LONG ISLAND HEADQUARTERS of the NEW YORK TELEPHONE COMPANY 97-105 Willoughby Street (Aka 349-371 Bridge Street, and 7 Metrotech Center), Brooklyn

Total Page:16

File Type:pdf, Size:1020Kb

LONG ISLAND HEADQUARTERS of the NEW YORK TELEPHONE COMPANY 97-105 Willoughby Street (Aka 349-371 Bridge Street, and 7 Metrotech Center), Brooklyn Landmarks Preservation Commission September 21, 2004, Designation List 356 LP- 2144 (Former) LONG ISLAND HEADQUARTERS of the NEW YORK TELEPHONE COMPANY 97-105 Willoughby Street (aka 349-371 Bridge Street, and 7 Metrotech Center), Brooklyn. Built 1929-30; Ralph Walker of Voorhees, Gmelin & Walker, architect. Landmark Site: Borough of Brooklyn Tax Map Block 2058, Lot 1. On June 15, 2004, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (Former) Long Island Headquarters of the New York Telephone Company building and its related Landmark Site (Item No. 1).The hearing had been duly advertised in accordance with the provisions of law. There were two speakers in favor of designation, including a representative of the owner of the building, Verizon New York Inc., and a representative of the Historic Districts Council. The Commission has also received a letter of support from Councilman David Yassky. There were no speakers opposed to designation. Summary The Long Island Headquarters of the New York Telephone Company, built in 1929-30, is a masterful example of the series of tall structures issuing from architect Ralph Walker=s long and productive association with the communications industry. Walker was a prominent New York architect whose expressive tall buildings, prolific writings and professional leadership made him one of the foremost representatives of his field during his long life. In this dramatically-massed, orange brick skyscraper, Walker illustrates his exceptional ability to apply the Art Deco style to a large office tower. Its abstract, metal ornament on the ground story display windows and the main entrance on Bridge Street, suggests constant movement, and is typical of the art of late 1920s. The structure is faced with multiple sizes of brick, laid in a variety of patterns and planes to create a rich façade design. Horizontal panels of patterned brick enhance each setback leading to the central tower. At the same time, the verticality of the structure is emphasised by narrow sections of façade that soar upward, above others, and by the way the brick is laid to create undulating vertical planes suggestive of draperies. Through his series of telephone company buildings, many of Walker=s design ideas evolved so that here he achieved a tremendous sense of harmony and refinement in his use of brick and metalwork, as well as in the overall massing. The location of this large, important structure in downtown Brooklyn emphasized the commitment of New York Telephone Company to the growth and advancement of the most modern telephone service to the expanding area of Brooklyn and Long Island. In this Long Island Headquarters Building Walker was able to apply the Art Deco style and create a skyscraper which met the technological needs of the client and the demands of the New York City Building Code. 1 DESCRIPTION AND ANALYSIS New York Telephone Companyi Alexander Graham Bell=s invention of the telephone in 1876 and his patents on transmitting equipment led to the incorporation of the Bell Telephone Company in 1877 in Massachusetts. The introduction of Bell=s machine at the Centennial Exhibition created interest and awareness of the new system, convincing the original investors of the value of the revolutionary technology. From the outset, the company decided to lease rather than sell the telephone instruments to protect its patent rights. Originally, the telephone system connected users by a single line from one point to another. The limitations of this arrangement quickly became clear, and led to the introduction, in 1878, of the telephone switch and central exchange (or switchboard with operators).ii With this arrangement, local telephones within a service area were connected at the exchange to all others served by the same provider, and through them, were eventually able to connect with other exchanges to provide unlimited service. At the same time, the New England Telephone Company was founded to construct, maintain and lease telephones, call bells and telephone lines in that part of the country. Several other small, independent operators started their own local exchanges using leased equipment from the Bell Company and paying monthly fees to subscribe to their exchange. As the system expanded, it became obvious that it would be more useful and economical if everyone used the same types of exchanges so that they could interact, thus preventing a duplication of effort. The Bell Company furthered this process by licensing local exchanges and leasing equipment to them, but leaving the ownership and management up to local operators. These exchanges reached into all cities in the United States within a few years. In 1878, under pressure of competition from the larger Western Union Company, the Bell Telephone Company reorganized with the New England Telephone Company to form the National Bell Company. Other Bell subsidiary companies were established throughout the United States to run telephone lines and maintain exchanges, and in 1882 the Chicago-based manufacturing firm, Western Electric, was acquired by National Bell to provide telephone equipment exclusively to the Bell subsidiaries. Two of the earliest local providers were the Metropolitan Telephone and Telegraph Company (founded in 1878 with a central switching office in Manhattan and 271 subscribers) and the New York and New Jersey Telephone Company (founded in 1883). By 1885, another division, the American Telephone and Telegraph Company, was formed as a subsidiary of the National Bell Company, with a specific mandate to build and operate a long distance network, a process that required a different technological system as well as the cooperation of the various local exchanges. A further reorganization at the end of 1899 resulted in the New York-based American Telephone and Telegraph Company becoming the parent company of the Bell system, increasing its control of the Bell operating companies and other more independent exchanges throughout the country.iii Beginning in 1907, under A T & T, the engineering department was consolidated with Western Electric and the Long Lines Department was restructured. The many regional service providers were grouped according to larger geographical areas, and in 1909, the six companies then serving the New York metropolitan area were consolidated as the New York Telephone Company. This arrangement endured until the court-mandated divestiture in 1984, when the company became NYNEX, then Bell Atlantic New York Inc., then finally Verizon New York Inc., which continues to provide telephone service to the area today. Telephone Growth in Brooklyn and Long Island Brooklyn grew rapidly in the late nineteenth century, and by 1900 its population reached 1.1 million. During the early years of the twentieth century, local businesses as well as rapid transit also expanded, enabling the increasing population to move into vast sections of Brooklyn previously used only as farms. As residential districts spread beyond the core into the more rural and less expensive areas of Long Island, the market for telephone service grew exponentially. The New York and New Jersey Telephone Company, which had been founded to bring telephone service to all of Long Island, as well as New Jersey and Staten Island, extended its service to the furthest reaches of Long Island.iv By the early years of the twentieth century, the company had central switching offices (some with automatic switching systems) as far east as Lawrence and Far Rockaway, with others in Richmond Hill, Flushing and in the Nassau County Courthouse.v The New York and New Jersey Telephone Company ceased to exist after the reorganization of AT&T in 1909. At that time service areas were reconfigured to align more closely with state lines. All service to New York and Long Island was taken over by the New York Telephone Company, while New Jersey received its telephone service from New Jersey Bell Telephone Company. The service provided by the New York 2 Telephone Company continued to expand as the population rose and its need for telephones grew. The boom years of the 1920s created a huge expansion and the New York Telephone Company wanted to move its Long Island Headquarters from 81 Willoughby Street to a larger facility. For their new building, the company turned to architect Ralph Walker, who had already designed several related structures in Manhattan. Ralph Walker and the Firm of Voorhees, Gmelin & Walkervi In 1919, when Ralph Walker joined the architectural firm where he was to make his name, it was known as McKenzie, Voorhees & Gmelin. This firm had been established in 1910 with the partnership of Andrew McKenzie (1861-1926), Stephen Voorhees (1878-1965), and Paul Gmelin (1859-1937). McKenzie had previously been in partnership with Cyrus L.W. Eidlitz (from 1902 until 1909), son of renowned New York architect Leopold Eidlitz. Voorhees was a civil engineer trained at Princeton University, who had worked for Eidlitz & McKenzie as an engineer and superintendent of construction. German-born and trained Paul Gmelin had worked previously for McKim, Mead & White, and Babb, Cook & Willard before joining with McKenzie and Voorhees to form the new firm. McKenzie, Voorhees & Gmelin (1910-1925) did a considerable amount of work for the New York Telephone Company, an association that had begun with the designs of two downtown telephone company buildings by their predecessor Cyrus Eidlitz (1885-86 and 1890). The first structure that McKenzie, Voorhees & Gmelin, with Cyrus Eidlitz, designed for the telephone company was the original section of the Long Distance Building at 32 Sixth Avenue (1911-14, enlarged in 1914-16, enlarged again, with new facades in 1930-32, a designated New York City Landmark). By 1912, the firm (under its various partnerships) had completed approximately thirty new telephone buildings in New York City alone (in addition to alterations and expansions).vii McKenzie, Voorhees, & Gmelin also designed other telephone company buildings in Albany and Buffalo, the Brooklyn Edison Company Building, and the Brooklyn Municipal Building (1924-27) as well as a number of private residences.
Recommended publications
  • Brendan W. O'malley, PE
    Brendan W. O’Malley, PE EDUCATION LEHIGH UNIVERSITY Bethlehem, Pennsylvania Master of Science in Civil Engineering October 1990 CORNELL UNIVERSITY Ithaca, New York Bachelor of Science in Civil Engineering May 1988 LICENSES Registered Professional Engineer in New Jersey. PROFESSIONAL Member, American Society of Civil Engineers ASSOCIATIONS Member, Structural Engineers Association of New York (SEAoNY) EXPERIENCE GILSANZ MURRAY STEFICEK June 2002 to Present ASSOCIATE PARTNER Credit Suisse, 11 Madison Avenue, New York, NY Interior renovation and re-stack of a 29-story existing steel framed office building at 11 Madison Avenue. Project includes new escalators, new slab openings for ductwork, reinforcement for high density files, full service kitchen and dining areas, UPS and data centers, and roof dunnage. 1221 Avenue of the Americas, New York, NY – (Confidential International Law firm) Structural engineering services for this 440,000 SF interior renovation and re-stack of 9 floors in the McGraw-Hill Building at 1221 Avenue of the Americas. Project included structural modifications and reinforcement for a monumental stairway, health club, full service kitchen and dining area, UPS and data center, as well as roof dunnage and shaft openings for new HVAC equipment. Dress Barn Headquarters, Mahwah, NJ The project entails the complete renovation and expansion of the original 145,000 square foot office building and the construction of a new 50,000 square foot office building adjacent to the existing facility. The two structures are connected by an enclosed bridge. The new project features a new glass curtain wall system, a glass atrium slicing through the existing building, a full-service café, a fitness center and a rooftop garden.
    [Show full text]
  • View Radiology Remodel, Clinton Kieth Master Plan, L.A
    12 LOS ANGELES BUSINESS JOURNAL JANUARY 29, 2018 NEXT WEEK ARCHITECTURE FIRMS The Top Gifts received THE LIST Ranked by 2017 L.A. County Billings in L.A. County Rank Company L.A. County Current Projects Profile Top Local Executive • name Billings (partial list) • L.A. architects • name • address • 2017 • L.A. employees • title • website • 2016 • offices (L.A./total) • phone (in millions) • headquarters Gensler $90.3 LAX, Los Angeles Football Club Stadium, Westfield Century City, 141 John Adams 1 500 S. Figueroa St. $85.2 Herald Examiner, Caruso Palisades Village, Waldorf Astoria, 337 Barbara Bouza Los Angeles 90071 AltaSea at the Port of Los Angeles 1/44 Michael White gensler.com SanN/A Francisco Co-Managing Directors (213) 327-3600 ZGF Architects 44.8 Hilton Foundation headquarters Phase 2, Caltech Bechtel 42 Ted Hyman 2 515 S. Flower St., Suite 3700 39.2 residence, Hercules campus renovation, LA BioMed Research 100 Partner Los Angeles 90071 Building A, California ARB consolidation project 1/6 (213) 617-1901 zgf.com Portland,N/A Ore. Aecom 40.7 NBC Universal, UCI, LA2028 Olympic Committee, LAX, Metro, 60 Robert Lavey 3 300 S. Grand Ave. 34.8 L.A. County, U.S. Navy 185 Regional Managing Principal, Buildings Los Angeles 90071 4/595 and Places aecom.com Los Angeles (213) 593-8100 CallisonRTKL 37.0 Perla, 5th and Hill, 11th and Olive, Oceanwide Plaza, The Alexan, 161 Kelly Farrell 4 333 S. Hope St., Suite C200 39.0 888 Hope, Four Seasons, Los Angeles private residences, 3700 197 Vice President Los Angeles 90071 Wilshire, Figueroa Centre 1/20 (213) 633-6000 callisonrtkl.com Baltimore DLR Group 36.4 Macerich Fashion Outlets of Los Angeles, 41 Adrian O.
    [Show full text]
  • The American Institute of Architects Elevates 17 AIANY Members to the College of Fellows
    FOR IMMEDIATE RELEASE Press contact: Camila Schaulsohn 212-358-6114 [email protected] The American Institute of Architects Elevates 17 AIANY Members to the College of Fellows AIA Fellowship Recognizes Significant Contributions to the Profession of Architecture and Society. NEW YORK, New York, March 13, 2019 – The 2019 Jury of Fellows of the American Institute of Architects (AIA) elevated 115 of its members, including 17 AIANY members, to its prestigious College of Fellows. The AIA Fellowship program recognizes architects who have made a significant contribution to architecture and society and who have achieved a standard of excellence in the profession. AIANY celebrated its newly elevated local members at a reception yesterday, March 12, at the Center for Architecture. All new Fellows will be honored at an investiture ceremony at the 2019 AIA Conference on Architecture in Las Vegas at the Smith Center for the Performing Arts. Out of a total AIA membership of over 90,000 members, fewer than 4% are distinguished with the honor of fellowship and honorary fellowship. The elevation to fellowship is conferred on architects with at least 10 years of membership in AIA, based on demonstrated achievement in one or more of the following nomination categories (also known as Objects): 1. Promoted the aesthetic, scientific, and practical efficiency of the profession 2. Advanced the science and art of planning and building by furthering the standards of architectural education, training, and practice 3. Coordinated the building industry and the profession of architecture through leadership in the AIA and other related professional organizations 4. Advanced the living standards of people through an improved environment 5.
    [Show full text]
  • Curriculum Vitae | Kate Maestri
    Curriculum Vitae | Kate Maestri Selected Commissions Selected Exhibitions 2018 Four-storey stained glass wall for the new terminal at Arlanda Airport, 2020 Colour in Architecture, solo show at Contemporary Applied Arts, London. Stockholm, Sweden. 2015 Collect, at the Saatchi Gallery, London. Client: Swediva, Sweden (ongoing) 2015 London Craft Pavilion, with Allies + Morrison Architects and Contemporary 2017 Stained Glass walls for transit walkway, Dortmund Central Station, Germany Applied Arts Gallery, London. Client: Dortmund City Council, Germany (ongoing). 2011 Drawing near the light, Solo show at Contemporary Applied Arts, London 2016 Stained glass reception wall 12 Hammersmith Grove, London Client: U+I developers. Architect: Flanagan Lawrence 2011 Group show at Vessel Gallery, London 2015 Glass facade for office development, Lombard Street, City of London 2010 The London Design Festival 2010, Solo show at Circus Gallery for Architect: TPBennett. Contemporary Applied Arts, London. 2015 Glass balustrade for new Cambridge University boathouse, Cambridge. 2010 Second European Triennial of Ceramic and Glass, Belgium Architects: RHP 2008 Reflect Forward, Craft Central, Solo show, London 2014 Stained glass entrance cube for office development, Seattle, USA 2007 The London Design Festival 2007, Collection of champagne glasses for Architect: Bamo exhibition at The Royal Festival Hall, London 2014 Suspended steel sculpture for office development reception, Reading. 2007 Collect, Victoria and Albert Museum, South Kensington, London. Architect: Flanagan Lawrence Represented by Design Nation. 2013 Series of glass sculptures for library courtyard at KAPSARC, Saudi Arabia. 2005 Materialize, The Arts Gallery, London Architect: Zaha Hadid Architects (ongoing) Group show for alumni of The University of the Arts, London. 2013 External & internal curved double height reception wall, (ceramic enamel and 2005 Redbox Gallery, Solo show Newcastle mirror), 10 Portman Square, London.
    [Show full text]
  • Twelve Projects by Ten New York City Lighting Design Firms Received
    Contact: Linda G. Miller Communications + Marketing 212/725-7656 Twelve Projects by Ten New York City Lighting Design Firms Received Lumen Awards At the Illuminating Engineering Society New York City Section’s 46th Annual Lumen Gala on June 19, 2014 New York, NY June 20, 2014 - The Illuminating Engineering Society New York City Section (IESNYC), the largest section in the Society, announces the recipients of the 2014 Lumen Awards at the 46th annual Lumen Gala held on June 19, 2014. The Lumen Awards are the oldest international lighting awards and the Lumen Gala is the most celebrated lighting event in New York City. Ten New York City-based design firms – AKF Lighting Design, Arup, Cline Bettridge Bernstein Lighting Design, Cooley Monato Studio, Focus Lighting, Kaplan Gehring McCarroll Architectural Lighting, L’Observatoire International, PHT Lighting Design, Renfro Design Group, and Tillotson Design Associates received Lumen Awards for excellence, ingenuity, and originality in lighting design. The 12 award-winning projects were presented in three categories: the Lumen Award of Excellence, the highest level of recognition for permanent architectural application; the Lumen Award of Merit, in recognition for a meritorious permanent architectural application; and a Lumen Citation, in recognition for an art installation, technical detail, portion of a single project, temporary installation, or other work. This year, the jury honored two firms and their projects with a Lumen Award of Excellence: Arup’s Parrish Art Museum in Water Mill, NY, and Renfro Design Group’s Steven L. Anderson Center and the Vol Walker Hall Renovation at the University of Arkansas in Fayetteville. Five Awards of Merit were presented.
    [Show full text]
  • Architectural Drawings at the Avery Library
    At the Confluence of Three Traditions: Architectural Drawings at the Avery Library ANGELAGIRAL NEXTTO AIRLINES, libraries today boast one of the most successfully shared databases of information. As with airline reservations, the initial impetus for the computerization of library cataloging was economic- the computer as a speedy way to communicate essentially repetitive information over vast distances. This is based on the assumption that many libraries across the land would all be cataloging the same book, and that the costly intellectual work could be shared by many libraries if there was an easy way of copying the first record entered into the database (American Library Association 1978). It was not easy to develop the international standards necessary for this cooperative effort. It took approximately 100years for the atdoption of the Anglo-American Cataloguing Rules (AACR2) that are today the “Bible” of book cataloging in this country. But unlike libraries, both archives and museums collect materials that are, by definition, unique. The economic incentive of “copy cata- loging” has no validity for archives or museums and thus it has taken longer for these two kinds of institutions to agree to the concessions and compromises that are necessary to achieve standards. Two incentives seem to exist for the creation of standards for museum cataloging practices. One is the proliferation of cross-disciplinary collections and the desire for integrated catalogs (architecture as part of material culture as well as of art history and socioeconomic history). The other is the ability to incorporate the image into an automated cataloging system. Trevor Fawcett (1982), in his criticism of AACR2, called for an ef- fort to “harmonise standards” and said that “if the potential scope of Angela Giral, Avery Library, Cdumbia University, New York, NY 10027 LIBRARY TRENDS, Vol.
    [Show full text]
  • United States Courthouse: Brooklyn, New York
    UNITED STATES COURTHOUSE Brooklyn, New York 6 Elevating Urban Tradition 16 Capturing the Light 24 Art in Architecture 26 General Facts About the Courthouse 30 Biographies: The Architect and the Artist 32 The Design and Construction Team 35 U.S. General Services Administration and the Design Excellence Program The new courthouse redefines the Brooklyn skyline. Its design is sympathetic to the original courthouse which it adjoins. It also provides a new landmark for the Civic Center of downtown Brooklyn. Cesar Pelli, architect 3 4 ELEVATING URBAN TRADITION Brooklyn, the largest of New York City’s building. Designed to complement nearby five boroughs, has witnessed more than historic government buildings, its new four centuries of growth and change tower serves as a beacon of civic pride that spurred by successive waves of immigrants. is visible within Brooklyn as well as from One out of every seven Americans can lower Manhattan. trace their family roots through its streets. Like other structures in the borough’s civic First populated in the 1600s by the Dutch, core, the new courthouse fronts an avenue who called it Breuckelen, the area remained and pedestrian promenade called Cadman sparsely inhabited until 1814, when Robert Plaza, named for Brooklyn Congregational Fulton’s new steam ferry began to offer minister and famed orator Samuel Parkes an easy commute to and from Manhattan. Cadman, that was created in the 1950s Brooklyn Heights became Manhattan’s first and 60s on land once occupied by elevated suburb and downtown Brooklyn soon grew train tracks. The plaza and adjacent avenue to become a center of commerce.
    [Show full text]
  • High Performance Building Guidelines
    Executive Acknowledgements Honorable Rudolph W. Giuliani Mayor City of New York Luis M. Tormenta, P.E. Commissioner New York City Department of Design and Construction Michael Burton, P.E. Deputy Commissioner New York City Department of Design and Construction Hillary Brown, AIA Assistant Commissioner New York City Department of Design and Construction Fredric Bell, AIA Assistant Commissioner New York City Department of Design and Construction Andrea Woodner Founding Director Design Trust for Public Space Commissioner’s Foreword To the Reader: As we enter the new century, the City of New York is in a unique position to improve the overall quality and performance of public buildings that are constructed and renovated by the Department of Design and Construction (DDC). We can do that by increasing our reliance on energy and environmentally efficient construction technologies and practices, by taking advantage of the strides that have been made over the past few years in the field of ‘green buildings.‘ Key to the success of that effort is our ability to make responsible investments to improve the environment without constraining economic activity. We are now in a position to do that, and, under the leadership of Mayor Rudolph W. Giuliani, are moving ahead to make New York City an environmental prototype for the 21st Century. These Guidelines outline strategies and techniques that can move us toward that goal. They set out a range of ’best practices‘ for planning, designing, constructing and operating healthier, more energy – and resource – efficient facilities. Such high performance buildings can earn long term life cycle savings for New York City, and may also help stimulate the markets for environmentally efficient technologies.
    [Show full text]
  • Aqua-Tektur 2
    Aqua-Tektur 2 Architecture and Water – Havana 2003 19 architects´ offices and Hansgrohe think ahead . Auer + Weber + Architekten, Munich . Dietz Joppien Architekten, Frankfurt/Main . gmp Architekten von Gerkan, Marg und Partner, Hamburg . Hascher Jehle Architektur, Berlin . RKW Rhode Kellermann Wawrowsky, Düsseldorf . Gewers Kühn und Kühn Architekten, Berlin . Ramseier & Associates Ltd., Zurich . Atelier Werner Schmidt, Trun . UdA Ufficio di Architettura, Turin . Studio Novembre, Milan. ADD+ Arquitectura, Barcelona . Torres & Torres, Barcelona . Alison Brooks Architects, London . Hopkins Architects, London . Jestico + Whiles, London . Hellmuth, Obata + Kassabaum, New York . HLW International, New York . Polshek Partnership Architects, New York . Denton Corker Marshall PTY Ltd., Hongkong Aqua-Tektur Architecture and Water – Havana 2003 19 architects offices and Hansgrohe think ahead . Auer + Weber + Architekten, Munich . Dietz Joppien Architekten, Frankfurt/Main . gmp Architekten von Gerkan, Marg und Partner, Hamburg . Hascher Jehle Architektur, Berlin . RKW Rhode Kellermann Wawrowsky, Düsseldorf .Gewers Kühn und Kühn Architekten, Berlin .Ramseier & Associates Ltd., Zurich .Atelier Werner Schmidt, Trun .UdA ufficio di Architettura, Turin .Studio Novembre, Milan . ADD+ Arquitectura, Barcelona . Torres & Torres, Barcelona . Alison Brooks Architects, London . Hopkins Architects, London . Jestico + Whiles, London . Hellmuth, Obata + Kassabaum, New York . HLW International, New York . Polshek Partnership Architects, New York . Denton Corker
    [Show full text]
  • Women in Real Estate. - Free Online Library
    Women in real estate. - Free Online Library PIONEERS Adrienne Albert Adrienne Albert, a licensed real estate broker in NYS, is nationally recognized as a marketing and sales expert in residential real estate and property development. Through her firm, The Marketing Directors, Inc., Ms. Albert has been responsible for the marketing and sales of over $10 billion in properties. Over the past 20 years, The Marketing Directors has served a wide range of projects, from single-family homes to high-density multi-use development, from NY to CA, and from Toronto to Florida. After graduating from Simmons College, Ms. Albert earned a Master of Architecture from MIT. Though she never formally practiced architecture, her knowledge of (and love for) the field has been of enormous help to countless developers in choosing layouts, amenities and other vital aspects of their projects. A leader in the industry, Ms. Albert pioneered site selling through the use of miniature models, vignettes, electronic media and full size recreations of condominium homes. In addition, she has instituted training programs across the country to raise the standards for other real estate sales professionals. Her success is evident in the large volume of repeat business from top developers throughout country, as well as the many awards she has received over the years, including the Associated Builders and Owners' Woman of the Year Award. She has also been named the National Sales and Marketing Council Marketing Director of the Year, and has been awarded hundreds of gold and silver awards for marketing and sales excellence. Ms. Albert is an approved IRM Course II instructor and an adjunct faculty member at New York University's Real Estate Institute.
    [Show full text]
  • 2016 Team Nominations
    2016 TEAM NOMINATIONS 2016 CALIBRE DESIGN AWARDS LEARN & SERVE LEARN The Cafe at Annenberg Nominated by: AC Martin Bernards Harley Ellis Devereaux R.W. Smith & Co. Cal State Northridge, Oasis Wellness Center Nominated by: LPA, Inc. CSU Northridge Hathaway Dinwiddie Cedars-Sinai Urgent Care Nominated by: Abramson Teiger Architects Innovative Engineering Group, Inc. KGM Architectural Lighting Medical Planning, Inc. City of Los Angeles Relocation Nominated by: Gensler, Los Angeles CBRE City of Los Angeles Haworth Shangri-La Construction Unisource Solutions Hazelden Betty Ford West Los Angeles Outpatient Clinic Nominated by: HGA Architects and Engineers Green Towne Inc. Hazelden Betty Ford Interface Kaiser Permanente Fontana Medical Center Nominated by: HMC Architects EOS Light Panel Systems Kaiser Permanente Lighting Design Alliance 2016 CALIBRE DESIGN AWARDS LEARN & SERVE LEARN META Lab Nominated by: Harley Ellis Devereaux California State University Northridge Machone Development P2S Engineering, Inc. Tangram The University Corporation, California State University, Northridge Museum of Photographic Arts Nominated by: Gensler, San Diego Johnson & Jennings McParlane & Associates Nixon Christophers The Museum of Photographic Arts WB Powell, Inc. Thomas Labs at Caltech Nominated by: AC Martin Brightworks Integral Group KPFF Consulting Engineers RFD Swinerton Builders Torrance Memorial Medical Center Lundquist Tower Nominated by: HMC Architects KPFF Consulting Engineers McCarthy Building Companies, Inc. RHA Landscape Architects – Planners Inc. TTG Engineers Tower Cancer Research Foundation Nominated by: CDG Interior Design + Architecture Beyond Home Theater Jules Seltzer Associates The Sheridan Group TIS Construction Services Inc. Tower Cancer Research Foundation USC, Dr. Verna & Peter Dauterive Hall Nominated by: HKS Architects, Inc. Edson Design IBE Consulting Engineers SKA Design 2016 CALIBRE DESIGN AWARDS LEARN & SERVE LEARN Zev Yaroslavsky Family Support Center - WINNER Nominated by: HKS Architects, Inc.
    [Show full text]
  • 091013 FINAL AIA CAE NYC Booklet.Indd
    DESIGNING LEARNING ENVIRONMENTS TO REBUILD URBAN AMERICA October 23 - 25, 2009 New York, NY COMMITTEE ON ARCHITECTURE FOR EDUCATION (CAE) CAE FALL 2009 CONFERENCE SPONSORS UNDERWRITER V/S Furniture PATRON Council for Educational Facility Planners International (CEFPI) Herman Miller SPONSOR USG Corporation SIS-USA, Inc. BP Independent Reprographics Kohler Co. SUPPORTER Cuningham Group Architecture, P.A. Dagher Engineering PLLC JCJ Architecture Joseph R. Loring and Associates, Inc. Tate Access Flooring FRIEND Pyrok, Inc. VCBO Architecture Mahlum Architects, Inc. AIA CAE 2009 FALL CONFERENCE TABLE OF CONTENTS Black Rock Forest Center for Science and Education, Photograph by David Sundberg/Esto LEADERSHIP GROUP Timothy Dufault, AIA Chair Cuningham Group Architecture Minneapolis [email protected] John Weekes, AIA CAEnet Editor Dull Olson Weekes Architects Inc. Portland, OR [email protected] Jeanne Jackson, AIA CAE 2008 Design Awards Chair VCBO Architecture Salt Lake City, UT [email protected] Gerald Reifert, AIA Mahlum Architects Seattle, WA [email protected] Caroline Lobo, Assoc. AIA Orcutt/Winslow Pheonix, AZ [email protected] If you are interested in learning how you can participate as a Committee on Architecture (CAE) for Education leader or subcommittee leader, please contact [email protected]. AIA CAE 2009 FALL CONFERENCE LETTER FROM THE CHAIR Welcome to the 2009 fall conference of the AIA Committee on Architecture for Education! Our focus this year has been on the urban learning environment. In June, we met in Pittsburgh and explored a variety of environments, topics and research into creating effective centers for learning. Over the next three days we will explore the issues, strategies and potential solutions that urban school districts around the country encounter as they create environments to foster academic success.
    [Show full text]