This Is Spinal Tap Script V
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spinal Tap, in Which He Performed As the Musician 5 Derek Smalls
Case 2:16-cv-07733 Document 1 Filed 10/17/16 Page 1 of 17 Page ID #:1 1 Peter L. Haviland (Bar Number 144967) [email protected] 2 Scott S. Humphreys (Bar Number 298021) [email protected] 3 Terrence M. Jones (Bar Number 256603) [email protected] 4 BALLARD SPAHR LLP 2029 Century Park East, Suite 800 5 Los Angeles, CA 90067-2909 Telephone: 424.204.4400 6 Facsimile: 424.204.4350 7 Attorneys for Plaintiff Century of Progress Productions 8 9 UNITED STATES DISTRICT COURT 10 CENTRAL DISTRICT OF CALIFORNIA 11 12 CENTURY OF PROGRESS ) Case No. 2:16-cv-07733 PRODUCTIONS, ) 13 ) Plaintiff, ) COMPLAINT FOR: 14 ) ) (1) Breach of Contract; v. ) 15 ) (2) Breach of the Implied Covenant 16 VIVENDI S.A.; STUDIOCANAL; ) of Good Faith and Fair Dealing; ) (3) Fraud; STUDIOCANAL IMAGE; ) 17 RON HALPERN, an individual; and (4) Accounting; and DOES 1 through 10, inclusive, ) 18 ) (5) Declaratory Relief Re: ) Trademark (28 U.S.C. § 2201) ) 19 Defendants. ) ) DEMAND FOR JURY TRIAL 20 Deadline) 21 ) 22 23 24 25 26 27 28 COMPLAINT AND DEMAND FOR JURY TRIAL Case 2:16-cv-07733 Document 1 Filed 10/17/16 Page 2 of 17 Page ID #:2 1 PRELIMINARY STATEMENT 2 1. Harry Shearer, creator of the radio and podcast program "Le Show," 3 and voice of some twenty-three characters on "The Simpsons," is co-creator of 4 the movie classic This Is Spinal Tap, in which he performed as the musician 5 Derek Smalls. 6 2. This Is Spinal Tap and its music, which Shearer also co-wrote, 7 including such songs as "Sex Farm" and "Stonehenge," have remained popular for 8 more than thirty years, and have earned considerable sums for the French 9 conglomerate Vivendi S.A. -
Personal and Collected Testimonies
Shalefield Stories Personal and Collected Testimonies There are more than 4,000 Marcellus wells in Pennsylvania, with projections ranging from 2,500 new wells a year to a total of more than 100,000 over the next few decades. - The New York Times - Nov 17, 2011 Shalefield Stories Personal and Collected Testimonies Published by Steel Valley Printers January, 2014 Dedicated to the power of human stories. ©2014 Steel Valley Printers 1 Table of Contents Introduction ............................................................................................................................................3 Personal Stories ......................................................................................................................................5 Carol French ..........................................................................................................................................6 Angel ...................................................................................................................................................7 Judy Armstrong Stiles .........................................................................................................................8 June Chappel .......................................................................................................................................9 Jaime Frederick .................................................................................................................................10 Terry Greenwood ..............................................................................................................................11 -
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 the PRIMARY SOURCE
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 THE PRIMARY SOURCE Our mission is to conserve birds and their habitats. RMBO Leads Landmark Meeting in Costa Rica By Teddy Parker-Renga to breeding, threats to non-breeding and it’s important for RMBO and partners to Communications Manager population trend) using the Partners In support and advance conservation abroad, In March, Rocky Mountain Bird Flight species assessment process. Scores he said. Observatory spearheaded the first-ever ranged from 1 (low vulnerability) to 5 Next steps include developing com- conservation assessment of the birds of (high vulnerability) for each factor, with munication tools and messages to engage Central America. a higher overall score indicating a greater stakeholders in conserving at-risk species. At the meeting held in San Vito, Costa vulnerability to population decline or Thank you to all of the partners who Rica, 30 participants representing the extinction. attended the meeting and Environment seven Central American countries, Mexico International Director Arvind Panjabi Canada, Missouri Department of Conser- and the U.S. assessed all 407 bird species said partners who attended the meeting vation and USGS for funding. unique to Central America, as well as 500- saw tremendous value in the process as View photos from the meeting and the plus species shared between Mexico and a way to establish conservation priori- amazing species we saw birding in Costa Central America. This included landbirds, ties for birds and habitat in their own Rica at www.facebook.com/RMBObirds. shorebirds, waterbirds and waterfowl. countries. Since many bird species that To learn more about the Partners In During the assessment, birds were breed in the Rockies and elsewhere in the Flight species assessment process, visit http:// assigned scores for three factors (threats western U.S. -
PROSE Device and Care Guide
® PROSE™ Restoring Sight. Changing Lives PROSE Device Use and Care Guide www.bostonsight.org Copyright 2020 No part of this document may be reproduced or distributed without the consent of BostonSight TABLE OF CONTENTS Contact Information................................................................................................. 3 SET UP and APPLICATION Set up for PROSE Device Application.......................................................... 4 Preservative Free Saline Protocol................................................................. 4 Key Points for Optimal PROSE Device Application...................................... 5 The Lid Spread is Everything........................................................................ 6 How to Apply Your PROSE Device with a Plunger....................................... 7-8 How to Apply Your PROSE Device with a Lighted Plunger........................... 9 Apply Your PROSE Device with a Plunger Stand.......................................... 10 Bubbles Under Your PROSE Device............................................................. 11 REMOVAL Set Up: PROSE Device Removal.................................................................. 12 How to Remove Your PROSE Device with a Plunger................................... 12 How to Remove Your PROSE Device without a Plunger.............................. 13 DISINFECTION and CARE Setting Up Your PROSE Disinfection Case.................................................. 14 Set Up for PROSE Device Care and Cleaning............................................. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
James Taylor: Making Music and Memories by John Fries
Pittsburgh Boomers | August 2005 James Taylor: Making Music and Memories By John Fries If you went to high school during the 1970's, as I did, you'll recall a lot of really great music -- on the radio, in the school cafeteria at lunchtime, and on the eight track tapes you punched into your car dashboards at night while driving around. While the musical landscape offered something for everyone, much of it seemed to fall into two distinct categories: straight-ahead rock and top 40 pop. Here in Pittsburgh, we were either tuned to Trevor Ley playing Led Zeppelin or Pink Floyd on 'DVE or listening to the "New Sound of 13Q," which played a wide and eclectic mix of whatever was in the top 40 at the time. The top hits of the day were listed each week in the pocket-sized "hit parades" KQV and 13Q published and provided for free in local record stores. The list could include any combination of rock, power pop, country, rhythm and blues, vocalists, the occasional novelty record, and that 70's radio staple known as the singer-songwriter. Remember them? The mellow music makers who played guitar or piano, wrote meaningful, introspective lyrics, and served up gentle melodies? The singer-songwriter sections of our 45 collections included titles by such artists as Jackson Browne, Neil Young, Carole King, Joni Mitchell, John Denver, Paul Simon and a West Coast band of country rock upstarts called the Eagles. Although they were - and are -- all great artists, James Taylor became the undisputed king of the genre. -
Oral History Interview with Howard Finster, 1984 June 11
Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Kate Daley – Song List
KATE DALEY – SONG LIST 2000's The climb Miley Sirus Love Story Taylor Swift Hot and Cold Katey Perry Im Yours Jason Mraz Time of your Life Green day Sex on fire Kings of Leon Use somebody Kings of Leon So what Pink See You Again Miley Sirus Sweet About Me Gabriella Cilmi I Kissed a Girl Katie Perry Bubbly Colbie Caillat Perfect Vanessa Amerosi Dream Catch me (when i fall) Newton Faulkner 20 Good reasons Thirsty Merc Suddenly I See KT Tunstall Voodoo Child Rogue Traders Scar Missy Higgins Bring Me to Life Evanescence What About Me Shannon Noll Its My Life No Doubt Sexed Up Robbie Williams The Trouble With Love Is Kelly Clarkson All The Things She Said T.A.T.U Lost Without You Delta Goodrem Beautiful Christina Aguilero Skater Boy Avril Lavigne Get This Party Started Pink Murder on the Dance Floor Sophie Ellis Bextor The Ketchup Song Las Ketchup Underneath Your Clothes Shakira Obsession Shakira Get Over You Sophie Ellis Bextor Crying at the Discotheque Alcazar Hella Good No Doubt Lets Get Loud Jennifer Lopez Don’t Stop Moving S Club 7 Cant Get you Out of My Head Kylie Minogue I’m Like a Bird Nelly Fertado Absolutely Everybody Vanessa Amorosi Fallin’ Alicia Keys I Need Somebody Bardot Lady marmalade Moulin Rouge Drops of Jupiter Train Out of Reach Gabrielle (Bridgett Jones Dairy) Hit em up in Style Blu Cantrell Breathless The Corrs Buses and trains Bachelor Girl Shine Vanessa Amorosi What took you so long Emma B Overload Sugarbabes Cant Fight the Moonlight Leeann Rhymes (Coyote Ugly) Sunshine on a Rainy Day Christine Anu On a Night Like This -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.