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Breaking Down Breaking Bad 35
The MelodRama of the UnkNown MaN A Genre of Ethics and Poetics Timna Rauch – 5971942 Research Master Media Studies Final Thesis February 11 2015 Supervisor: G.W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat The Melodrama of the Unknown Man A Genre of Ethics and Poetics Timna Rauch – 5971942 Weberstraat 32 1223 JT Hilversum 06 28 88 99 12 [email protected] February 11 2015 Final Thesis Research Master Media Studies Supervisor: G. W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat University of Amsterdam, Amsterdam Table of Contents INTRODUCTION – COOKING GENRE 4 CHAPTER 1 – TOWARDS A POETICS OF SERIAL DRAMA 8 §1 STUDYING SERIAL DRAMA 8 §2 A POETICS BASED APPROACH 11 §3 (NEO-) FORMALISM 14 CHAPTER 2 – GENRE, MELODRAMA AND TV 16 §1 GENRE AND ‘CLASSIC’ MELODRAMA 17 §2 MELODRAMA ON TV 21 CHAPTER 3 – GENRE AS MORAL REGISTER 25 §1 MORAL PERFECTIONISM 26 §2 THE MELODRAMA OF THE UNKNOWN WOMAN 31 § 3 FROM MAN TO WOMAN 33 CHAPTER 4 – BREAKING DOWN BREAKING BAD 35 §1 A STORY OF CHANGE 38 §2 THE TRANSFORMATION OF MR. WHITE 46 §3 FELINA 54 CONCLUSION – THE MELODRAMA OF THE UNKNOWN MAN 59 FINAL THOUGHTS – MY OWN FELINA 62 BIBLIOGRAPHY 64 APPENDIX I 69 APPENDIX II 70 Introduction – Cooking Genre Introduction – Cooking Genre “Some straight like you, giant stick up his ass, all of a sudden at age like what, sixty, he's just gonna break bad?” (‘Breaking Bad’ 1.01 TC: 36:21) When Breaking Bad’s (AMC 2008-2013) creator Vince Gilligan stumbled upon a newspaper article about a man who was caught cooking methamphetamine in the back of his recreational vehicle, he couldn’t stop wondering what happened. -
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past. -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
A Monomyth Analysis of Breaking Bad
Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows .......................................................................................................................... -
Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law. -
Breaking Bad | Dialogue Transcript | S2:E11
CREATED BY Vince Gilligan EPISODE 2.11 “Mandala” As the end of her pregnancy finds Skyler conflicted about her feelings, a dealer's death forces Walt to look for somewhere to unload a load of meth. WRITTEN BY: George Mastras DIRECTED BY: Adam Bernstein ORIGINAL BROADCAST: May 17, 2009 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader (credit only) Betsy Brandt ... Marie Schrader (credit only) RJ Mitte ... Walter White, Jr. (credit only) Bob Odenkirk ... Saul Goodman Giancarlo Esposito ... Gustavo 'Gus' Fring Krysten Ritter ... Jane Margolis Christopher Cousins ... Ted Beneke Sam McMurray ... Dr. Victor Bravenec Charles Baker ... Skinny Pete Rodney Rush ... Combo David House ... Dr. Delcavoli Angelo Martinez ... Boy Mike Seal ... Rival Dealer #1 Antonio Leyba ... Rival Dealer #2 Reis Myers McCormick ... OB / GYN Erin Miller-Gibbs ... Restaurant Employee Ashley Kajiki ... Restaurant Manager Jeremiah Bitsui ... Victor Maggie Fine ... Beneke Employee #1 Kate Schroeder ... Beneke Employee #2 1 00:00:33,283 --> 00:00:34,785 -What's up? -How's it going? 2 00:00:40,165 --> 00:00:41,208 All right. 3 00:01:06,233 --> 00:01:07,651 What you need? 4 00:01:10,988 --> 00:01:13,240 You buying or you just stopping to envy? 5 00:01:17,953 --> 00:01:19,997 Yeah. -
Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation Bidish J. Sarma Recommended Citation Bidish J. Sarma, Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation, 45 N.M. L. Rev. 429 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/4 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX207.txt unknown Seq: 1 7-MAY-15 13:45 WHY WE WOULD SPARE WALTER WHITE: BREAKING BAD AND THE TRUE POWER OF MITIGATION Bidish J. Sarma* INTRODUCTION What if federal authorities captured Walter White? Considering that he committed the murders of many individuals and orchestrated many more in the course of building and running his global meth trade, the prosecution would be able to seek the ultimate punishment against him. But, would a jury give him the death penalty? Walter’s gripping journey stirred within viewers a range of complex emotions, but even those re- volted by his actions must concede that it is extraordinarily difficult to envision a random collection of twelve people unanimously agreeing that he deserves a state-sanctioned execution. Indeed, it seems that many of us actually rooted for Walter throughout the series, even when we strug- gled to understand why. This Essay explores the answer to the question of why we would spare Walter White from the death penalty. -
Recovering Lost Moral Ground: Can Walt Make Amends?
CHAPTER 10 Recovering Lost Moral Ground: Can Walt Make Amends? James Edwin Mahon and Joseph Mahon Is it possible to recover lost moral ground? In the closing episodes of Breaking Bad it becomes clear that Walter White believes that the correct answer to this question is an affi rmative one. Walt believes that he can, and that he has, recov- ered lost moral ground. Breaking Bad may be said to explore two distinct and incompatible ways of attempting to recover lost moral ground. The fi rst way is revisionist . This is to rewrite the script of what, morally speaking, has occurred, so that it appears that nothing wrong was done. Since no moral ground has been lost, there is no moral ground to recover. The second way is restorative . This is to admit to morally wrongful behavior, but to attempt to make amends for it. While we concede that it is possible to recover lost moral ground in both of these ways, we deny that Walt is able to do so in both of these ways. At best, Walt can only hope to recover lost moral ground by attempting to make amends for his past misdeeds. Before looking at these two kinds of attempts to recover lost moral ground in Walt’s case, however, two defenses against accusations of moral wrongdoing will fi rst be considered, since Walt also avails of these defenses. The fi rst is the justifi catory defense, that of seeking to justify the moral wrongdoing, so that it is no longer morally wrong. The second is the mitigatory defense, that of seek- ing to excuse the moral wrongdoing, so that the person is no longer respon- sible for the moral wrongdoing. -
Breaking Bad Como Reinterpretación Del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 “De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Comparative Literature Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Garcia Bonilla, Jesus Alberto, "“De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco." (2018). Theses and Dissertations. 1804. https://dc.uwm.edu/etd/1804 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesús Alberto García Bonilla A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Spanish at The University of Wisconsin-Milwaukee May 2018 i ABSTRACT “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesus Alberto García Bonilla The University of Wisconsin Milwaukee, 2018 Under the Supervision of Professor R. John McCaw El presente estudio pretende analizar las conexiones existentes entre la serie Breaking Bad y la novela Don Quijote de la Mancha, con el objetivo de demostrar que dicha serie puede ser entendida como una reformulación de la novela. Para llevar a cabo este objetivo, primero se expondrán algunas de las características que nos permiten considerar ambas obras como textos que reflejan la ruptura de sus respectivas sociedades. -
Free Form Creation Vs. the Mandala and Their Effects on Veterans with Posttraumatic Stress Disorder: a Recreational Therapy Intervention
FREE FORM CREATION VS. THE MANDALA AND THEIR EFFECTS ON VETERANS WITH POSTTRAUMATIC STRESS DISORDER: A RECREATIONAL THERAPY INTERVENTION By TAYLOR GBUR Bachelor of Science in Kinesiology Southern Nazarene University Bethany, Oklahoma 2015 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE December, 2017 FREE FORM CREATION VS. THE MANDALA AND THEIR EFFECTS ON VETERANS WITH POSTTRAUMATIC STRESS DISORDER: A RECREATIONAL THERAPY INTERVENTION Thesis Approved: Dr. Tim RJ Passmore Thesis Advisor Dr. Donna K Lindenmeier Dr. Melissa L Zahl ii ACKNOWLEDGEMENTS I would have never reached this accomplishment without the support of my wonderful friends and family. My husband, Austin, provided the initial inspiration for my thesis topic. He was serving oversees in a war zone during the conceptualization phase of my thesis. He was angry and stressed and I remember one night he had said, “I need some crayons and paper!” and I was instantly intrigued. It sparked my curiosity, I followed it, and now I am at the end of the research process. I am eternally grateful to my grandmother, Carol, for being my best friend, always pushing me to go further, and reminding me of how far I’ve come. I am also grateful for Dr. Passmore’s guidance and encouragement throughout my graduate career. I am thankful for the friends and connections I have made along the way and I look forward to what the future holds. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. -
David Lee Alm Thesis Final Draft
What's the Matter with Walter? The Privatization of Everything in Breaking Bad The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, David. 2016. What's the Matter with Walter? The Privatization of Everything in Breaking Bad. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797394 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA What’s the Matter with Walter? The Privatization of Everything in Breaking Bad David R. Lee A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 © 2016 David R. Lee Abstract Television is the quintessential medium of popular culture. As such, its content can provide an important window into the cultural dynamics in a given period for a given society. Vince Gilligan’s award-winning Breaking Bad is one of those shows that powerfully engaged with its moment. Gilligan created a compelling protagonist in the deeply flawed yet charismatic genius Walter White. He had Walter build an illegal drug business at which he had savant-like skills, and situated Walt in a family characterized by dysfunction. In showing how and why Walter traded a quiet but economically marginal existence as a high school chemistry teacher for a violent but wealthy life as a drug lord, Breaking Bad offered a compelling critique of one of the most insidious economic policy initiatives of late-20th/early-21st century America: neoliberalism.