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SHUT up and PLAY the HITS SHUT up and PLAY the HITS FICHA TÉCNICA FICHA TÉCNICA Shut up and Play the Hits

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SHUT up and PLAY the HITS SHUT up and PLAY the HITS FICHA TÉCNICA FICHA TÉCNICA Shut up and Play the Hits Primavera Musical Primavera Musical Colaboradores: Colaboradores: SHUT UP AND PLAY THE HITS SHUT UP AND PLAY THE HITS FICHA TÉCNICA FICHA TÉCNICA Shut up and Play the Hits. Estados Unidos, 2012. Cor, 105 min. Xénero: Documental Shut up and Play the Hits. Estados Unidos, 2012. Cor, 105 min. Xénero: Documental musical | Dirección: Dylan Southern, Will Lovelace | Produción: Thomas Benski, James musical | Dirección: Dylan Southern, Will Lovelace | Produción: Thomas Benski, James Murphy, Lucas Ochoa (Pulse Film) | Fotografía: Reed Morano | Montaxe: Mark Burnett | Murphy, Lucas Ochoa (Pulse Film) | Fotografía: Reed Morano | Montaxe: Mark Burnett | Música: LCD Soundsystem | Participantes: James Murphy, Keith Wood, Pat Mahoney, Al Música: LCD Soundsystem | Participantes: James Murphy, Keith Wood, Pat Mahoney, Al Doyle, Nancy Whang Doyle, Nancy Whang SINOPSE atopámonos con el unha semana antes do SINOPSE atopámonos con el unha semana antes do a multitudinario concerto de despedida que a multitudinario concerto de despedida que O 2 de abril de 2011, LCD Soundsystem de- LCD Soundsystem celebraron no Madison O 2 de abril de 2011, LCD Soundsystem de- LCD Soundsystem celebraron no Madison ron o seu derradeiro concerto no Madison Square Garden. A historia procede así: fer- ron o seu derradeiro concerto no Madison Square Garden. A historia procede así: fer- Square Garden. James Murphy, o líder do venza de hits en directo (Someone Great, Square Garden. James Murphy, o líder do venza de hits en directo (Someone Great, grupo, tomara a decisión consciente de di- Losing My Edge, All My Friends, etc., así grupo, tomara a decisión consciente de di- Losing My Edge, All My Friends, etc., así solver unha das bandas máis recoñecidas e como versións do Jump into the Fire de solver unha das bandas máis recoñecidas e como versións do Jump into the Fire de influíntes da súa xeración no cumio da súa Nilsson e o Bye Bye Bayou de Alan Vega) influíntes da súa xeración no cumio da súa Nilsson e o Bye Bye Bayou de Alan Vega) popularidade, asegurándose de que o gru- entrelázanse coa día a día do autor e a súa popularidade, asegurándose de que o gru- entrelázanse coa día a día do autor e a súa po se despediría por todo o alto co máis humilde percepción do grupo. Murphy fala po se despediría por todo o alto co máis humilde percepción do grupo. Murphy fala ambicioso concerto da súa carreira. Tras con franqueza de ir de xira (“saíanme ca- ambicioso concerto da súa carreira. Tras un con franqueza de ir de xira (“saíanme ca- un sold-out instantáneo, o extravagante nas cada vez que faciamos un tour”); dos sold-out instantáneo, o extravagante nas cada vez que faciamos un tour”); dos evento de case 4 horas moveu aos milleiros comezos (“eramos coma unha banda de evento de case 4 horas moveu aos milleiros comezos (“eramos coma unha banda de de asistentes a unhas bágoas de ledicia e versións de LCD Soundsystem”); de ambi- de asistentes a unhas bágoas de ledicia e versións de LCD Soundsystem”); de ambi- tristeza. Este filme é un concerto narrati- ción non rifada con humildade (“non nos tristeza. Este filme é un concerto narrati- ción non rifada con humildade (“non nos vo, un documento sobre unha época ao es- sentiamos especiais, pero queriamos dei- vo, un documento sobre unha época ao es- sentiamos especiais, pero queriamos dei- tilo d'O último vals e Stop Making Sense, e xar pegada”); de composición; de razóns tilo d'O último vals e Stop Making Sense, e xar pegada”); de composición; de razóns un retrato íntimo que nos amosa a James para a disolución: fartanza e medo ao éxi- un retrato íntimo que nos amosa a James para a disolución: fartanza e medo ao éxi- Murphy afrontando as secuelas persoais e to masivo (pero tamén medo ao fracaso). Murphy afrontando as secuelas persoais e to masivo (pero tamén medo ao fracaso). profesionais da súa decisión. Un verdadeiro testamento, filmado con profesionais da súa decisión. Un verdadeiro testamento, filmado con gusto impecable. gusto impecable. NOTAS DO CATÁLOGO DO IN-EDIT NOTAS DO CATÁLOGO DO IN-EDIT Os directores británicos Dylan Southern e Os directores británicos Dylan Southern e Unha morte planificada. O último vals de Will Lovelace coñecéronse na escola de ci- Unha morte planificada. O último vals de Will Lovelace coñecéronse na escola de ci- James Murphy, a rockstar máis improbable nema de Liverpool. Despois de graduarse, James Murphy, a rockstar máis improbable nema de Liverpool. Despois de graduarse, da historia: maduro, apracible, lido, pouco pasáronse aos videoclips e os anuncios. O da historia: maduro, apracible, lido, pouco pasáronse aos videoclips e os anuncios. O inclinado a facer o ridículo polo éxito ou a seu primeiro documental foi No Distance inclinado a facer o ridículo polo éxito ou a seu primeiro documental foi No Distance fama (“tiña unha vida antes disto”, afirma, Left To Run, unha película sobre a disolu- fama (“tiña unha vida antes disto”, afirma, Left To Run, unha película sobre a disolu- ao modo Bill Withers). Neste extenso filme ción de Blur. ao modo Bill Withers). Neste extenso filme ción de Blur. Sesión: Venres 24, 20:30h no Café Pop Torgal (gratis) Sesión: Venres 24, 20:30h no Café Pop Torgal (gratis) .
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