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A Guide for Creating Virtual Video/Audio Ensembles Written By
A guide for creating virtual video/audio ensembles Written by Ben Sellers With contributions from Wiltshire Music Connect Associate Luke Pickett, and Lee Hextall from Lincolnshire Music Service. This document guides you through the process of creating an audio or video ‘virtual ensemble’ performance. The process takes time and may require you to learn some new skills, but it is worth it: your pupils will develop their identities as musicians, a new audience will be reached, and the profile of the department and school will be raised. Get an idea of what is possible by watching this video from Wiltshire Young Musicians, created by Matt Thorpe. To create an audio recording you will need: • Sibelius, Musescore (free) or alternative sheet music software • Audio editing software (see below) • A Google Drive or Dropbox account. To create a music video you will also need: • Video editing software (see below) • A Youtube or Vimeo account to publish the videos online • Appropriate pupil filming consent. Each of the following steps is detailed below: 1. Choose your piece of music 2. Decide if you want to create an audio recording or a music video. 3. Create an arrangement 4. Send instructions, sheet music and backing track(s) to pupils 5. Edit together the recordings 6. Publish 1. Choose your piece of music Your chosen piece should be: a. Fairly easy to play, with no tricky rhythms b. Something popular that the musicians already know c. The same tempo throughout d. Less than 4 minutes in length Page 1 of 5 2. Decide if you want to create an audio recording or a music video. -
Improving Optical Music Recognition by Combining Outputs from Multiple Sources
IMPROVING OPTICAL MUSIC RECOGNITION BY COMBINING OUTPUTS FROM MULTIPLE SOURCES Victor Padilla Alex McLean Alan Marsden Kia Ng Lancaster University University of Leeds Lancaster University University of Leeds victor.padilla. a.mclean@ a.marsden@ k.c.ng@ [email protected] leeds.ac.uk lancaster.ac.uk leeds.ac.uk ABSTRACT in the Lilypond format, claims to contain 1904 pieces though some of these also are not full pieces. The Current software for Optical Music Recognition (OMR) Musescore collection of scores in MusicXML gives no produces outputs with too many errors that render it an figures of its contents, but it is not clearly organised and unrealistic option for the production of a large corpus of cursory browsing shows that a significant proportion of symbolic music files. In this paper, we propose a system the material is not useful for musical scholarship. MIDI which applies image pre-processing techniques to scans data is available in larger quantities but usually of uncer- of scores and combines the outputs of different commer- tain provenance and reliability. cial OMR programs when applied to images of different The creation of accurate files in symbolic formats such scores of the same piece of music. As a result of this pro- as MusicXML [11] is time-consuming (though we have cedure, the combined output has around 50% fewer errors not been able to find any firm data on how time- when compared to the output of any one OMR program. consuming). One potential solution to this is to use Opti- Image pre-processing splits scores into separate move- cal Music Recognition (OMR) software to generate sym- ments and sections and removes ossia staves which con- bolic data such as MusicXML from score images. -
Sibelius Artwork Guidelines Contents
Sibelius Artwork Guidelines Contents Conditions of use ...........................................................................................................................3 Important information ..................................................................................................................4 Product names and logos.............................................................................................................5 Example copy..................................................................................................................................6 Endorsees ........................................................................................................................................7 Reviews............................................................................................................................................8 Awards...........................................................................................................................................11 House Style ...................................................................................................................................12 Conditions of use Who may use this material Authorized Sibelius distributors and dealers are permitted to reproduce text and graphics on this CD in order to market Sibelius products or PhotoScore, but only if these guidelines are adhered to, and all artwork is used unmodified and cleared by Sibelius Software before production of final proofs. Acknowledge trademarks Please -
Chapter 1. Origins of Mac OS X
1 Chapter 1. Origins of Mac OS X "Most ideas come from previous ideas." Alan Curtis Kay The Mac OS X operating system represents a rather successful coming together of paradigms, ideologies, and technologies that have often resisted each other in the past. A good example is the cordial relationship that exists between the command-line and graphical interfaces in Mac OS X. The system is a result of the trials and tribulations of Apple and NeXT, as well as their user and developer communities. Mac OS X exemplifies how a capable system can result from the direct or indirect efforts of corporations, academic and research communities, the Open Source and Free Software movements, and, of course, individuals. Apple has been around since 1976, and many accounts of its history have been told. If the story of Apple as a company is fascinating, so is the technical history of Apple's operating systems. In this chapter,[1] we will trace the history of Mac OS X, discussing several technologies whose confluence eventually led to the modern-day Apple operating system. [1] This book's accompanying web site (www.osxbook.com) provides a more detailed technical history of all of Apple's operating systems. 1 2 2 1 1.1. Apple's Quest for the[2] Operating System [2] Whereas the word "the" is used here to designate prominence and desirability, it is an interesting coincidence that "THE" was the name of a multiprogramming system described by Edsger W. Dijkstra in a 1968 paper. It was March 1988. The Macintosh had been around for four years. -
Musical Notation Codes Index
Music Notation - www.music-notation.info - Copyright 1997-2019, Gerd Castan Musical notation codes Index xml ascii binary 1. MidiXML 1. PDF used as music notation 1. General information format 2. Apple GarageBand Format 2. MIDI (.band) 2. DARMS 3. QuickScore Elite file format 3. SMDL 3. GUIDO Music Notation (.qsd) Language 4. MPEG4-SMR 4. WAV audio file format (.wav) 4. abc 5. MNML - The Musical Notation 5. MP3 audio file format (.mp3) Markup Language 5. MusiXTeX, MusicTeX, MuTeX... 6. WMA audio file format (.wma) 6. MusicML 6. **kern (.krn) 7. MusicWrite file format (.mwk) 7. MHTML 7. **Hildegard 8. Overture file format (.ove) 8. MML: Music Markup Language 8. **koto 9. ScoreWriter file format (.scw) 9. Theta: Tonal Harmony 9. **bol Exploration and Tutorial Assistent 10. Copyist file format (.CP6 and 10. Musedata format (.md) .CP4) 10. ScoreML 11. LilyPond 11. Rich MIDI Tablature format - 11. JScoreML RMTF 12. Philip's Music Writer (PMW) 12. eXtensible Score Language 12. Creative Music File Format (XScore) 13. TexTab 13. Sibelius Plugin Interface 13. MusiXML: My own format 14. Mup music publication program 14. Finale Plugin Interface 14. MusicXML (.mxl, .xml) 15. NoteEdit 15. Internal format of Finale (.mus) 15. MusiqueXML 16. Liszt: The SharpEye OMR 16. XMF - eXtensible Music 16. GUIDO XML engine output file format Format 17. WEDELMUSIC 17. Drum Tab 17. NIFF 18. ChordML 18. Enigma Transportable Format 18. Internal format of Capella (ETF) (.cap) 19. ChordQL 19. CMN: Common Music 19. SASL: Simple Audio Score 20. NeumesXML Notation Language 21. MEI 20. OMNL: Open Music Notation 20. -
Methodology and Technical Methods
Recordare MusicXML: Methodology and Technical Methods Michael Good Recordare LLC Los Altos, California, USA [email protected] 17 November 2006 Copyright © 2006 Recordare LLC 1 Outline Personal introduction What is MusicXML? Design methodology Technical methods MusicXML use today Suitability for digital music editions Recommendations Future directions 17 November 2006 Copyright © 2006 Recordare LLC 2 My Background B.S. and M.S. in computer science from Massachusetts Institute of Technology B.S. thesis on representing scores in Music11 Trumpet on MIT Symphony Orchestra recordings available on Vox/Turnabout Opera and symphony chorus tenor; have performed for Alsop, Nagano, Ozawa Worked in software usability at SAP and DEC before founding Recordare in 2000 17 November 2006 Copyright © 2006 Recordare LLC 3 What is MusicXML? The first standard computer format for common Western music notation Covers 17th century onwards Available via a royalty-free license Supported by over 60 applications, including Finale, Sibelius, capella, and music scanners Useful for music display, performance, retrieval, and analysis applications Based on industry standard XML technology 17 November 2006 Copyright © 2006 Recordare LLC 4 The Importance of XML XML is a language for developing specialized formats like MusicXML, MathML, and ODF XML files can be read in any computer text editor Fully internationalized via Unicode The files are human readable as well as machine readable Each specialized format can use standard XML tools Allows musicians to leverage the large -
Pooch Manual In
What’s New As of August 21, 2011, Pooch is updated to version 1.8.3 for use with OS X 10.7 “Lion”: Pooch users can renew their subscriptions today! Please see http://daugerresearch.com/pooch for more! On November 17, 2009, Pooch was updated to version 1.8: • Linux: Pooch can now cluster nodes running 64-bit Linux, combined with Mac • 64-bit: Major internal revisions for 64-bit, particularly updated data types and structures, for Mac OS X 10.6 "Snow Leopard" and 64-bit Linux • Sockets: Major revisions to internal networking to adapt to BSD Sockets, as recommended by Apple moving forward and required for Linux • POSIX Paths: Major revisions to internal file specification format in favor of POSIX paths, recommended by Apple moving forward and required for Linux • mDNS: Adapted usage of Bonjour service discovery to use Apple's Open Source mDNS library • Pooch Binary directory: Added Pooch binary directory support, making possible launching jobs using a remotely-compiled executable • Minor updates and fixes needed for Mac OS X 10.6 "Snow Leopard" Current Pooch users can renew their subscriptions today! Please see http://daugerresearch.com/pooch for more! On April 16, 2008, Pooch was updated to version 1.7.6: • Mac OS X 10.5 “Leopard” spurs updates in a variety of Pooch technologies: • Network Scan window • Preferences window • Keychain access • Launching via, detection of, and commands to the Terminal • Behind the Login window behavior • Other user interface and infrastructure adjustments • Open MPI support: • Complete MPI support using libraries -
The Use of Music Technologies in Field Education Courses and Daily Lives of Music Education Department Students (Sample of Atatürk University)∗
Universal Journal of Educational Research 6(5): 1005-1014, 2018 http://www.hrpub.org DOI: 10.13189/ujer.2018.060521 The Use of Music Technologies in Field Education Courses and Daily Lives of Music Education ∗ Department Students (Sample of Atatürk University) Gökalp Parasiz Department of Fine Arts Education, Necatibey Education Faculty, Balıkesir University, Balıkesir, Turkey Copyright©2018 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Technology-oriented tools/devices have long situations. been an indispensable part of music as well as music Technology and education are branches of science in education for many years. It is of great importance in music their own right and they have different theories and education for students and teachers and the future of music techniques but they are used together to improve quality in to follow closely and use the technological developments learning and teaching environments. This use reveals a new in the present age in which technology directs the future. discipline, namely education technology [10]. Today, both The aim of this research is to determine the use of information content and technological developments are technology and music technologies in music training rapidly changing and spreading. These formations students' field education courses in general and to naturally affect learning-teaching styles [16]. The determine the contribution of technology in both learning development of technology affects both the structure of the and application fields both individually and in general education system and the learning-teaching activities. -
SSMUG Feb Newsletter UPCOMING MEETINGS Page 2 Ƒƒ
February 2008 UPCOMING MEETINGS Apple reports best MARCH Search Engine quarterly revenue and Optimization of Web Sites. earnings in its history Special Meeting Notice Announcing financial results for its A shortened version of a seminar. fiscal 2008 first quarter, which The full seminar on Search ended December 29, 2007, Apple Engine Optimazation costs today posted revenue of $9.6 billion $39.00 but we get a free preview at and net quarterly profit of $1.58 the March meeting! billion, or $1.76 per diluted share. These results compare to revenue Meetings will be held from June of $7.1 billion and net quarterly through December at the Grande profit of $1 billion, or $1.14 per Prairie Public Library. diluted share, in the year-ago quarter. In attaining its highest revenue and earnings in company APPLE NEWS history, Apple shipped 2,319,000 Andrea Jung Joins Apple’s Macs, a 44% unit growth and 47% revenue growth over the year ago Board of Directors quarter; sold 22,121,000 iPods, representing five percent unit CUPERTINO, California—January growth and 17 percent revenue 7—Apple® today announced that growth over the year-ago quarter; Andrea Jung, chairman and chief and sold 2,315,000 iPhones in the executive officer of Avon Products, quarter. [Jan 22, 2008] was elected to Apple’s board of directors. Andrea also serves on the board of directors of the General Electric Company and is a member Tickled pink over new of the New York Presbyterian iPod nano Hospital board of trustees and the Catalyst board of directors. -
Using Smartscore 2.Pdf
Using SmartScore Scanning Music Be sure you have the necessary scanner drivers installed before attempting to scan from inside SmartScore. Most scanners come with software that enable programs such as SmartScore to control them. TWAIN drivers and/or Mac plug-ins are normally included in the software packaged with most scanners. It may be necessary for certain Mac users to perform a “Custom > TWAIN” installation from the CD accompanying your scan- ner; depending on the manufacturer. NOTE: Scanner drivers are often updated by scanner manufacturers and posted on their web sites. If problems occur during scanning, it is always a good idea to check the Internet for updated scanner drivers before calling Musitek Technical Support. Mac Users: Skip the next section. Turn to “Scanning in Macintosh” on page 6. Scanning in Windows: Using the SmartScore Scanning Interface a. Push the Scan button in the Navigator or in the Main Toolbar. Figure 1: Scan Button b. If there is no response, go to File > Scan Music > Select Scanner and choose appropriate TWAIN driver. If you do not see anything listed in the Select Scanner window, your drivers are probably not installed. Install or replace TWAIN driver from scanner CD or from “Driver Download” area of scanner manufacturer’s website. c. If the scanner still does not operate properly, go to “Choosing an alternative scanning interface” on page 5. USING SmartScore 1 Help > Using SmartScore Your scanner should immediately begin to operate with Scan or Acquire. A low-resolution pre-scan should soon appear in the Preview window. FIGURE 2: SmartScore scanning interface d. -
There's an App for That!
There’s an App for That! FPSResources.com Business Bob Class An all-in-one productivity app for instructors. Clavier Companion Clavier Companion has gone digital. Now read your favorite magazine from your digital device. Educreations Annotate, animate and narrate on interactive whiteboard. Evernote Organizational app. Take notes, photos, lists, scan, record… Explain Everything Interactive whiteboard- create, rotate, record and more! FileApp This is my favorite app to send zip files to when downloading from my iPad. Reads PDF, Office, plays multi-media contents. Invoice2go Over 20 built in invoice styles. Send as PDF’s from your device; can add PayPal buttons. (Lite version is free but only lets you work with three invoices at a time.) Keynote Macs version of PowerPoint. Moosic Studio Studio manager app. Student logs, calendar, invoicing and more! Music Teachers Helper If you subscribe to MTH you can now log in and do your business via your iPhone or iPad! Notability Write in PDF’s and more! Pages Word Processing App PayPal Here OR Square Card reader app. Reader is free, need a PayPal account. Ranging from 2.70 (PayPal) - 2.75% (Square) per swipe Piano Bench Magazine An awesome piano teacher magazine you can read from your iPad and iPhone! PDF Expert Reads, annotates, mark up and edits PDF documents. Remind Formerly known as Remind 101, offers teachers a free, safe and easy to use way to instantly text students and parents. Skitch Mark up, annotate, share and capture TurboScan or TinyScan Pro or Scanner Pro Scan and email jpg or pdf files. Easy! Week Calendar Let’s you color code events. -
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting Started
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting started 2/1/ Installation 2/2/ Overview 2/3/ New features 2/4/ Understanding notation 2/5/ Technical support 3/ Use Guitar Pro 7 3/A/1/ Writing a score 3/A/2/ Tracks in Guitar Pro 7 3/A/3/ Bars in Guitar Pro 7 3/A/4/ Adding notes to your score. 3/A/5/ Insert invents 3/A/6/ Adding symbols 3/A/7/ Add lyrics 3/A/8/ Adding sections 3/A/9/ Cut, copy and paste options 3/A/10/ Using wizards 3/A/11/ Guitar Pro 7 Stylesheet 3/A/12/ Drums and percussions 3/B/ Work with a score 3/B/1/ Finding Guitar Pro files 3/B/2/ Navigating around the score 3/B/3/ Display settings. 3/B/4/ Audio settings 3/B/5/ Playback options 3/B/6/ Printing 3/B/7/ Files and tabs import 4/ Tools 4/1/ Chord diagrams 4/2/ Scales 4/3/ Virtual instruments 4/4/ Polyphonic tuner 4/5/ Metronome 4/6/ MIDI capture 4/7/ Line In 4/8 File protection 5/ mySongBook 1/ Introduction Welcome! You just purchased Guitar Pro 7, congratulations and welcome to the Guitar Pro family! Guitar Pro is back with its best version yet. Faster, stronger and modernised, Guitar Pro 7 offers you many new features. Whether you are a longtime Guitar Pro user or a new user you will find all the necessary information in this user guide to make the best out of Guitar Pro 7. 2/ Getting started 2/1/ Installation 2/1/1 MINIMUM SYSTEM REQUIREMENTS macOS X 10.10 / Windows 7 (32 or 64-Bit) Dual-core CPU with 4 GB RAM 2 GB of free HD space 960x720 display OS-compatible audio hardware DVD-ROM drive or internet connection required to download the software 2/1/2/ Installation on Windows Installation from the Guitar Pro website: You can easily download Guitar Pro 7 from our website via this link: https://www.guitar-pro.com/en/index.php?pg=download Once the trial version downloaded, upgrade it to the full version by entering your licence number into your activation window.