Der Mann mit den drei Frauen Boccaccio Eine Nacht in Venedig Bruder Straubinger Der Opernball Brüderlein Fein Der Orlow Casanova Paganini Cloclo Prinzeß Gretl Die Csárdásfürstin Der Rastelbinder Die Dollarprinzessin Die Rose von Stambul Das Dorf ohne Glocke Rund um die Liebe Das Dreimäderlhaus Die schöne Galathée Die Faschingsfee Schützenliesl Fatinitza Schwarzwaldmädel Der fidele Bauer Die spanische Nachtigall Die Fledermaus Der süße Kavalier Frasquita Die süßen Grisetten Frau Luna Die Tanzgräfin Friederike Der tapfere Soldat Das Fürstenkind Der Tenor der Herzogin Gasparone Der unsterbliche Lump Die geschiedene Frau Das Veilchen vom Montmartre Giuditta Der Vetter aus Dingsda Die gold’ne Meisterin Viktoria und ihr Husar Der Graf von Luxemburg Der Vogelhändler Gräfin Mariza Ein Walzertraum Ein Herbstmanöver Im weißen Rössl Die Herzogin von Chicago Wiener Blut Das Hollandweibchen Wiener Frauen Die Juxheirat Das Wirtshaus im Spessart Die Kaiserin Der Zarewitsch Lady Hamilton Der Zigeunerbaron Das Land des Lächelns Zigeunerliebe Der letzte Walzer Der Zigeunerprimas Der liebe Augustin Die Zirkusprinzessin 2 Prolegomena Prolegomena Im Kontext der Entwicklung des komischen musikoliterarischen Theaters im 19. Jahr- hundert entsteht eine neue bürgerlich geprägte Gattung: die Operette. Sukzessiv gene- riert sie unterschiedliche nationale Ausprägungen, so z. B. die französische Operette ei- nes Florimond Hervé, Jacques Offenbach oder Alexandre Charles Lecocq, spanische Zarzuelas, die englische Operette eines William Gilbert und Arthur Sullivan oder Sid- ney Jones, die ungarischen Népszínmu˝ oder die amerikanische Frühform des klassi- schen Musi cals von Richard Rodgers und Oscar Hammerstein.
    [Show full text]
  • Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
    Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated
    [Show full text]
  • 900326-CD-Franz Von Suppe-Ouvertueren Itunes.Indd
    Franz von Suppé OUVERTÜREN IVAN REPUŠIC´ MÜNCHNER RUNDFUNKORCHESTER FRANZ VON SUPPÉ 1819–1895 OUVERTÜREN 01 Die schöne Galathée 7:21 02 Dichter und Bauer 9:14 03 Boccaccio 7:17 04 Leichte Kavallerie 6:41 05 Banditenstreiche 6:19 06 Pique Dame 7:19 07 Die Frau Meisterin 7:11 08 Ein Morgen, ein Mittag, ein Abend in Wien 8:07 Total time 59:29 Münchner Rundfunkorchester Ivan Repušic´ Dirigent / conductor Studio-Aufnahme / Studio-Recording: München, Bayerischer Rundfunk, Studio 1, 02.–05. Mai 2018 Executive Producer: Veronika Weber und Ulrich Pluta Tonmeister / Recording Producer: Torsten Schreier Toningenieur / Balance Engineer: Klemens Kamp Mastering Engineer: Christoph Stickel Publisher © Carl Musikverlag, Kalmus, Kistner & Siegel, Musikverlag Matzi, Wien Fotos / Photography: Ivan Repušic´ © BR / Lisa Hinder; Franz von Suppé © Ignaz Eigner; Münchner Rundfunkorchester © Felix Broede Design / Artwork: Barbara Huber, CC.CONSTRUCT Editorial: Thomas Becker Lektorat: Dr. Doris Sennefelder Eine CD-Produktion der BRmedia Service GmbH. P + © 2018 BRmedia Service GmbH FRANZ VON SUPPÉ – OUVERTÜREN Konservatorium der Gesellschaft der Musikfreunde bei Simon Sechter und Ignaz von Seyfried, einem Freund Ludwig van Beethovens, studierte. Mit Franz von Suppé – sein Name ist dem Publikum der sogenannten Leich- dem Manuskript der am 13. September 1835, unmittelbar nach seiner Abreise ten Klassik wohlbekannt; einige seiner Melodien mag manch einer aus Dalmatien, in der Franziskus-Kirche in Zara uraufgeführten Messe für auf Anhieb anstimmen können – mitpfeifen kann sie jedes Kind. Titel Männerstimmen und Orgel, die er nach dem Tod des Vaters vollendet hatte, wie Leichte Kavallerie, Dichter und Bauer oder Ein Morgen, ein Mittag, überzeugte er Seyfried, ihn als Schüler anzunehmen.
    [Show full text]
  • General English Cover.Wps
    Ian Alderman General Music Catalogue for Street Organ Music on Paper Rolls ----------- 165 Sandy Lane, Upton, Poole, Dorset BH16 5LU England Tel/Fax 01202 466849 E-mail:[email protected] 1 MARCHES 786 From the Netherlands, 1583 More Marches by J.Jochems: Eisenbahner-Marsch Limburgse Jagersmars Kaiserjäger-Marsch 44 Vol. I Gruiten uit Limburg Tivoli-Marsch Der Königgratzer Lere het Garnigoen Venlo Pariser Einzugs Marsch / 1367 "Sousa Accosted" The Entry into Paris 909 Marches El Capitan Der Coburger El Abanico (You'd be far The Liberty Bell Grenadiers von Fridericus better off in a Home) The Stars and Stripes forever! Rex Washington Grays The Manhattan Beach Unsere Marine 34 Vol. II 2041 American Marches by Preußens Gloria 1170 Vol. X John Philip Sousa Der Torgauer Old Comrades / The Washington Post Der Petersburger Alte Kameraden The Gladiator Wiener-Alexandermarsch Under the Double Eagle / The Rifle-Regiment March Unter dem Doppeladler 36 Vol. III Mussinan Marsch 2044 More J.P.Sousa: Tölzer-Schützen Marsch The March Past of the Alter Jäger Marsch der 913 Vol. XI National Fencibles Freiwilligen Jäger aus dem Sons of the Brave The Thunderer Befreiunskrieg von 1813 Imperial Echoes The Picador Der Pappenheimer (1645) March in C (Haydn) Fehrbelliner Reitermarsch 2047 Sousa Again! Der Jäger aus Kurpfalz 1273 Vol. XII The High School Cadets La Rêve Passe! The Corcoran Cadets 355 Vol. IV Les Gardes Nobles The Beau Ideal March Radetzky-Marsch (J.Strauss) Obersteiger-Marsch Wanderlieder-Marsch 2054 No End to Sousa Helenen-Marsch 1487 Vol. XIII Hail to the Spirit of Liberty Der Alte Bernermarsch Deutschmeister-Regiments The Invincible Eagle Charge of the Uhlans Imperial Edward 354 Vol.
    [Show full text]
  • The American History and Encyclopedia of Music
    fM NUBNW fKWM OWf THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES MUSIC UBR."" Gift of Francis L. Peycke Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/americanhistorye02hubbiala THE AMERICAN HISTORY AND ENCYCLOPEDIA OF MUSIC W. L. HUBBARD EDITOR IN CHIEF ARTHUR FOOTE GEO. W. ANDREWS EDWARD DICKINSON Associate Editors Special Contributors G. W. CHADWICK FREDERICK STARR FRANK DAMROSCH H. E. KREHBIEL FREDERICK STOCK EMIL LIEBLING W. J. HENDERSON Irving Squire Toledo New York Chicago THE AMERICAN HISTORY AND KNCYCLOPEDIA OF MUSIC d^-yt < -- ew lr. la. I. a' 'T--! in *^^. "-I 2, ^ .^ ^ o 5* cu Si ^ a. •4 ^ '•X ^ 1-+- ij) &r 3.2* a >— M 61 'rf' 3 ^ frT a I-; O ^ Si. Q, 5'_ cc (« >> ?^ •-t- ''cr t3 cr cr O 3 < 65 o ft)^ a. d S- l-l t ad a w' cu o Z V c •5,. u. C 3 > OT U 4.*- —'-' f4 5' ,1 ,-iad -' tn 5. 3 r cr. a. G X &J Ou ;•' 3 cr l-l ..^ » (j> u^ Q, a s. a, ad a^ a u 3" 5' 5 1 THE AMERICAN HISTORY AND ENCYCLOPEDIA OF MUSIC OPERAS WITH INTRODUCTION BY H. E. KREHBIEL W. L. HUBBARD EDITOR VOLUME 1 IRVING SQUIRE Toledo New York Chicago Copyright 1908 by IRVING SQUIRE Entered Stationers* Hall LONDON MttSie Library ML OPERA, VOL. 2 LIST OF ILLUSTRATIONS. Page. La Scala, Milan (frontispiece) Emma Calve i6 Jenny Lind i*^ Wilhelmina Schroeder-Devrient 15° Madame Marcella Sembrich 238 Madame Lillian Nordica 246 Madame Fritzi Scheff 300 THE TAMING OF THE SHREW "The Taming of the Shrew," a comic opera in four acts, its libretto freely arranged by Joseph Widmann from the Shakespearian comedy of the same name, and with music by Hermann Goetz, was produced at Mannheim in 1872.
    [Show full text]
  • Franz Von Suppé SUPER AUDIO CD Overtures and Marches
    Franz von Suppé SUPER AUDIO CD Overtures and Marches Royal Scottish National Orchestra Neeme Järvi Franz von Suppé, 1846 Suppé, von Franz Lithograph by Gabriel Decker (1821 – 1855) / AKG Images, London Franz von Suppé (1819 – 1895) 1 Overture to ‘Leichte Kavallerie’ (1866) 6:33 (Light Cavalry) Maestoso – Allegro – Allegretto brillante – Andantino con moto – Tempo I (Allegretto brillante) 2 Overture to ‘Boccaccio’ (1879) 6:51 Moderato assai quasi Andantino – Allegro scherzoso 3 Boccaccio-Marsch (1879) 2:36 Marsch – Trio – Marsch da capo al Fine 4 Overture to ‘Pique Dame’ (1864) 6:45 (The Queen of Spades) Moderato quasi maestoso – Allegro con fuoco – Andantino con moto – Allegro – Più mosso – Presto 5 Humoristische Variationen (1848) 5:46 über das beliebte Fuchslied ‘Was kommt dort von der Höh’?’ (Humorous Variations on the beloved Student Song ‘Who comes from afar?’) Adaptation by Eugen Felix Richard Thiele (1847 – 1903) Allegro – Allegretto – Allegro – Allegretto – Allegro – Andante – Allegretto – Allegro – Walzer – Presto 3 6 Overture to ‘Dichter und Bauer’ (1846) 9:26 (Poet and Peasant) Andante maestoso – Allegro strepitoso – Allegro – Allegretto – Tempo I – Sostenuto – Allegretto – Tempo I 7 Marziale nach Motiven aus der Operette ‘Fatinitza’ (1876) 4:24 Adaptation by Max Schönherr (1903 – 1984) Marcia moderato – Poco marcato – Pesante – Tempo I 8 Overture to ‘Das Modell’ (1895) 6:35 (The Model) [Moderato assai] – Allegro – Andante espressivo – Moderato – Poco più mosso – [Marcia] – Presto 9 Über Berg, über Thal (date uncertain) 2:35
    [Show full text]
  • A Trip to Africa
    A Trip to Africa: A Comic Opera by Franz von Suppé A Trip to Africa: A Comic Opera by Franz von Suppé Compiled and Researched by Dario Salvi and Hannah Salvi A Trip to Africa: A Comic Opera by Franz von Suppé Compiled and Researched by Dario Salvi and Hannah Salvi This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Dario Salvi and Hannah Salvi All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9094-4 ISBN (13): 978-1-4438-9094-6 Dario: To my dad, Bepi, who I know would have been proud of me for contributing to this research. Thank you for sitting me down as a toddler in front of the TV to watch the New Year’s Concert from Vienna. Hannah: To all those who have encouraged me, both musically and in life, to pursue my goals; to my family; and especially to my husband, whose passion for music inspires me every day. DISCLAIMER This document has been constructed for historical reference, and therefore the lyrics and stage directions have been printed as per the original libretto. Some derogatory references have been omitted so that the operetta may be performed publically, however some content may still be seen as offensive.
    [Show full text]
  • A Survey of Professional Operatic Entertainment in Little Rock, Arkansas: 1870-1900 Jenna M
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900 Jenna M. Tucker Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Tucker, Jenna M., "A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900" (2010). LSU Doctoral Dissertations. 3766. https://digitalcommons.lsu.edu/gradschool_dissertations/3766 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A SURVEY OF PROFESSIONAL OPERATIC ENTERTAINMENT IN LITTLE ROCK, ARKANSAS: 1870-1900 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts In The School of Music by Jenna Tucker B.M., Ouachita Baptist University, 2002 M.M., Louisiana State University, 2004 May 2010 ACKNOWLEDGEMENTS First, I praise God for the grace and mercy that He has shown me throughout this project. Also, I am forever grateful to my major professor, Patricia O‟Neill, for her wisdom and encouragement. I am thankful to the other members of my committee: Dr. Loraine Sims, Dr. Lori Bade, Professor Robert Grayson, and Dr. Edward Song, for their willingness to serve on my committee as well as for their support.
    [Show full text]
  • Neujahrs Konzert New Year's Concert
    NEUJAHRS KONZERT 2021 NEW YEAR’S CONCERT Wiener Philharmoniker Riccardo Muti NEUJAHRSKONZERT JOHANN STRAUSS II 2021 Frühlingsstimmen op. 410 NEW YEAR’S CONCERT Voices of Spring · Voix du printemps Walzer WIENER PHILHARMONIKER Im Krapfenwald’l op. 336 RICCARDO MUTI In Krapf’s Woods · Dans la forêt de Krapf Polka française Neue Melodien-Quadrille op. 254 New Melodies Quadrille · Quadrille des nouvelles mélodies Kaiserwalzer op. 437 Emperor Waltz · Valse de l’empereur Stürmisch in Lieb’ und Tanz op. 393 Tempestuous in Love and Dance Fougueux en amour et dans la danse FRANZ VON SUPPÈ 1819–1895 CARL MILLÖCKER 1842–1899 On motives from the operetta Das Spitzentuch der Königin Fatinitza-Marsch* In Saus und Braus* Polka schnell from the Operetta Fatinitza Living It Up · En menant grand train On motives from the operetta Der Probekuss Zugaben · Encores · Bis JOHANN STRAUSS II 1825–1899 Galopp Schallwellen op. 148* Furioso-Polka op. 260 FRANZ VON SUPPÈ Sound Waves · Ondes sonores quasi Galopp Walzer Dichter und Bauer: Ouvertüre Poet and Peasant: Overture Neujahrsgruß Niko-Polka op. 228 Ouverture de Poète et Paysan New Year’s Address · Allocution du Nouvel An Polka schnell KARL KOMZÁK II 1850–1905 An der schönen blauen Donau op. 314 JOSEF STRAUSS 1827–1870 Bad’ner Mad’ln op. 257* The Blue Danube · Le Beau Danube bleu Ohne Sorgen op. 271 Girls of Baden · Les Filles de Baden Walzer Without a Care · Sans souci Walzer Polka schnell JOHANN STRAUSS I JOSEF STRAUSS Radetzky-Marsch op. 228 CARL ZELLER 1842–1898 Margherita-Polka op. 244* Arrangement: Wiener Philharmoniker Grubenlichter* Polka française Davy Lamps · Lampes de mineur * Premiere bei einem Neujahrskonzert der Wiener Philharmoniker On motives from the operetta Der Obersteiger JOHANN STRAUSS I 1804–1849 First performance at a New Year’s Concert of the Vienna Philharmonic Walzer Venetianer-Galopp op.
    [Show full text]
  • Johann Strauss and Vienna Operetta and the Politics of Popular Culture
    Johann Strauss and Vienna Operetta and the Politics of Popular Culture Camille Crittenden The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge , UK www.cup.cam.ac.uk West th Street, New York, –, USA www.cup.org Stamford Road, Oakleigh, Melbourne , Australia Ruiz de Alarcón , Madrid, Spain © Camille Crittenden This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeface Monotype Dante ./ pt. System QuarkXPress™ [] A catalogue record for this book is available from the British Library hardback CONTENTS List of illustrations page vi Acknowledgments vii List of abbreviations and short titles viii Introduction The birth of a genre Creators and performers of Viennese operetta “Austria personified”: Strauss and the search for Viennese identity From ballroom to theater: musical style and Indigo und die vierzig Räuber Die Fledermaus and the illusion of carnival in Vienna Austro-Hungarian relations and Der Zigeunerbaron Waltzing Brünnhilde: Zukunftsmusik and Viennese operetta Epilogue Appendix: synopses Notes Select bibliography Index v ILLUSTRATIONS . Charlotte Wolter, Prime Minister Beust, Marie Geistinger (Kikeriki, March ) page . Women’s chorus dressed as men, representatives filing in to Parliament (Kikeriki, December ) . Strauss in Parliament (Kikeriki, December ) . Premiere of Prinz Methusalem (Kikeriki, January ) . Beethoven and Suppé (Kikeriki, February ) . Eduard Strauss and Richard Wagner (Kikeriki, February ) . Alexander Girardi as Zsupán, (Historisches Museum der Stadt Wien) . Hungarian and Austrian soldiers (Der Floh, August ) . Wagner’s arrival in Vienna (Der Floh, May ) .
    [Show full text]
  • Masterarbeit / Master's Thesis
    MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Transgender in der Operette. Antonie Link und die Hosenrolle am Carl-Theater (1872-79)“ verfasst von / submitted by Julia Groiß, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 836 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Musikwissenschaft/ degree programme as it appears on Master’s degree programme Musicology the student record sheet: Betreut von / Supervisor: Ass.-Prof. Dr. Martha Handlos 2 Inhalt Einleitung............................................................................................................................................................ 5 Die künstlerische Welt rund um Antonie Link, oder: Die Kurzgeschichte der Wiener Operette und des Carl-Theaters................................................................................................................. 6 Antonie Link 1855–72 ................................................................................................................................ 19 Debüt am Carl-Theater als Frinke in Flotte Bursche 1872 ........................................................... 22 Die Hosenrolle in der Goldenen Ära der Operette ........................................................................... 25 Antonie Link 1872–76 ...............................................................................................................................
    [Show full text]