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Jean Christophe: In Paris, by Romain Rolland 1 Jean Christophe: In Paris, by Romain Rolland The Project Gutenberg EBook of Jean Christophe: In Paris, by Romain Rolland Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. Jean Christophe: In Paris, by Romain Rolland 2 **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Jean Christophe: In Paris The Market-Place, Antoinette, The House Author: Romain Rolland Release Date: May, 2005 [EBook #8149] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 20, 2003] Edition: 10 Language: English Character set encoding: ISO-Latin-1 *** START OF THE PROJECT GUTENBERG EBOOK JEAN CHRISTOPHE: IN PARIS *** Produced by Distributed Proofreaders. JEAN-CHRISTOPHE In Paris The Market-Place, Antoinette, The House by Romain Rolland Translated by Gilbert Cannan CONTENTS Jean Christophe: In Paris, by Romain Rolland 3 THE MARKET-PLACE ANTOINETTE THE HOUSE THE MARKET-PLACE I Disorder in order. Untidy officials offhanded in manner. Travelers protesting against the rules and regulations, to which they submitted all the same. Christophe was in France. After having satisfied the curiosity of the customs, he took his seat again in the train for Paris. Night was over the fields that were soaked with the rain. The hard lights of the stations accentuated the sadness of the interminable plain buried in darkness. The trains, more and more numerous, that passed, rent the air with their shrieking whistles, which broke upon the torpor of the sleeping passengers. The train was nearing Paris. Christophe was ready to get out an hour before they ran in; he had jammed his hat down on his head; he had buttoned his coat up to his neck for fear of the robbers, with whom he had been told Paris was infested; twenty times he had got up and sat down; twenty times he had moved his bag from the rack to the seat, from the seat to the rack, to the exasperation of his fellow-passengers, against whom he knocked, every time with his usual clumsiness. Just as they were about to run into the station the train suddenly stopped in the darkness. Christophe flattened his nose against the window and tried vainly to look out. He turned towards his fellow-travelers, hoping to find a friendly glance which would encourage him to ask where they were. But they were all asleep or pretending to be so: they were bored and scowling: not one of them made any attempt to discover why they had stopped. Christophe was surprised by their indifference: these stiff, somnolent creatures were so utterly unlike the French of his imagination! At last he sat Jean Christophe: In Paris, by Romain Rolland 4 down, discouraged, on his bag, rocking with every jolt of the train, and in his turn he was just dozing off when he was roused by the noise of the doors being opened.... Paris!... His fellow-travelers were already getting out. Jostling and jostled, he walked towards the exit of the station, refusing the porter who offered to carry his bag. With a peasant's suspiciousness he thought every one was going to rob him. He lifted his precious bag on to his shoulder and walked straight ahead, indifferent to the curses of the people as he forced his way through them. At last he found himself in the greasy streets of Paris. He was too much taken up with the business in hand, the finding of lodgings, and too weary of the whirl of carriages into which he was swept, to think of looking at anything. The first thing was to look for a room. There was no lack of hotels: the station was surrounded with them on all sides: their names were flaring in gas letters. Christophe wanted to find a less dazzling place than any of these: none of them seemed to him to be humble enough for his purse. At last in a side street he saw a dirty inn with a cheap eating-house on the ground floor. It was called Hôtel de la Civilisation. A fat man in his shirt-sleeves was sitting smoking at a table: he hurried forward as he saw Christophe enter. He could not understand a word of his jargon: but at the first glance he marked and judged the awkward childish German, who refused to let his bag out of his hands, and struggled hard to make himself understood in an incredible language. He took him up an evil-smelling staircase to an airless room which opened on to a closed court. He vaunted the quietness of the room, to which no noise from outside could penetrate: and he asked a good price for it. Christophe only half understood him; knowing nothing of the conditions of life in Paris, and with his shoulder aching with the weight of his bag, he accepted everything: he was, eager to be alone. But hardly was he left alone when he was struck by the dirtiness of it all: and to avoid succumbing to the melancholy which was creeping over him, he went out again very soon after having dipped his face in the dusty water, which was greasy to the touch. He tried hard not to see and not to feel, so as to escape disgust. Jean Christophe: In Paris, by Romain Rolland 5 He went down into the street. The October mist was thick and keenly cold: it had that stale Parisian smell, in which are mingled the exhalations of the factories of the outskirts and the heavy breath of the town. He could not see ten yards in front of him. The light of the gas-jets flickered like a candle on the point of going out. In the semi-darkness there were crowds of people moving in all directions. Carriages moved in front of each other, collided, obstructed the road, stemming the flood of people like a dam. The oaths of the drivers, the horns and bells of the trams, made a deafening noise. The roar, the clamor, the smell of it all, struck fearfully on the mind and heart of Christophe. He stopped for a moment, but was at once swept on by the people behind him and borne on by the current. He went down the Boulevard de Strasbourg, seeing nothing, bumping awkwardly into the passers-by. He had eaten nothing since morning. The cafés, which he found at every turn, abashed and revolted him, for they were all so crowded. He applied to a policeman; but he was so slow in finding words that the man did not even take the trouble to hear him out, and turned his back on him in the middle of a sentence and shrugged his shoulders. He went on walking mechanically. There was a small crowd in front of a shop-window. He stopped mechanically. It was a photograph and picture-postcard shop: there were pictures of girls in chemises, or without them: illustrated papers displayed obscene jests. Children and young girls were looking at them calmly. There was a slim girl with red hair who saw Christophe lost in contemplation and accosted him. He looked at her and did not understand. She took his arm with a silly smile. He shook her off, and rushed away, blushing angrily. There were rows of café concerts: outside the doors were displayed grotesque pictures of the comedians. The crowd grew thicker and thicker. Christophe was struck by the number of vicious faces, prowling rascals, vile beggars, painted women sickeningly scented. He was frozen by it all. Weariness, weakness, and the horrible feeling of nausea, which more and more came over him, turned him sick and giddy. He set his teeth and walked on more quickly. The fog grew denser as he approached the Seine. The whirl of carriages became bewildering. A horse slipped and fell on its side: the driver flogged it to make it get up: the wretched beast, held down by its harness, struggled and fell down again, and lay still as though it were dead. The sight of it--common enough--was the last drop that made the wretchedness that filled the soul of Christophe flow over. The miserable Jean Christophe: In Paris, by Romain Rolland 6 struggles of the poor beast, surrounded by indifferent and careless faces, made him feel bitterly his own insignificance among these thousands of men and women--the feeling of revulsion, which for the last hour had been choking him, his disgust with all these human beasts, with the unclean atmosphere, with the morally repugnant people, burst forth in him with such violence that he could not breathe. He burst into tears. The passers-by looked in amazement at the tall young man whose face was twisted with grief. He strode along with the tears running down his cheeks, and made no attempt to dry them.
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  • The American Stravinsky

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    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries.