Targeting the Twenty-First Century Outlaw
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Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
HERMIT International Art Symposium GROWTHRINGS
HERMIT international art symposium GROWTHRINGS time-place-rhythm-light-matter-energy from baroque till present LETOKRUHY cas-misto-rytmus-zvuk-svetlo-hmota-energie v promenach casu od baroka k dnesku under auspicies of Czech Ministery of Culture poradano s podporou Ministerstva Kultury Ceske Republiky PLASY 1th JUNE - 30th 1993 Bohe is The Monastery in Plasy The theme of the second international symposium-meeting-exposition and work- shop in the ancient cistercian monastery in Plasy (West Bohemia) will be the stintu- iation of interrelations between the seeing and heating, between the past and the present, between cctttrunt and province, high and low, matter and energy, relation between people and their cultural and natural environtent. 44 artists, musicians and intermedia artists from Czecho-Slowakia, Netherland, Belgium, USA, Australia, Germany and Great Britain took part in the first symposium HERMIT 92. The installations, sound sculptures, performances were mostly realised directly in the complex of this former monastery founded in 114?. Especially ill the huge building of the baroque convent rebuilt by the famous architect Jail Blazcj Santini-Aichl in the 18th century. The second location was the space of the early baroque granary. The building of the convent contains many different spaces - from dark my- sterious subleractian cellars with underground watcrsystcttts to light chapels and huge corridors . The ideal sonic conditions of the interiors were used for many sound insta llatious and music performances. The interiors of the granary with it's early gothic King's chapel are considered by artists as outstanding exhibition space for con- temporary art. In the four floors of this unique monumental building with old tower- clock are four big cellars and four large rooms with original wooden construction from 17th century. -
September-0Ctober 2013
september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Caste & Untouchability
Paggi fr. Luigi s.x. * * * * * * * * Caste & untouchability Pro Manuscripto Title: Caste & untouchability. A study-research paper in the Indian Subcontinent Authored by: Paggi fr. Luigi sx Edited by: Jo Ellen Fuller- 2002 Photographs by: Angelo fr. Costalonga sx Printed by: “Museo d’Arte Cinese ed Etnografico di Parma” - 2005 © 2005 Museo d’Arte Cinese ed Etnografico © Paggi fr. Luigi sx A few years ago, my confreres (Xaverian Missionaries working in Bangladesh) requested that I conduct a four-day course on caste and untouchability. Probably, I benefited as much from teaching the course as my student-confreres did since the process helped me crystallize my ideas about Hinduism and the ramifications of certain aspects of this religion upon the cultures of the subcontinent. From time to time, I am invited to different places to deliver lectures on these two topics. I usually accept these invitations because I am convinced that those who would like to do something to change the miserable lot of so many poor people living in the Indian Subcontinent must be knowledgeable about the caste system and untouchability. People need to be aware of the negative effect and the impact of these two social evils regarding the abject misery and poverty of those who are at the bot- tom of the greater society. It seems that people living in the Indian Subcontinent , no matter which reli- gion they belong to, are still affected (consciously or unconsciously) by these as- pects of Hinduism that have seeped into other religions as well. In order to prepare myself for the task of lecturing (on caste and untoucha- bility), I read and studied many books, magazines and articles on these two evil institutions of Hinduism, which have affected the social life of most of the people living in the Indian Subcontinent. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
International Law and Abolition of the Death Penalty William A
Washington and Lee Law Review Volume 55 | Issue 3 Article 10 Summer 6-1-1998 International Law and Abolition of the Death Penalty William A. Schabas Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Human Rights Law Commons, and the International Law Commons Recommended Citation William A. Schabas, International Law and Abolition of the Death Penalty, 55 Wash. & Lee L. Rev. 797 (1998), https://scholarlycommons.law.wlu.edu/wlulr/vol55/iss3/10 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. International Law and Abolition of the Death Penalty William A. Schabas* I Introduction The Universal Declaration of Human Rights (Universal Declaration), adopted December 10, 1948, proclaimed that "[e]veryone has the right to life" and "[n]o one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment."' The same approach was taken in the American Declaration of the Rights and Duties of Man, adopted May 4, 1948.2 At the time, the vast majority of United Nations Member States still employed capital punishment. Moreover, the death penalty was also recognized as an appropriate penalty for major war criminals and was imposed by the postwar tribunals at Nuremberg and Tokyo.' When the Universal Declaration's pro- visions were transformed into treaty law in universal and regional instruments, the death penalty was specifically mentioned as a form of exception to the right to life.4 Fifty years later, as we commemorate the anniversary of the adoption of the Universal Declaration of Human Rights, the compatibility of the death * M.A. -
The Unauthorized Hagiography of Edward W. Hawkins
GOOD NIGHT, LADIES: THE UNAUTHORIZED HAGIOGRAPHY OF EDWARD W. HAWKINS A Thesis Presented to the Faculty of the College of English Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by William Randolph Dozier 3 May 1997 Accepted by the faculty of the Caudill College of Humanities, Mo r ehead State University, in partial fulfillment of the requirements for the Master of Arts in English Degr ee . Master' s Committee : Date GOOD NIGHT , LADIES: THE UNAUTHORIZED HAGIOGRAPHY OF EDWARD W. HAWKINS William Randolph Dozier, M. A. Morehead State University , 1997 Director of Thesis: 100% appr opriated texts have been aligned to form an author -free narrative-whole of rising and falling action which details the hanging of the outlaw Edward W. Hawkins in Estill County, Kentucky, on 29 May 1857 . Spanning 140 year s, the various documents, news accounts , ballads, and excerpts reconstitute Hawkins, a creature of dream, myth, and histor y . Hawkins is a type of Byronic hero, and the narrative traces his evolution from wanted fugitive to condemned prisoner to redeemed sinner . The competing texts of this assemblage differ in tone and particulars, thus creating a dynamic tension that pushes the narrative forward. The "hagiography" is an assault on the authority of the text, sacred and profane , and its message is simple : words arise from words. Accepted by: 1 invocation Oh, young reader, suffer me to exhort you to read the following pages with care and attention; they may serve you as a beacon by which you may escape the wretched condition which I am now in--incarcerated in the walls of a dungeon, loaded with chains and fetters, with the grim images of my murdered fellow-men haunting me day and night; and soon, oh! very soon, to be taken to the gallows, and there, in the spring season of my life, to be hurled into the presence of an offended God, who cannot look upon sin with the least allowance. -
Decapitation and Disgorgement: the Female Body's Text in Early Modern English Literature
UNLV Retrospective Theses & Dissertations 1-1-2003 Decapitation and disgorgement: The female body's text in early modern English literature Melanie Ann Hanson University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Hanson, Melanie Ann, "Decapitation and disgorgement: The female body's text in early modern English literature" (2003). UNLV Retrospective Theses & Dissertations. 2568. http://dx.doi.org/10.25669/cnaf-fj97 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. ]3]3%:/lF'riVlTriC)a[y\]qi) r)DS(3()FlCH33W[EnNnr:TrBIEin3!üLAJLIi]3()I)Tf'S TTEOCr by Melanie Ann Hanson Bachelor of Arts San Diego State University 1975 Master o f Arts University of Nevada, Las Vegas 1998 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor oflMWloiM)pl&y *m ISmyBUwdh (]oUegp:()f]LjlNarmll Art» Grmdmmte CoOege Umivcrgi^ of Nevmdo, Lw Vcgmm Mmy2004 Reproduced with permission of the copyright owner. -
Attitudes Toward Execution: the Tragic and Grotesque Framing of Capital Punishment in the News
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2016 Attitudes Toward Execution: The Tragic and Grotesque Framing of Capital Punishment in the News Katherine Shuy Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Rhetoric Commons Let us know how access to this document benefits ou.y Recommended Citation Shuy, Katherine, "Attitudes Toward Execution: The Tragic and Grotesque Framing of Capital Punishment in the News" (2016). Graduate Student Theses, Dissertations, & Professional Papers. 10666. https://scholarworks.umt.edu/etd/10666 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Running Head: ATTITUDES TOWARD EXECUTION i ATTITUDES TOWARD EXECUTION: THE TRAGIC AND GROTESQUE FRAMING OF CAPITAL PUNISHMENT IN THE NEWS By KATHERINE SARAH SHUY Bachelor of Arts, University of Puget Sound, Tacoma, Washington, 2010 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies The University of Montana Missoula, MT May 2016 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Sara Hayden, Co-Chair Communication Studies Steve Schwarze, Co-Chair Communication Studies Lee Banville Journalism ATTITUDES TOWARD EXECUTION ii Shuy, Katherine, M.A., Spring 2016 Communication Studies The Tragic and Grotesque Framing of Capital Punishment in the News Co-Chairperson: Sara Hayden Co-Chairperson: Steve Schwarze This essay undertakes a detailed frame analysis of print and electronic media coverage of three nationally publicized death penalty cases between the years of 2014 and 2015. -
Reviews Springsteen on Springsteen: Interviews, Speeches, and Encounters, Edited by Jeff Burger (Chicago: Chicago Review Press, 2014
91 Reviews Springsteen on Springsteen: Interviews, Speeches, and Encounters, edited by Jeff Burger (Chicago: Chicago Review Press, 2014. 432 pages). The published interview was not invented by music journalists—it was a staple of Paris Review and Playboy, to cite two antecedents before Rolling Stone came along in 1967—but this somewhat peculiar literary subgenre has always had a special significance in rock & roll. It emerged as a culturally distinctive magazine feature in the late 1960s and early 1970s, which is to say the moment when rock & roll became rock, when it shifted from a largely unselfconscious form of musical expression to a more cerebral, avowedly artistic, one. As in so many other ways, we mark our years AD: After Dylan. In its inaugural issue, Rolling Stone’s first interview subject was Donovan. But the patron saint (or, perhaps more accurately, sinner) of the form was Dylan: charismatic, elliptical, endlessly quotable. For musicians, journalists, and readers, the interview became an arena wherein the intellectual seriousness and philosophical ramifications of rock could be staked out and elaborated—generally free from the scrutiny of those (academics and other old people) who might regard the enterprise with amusement or ridicule. By the time Bruce Springsteen came along in the mid-seventies, the rock interview had already become a fixture not only of Rolling Stone, but also sister publications Creem and Circus, which were eagerly received by adolescents like myself as bulletins from faraway worlds that were simultaneously the locus of our inner lives. A not-quite-modest pronouncement from a reigning superstar would become a proposition we would ponder, test, and adopt as our own. -
THE PIRACY and COUNTERFEITI~T AMENDMENTS
If you have issues viewing or accessing this file contact us at NCJRS.gov. .. -~ , 1Jlj{,i THE PIRACY AND COUNTERFEITI~t AMENDMENTS... I ACT OF 1981-8. 691 BEFORE THE SUBOOMMITTEE ON ORIMINAL LAW OF THE COMMITTEE ON THE J1JDICIARY UNITED STATES SENATE NINETY-SEVENTH CONGRESS FIRST SESSION ON s. 691 A BILL TO AMEND TITLES 18 AND 17 OF THE UNITED STATES CODE TO STRENGTHEN THE LAWS AGAINST RECORD, TAPE, AND FILM PIRACY AND COUNTERFEITING, AND FOR OTHER PURPOSES JUNE 19, 1981 Serial No. J-97-42 nted for the use of the Cominittee on the Judiciary •••• •-..- U.S. 'GOVERNMENT PRINTING OFFICE WASHINGTON: 1981 L'"'"--_______~ _ ___"_____ ~~~_~ ____~~~_~_~ __ ~ ____ . ________ _ 'r CONTENTS PROPOSED LEGISLATION Page S. 691-A bill to amend titles 18 and 17 of the United States Code to strengthe~ the laws against record, tape, and film piracy and counterfeit- ing, and for other purposes. ..... .............. .... .... ....... ......... .............. ....... ... ........ .... .... .... 3 OPENING STATEMENT COMMITI'EE ON THE JUDICIARY rvIathias, Charles McC., Jr ............................................................................................. 1 STROM THURMOND, South Carolina, Chairman CHARLES McC. MATHIAS, JR., Maryland JOSEPH R. BIDEN, JR., Delaware WITNESSES PAUL LAXALT, Nevada J EDWARD M. KENNEDY, Massachusetts J Szybala, Renee L., special assistant to the Associate Attorney General, De- ORRIN G. HATCH, Utah ROBERT C. BYRD, West Virginia partment of Justice ..................................................................................................... ROBERT OOLE, Kansas HOWARD M. METZENBAUM, Ohio 8 Prepared statement ................................................................................................ 11 ALAN K. SIMPSON, Wyoming DENNIS DECONCINI, Arizona Bouras, James, vice president and deputy general attorney, Motion Picture JOHN P. EAST, North Carolina PA'fruCK J. LEAHY, Vermont Association of America, Inc....................................................................................... 19 CHARLES E.