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Commencement Program Is Intended for Unofficial Use Only
The 44 th Annual Commencement September 24, 2016 2:00 p.m. Sun National Bank Center Trenton, New Jersey Tradition of Excellence: A Thomas Edison State University Thomas Edison State University, one of America’s University’s Kelsey Building is recognized as one of preeminent educational institutions, provides the most important visual landmarks of the Trenton, flexible, high-quality, collegiate learning N.J., State House Historic District, which is listed opportunities for self-directed adults. Cited as on the National Register of Historic Places. “the college that paved the way for flexibility” by Originally built by Henry Cooper Kelsey, a banker The New York Times and one of the top 20 colleges and politician with an appreciation for the arts, the and universities in the nation in the use of Kelsey Building is a memorial to his wife, Prudence technology to create learning opportunities for Townsend Kelsey, who died in 1904. The building adults by Forbes magazine, Thomas Edison was dedicated in 1911 as the School for State University enables adults to build on Industrial Arts. In 1979, when Thomas their past achievements as a bridge to Edison State University was looking their future success. to move from office space it had outgrown in the Forrestal Center The University offers the highest outside of Princeton, N.J., the state quality education to adults who have was looking for an appropriate tenant the inspiration, self-discipline and for the landmark Kelsey Building, while energy to complete a college degree the city sought to preserve the building’s despite the many conflicting demands historic use as a school. -
Spinal Tap, L-R: Harry Shearer As Derek Smalls, Christopher Guest As Nigel Tufnel and Michael Mckean As David St
PHOTO: MAtt MINDLIN ::music This is (still) Spinal Tap, L-R: Harry Shearer as Derek Smalls, Christopher Guest as Nigel Tufnel and Michael McKean as David St. Hubbins. By Mr. Bonzai Spinal Tap MocuMentary StarS are ‘Back FroM the DeaD’ During this 25th anniversary of the film a one-hour DVD and a pop-up diorama Cherney mixed half of the thun- and album This is Spinal Tap, the band package that unveils three 12-inch ac- derous new album at his Studio Ed at has reunited to set the record straight, tion figures of the band and a propor- The Village, while Vanston mixed the once and for all. What a stupendous tionally sized Stonehenge. ear-splitting remainder at his studio, relief for the countless fans who em- Tracking for Back From the Dead The Treehouse. Mastering was done pathized with Tap’s well-documented took place at The Village in L.A. with by Gavin Lurssen with publicist Bobbi fall from grace and money. All of the engineer Ed Cherney and longtime Fleckman peering over his shoulder. original album has been re-recorded, Tap collaborator CJ Vanston producing. Vanston explains, “Spinal Tap is re- along with much anticipated never- Guest artists include Phil Collen of Def recording the entire first album because released material for a total of 19 tracks. Leppard, John Mayer, Keith Emerson they thought the original album was a The release, out June 16, also includes and Steve Vai. hatchet job, just like the movie.” With WWW.MIXONLINE.COM I JUNE 2009 MIX 47 ::music spinal tap worldwide attention focused on Tap’s trium- Smalls: Which Castro would that be? Why do you call your studio The Treehouse? phant independent release of Back From the Dead St. -
This Is Heavy Metal: Spinal Tap Und Ihre Beziehung Zur (Medialen) Realität Des Metals
Herbert Schwaab This is Heavy Metal: Spinal Tap und ihre Beziehung zur (medialen) Realität des Metals In dem Videoclip zu dem Song Hell Hole, der als Extra auf der DVD der Mock-Rockumentary This Is Spinal Tap (Rob Reiner, USA 1984) zu finden ist, gibt es neben wunderbaren Rekonstrukti- onen der Posen und Manierismen der Heavy Me- tal und der MTV Kultur ein eigenartiges Motiv in der Schlusssequenz: Zunächst sehen wir Bilder der Band Spinal Tap in einer Konzertsituation, in der typischen Inszenierung der etwas weniger einfallsreichen Musikvideos der 1980er Jahre. Abb. 1: Videostill Hell Hole, Die letzte Einstellung zeigt dieselbe Konzertsi- Spinal Tap in Miniatur tuation, diesmal allerdings als Miniaturnachbil- dungen der Band auf einer Puppenbühne. Zum Schlussakkord des Songs geht ein an deutlich sichtbaren Drähten aufgehängter Skelettarm über die Actionfiguren der Band, die Verstärker und Instrumente hinweg und zerstört die Szenerie. Dieses Video ist eines der vielen Details, aus dem sich das Universum der fik- tiven Band Spinal Tap speist, die seit ihrer filmischen ›Erfindung‹ ein erstaun- liches Nachleben führt. Zu diesem Universum gehört nicht nur der Film selbst, die darin zu findenden Rekonstruktionen der Bandbiografie (wie alte Aufnah- men von Fernsehshows aus den 1960er Jahren, fiktive, liebevoll gemachte Plat- tencover) oder das Bonusmaterial auf der DVD (wie Werbeclips,¯1 Videos und Talk-Show-Auftritte), das Soundtrackalbum im schwarzen Cover, sondern auch Konzerttourneen, das ›reguläre‹ Album Break Like The Wind von 1992, Auftritte bei den Simpsons¯2 und dem Live Earth Konzert von 2008, einer Vielzahl liebe- voll gemachter Merchandising-Produkte¯3 sowie etliche Auftritte der Schau- spieler ›in character‹ in weiteren Talk-Shows¯4 oder in Zeitschriften.¯5 Dieser Beitrag wird sich den Film und das Universum der fiktiven Band ge- nauer anschauen, um zu bestimmen, was er als Parodie von Heavy Metal über Heavy Metal zu sagen hat und welches Wissen über oder Bild von Heavy Metal dadurch entsteht. -
TMR Volume 11 15Apr21
TURNING IT UP TO ELEVEN: THE PERILS OF THE LOUDNESS WAR DAN SINGER ocky British rock star Nigel Tufnel (Christopher Guest) and fictitious producer Marty DiBergi (Rob Reiner) are standing in a room filled with C expensive musical equipment. The camera shot switches to a close-up of an amp as the celebrity gloats over its custom volume knob, featuring settings, he emphasizes, that range from one to—not ten, but eleven. The producer is struggling to understand his enthusiasm. “Does that mean it’s…louder? Is it any louder?” he asks. “Well it’s one louder, innit?” declares Tufnel, his British accent dripping with dumb satisfaction. Still not convinced, DiBergi poses the obvious question: “Why don’t you just make ten louder and make ten be the top number?” Tufnel’s smirk evaporates. He pauses, then looks up at the producer: “These go to eleven.” One of the most well-known scenes from the faux-documentary This Is Spinal Tap, this dialogue appeals to us as a classic example of a pop icon so blinded by fame that he is oblivious to his own idiocy. Consumers of pop-culture find it easy to scoff at Tufnel’s enthusiasm and dismiss him as a fame-addled dimwit. But while viewers are busy laughing, what they don’t realize is that they are essentially buying into the same fallacy Tufnel falls victim to through his custom-made amp. Since the decade of the film’s release, the recording industry has been increasingly cranking up its own volume knob on the music it releases. -
Inside the CMT Music Awards Remembering Frances W. Preston
June 18, 2012, Issue 299 Inside The CMT Music Awards As Country Aircheck has done with the CMA and ACM awards shows, we asked a top insider about the process of putting together the 2012 CMT Music Awards. Below, CMT President Brian Philips discusses the hosts, performances, criticisms and how country compares to the death of Osama bin Laden. CA: What are you hoping to create each year when you start putting together the awards, and how well do you think you executed that? BP: This year was a bit of an outlier. When Brian Philips you’re doing live television and awards shows, there’s this crazy combination of people and electronics that have to mesh. Usually we’re prone to being frantic; I spent a month on the lookout for something to go wrong and nothing ever did. I Boston Pops: Rascal Flatts gather the team at the WKLB/Boston don’t think there’s any precedent for that. Country Festival Saturday (6/16). Pictured (l-r) are the station’s Steve This show is really the creative brainchild of [CMT SVP/Music Kelly, Mike Brophey, Keith Stevens and Dawn Santolucito; Flatts’ Events & Talent] John Hamlin, who’s taking a much-needed Jay DeMarcus; ‘KLB’s Carolyn Kruse; RF’s Joe Don Rooney; station vacation this week. He will freely admit as little as two weeks out staffers Ginny Brophey and Lori Grande; Flatts’ Gary LeVox; and the that he can’t picture the whole show in his head yet. The first station’s John Willis and Hank Morse. -
Rockmusik Und Rockmusiker Im Fiktionalen Film: Eine Übersichtsfilmographie
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Rockmusik und Rockmusiker im fiktionalen Film: Eine Übersichtsfilmographie. 1 2012 https://doi.org/10.25969/mediarep/12777 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Rockmusik und Rockmusiker im fiktionalen Film: Eine Übersichtsfilmographie. 1. Hamburg: Universität Hamburg, Institut für Germanistik 2012 (Medienwissenschaft: Berichte und Papiere 144). DOI: https://doi.org/10.25969/mediarep/12777. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0144_12.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 144, 2012: Rockmusik im Film. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. ISSN 1613-7477.URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0144_12.pdf Letzte Änderung: 26.9.2012. Rockmusik und Rockmusiker im fiktionalen Film: Eine Übersichtsfilmographie. 1. Hrsg. v. Hans J. Wulff Die folgende filmographische Übersicht ist der erste Rocksploitation: Rockmusiker im Trash-, Horror- und Teil einer -
Cbochart1 042414 Copy
!NEWS! !SPIN ZONE ! !SINGLES CALENDAR! !CHART DATA ! !NO. 1 SONG! VOICES OF SECONDARY RADIO! ! COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! Thursday, April 24, 2014 !PANEL! ! CHART NEWS SPIN ZONE ! Top Ten — ! Sara Evans’ journey to the top has steered her to No. 1 with “Slow Shelton to Perform at iHeart Radio Awards Me Down.” The chart-topping hit had 3,325 spins this week. Right Blake Shelton has recently been named behind at No. 2 is Miranda Lambert with “Automatic.” Florida as a performer for the first iHeart Radio Georgia Line’s and Luke Bryan’s collaboration has moved one spot Awards to be aired live from Los Angeles to No. 4 with “This is How We Roll.” Luke appears again at No. 5 on May 1. He joins already announced with “Play It Again.” Tyler Farr continues his climb at No. 6 with performers Luke Bryan and Ed “Whiskey in the Water.” The Band Perry has moved “Chainsaw” Sheeran. Shelton also has 2 songs up one spot to No. 7, followed by George Strait’s “I Got A Car” at nominated for Country Song of the Year. No. 8. Finishing up the Top 10 are Chris Young’s “Who I Am With ! You” at No. 9 and Eli Young Band with “Dust” at No. 10. • • • ! Greatest Gainers — ! Tim McGraw was the greatest gainer this week, with “Meanwhile, Bright Upped at Warner Music Nashville Back at Mama’s” garnering 493 additional spins. Blake Shelton Katie Bright has been named National Director of Promotion at was next with an added 396 spins for “My Eyes,” followed by WMN and will relocate to Nashville. -
Laughing Mad Haggins FM Pgs-I-Xii.Qxd 10/24/2006 9:58 AM Page Ii Haggins FM Pgs-I-Xii.Qxd 10/24/2006 9:58 AM Page Iii
Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page i Laughing Mad Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page ii Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page iii Laughing Mad The Black Comic Persona in Post-Soul America Bambi Haggins Rutgers University Press New Brunswick, New Jersey, and London Haggins_FM_Pgs-i-xii.qxd 10/24/2006 9:58 AM Page iv Material used Chapter 1 and 2 was originally published, in a much abbreviated form, as “Laughing Mad: The Black Comedian’s Place in Post–Civil Rights Era American Comedy,” in Hollywood Comedians: The Film Reader, ed. Frank Krutnik (London, New York: Routledge, 2003). Excerpt from “It’s Bigger Than Hip Hop,” written by Lavonne Alford and Clayton Gavin, published by War of Art Music (BMI)/Walk Like a Warrior Music (BMI), per- formed by Dead Prez. Reprinted by permission of The Royalty Network Inc. Excerpt from “Harlem Literati” from The Big Sea by Langston Hughes. Copyright © 1940 by Langston Hughes. Copyright renewed 1968 by Arna Bontemps and George Houston Bass. Reprinted by permission of Hill and Wang, a division of Farrar, Strauss and Giroux, LLC and (for publication in United Kingdom and British Commonwealth) Harold Ober Associated Inc. Library of Congress Cataloging-in-Publication Data Haggins, Bambi, 1961– Laughing mad : the Black comic persona in post-soul America / Bambi Haggins. p. cm. Includes bibliographical references and index. ISBN-13: 978–0–8135–3984–3 (hardcover : alk. paper) ISBN-13: 978–0–8135–3985–0 (pbk. : alk. paper) 1. African American comedians—Biography I. -
This Is Spinal
Richard Hermann not sufficient for a critical assessment of Berio's Sequenza IV. That combination omits the work's diachronic and narrative references and its transformations of them. This essay might, therefore, give pause to those in the fields of philosophy, Stylistic Competencies, Musical Humor, linguistics and artificial intelligence who solely equate mind with thought, thought with natural language, and the anatomical structures of the brain that instantiate and "This is Spinal Tap" natural language with potentially adequate working models of the mind.37 In a letter to Marc-Andre Souchay of October 15, 1842, Mendelssohn wrote "People John Covach often complain that music is ambiguous, that their ideas on the subject always seem so vague, whereas everyone understands words. With me it is exactly the reverse- not merely with regard to entire sentences, but also as to individual words. These, too, seem to me so ambiguous, so vague, so unintelligible when compared with I genuine music, which fills the soul with a thousand things better than words." 38 That thought might also apply to the hope of finding fully adequate interpretations As its title suggests, this study focuses upon matters of humor and musical style, of any sort for sophisticated music; nonetheless, the continuing process of specifically the ways in which musical numbers in the 1984 Rob Reiner film This interpreting sharpens our perception and understanding. is Spinal Tap elicit an amused response.• On first pass, one might wonder how such seemingly diverse concerns as nineteenth-century German philosophy, recent theories of musical style, and late 1960's rock and roll could possibly intersect: one could hardly imagine a more incongruous trio of figures than Arthur . -
Cult Classics
pageeight AROUNDTOWN This is Spinal Tap taps into rock humor Eighth in a series feet, he places two quotation marks after the Smalls plays a double-neck guitar during ww Hillary Lindwall height. Hilarity ensues at the next concert as the one of their shows. However, rather than Managing Editor tiny structure—smaller than the druid dwarves the traditional bass and guitar double-neck, dancing onstage—is lowered. both fretboards are of the four-string bass In the early 1980s, the music scene was at the Much of the humor of the film comes from variety. Guest turns another rock cliché on advent of the heavy metal “hair bands” era, and the fact that the film pokes fun at actual rock its ear when during as solo, Tufnel plays MTV was in its infancy and still playing music bands or occurrences that have happened in electric guitar not with a violin bow but with videos 24/7. music history. the actual violin. When the band’s Boston Director Rob Reiner and co-writers For example, when St. Hubbins’ girlfriend gig is cancelled for lack of ticket sales, Faith Christopher Guest, Michael McKean and Harry (played by Vicki Blue, who bears a striking consoles the band by pointing out “at least it Shearer (the brain trust that would later produce resemblance to the late Linda McCartney) joins is not a college town.” the folk music send-up A Mighty Wind) took the band on their tour, Tufnel leaves Spinal Even the documentary style is a parody. note of the hype and channeled into a hilarious, Tap. -
When Grace Turns Your Heart up to 11” 2 Corinthians 8:1-7 20 June 2021
“When Grace Turns Your Heart Up To 11” 2 Corinthians 8:1-7 20 June 2021 If you know anything about guitar amplifiers, then you know that they only go up to 10. All the knobs only go up to 10. So, the maximum volume level is 10. And, if you know anything about the movie This Is Spinal Tap, then you know that one scene where Nigel, the guitarist, explains that his guitar amplifier actually goes up to 11. * INSERT GUITAR AMP 11 PIC Here’s the dialogue as Nigel explains to Marty, the documentary filmmaker, how the band’s amplifiers all go up to 11: Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and... Marty DiBergi: Oh, I see. And most amps go up to ten? Nigel: Exactly. Marty: Does that mean it's louder? Is it any louder? Nigel: Well, it's one louder, isn't it? It's not ten. You see, most, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where? Marty: I don't know. Nigel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do? Marty: Put it up to eleven. Nigel: Eleven. Exactly. One louder. Marty: Why don't you just make ten louder and make ten be the top number and make that a little louder? Nigel: [there’s a long pause] These go to eleven. -
List of City of Dothan Qualified Voters for the August 3, 2021 Municipal Election
DOTHAN EAGLE SUNDAY, JULY 18, 2021 | E1 List of City of Dothan Qualified Voters for the August 3, 2021 Municipal Election The following is a list of qualified voters per polling location for the City of Dothan Municipal Election to be held on August 3, 2021. Polls will be open on election day from 7:00 a.m. until 7:00 p.m. at the following locations: District 1-A: Walton Park Recreation Center, 122 Walton Park Drive District 1-B: Andrew Belle Community Center, 1270 Lake Street District 2-A: Roy Driggers Building (Civic Center), 126 N. St. Andrews Street District 2-B: Wiregrass Recreation Center, 620 Sixth Avenue District 3-A: Houston County Farm Center, 1701 East Cottonwood Road District 3-B: National Guard Armory, 1842 Third Avenue District 4-A: Dothan Utilities Complex, 200 Kilgore Drive District 4-B: Doug Tew Recreation Center, 300 Garland Street District 5-A: Westgate Recreation Center, 501 Recreation Road District 5-B: Wesley Place on Honeysuckle, 718 Honeysuckle Road District 6-A: Vaughn-Blumberg Center, 2715 Flynn Road District 6-B: Wiregrass Commons Mall Community Room, 900 Commons Drive This list does not include names of persons who registered after June 23, 2021. Please contact the City of Dothan City Clerk’s office at 615-3160 if further information is needed. DISTRICT 1-A: ARD CAROLYN BRACKIN BARNES SHIRLEY ANN BLACKMON FELTON BROOKINS LARRY WAYNE, II BURNEY ULYSSES, JR ARDIS MIDASHA KE’CEARA BARNES TRICIA LANISE BLACKMON HELEN L BROOKINS MIRIAM W BURNHAM JOHNATHAN DARIN WaltON PARK ARMSTRONG DONALD R BARRIOS ELVIRA BLACKMON