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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
Roger Davidson Tierney Sutton Regina Carter Junior Mance
168556_HH_April_REV_0 3/24/16 2:02 PM Page 1 The only jazz magazine in NY in print, online and on apps! April 2016 www.hothousejazz.com Saint Peter's Church Page 10 Brooklyn Center Page 17 Junior Mance Regina Carter Tierney Sutton Roger Davidson Dizzy's Club Coca-Cola Page 21 Caffé Vivaldi Page 10 Where To Go & Who To See Since 1982 168556_HH_April_REV_0 3/24/16 2:03 PM Page 2 2 168556_HH_April_REV_0 3/24/16 2:03 PM Page 3 3 168556_HH_April_REV_0 3/24/16 2:03 PM Page 4 4 168556_HH_April_REV_0 3/24/16 2:03 PM Page 5 5 168556_HH_April_REV_0 3/24/16 2:03 PM Page 6 6 168556_HH_April_REV_0 3/24/16 2:03 PM Page 7 7 168556_HH_April_REV_0 3/24/16 2:03 PM Page 8 8 168556_HH_April_REV_0 3/24/16 2:03 PM Page 9 9 168556_HH_April_REV_0 3/24/16 2:03 PM Page 10 WINNING SPINS By George Kanzler WO PIANISTS WHO HAVE PLIED Crusaders hit "Hard Times" with a deep Ttheir trade in the Big Apple for many blues feel, including locked hand triplets years, Junior Mance and Roger Davidson, and soul jazz backing to Fuji's persuasive are the principals of the albums compris- solo. The violinist carries the swing of ing this Winning Spins. Mance is a long- "9:20 Special," with Mance joining in at the time veteran of the jazz scene, and one of climax for scintillating four-bar exchanges the few musicians still with us who per- to take it out. formed with Charlie Parker. Davidson is Live at Caffé Vivaldi, Volume 3, Roger an eclectic player with roots in classical Davidson (Soundbrush), is a collection of and Brazilian music as well as jazz. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015 2015 Annual LMEA Professional Development Conference John W. Stafford Hall of Fame Louisiana State University 2016 TEACHER OF THE YEAR DEGREE OFFERINGS CONGRATULATIONS TO LSU Bachelor of Arts in Music Master of Music ALUMNA KELLY M. STOMPS Bachelor of Music Master of Music Education Bachelor of Music Education Doctor of Musical Arts Minor in Music Doctor of Philosophy in Music BECOME A STUDENT! APPLICATION DEADLINES Undergraduate: Nov. 15 Graduate: Jan. 1 225-578-9291 music.lsu.edu/admissions WIND7991 CSVR Clarinet LMU.qxp_Layout 1 10/1/15 2:49 PM Page 1 THE LOUISIANA MUSICIAN PAGE 1 Demand a Higher Standard Introducing the NEW CSVR The Yamaha YCL-CSVR clarinet is the result of years of development dedicated to a clearly focused concept: crafting a Custom clarinet that has a beautiful sound, consistent quality, and an affordable price. Both student and professional clarinetists require a rich sound and comfortable playability. These qualities were combined with the high level of consistency that only Yamaha can provide, allowing clarinetists to demand a higher standard than ever before. • Redesigned keys offer comfortable, ergonomic hand placement. In addition, the new keys have thicker silver-plating for a dark and resonant sound quality. • Durable leather pads ensure a precise seal between pad and tone hole for ease of response throughout the entire range of the clarinet. • A new Custom barrel design provides the CSVR with a well-balanced response and rich, warm tonal colors that will elevate the progressing clarinetist’s playing. -
WNCU-FM 90.7 Playlist Report for Past 7 Days Beginning 09/08/2009 This Period (TP) = 09/08/09 to 09/14/09 Last Period (LP) = 09/01/09 to 09/07/09
WNCU-FM 90.7 Playlist Report For Past 7 Days Beginning 09/08/2009 This Period (TP) = 09/08/09 to 09/14/09 Last Period (LP) = 09/01/09 to 09/07/09 TP Rank LP Rank Artist Release Label Release Year TP Plays LP Plays +/- 1 89 Joshua No One New Capri 2009 13 0 +13 Breakstone Trio 2 4 Roy Hargrove Emergence EmArcy / 2009 11 8 +3 Big Band Groovin' High 3 1 Roberta So In Love EmArcy / 2009 10 12 -2 Gambarini Groovin' High 3 11 John Hicks I Remember You HighNote 2009 10 6 +4 5 2 James Moody 4A IPO 2009 9 10 -1 6 6 Jackie Ryan Doozy Open Art 2009 8 7 +1 6 89 Red Garland Dig It! Prestige 1957 8 0 +8 Quintet with John Coltrane 8 11 Freddy Cole The Dreamer In HighNote 2009 7 6 +1 Me 8 33 Jessica Williams The Art Of The City Hall / Origin 2009 7 2 +5 Piano 8 89 Lenora Zenzalai Chronicles of a Baoule 2009 7 0 +7 Helm Butterfly: A Story of Transformation 11 3 Heath Brothers Endurance Jazz Legacy 2009 6 9 -3 11 11 Bobby Broom Bobby Broom Origin 2009 6 6 0 Plays For Monk 11 25 John Beasley Positootly! Resonance 2009 6 3 +3 11 25 Mark Levine And Off & On Left Coast Clave 2009 6 3 +3 The Latin Tinge 11 33 Chris Pasin Detour Ahead H2O 2009 6 2 +4 11 89 Count Basie Swinging, Mack Avenue 2009 6 0 +6 Orchestra Singing, Playing 11 89 Harold Melvin & Wake Up Philadelphia 1975 6 0 +6 The Blue Notes Everybody International 11 89 McCoy Tyner Solo: Live From Half Note 2009 6 0 +6 San Francisco 11 89 The Godfathers 3 18th & Vine 2009 6 0 +6 Of Groove 20 4 Jack Wilkins Until It's Time Max Jazz 2009 5 8 -3 20 11 Jon Mayer Nightscape Reservoir 2009 5 6 -1 20 20 Kelly Eisenhour Seek And Find BluJazz 2007 5 4 +1 20 33 The Monterey Live At The 2007 Monterey Jazz 2009 5 2 +3 Quartet Monterey Jazz Festival / Festival Concord 20 89 Cecil Brooks III Hot D.O.G. -
Concerts with the South Dakota High School Activities Association
“TOGETHER WE CAN” The South Dakota High School Activities Association’s Board of Directors and mem- ber schools would like to take this opportunity to thank the “Corporate Family” for their support of SDHSAA programs and the students we serve. “Sanford Health supports the SD High School Activities Asso- ciation co-curricular athletic and fine arts programs because they provide students with life long lessons about the value of their health and wellness as well as dedication, teamwork, sportsman- ship, culture, and balance. Together with their teachers, families, and communities, co-curricular activities help ensure our stu- dents get the most from their education. The leaders we need in health care and other occupations can shape a better future for us based on their experiences in high school co-curricular events. Sanford Health is pleased to be a sponsor for them and congratulates all the student participants for their efforts.” Kelby Krabbenhoft, President and CEO—Sanford Health Farmers Union Insurance is extremely proud of our commitment to the SDHSAA as Community Partner. This relationship offers us the opportunity to invest in the future success of each and every one of our South Dakota communities. The concepts of team-work, competitiveness, discipline, focus, and sportsman- ship are but a few of the life-lessons learned through participa- tion in both athletic and fine arts events. We believe these char- acter traits are instrumental in developing confident and capable young adults. Wayne Bartscher, Regional Manager Farmers Union Insurance Billion Automotive proudly supports the South Dakota High School Activities Association. With many athletic and fine arts programs available to everyone, SDHSAA provides countless opportunities for young adults to discover, grow and succeed. -
“NJPAC Is Like My Laboratory, Open to Whatever I Want to Do…”
Volume 35 • Issue 11 December 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “NJPAC is like my laboratory, open to whatever I want to do…” N’ Orleans in Newark Irvin Mayfield at NJPAC By Sandy Ingham t’s tough to live here in New Jersey yet be addicted to INew Orleans music, particularly its exuberant jazz. Fortunately for us, many of that city’s artists hit the road regularly in order to make a living, spreading the news around the world that while much of New Orleans may still be mired in a post- Katrina funk, the music is as high-spirited as ever. Irvin Mayfield photos courtesy of the artist. right: NJPAC at night, photo by Esto. Trumpeter Irvin Mayfield embodiment of the old Jelly Roll brought his new sextet, the Morton maxim that “the Hombres, to the New Jersey Spanish tinge” is a necessary Performing Arts Center in ingredient in jazz. Newark on Sunday, October 28. The band has assimilated music The Hombres, a direct from all over the Caribbean in descendant of Los Hombres earlier visits to Haiti, Trinidad, Caliente but minus percussion master Bill Summers, are the continued on page 24 ARTICLES REVIEWS EVENTS Whiskey Café. 13 in this issue: Classic Stine. 9 L.A. Jazz Big Band Showcase . 30 ’Round Jersey: Bridgewater, CTS Images . 15 NEW JERSEY JAZZ SOCIETY Morris, Ocean . 44 Salt Creek Grille. 17 Pres Sez/NJJS Calendar Jazz U: College Jazz Scene . 14 CDs: Compact Views/ Institute of Jazz Studies/ Centenary College. 19 & Bulletin Board. -
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected]
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected] Profession Musician (piano, keyboards, bass violin, voice, violin, viola, ‘cello, percussion), teacher, composer, arranger, recording producer, music contractor Education Masters of Music (Composition) UNIVERSITY OF CENTRAL FLORIDA, Orlando FL – 2013 Bachelor of Music (Piano Performance) ILLINOIS WESLEYAN UNIVERSITY, Bloomington IL – 1977 Cum Laude Cross Cultural Arts Studies GREAT LAKES COLLEGE ASSOCIATION, New York NY – 1976: Apprentice to David Horowitz, Jackson MacLow and Charles Morrow Diploma in Bible Studies RHEMA BIBLE TRAINING CENTER, Broken Arrow OK – 1980 Summa Cum Laude Teaching Experience • University of Central Florida, Orlando FL – Adjunct instructor in 2005-present Jazz Studies • Valencia College (East Campus), Orlando FL – Adjunct jazz 2013-present instructor • Private instructor, central FL – Teacher of piano, acoustic bass, 1989-present improvisation, composition, arranging and jazz harmonic theory • Players School of Music, Clearwater FL – Jazz piano faculty 2003-2005 • Numerous universities in Europe, South America and USA – Guest clinician 1983-present • Jamey Aebersold Summer Jazz Camps – Jazz faculty, bassist 1979, 1980, 1981 Publication • Richard Drexler & Dr. Herb Silverstein: “Jazz Harmony & Improvisation – Scores & Recordings of Original Tunes” – Trafferd Publishing, ISBN #978-1-4251-3608-6 2 Richard Drexler Recording Experience as Bassist, Pianist, Producer and Composer/Arranger Selected -
Roy Hargrove René Marie Pete Outnow Records Event
February 2012 | No. 118 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com TIM BERNE Berne-ing the Midnight Snakeoil ROY • RENÉ • PETE • OUTNOW • EVENT HARGROVE MARIE LA ROCA SIMS RECORDS CALENDAR For the last several months, much of the national news has been devoted to the (not-all-that) upcoming presidential election. Now that it is less than ten months away, coverage will only intensify and voting, that great totem of democracy, will (or should) be on everyone’s mind. But you can get a headstart on the process: New York@Night participate in The New York City Jazz Record’s Second Decade poll. As we approach 4 the milestone of our 10th anniversary (May 2012), we‘d like to hear from you, our readers, about the job we’re doing and suggestions you have for improvement. Interview: Roy Hargrove Visit our homepage (nycjazzrecord.com) and click on the “Take Survey” button at 6 by Russ Musto the very top (no lines or newfangled electronic voting machines); a few minutes of your time will give us invaluable information as we at The New York City Jazz Artist Feature: René Marie Record start planning for the next 10 years. 7 by Marcia Hillman As we hunker down for the city’s coldest month (supposedly), don’t get too comfortable wrapped in your afghans and drinking hot chocolate with an excessive On The Cover: Tim Berne amount of marshmallows. There’s still plenty of music to stir you from your winter 9 by Martin Longley torpor. Saxophonist Tim Berne (On The Cover), a New York stalwart has released his debut on ECM Records and celebrates with a concert at the Rubin Museum. -
HOWLEY KERRY Woman Insinuates Herself Into the Lives of Two Cage Fighters—One a Young Prodigy, the Other an Aging Journeyman
In this darkly funny work of literary nonfiction, a bookish young KERRY woman insinuates herself into the lives of two cage fighters—one a young prodigy, the other an aging journeyman. Acclaimed essayist HOWLEY Kerry Howley follows these men for three years through the bloody world of mixed martial arts as they starve themselves, break bones, fail their families and form new ones in the quest to rise from remote Midwestern fairgrounds to packed Vegas arenas. With penetrating intelligence and wry humor, Howley exposes the profundities and absurdities of this American subculture. “ Thrown is Kerry Howley’s masterful debut. A work of rigorous nonfiction that’s sure to be branded experimental, but that’s as involving and page- turning as any book I’ve read in a while.” —Gary Shteyngart “ Who can explain what draws a young brilliant writer—and a woman no THROWN less—to be mesmerized by the sight of a young man being pummeled in the ring? But out of this passion—maybe obsession—comes a great American story about overlooked heroes, the nature of violence, hope, love and nearly everything else that matters.” —Hanna Rosin “ Out of the dank basements and glitzy arenas of a brutal sport, Kerry Howley has created a story that is virtuous, rapturous, and utterly consequential. It’s a story we’ve read about a thousand times, and one we’ve seen nothing else like. This is a gloriously heartbreaking debut.” —John D’Agata, The Lifespan of a Fact BEA Promotion National TV and Radio Campaign National Print Features Online Promotion, inc.