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Rns Over the Long Term and Critical to Enabling This Is Continued Investment in Our Technology and People, a Capital Allocation Priority
19 May 2021 FUTURE plc 2021 HALF YEAR RESULTS Strategic momentum continues: record HY results, materially ahead of market expectations, with strong organic growth and margin progression Future plc (LSE: FUTR, “Future”, “the Group”), the global platform for specialist media, today publishes its results for the six months ended 31 March 2021. Highlights Financial results for the six months ended 31 March 2021 Adjusted results HY 2021 HY 2020 Var Revenue (£m) 272.6 144.3 +89% Adjusted operating profit (£m)1 89.2 39.9 +124% Adjusted operating profit margin (%) 33% 28% +5ppt Adjusted diluted EPS (p) 65.4 32.9 +99% Statutory results HY 2021 HY 2020 Var Revenue (£m) 272.6 144.3 +89% Operating profit (£m) 59.7 24.7 +142% Profit before tax (£m) 56.9 27.1 +110% Cash generated from operations (£m) 85.9 35.7 +141% Diluted EPS (p) 40.7 21.8 +87% Financial highlights Robust first-half performance extending our track record of growth in revenue, operating profit and cash flow: An exceptionally strong first half, with revenue up 89% to £272.6m (HY 2020: £144.3m). Revenue ahead of last year by 21% on an organic2 basis, driven by the Media division’s organic2 growth of 30% and in particular digital advertising on-platform organic2 growth of 30% and eCommerce affiliates’ organic2 growth of 56%. US achieved revenue growth of 31% on an organic2 basis and UK revenues grew by 5% organically (UK has a higher mix of events and magazines revenues which were impacted more materially by the pandemic). -
The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Instrument List
Instrument List Africa: Europe: Kora, Domu, Begana, Mijwiz 1, Mijwiz 2, Arghul, Celtic & Wire Strung Harps, Mandolins, Zitter, Ewe drum collection, Udu drums, Doun Doun Collection of Recorders, Irish and other whistles, drums, Talking drums, Djembe, Mbira, Log drums, FDouble Flutes, Overtone Flutes, Sideblown Balafon, and many other African instruments. Flutes, Folk Flutes, Chanters and Bagpipes, Bodran, Hang drum, Jews harps, accordions, China: Alphorn and many other European instruments. Erhu, Guzheng, Pipa, Yuequin, Bawu, Di-Zi, Guanzi, Hulusi, Sheng, Suona, Xiao, Bo, Darangu Middle East: Lion Drum, Bianzhong, Temple bells & blocks, Oud, Santoor, Duduk, Maqrunah, Duff, Dumbek, Chinese gongs & cymbals, and various other Darabuka, Riqq, Zarb, Zills and other Middle Chinese instruments. Eastern instruments. India: North America: Sitar, Sarangi, Tambura, Electric Sitar, Small Banjo, Dulcimer, Zither, Washtub Bass, Native Zheng, Yuequin, Bansuris, Pungi Snake Charmer, Flute, Fife, Bottle Blows, Slide Whistle, Powwow Shenai, Indian Whistle, Harmonium, Tablas, Dafli, drum, Buffalo drum, Cherokee drum, Pueblo Damroo, Chimtas, Dhol, Manjeera, Mridangam, drum, Log drum, Washboard, Harmonicas Naal, Pakhawaj, Tamte, Tasha, Tavil, and many and more. other Indian instruments. Latin America: Japan: South American & Veracruz Harps, Guitarron, Taiko Drum collection, Koto, Shakuhachi, Quena, Tarka, Panpipes, Ocarinas, Steel Drums, Hichiriki, Sanshin, Shamisen, Knotweed Flute, Bandoneon, Berimbau, Bombo, Rain Stick, Okedo, Tebyoshi, Tsuzumi and other Japanese and an extensive Latin Percussion collection. instruments. Oceania & Australia: Other Asian Regions: Complete Jave & Bali Gamelan collections, Jobi Baba, Piri, Gopichand, Dan Tranh, Dan Ty Sulings, Ukeleles, Hawaiian Nose Flute, Ipu, Ba,Tangku Drum, Madal, Luo & Thai Gongs, Hawaiian percussion and more. Gedul, and more. www.garritan.com Garritan World Instruments Collection A complete world instruments collection The world instruments library contains hundreds of high-quality instruments from all corners of the globe. -
How to Get Away with Copyright Infringement: Music Sampling As Fair Use
THIS VERSION MAY CONTAIN INACCURATE OR INCOMPLETE PAGE NUMBERS. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR THE PROPER CITATION INFORMATION. NOTE HOW TO GET AWAY WITH COPYRIGHT INFRINGEMENT: MUSIC SAMPLING AS FAIR USE SAM CLAFLIN1 CONTENTS I. INTRODUCTION ............................................................................................ 102 II. BACKGROUND ............................................................................................ 104 A. History ............................................................................................ 104 i. Foundations of Copyright Law with Respect to Music ............ 104 ii. Music Sampling and Copyright ............................................... 105 B. The Fair Use Doctrine .................................................................... 107 i. Fair Use and Appropriation Art ................................................ 110 III. A CONTEMPORARY PERSPECTIVE ON MUSIC SAMPLING AND FAIR USE: ESTATE OF SMITH V. CASH MONEY RECORDS, INC. ................................ 113 A. Background ..................................................................................... 113 B. Analysis – An In-Depth Look at the Court’s Fair Use Approach in Estate of Smith ........................................................ 114 i. Factor One .............................................................................. 115 ii. Factor Two ............................................................................. 118 iii. Factor Three .......................................................................... -
MUSICRADAR.COM (12/6) Epic-Guitar-Performances-568156
MUSICRADAR.COM (12/6) http://www.musicradar.com/news/guitars/rival-sons-scott-holiday-talks-jimmy-page-riff-writing-and- epic-guitar-performances-568156 Rival Sons' Scott Holiday talks Jimmy Page, riff writing and epic guitar performances If Head Down were Rival Sons' debut album and not their third release, we'd be heralding the unexpected arrival of a bright new talent, and possibly even an important one, a group that manages to take their cues from firmly established blues-rock paradigms while proving there's still rich, untapped pockets to be mined. Oh, hell, let's dispense with the formalities and give it up for this California four-piece (singer Jay Buchanan, guitarist Scott Holiday, bassist Robin Everhart and drummer Mike Miley), who attack well- worn forms – there's also splashes of soul, funk and head-spinning psychedelia, for good measure – with a zeal that borders on audacity. The grooves are deep and the vocals are of the chest-beating variety, but the real star of the show is guitarist Holiday. On the album's 13 exhilarating cuts, he hits with with tectonic force, creating rich tapestries of sound that burst wide open with style, imagination and an infectious, warped charm. We caught up with Holiday the other day to chat about his spunky approach to guitar playing, his many axes and sonic toys, and to find out how he felt rubbing shoulders with a new fan, another six- string slinger who goes by the name Jimmy Page. So Jimmy Page likes your band. That's got to feel good. -
22 Essential Arranging Tips | Musicradar Page 1 of 5
22 essential arranging tips | MusicRadar Page 1 of 5 THE NO.1 WEBSITE FOR MUSICIANS MORE Gear reviews Tuition Best audio interfaces 2018 Best electric guitars 2018 Free samples Learn Ableton Live Tuition > Tech > 22 essential arranging tips 22 essential arranging tips By The MusicRadar team February 11, 2008 Tech Turn your musical ideas into fully-formed tunes The arrange page in your DAW could soon be as busy as this one. Arranging can broadly be defined as the process of transforming a collection of musical ideas into a complete track. It can involve everything from writing harmonies, re-arranging parts, adding parts, removing parts, planning the structure of a song or even adding effects from time to time. If there's one absolute truth about arranging, though, it's that it's the stage where you have to stop making excuses and start making firm decisions, whether these be about which parts to leave in or out, where to put them, or whether you need to add a whole new part altogether. Consequently, for many, arranging is also where music making stops being fun and creative and starts feeling a bit too much like pressure and hard work. This needn't be the case, though - with all the power and versatility that modern technology gives us, the possibilities are endless and the process can be relatively painless. Here are our 22 top arranging tips: 1. Listen, listen, listen. There's absolutely no substitute for experience, so be sure to analyse the arrangements of all your favourite tracks. Listen to what other producers have done and try to figure out why it works (or why it doesn't work, as the case may be...). -
C&C Drum Company Player Date Kit | Drum Reviews | Musicradar
C&C Drum Company Player Date Kit | Drum Reviews | MusicRadar 2/15/13 3:21 AM A Future Site ! musicradar. Guitarist Guitar Techniques Total Guitar Computer Music Future Music Rhythm Search MusicRadar Home Guitars Acoustic Bass Drums Tech DJ Drums News Reviews Tuition Video Forum Samples iPad/iPhone Apps Magazines MusicRadar Partners Jake Bugg – Slide away with the FG700MS Jake Bugg performed in BBC’s Radio 1 live lounge on ... Also related to this article C&C Drums Company Custom Kit Flaxwood CC-H CC Custom Ovation Celebrity CC074 As with the kit that inspired them, Player Date drums are made from mahogany (albeit hand-built rather than mass produced Related from other sources C&C Drum Company 3 57 C&C Drum Company Player official site Date Kit Like Can this off-the-shelf kit keep the custom charm? More on this topic Add Comment Adam Jones (Rhythm) January 15, 2013, 14:33 GMT Ludwig Brought to you by Since its quiet inception over two decades ago, C&C Drum Company has remained determinedly low-key, operating on little more than a word-of- mouth basis. This four-piece Player Date on review is from C&C's first ever range of production (off-the-shelf) kits. Based in Gladstone, Missouri and run by Bill Cardwell and his son Jacob, C&C More from Drums MusicRadar Rating (formerly C&C Custom Drums) has is known worldwide for building beautiful- looking and classic-sounding drums, but can its off-the-shelf kits maintain that Animal Custom 2012 reputation? Series Kit Verdict Build There is an unpretentious If the Player Date bears any resemblance to Ludwig's Club Date kit reviewed a and honest feel to this kit few issues ago, let's just say that Bill Cardwell had been developing his that is appealing. -
Art for the Disabled Electric2 Guitar
Art for the Disabled 2 Electric Guitar Major Qualifying Project Report in partial completion of the degree requirements for Bachelor of Science, Electrical and Computer Engineering Joshua DeNoncour 2019 Approved by: Stephen J. Bitar, Advisor Electrical and Computer Engineering, WPI 0 Abstract Diseases such as ALS and muscular dystrophy have no cure, and cause a loss of muscle function as the disease progresses. This project was aimed to help those with disabled arms or hands play the bass guitar, creating a prototype bass guitar that received user input from an easy to use controller, designed to mimic bass playing in its design. A microcontroller processes the signals from the user and from the guitar, and controls a motor that adjusts the tension on the string. 1 Acknowledgements I would like to thank professor Stephen Bitar for his extensive help in this project, as well as the WPI Electrical and Computer Engineering (ECE) Dept. for providing me with the skills to complete this project, William Appleyard of the WPI ECE store for his assistance in procuring parts, and finally, I would like to thank my friends and family, especially my father, for giving me the passion for music that made this project possible. 2 Executive summary Muscular Dystrophy is a debilitating disease that gradually reduces muscle mass in patients, resulting in a loss of motion, strength, and ability. To help combat the mental effects of such a disease, and to give people who suffer a voice through music, a bass guitar was developed and modified to allow a user with Muscular Dystrophy to play. -
Solo Contrabass and Washtub Bass Program 2019
CHRISTOPHER WILLIAMS Solo Contrabass & Washtub Bass Christopher Williams (1981, San Diego) is a way arer on the !o"y#mind continu$m. %is me"i$m is m$sic. PhD, 'ei"en (ni)ersity (with *ichar" +arrett and Marcel Co!$ssen); +., (ni)ersity o Cali ornia, San Diego (with Charles Curtis, Chaya Czernowin, and +ertram 0$ret/1y). .s a composer and contrabassist, Williams2s wor1 r$ns the gam$t rom cham!er m$sic, impro)isation, and radio art to collaborations with "ancers, so$nd artists, and )is$al artists. Collaborators incl$"e Derek +ailey, Compagnie 3$ie/Dire, 'aMonte 4o$ng2s 0heatre o 5ternal ,$sic, 6erran 6ages, +ar!ara %el", *o!in %aywar" (as *ei"emeister Mo)e), Christian Kesten, %ans W. Koch, Christina 7$!isch, 'iminar, ,aulwer1er, Charlie Morrow, Davi" Moss, .ndrea 8eumann, ,ary 3li)er and *o/emarie %eggen, +en &atterson, *o!yn Sch$l1ows1y, Martin Sonder1amp, and 5nsem!le S$per,$si9$e. Wor1 presented thro$gho$t 5$rope : (S., incl$"ing ;&*3 *adio < (%olland), Deutschland $nk 7$lt$r, the ,$seum o Contemporary .rt +arcelona, Vol1s!=hne +erlin, and the .merican Doc$mentary 6ilm 6esti)al. CONTACT Williams2 artistic research takes the orm o !oth conventional academic p$!lications and [email protected] practice-base" m$ltime"ia pro>ects. %is nati)e "igital "issertation Tactile Paths: on and through Notation for Improvisers is available at http://www.tactilepaths.net. %e also c$rates the +erlin http://www.christopherisnow.com concert series 7380*.7'.8G and wor1s with so$n" experience makers MorrowSo$nd. -
African and African-American Contributions to World Music
Portland Public Schools Geocultural Baseline Essay Series African and African-American Contributions to World Music by John Charshee Lawrence-McIntyre, Ph.D. Reviewed by Hunter Havelin Adams, III Edited by Carolyn M. Leonard Biographical Sketch of the Author Charshee Lawrence-Mcintyre is Associate Professor of Humanities at the State University of New York at Old Westbury in the English Language Studies Program. PPS Geocultural Baseline Essay Series AUTHOR: Lawrence-McIntyre SUBJECT: Music CONTENTS Content Page BIOGRAPHICAL SKETCH OF THE AUTHOR.............................................................................................. I CONTENTS ..........................................................................................................................................................II INTRODUCTION .................................................................................................................................................1 CLASSICAL AFRICA'S INFLUENCE ON OTHER CIVILIZATIONS ........................................................4 ANCIENT EGYPTIAN INSTRUMENTS .....................................................................................................................4 ANCIENT EGYPTIAN MUSIC AND FORMS .............................................................................................................8 MIGRATION AND EVOLUTION OF MUSIC THROUGHOUT CONTINENTAL AFRICA ...................12 TRADITIONAL INSTRUMENTS .............................................................................................................................14 -
Future Publishing Statement for IPSO – April 2016
Future Publishing Statement for IPSO – April 2016 About Future Future plc is an international publishing and media group, and a leading digital company. Celebrating over 30 years in business, Future was founded in 1985 with one magazine – we now create over 200 print publications, apps, websites and events through operations in the UK, US and Australia. The company employs approximately 500 employees. Future’s leadership structure is outlined in Appendix C (the structure has changed slightly since our last statement in December 2015). Our portfolio covers consumer technology, games/entertainment, music, creative/design and photography. 48 million users globally access Future’s digital sites each month, we have over 200,000 digital subscriptions worldwide, and a combined social media audience of 20+ million followers (a list of our titles/products can be found under Appendix A). For the purpose of this statement, Future’s ‘responsible person’ is Nial Ferguson, Content Director, Media. Future’s editorial standards Through our expertise in five portfolios, Future produces engaging, informative and entertaining content to a high standard. The business is driven by a core strategy - ‘Content that Connects’ - that has been in place since 2014 (see Appendix B). This puts content at the heart of what we do, and is an approach we reiterate through staff communication. In creating content that connects, Future takes all reasonable and appropriate steps to verify what we publish. Such steps include double sourcing where necessary, and rigorous scrutiny of information and sources to ensure the accuracy of the articles we publish. Editorial process for contentious issues involves second reading by editorial. -
Future Plc Today Announces the Launch of Fourfourtwo Turkey
Future Plc today announces the launch of FourFourTwo Turkey FourFourTwo Turkey entered the market in 2006, and will continue its path with a new partner – Lobby Lobos Advertising 17th February 2020 – Future Plc, The world's largest English-speaking football magazine, FourFourTwo, has expanded with the exciting arrival of its new partner in Turkey: Lobby Lobos. After initially entering the Turkish market in 2006, FourFourTwo has been followed with admiration ever since, becoming a leader of the football print media sector in Turkey. Future Plc has a reputation for thinking ahead of its competitors and adapting in the digital world – and as such, they have paved the way for a revamped FourFourTwo Turkey to develop the FourFourTwo brand in a football-obsessed nation of 83 million people. Together, Future and Lobby Lobos Advertising will integrate e-commerce solutions and establish dialogue between teams. Editor-in-chief, Can Elmas said: “FourFourTwo Turkey has always been the magazine everybody considered to be a guiding light. But in the same way that other football titles went through, it faced significant problems during the digitisation process. We have since agreed to a new economic model that will be an example for all in the new era of FourFourTwo Turkey and Future Plc. In a world that is becoming more and more digital, we will lead our competitors again.” FourFourTwo Turkey aims to become the first audio-magazine in Turkey, too, working to establish a new relationship with football fans. The editorial department has created the ‘FourFourTwo Reserve Team’, which aims to bring new sports journalists and writers aged 18-24 into the industry and showcase their work to a wider audience.