Summertime (David Attwell)
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“This place being South Africa”: Reading race, sex and power in J.M. Coetzee’s Disgrace by Kimberly Chou “This place being South Africa”: Reading race, sex and power in J.M. Coetzee’s Disgrace by Kimberly Chou A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Spring 2009 © Kimberly Chou 16 March 2009 For fellow readers who have picked up this deeply provocative novel and found themselves at its close with more questions than answers—and for those who have yet to join the conversation. Acknowledgements I am indebted to my advisor, Jennifer Wenzel, for her guidance, patience and forthright criticism. Thank you for challenging me to challenge myself, and for sharing great appreciation for the work of J.M. Coetzee and, most importantly, a love of South Africa. Thank you to Cathy Sanok and Andrea Zemgulys, for unwavering support throughout the thesis-writing process. Thank you to the 2009 English honors thesis cohort for creating a space of encouragement and commiseration. Thank you to the peers and professors at the University of Cape Town who influenced early development of this project. A special thank you to Obs Books in Observatory, Cape Town. Thank you to my family and friends, who have, at this point, likely heard more about the ethics of reading and the politics of place than they had ever wished. Sincere thanks to M.M., F.R., E.M. and J.N. for their honesty and advice. Abstract Whatever discourse J.M. Coetzee intended to arouse with Disgrace, his 1999 novel that addresses changing social dynamics in post-apartheid South Africa, the conversation it has inspired since its publication has been dominated by readers’ suspicions. -
Age of Iron in the Heart of the Cou1ttry Waiting for the Ba.Rbcm'ans Life & Times of Michael K Foe J.M
By th.e same author • • Dusklands Age of Iron In the Heart of the Cou1ttry Waiting for the Ba.rbcm'ans Life & Times of Michael K Foe J.M. COETZ,EE Seeker & Warburg London By th.e same author • • Dusklands Age of Iron In the Heart of the Cou1ttry Waiting for the Ba.rbcm'ans Life & Times of Michael K Foe J.M. COETZ,EE Seeker & Warburg London First published in Great Britain in 1990 For by Martin Seeker & Warburg Limited Michelin House, 81 .Fulham Road, London SWJ 6RB V.H.M..C. (1904-1985) z.c. (1912-1988) Copyright© 1990].. M. Coetzee N.G.C. (1966-1989) A CIP catalogue r'ecord for this book is availabl'e from the British Library ISBN 0 43,6 20012 0 Photoset by Rowland Phototypesetting Limited Bury St Edmunds, Suffolk Printed in Great Britain by Richard Clay Limited, Bungay,, Suffolk First published in Great Britain in 1990 For by Martin Seeker & Warburg Limited Michelin House, 81 .Fulham Road, London SWJ 6RB V.H.M..C. (1904-1985) z.c. (1912-1988) Copyright© 1990].. M. Coetzee N.G.C. (1966-1989) A CIP catalogue r'ecord for this book is availabl'e from the British Library ISBN 0 43,6 20012 0 Photoset by Rowland Phototypesetting Limited Bury St Edmunds, Suffolk Printed in Great Britain by Richard Clay Limited, Bungay,, Suffolk T-here is an alley down the side of the garage, you may remember it, you and your friends would sometimes play ther,e. Now it is a dead place, waste, without use, where windblown leaves pi'fe up and rot. -
A Postmodernist Reading of Nadine Gordimer’S None to Accompany Me and Gillian Slovo’S Red Dust
International Journal of Humanities, Art and Social Studies (IJHAS), Vol. 2, No.2/3 MULTICULTURALISM AND NATIONHOOD: A POSTMODERNIST READING OF NADINE GORDIMER’S NONE TO ACCOMPANY ME AND GILLIAN SLOVO’S RED DUST. Eric Nsuh Zuhmboshi The University of Yaounde I (Cameroon) Department of African Literature and Civilisations ABSTRACT In order to forestall the trauma of the past, post-apartheid South African leadership has been legislating laws to reconcile cultural differences among its citizens in the hope of invigorating the spirit of nationhood. Thus for socio-political harmony to exist in this society, cultural pluralism and dialogue must be encouraged so that the different races and ethnic groups will see each other as part of the same nation. Using Nadine Gordimer’s None to Accompany Me and Gillian Slovo’s Red Dust, this paper verifies the place of multiculturalism in post-apartheid literary narratives and its influence in inculcating the spirit of national consciousness in South Africa. From the paradigm of postmodernist criticism, this paper sustains the premise that for social justice and harmony to reign in multicultural and multiracial societies, there should be the political will of state leadership to shun cultural exclusionism and articulate policies that will reconcile and accommodate cultural/racial differences thereby leading to what could be termed cultural ecumenicism. In other words, governmental policies in such societies should be directed towards bridging racial and ethnic cleavages in order to build a cosmopolitan society. KEYWORDS: nationhood, multiculturalism, postmodernist criticism, cultural ecumenicism, cosmopolitan society. INTRODUCTION In every human society, there is the tendency and temptation for one group to think that it is superior and more important than the others. -
Ruth First: Lessons for a New Generation of African Scholars
Ruth First: lessons for a new generation of African scholars by Tebello Letsekha∗ Abstract: The 17th of August 2012 marked the 30th anniversary of the untimely passing of South African sociologist Ruth First. Ruth First the investigative journalist and anti-apartheid activist is well-recognised as a celebrated and honoured figure in South Africa. This paper narrates the often untold story of First, the scholar, and the valuable scholastic contributions that she made. The paper also documents some of the lessons that can be drawn from her scholarship by a new generation of African scholars. As an academic, teacher and scholar First regarded her work as promoting a more just world; her scholarly work was informed and sharpened by her political activism. In allying herself with political movements such as the African National Congress (ANC) in South Africa, the Anti-Apartheid Movement in London and the Mozambique Liberation Front (Frelimo), First developed a kind of rationale for her intellectual labour. Engaging with her work as an intellectual and inserting her intellectual contributions – which like those of many African scholars have given way to debates from the global North – into curricula would perhaps be the real refutation of the assassin’s bomb. This engagement is also crucial because it extends much further than the prominent accolades which take the form of buildings and lectures established in her memory. Introduction Ruth Heloise First passed away on the 17th of August 1987, at her office in Eduardo Mondlane University in Maputo, Mozambique. The then 59 year old mother of three was killed by a letter bomb believed to have been sent to her office by the South African government. -
(Title of the Thesis)*
J.M. COETZEE AND THE LIMITS OF COSMOPOLITAN FEELING by Katherine Marta Kouhi Hallemeier A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (June, 2012) Copyright ©Katherine Marta Kouhi Hallemeier, 2012 Abstract In this dissertation, I argue that accounts of cosmopolitan literature tend to equate cosmopolitanism with sympathetic feeling. I further contend that sympathy is in fact implicitly central to a wider body of contemporary cosmopolitan theory. I distinguish between two strains of cosmopolitan thought that depend upon two distinct models of feeling: “critical cosmopolitanism,” which depends upon a cognitive-evaluative model of sympathy, and “affective cosmopolitanism,” which depends upon a relational model. Both branches of cosmopolitanism envision sympathy as perfectly human or humane; they gloss over the potential for feeling shame in cosmopolitan encounters. The minority of scholarship that does consider shame in relation to cosmopolitan practice also reifies shame as ideally human or humane. Whether through sympathy or shame, cosmopolitan subjects become cosmopolitan through feeling. I offer readings of J.M. Coetzee’s later fiction in order to critique the idealization of feeling as distinctly cosmopolitan. Coetzee’s work, I conclude, suggests another model for cosmopolitanism, one which foregrounds the limits of feeling for realizing mutuality and equality. ii Acknowledgements I am profoundly grateful to those mentors and friends who supported me throughout the writing of this dissertation. My thanks go to Rosemary Jolly, whose vision of what literary studies can be will always inspire me. I am thankful, too, to Chris Bongie, for his generous, incisive, and meticulous reading of my work. -
Self-Reflexivity in African Fiction: a Study on Coetzee’S Summertime
Indian J. Soc & Pol.1 (2): 21-24 : 2014 ISSN : 2348-0084 SELF-REFLEXIVITY IN AFRICAN FICTION: A STUDY ON COETZEE’S SUMMERTIME ASWATHY S M1 1Guest Lecturer, Dept. of English, Sree Narayana College for Women, Kollam, Kerala. INDIA ABSTRACT One of the things that distinguish postmodern aesthetic work from modernist work is extreme self-reflexivity. Postmodernists tend to take this even further than the modernists but in a way that tends often to be more playful, even irreverent. This same self-reflexivity can be found everywhere in pop culture, for example the way the Scream series of movies has characters debating the generic rules behind the horror film. In modernism, self-reflexivity tended to be used by "high" artists in difficult works .Post modernism, self-reflexive strategies can be found in both high art and everything from Seinfeld to MTV. In postmodern architecture, this effect is achieved by keeping visible internal structures and engineering elements (pipes, support beams, building materials, etc.). In many ways, postmodern artists and theorists and in Life and Times of Michael K. Coetzee‟s next novel, continue the sorts of experimentation that we can also find 1999s Disgrace, is a strong statement on the political in modernist works, including the use of self- climate in post–Apartheid South Africa. consciousness, parody, irony, fragmentation, generic Coetzee's Summertime opens and closes with mixing, ambiguity, simultaneity, and the breakdown journal entries, the only time the author (as character) between high and low forms of expression. In this way, speaks directly. The reader‟s temptation when reading postmodern artistic forms can be seen as an extension of Summertime is to try to work out what is brute fact, what modernist experimentation; however, others prefer to is irony, what is something else, but it‟s a temptation represent the move into postmodernism as a more radical which should be resisted. -
Film Review: Red Dust [Univ. of Duisburg-Essen / Filmrezension.De]
Benjamin Neumanni Benjamin Neumann Review of „Red Dust“ South Africa in Films University of Duisburg-Essen, Dr. Claudia Drawe pubished in cooperation with Düsseldorf 2007 Review of „Red Dust“ 1 Benjamin Neumanni Table of contents 1. Drum: Film review: More than telling Henry`s story 3 2. Film facts 12 3. references 13 Review of „Red Dust“ 2 Benjamin Neumanni Introduction: Red Dust (2004) South Africa some years after the end of apartheid. Three people are returning to the small dusty town of Smitsrivier. From New York comes South African- born lawyer Sarah Barcant (Hilary Swank), from a Cape Town prison former deputy-policeman Dirk Hendricks (Jamie Bartlett) and from the parliament politician Alex Mpondo (Chiwetel Ejiofor). And they all will face their own past... Red Dust first debuted on the cinema screens at the Toronto International Film Festival in September 2004. The main theme of this festival was 'South Africa: Ten Years Later' . At the festival the new arising South African cinema was celebrated and also the tenth anniversary of the new South Africa after the end of apartheid. Ten South African made movies were shown to the audience. Three of these movies got a special screening. Thereby were Red Dust, the movie Yesterday (2004) and Hotel Rwanda (2004). Red Dust was receiving a stunning response by the audience at this festival. Was this response justified or not? Background: The Truth and Reconciliation Commission In 1995, one year after the end of the era of apartheid in South Africa, the Government of National Unity under president Nelson Mandela set up the South African Truth and Reconciliation Commission (TRC). -
"Cruciform Logic:" Mastering the Present in JM Coetzee's Age of Iron
"Cruciform Logic:" Mastering the Present in J. M. Coetzee's Age of Iron Copyright 2009 Polly Detels DRAFT Prepared for delivery at the 2009 Annual Meeting of the American Political Science Association, September 3 -- September 6, 2009 Copyright by the American Political Science Association even in an age of iron, pity is not silenced --J. M. Coetzee discussing his novel Daniel answered in the presence of the king, and said, "The secret which the king hath demanded cannot the wise men, the astrologers, the magicians, the soothsayers show unto the King. But there is a God in heaven that revealeth secrets, and maketh known to the king Nebuchadnezzar what shall be in the latter days. ---Daniel 2: 27-8 Underlying all later, differentiated forms, however, there remains the basic Tale Which expresses Being in flux. Time, then, would not be an empty container into which you can fill any content, but there would be as many times as there are types of differentiated content. Think for instance of Proust's temps perdu and temps retrouv� as times which correspond to the loss and rediscovery of self, the action of rediscovery through a monumental literary work of remembrance being the atonement for loss of time through personal guilt-- very similar to cosmological rituals of restoring order that has been lost through lapse of time.1 [1] ---Eric Voegelin in a letter to Robert Heilman This study began with admiration of long standing for the novels and essays, some scholarly and some for a broader audience, authored by South African John M. -
Parliamentary Debates (Hansard)
Monday Volume 572 9 December 2013 No. 90 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 9 December 2013 £5·00 © Parliamentary Copyright House of Commons 2013 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. HER MAJESTY’S GOVERNMENT MEMBERS OF THE CABINET (FORMED BY THE RT HON.DAVID CAMERON,MP,MAY 2010) PRIME MINISTER,FIRST LORD OF THE TREASURY AND MINISTER FOR THE CIVIL SERVICE—The Rt Hon. David Cameron, MP DEPUTY PRIME MINISTER AND LORD PRESIDENT OF THE COUNCIL—The Rt Hon. Nick Clegg, MP FIRST SECRETARY OF STATE AND SECRETARY OF STATE FOR FOREIGN AND COMMONWEALTH AFFAIRS—The Rt Hon. William Hague, MP CHANCELLOR OF THE EXCHEQUER—The Rt Hon. George Osborne, MP CHIEF SECRETARY TO THE TREASURY—The Rt Hon. Danny Alexander, MP SECRETARY OF STATE FOR THE HOME DEPARTMENT—The Rt Hon. Theresa May, MP SECRETARY OF STATE FOR DEFENCE—The Rt Hon. Philip Hammond, MP SECRETARY OF STATE FOR BUSINESS,INNOVATION AND SKILLS—The Rt Hon. Vince Cable, MP SECRETARY OF STATE FOR WORK AND PENSIONS—The Rt Hon. Iain Duncan Smith, MP LORD CHANCELLOR AND SECRETARY OF STATE FOR JUSTICE—The Rt Hon. Chris Grayling, MP SECRETARY OF STATE FOR EDUCATION—The Rt Hon. Michael Gove, MP SECRETARY OF STATE FOR COMMUNITIES AND LOCAL GOVERNMENT—The Rt Hon. Eric Pickles, MP SECRETARY OF STATE FOR HEALTH—The Rt Hon. Jeremy Hunt, MP SECRETARY OF STATE FOR ENVIRONMENT,FOOD AND RURAL AFFAIRS—The Rt Hon. Owen Paterson, MP SECRETARY OF STATE FOR INTERNATIONAL DEVELOPMENT—The Rt Hon. -
A Goatseye View of the Stone Desert Life & Times of Michael K
A Goatseye View of the Stone Desert 2 ¹ Life & Times of Michael K HE DESIRE FOR TRANSCENDENCE so evident in the earlier novels gains a structural dimension in Life & Times of Michael T K, Foe, and Age of Iron. The principal feature of these three novels is the opposition they inscribe between the realm of history and a setting that putatively transcends this realm. In Life & Times of Michael K, this setting is the insular Karoo farm, in Foe, the island, and, in Age of Iron, Mrs Curren’s dilapidated old house. By staging a forfeiture of sub- ject-centred consciousness, these utopian settings suggest the possibility of a relational mode that is wholly different from what has shaped the realm of history that they apparently transcend, and, in the process, pro- vide an image of that whose absence has enabled the colonial history of South Africa. The occurrence of these utopian settings in Coetzee’s fiction of the late-apartheid period cannot but be related to the aforementioned desire of this writer to write fiction that “rivals” rather than “supplements” the con- flictual relations out of which South Africa’s history has “erected itself.”1 While I do explore this self-reflexive dimension of Coetzee’s depiction of Michael K’s utopian existence on the farm in my reading of Life & Times of Michael K, my ultimate argument is that the purpose of this portrayal is not simply to project a relational mode that is non-existent in history, but to affect the reader in such a way that his or her reading of this novel enacts the very relationship of which s/he reads. -
117 Days: an Account of Confinement and Interrogation Under the South African 90-Day Detention Law Pdf, Epub, Ebook
117 DAYS: AN ACCOUNT OF CONFINEMENT AND INTERROGATION UNDER THE SOUTH AFRICAN 90-DAY DETENTION LAW PDF, EPUB, EBOOK Ruth First,Gillian Slovo | 192 pages | 02 Dec 2010 | Little, Brown Book Group | 9781844086306 | English | London, United Kingdom 117 Days: An Account of Confinement and Interrogation Under the South African 90- day Detention Law PDF Book The Everywhere Studio. He looked to see that the carbon was working, then stamped the top sheets and the one underneath, ripped out the copy, and handed it to me. Copy and paste the code into your website. Nel was still there. I couldn't imagine being in isolation for days, not to mention the psychological strain that she was under. David Kenvyn rated it it was amazing Feb 07, Trivia About Days: An Acco Release 26 May Yvonne rated it liked it Jul 23, First was the daughter of Jews who had emigrated from Latvia in Details if other :. Anna rated it liked it Nov 03, Julia rated it really liked it Sep 19, For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. All were within its grasp, and the possibilities of its use to intimidate and destroy both the committed and the innocent on the sidelines were more frightening than I had realized. She was taken into custody in August , shortly after the arrests of Mandela, Walter Sisulu, and Govan Mbeki, the black leaders who would soon be sentenced to life imprisonment in the infamous Rivonia Trial. Go Search. Thanks for telling us about the problem. -
Kai Wiegandt (Berlin)
Kai Wiegandt (Berlin) J. M. COETZEE'S COMPLICATED MIGRATIONS In this artieie I read J. M. Coetzee's novel Slow Man as arefleetion on how nation ality infleets migrant identities and how migration ean result in a erippling of the seifthat the novel emblematieally duplieates in the amputation ofthe protagonist's leg after an aeeident. Diseussions of relevant passages from Coetzee's Diary 0/ a Bad Year and Here and Now eomplement my reading in whieh I show that Ray ment's life in Australia is presented as a seeond, redueed stage of his life, a meta phorieal afterlife. This afterlife is a dark reading of 'emigration', equating it with a erippling ofthe seifthat does not only involve the self's body but also, as the soli tary Rayment remarks, its soul. Rayment's insistenee on an authentie, eomplete body is motivated by the memory of his former body, while his yeaming for an 'authentie' horne is motivated by the memory of his early years in Franee. These yeamings are questioned by Marijana Jokic, an immigrant from Croatia who nurses the erippled Rayment and whose adviee that he use a prosthesis is in line with her view that identities - national, re1igious, even physieal- ean be rebuilt and ehanged. I show that Marijana and her family exhibit a eosmopolitanism that relies neither on the body nor on a notion of authentieity but remains haunted by the ghost of nation alism. Throughout my analysis I triangulate the novel's eompeting eoneepts of identity with Etienne Balibar's ideas on nationality and immigration to assess what is at stake in Coetzee's attempt to eomplieate the reader's notion of migration by teasing out ambivalenees ofthe migratory experienee.