(Emtnecttctrt Datlg (Slampiih Serving Storrs Since 1896
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Deliciously Crazy By Order Of Mayor Pawlicki, Pere Ubu (2CD, Cherry Red) When I interviews David Thomas, lead singer of Pere Ubu, back the end of the 20th Century, he had this to say about gigs: 'We don't like touring. We like the playing but not the driving. We don't like being in the newspaper. We don't have anything to say that anybody wants to hear. We don't care. I think that sums it up.' Mind you, he also said that he 'always thought [Pere Ubu] were a very traditional rock band. No, we are a very traditional rock band and always have been. It's not our fault that others have abandoned their roots and culture and traditions.' If you've heard the lurching, cacophonous monster that is Pere Ubu making music then you will probably be as sceptical as me. Pere Ubu came screaming out of Cleveland Ohio on the tail of American new wave and punk. Desperate to find new things to write about, the UK music press created scenes were there were none, invented fictional success stories and nonsensical controversies, launching a thousand bands they would later torpedo and sink. Some how, Pere Ubu are still afloat on an ocean of ragged vocals, jagged guitar, squawky synthesizers and offbeat rhythms. The press release uses the phrases 'dedicated brutality' which comes pretty close. I love Pere Ubu. They have never sounded like anyone else, have never bowed to peer or critical pressure, and have ploughed their own way through the music industry from the word go. -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage. -
Press Release for Easter Rising Published by Houghton Mifflin
Press Release Easter Rising by Michael Patrick MacDonald • About the Book • About the Author • A Conversation with Michael Patrick MacDonald • Advance Praise for Easter Rising • Praise for All Souls • Easter Rising Play List • 2006 Tour for Michael Patrick MacDonald "MacDonald courageously continues to break Southie's silence in this tale of a journey that is as inspiring as it is haunting." — Publishers Weekly, starred review "MacDonald's gift is that he guides us with vision, insight, humor, and the clear, chiseled word. His is a rare sleight of hand." — Colum McCann, author of This Side of Brightness and Dancer About the Book In his best-selling All Souls: A Family Story from Southie, Michael Patrick MacDonald told the powerful story of a decimated community and family, chronicling the loss of four siblings to the violence, poverty, and gangsterism of Boston's Irish American ghetto. In Easter Rising: An Irish American Coming Up from Under, his long-awaited new memoir, MacDonald tells his own story of escaping from that world, immersing himself in the 1980s punk music scene, and traveling to Ireland twice, roots journeys that inspired him to reclaim his heritage as a source of pride rather than shame. Easter Rising begins with young Michael's first forays outside the soul-crushing walls of Southie's Old Colony housing project. In downtown Boston he discovers the club scene swirling around local bands like Mission of Burma and visiting Brits like the Clash, the Slits, and Johnny Rotten. He eventually winds up in New York's East Village at the height of that neighborhood's annus mirabilis, with bands such as the Bad Brains and the Beastie Boys. -
From Nebraska to Whalley Range: Reflections on Place and Identity in Music
FROM NEBRASKA TO WHALLEY RANGE: REFLECTIONS ON PLACE AND IDENTITY IN MUSIC Joe David Green Dissertação de Mestrado em Línguas, Literaturas e Culturas Março de 2016 Dissertação de Mestrado apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. AGRADECIMENTOS I would like to thank Professora Doutora Isabel Oliveira Martins, without whom this thesis would not have been completed. Her support and patience were invaluable and much appreciated. I would also like to thank my family and friends for their support. DE NEBRASKA A WHALLEY RANGE: REFLEXÕES SOBRE O ESPAÇO E A IDENTIDADE NA MÚSICA Joe David Green RESUMO Este projeto é uma investigação sobre a relação da música com o espaço, e a forma como a música é usada para expressar a identidade e as mudanças sociais. Partindo da obra de Greil Marcus, Mystery Train (1975), uma exploração da identidade através da relação da música com a América da década de 1970, esta dissertação explora as mudanças que ocorreram no final dos anos setenta e durante nos anos oitenta, e pretende ligá-los aos desenvolvimentos políticos durante este período. A ligação da música com o espaço, identificada nas obras de Ray Hudson, Sara Cohen e Jacques Attali entre outros, é contrastada com gravações de música do final dos anos setenta e oitenta, a maioria da América, mas também da Grã-Bretanha. Neste contexto, as obras de Bruce Springsteen e Tom Waits são identificadas como expressões de uma nação americana em período de mudança e em crise de identidade, um processo descrito por George Packer como "the unwinding", a erosão de uma identidade e da paisagem americanas. -
Free Download of Ebook (Pdf)
1 2 3 Pol Dodu Discographie personnelle de la New Wave Vivonzeureux 4 Discographie personnelle de la New Wave, 2015. Ce livre est publié sous licence Creative Commons Attribution - Pas d’utilisation commerciale - Partage dans les mêmes Conditions 3.0 France (CC BY-NC-SA 3.0 FR) http://creativecommons.org/licenses/by-nc-sa/3.0/fr/ L'édition numérique est disponible gratuitement : http://vivonzeureux.fr/newwave Illustration de couverture : Fabienne Mazay (2014) d'après la couverture de Pearce Marchbank pour International discography of the new wave : volume 1982|1983 (1982) ISBN : 978-2-9536575-6-2 Vivonzeureux http://vivonzeureux.fr [email protected] 5 INTRODUCTION 6 En 1978, nous sommes allés en famille en vacances de neige dans le Jura. Au dernier moment avant de repartir, alors que nous étions déjà tous dans la voiture, nous nous sommes arrêtés, pour prendre de l'essence sûrement, et j'ai demandé à sortir pour aller fûreter rapidement dans le rayon presse du magasin devant lequel nous étions. J'en suis revenu, délesté de 6 francs, avec dans les mains le n° 116 du magazine Best, daté de mars 1978 et donc sorti courant février. Cela faisait sûrement une bonne année que j'avais commencé à m'intéresser sérieusement à la musique, en achetant plus de disques, en écoutant la radio, en en discutant avec les copains, et en leur empruntant disques et revues, mais, à presque quinze ans, c'est la première fois que j'ai acheté en kiosque au moment de sa sortie l'un des deux titres phares de la presse rock de l'époque, Rock & Folk et Best. -
Free Jazz / Punk Rock
Free Jazz / Punk Rock In a New York City nightclub, a skinny little Caucasian whose waterfall hairstyle and set of snout and lips make him look like a sullen anteater takes the stage, backed up by a couple of guitarists, bass, horn section, drummer and bongos. Most of his back-up is black, and they know their stuff: it's pure James Brown funk, with just enough atonal accents to throw you off. The trombone player, in fact, looks familiar, and sounds amazing: you look a bit closer, and of course, that's Joseph Bowie, bother of Lester, both of them avant-garde jazzmen of repute. But then the anteater begins to sing, in a hoarse yowl that sounds more like someone being dragged naked through the broken glass and oily rubble of a back-alley than even the studied abrasiveness of most punk rock vocalizations. The songs are about contorting yourself, tying other people up and leaving them there, and how the singer doesn't want to be happy. After a while he picks up an alto sax, and out come some of the most hideous flurries of gurgling shrieks heard since the mid-Sixties glory days of ESP-Disk records. The singer/saxophonist's name is James Chance, and you have been watching the Contortions. Across town in another club, what looks like the standard rock 'n' roll lineup saunters onto a stage set right in the floor, making it impossible for anybody in the room except those at the very front to see. The group consists of two guitars, bass and drums. -
Nn, Ua Isveiein Demo a IC Pri Ary Tree I T Or I Imon N
I I I I i i f t Continuous Ldm News ServiceMI i Since 1881 - Cam~~~~~~~~~~~~~~~~~~~~~~Grbridge Sirace 1881 ~~~~~~~~~~~~~~~~~~~~~~Massachusetts Volume 102, Number 35 1 IBL i I ~ ~ _-~RV FridaV, September 10, 1982 i I nn, u a isveiein i i Demo a ICpri ary I By'Tony Zamnparutti and toughening drunk driving Tech File PhQTOS Next Tuesday's Massachusetts laws. Former Governor pr inary election will decide one Dukaikis, a skilled administra- Michael of the most 'bitter Fights for the tor but somewhat impersonal Dukakis O(ar left) Demnocratic gubernatorial norni- politician, hass continually at- ands imcum~bent nation in the commonwealth's tacked thme King administration Edward, J. King are history. for corruption and incompetence. pitted against Incumbent Edward J. King An ongoing investigation of the each other in this and Michael S. Dukakis, gover- Massachusetts Revenue Depart- year s nor from 1974 to 1978, are ment and rumors of connections Democratic primary. locked in a rematch of their 1978 between problems in that depart- primary battle, in which King ment and G'overnor King have upset Dukakis. added fuel to D4ukakis's rhetoric. Mudslinging and vitriolic Dukakis's main support comes countercharges have dominated from younger, more liberal, and the campaign and have obscured better-educated voters than does Ithe issues separating the K ing's. candidates. The former governor has tried ~noumna The primary contest has deeply to promote his administration as Tree I t or I imon split the Democratic Party and one of integrity and competency. By Tony.Zamp~aparutfi torial debate was cancelled. -
Allen Ravenstine WFTB Discography
Discography for Allen Ravenstine ARTIST RELEASE TITLE LABEL YEAR Pere Ubu 30 Seconds Over Tokyo (45) Hearthan 1975 Pere Ubu The Modern Dance (45) Hearthan 1977 Pere Ubu The Modern Dance (LP) Blank Records 1978 Pere Ubu Datapanik in the Year Zero Radar Records 1978 Pere Ubu Dub Housing Chrysalis 1978 The Red Crayola Soldier Talk Radar Records 1979 Pere Ubu New Picnic Time Chrysalis 1979 Pere Ubu The Art of Walking Rough Trade 1980 David Thomas and the Pedestrians The Sound of the Sand Rough Trade 1981 The Red Crayola Kangaroo? Rough Trade 1981 Pere Ubu 360 Degrees of Simulated Stereo Rough Trade 1981 The Red Crayola An Old Man’s Dream Rough Trade 1981 Pere Ubu Song of the Bailing Man Rough Trade 1982 The Red Crayola Black Snakes Pure Freude 1983 Pere Ubu Terminal Tower Twin Tone 1985 David Thomas and the Wooden Birds Monster Walks the Winter Lake Rough Trade 1986 David Thomas and the Wooden Birds Blame the Messenger Twin Tone 1987 Pere Ubu The Tenement Year Fontana 1988 Pere Ubu We Have The Technology Restless Records 1988 Pere Ubu Waiting for Mary Fontana 1989 Pere Ubu One Man Drives While the Other Man Screams Rough Trade 1989 Pere Ubu Cloudland Fontana 1989 Pere Ubu Love, Love, Love Fontana 1989 Pere Ubu Worlds in Collision Fontana 1991 Allen Ravenstine, Robert Wheeler City Desk Blue Jet Music 2013 Allen Ravenstine, Robert Wheeler Farm Report Blue Jet Music 2013 Allen Ravenstine The Pharaoh’s Bee Hearpen Smog Veil Recommended 2016 Allen Ravenstine, Albert Dennis Terminal Drive Smog Veil 2017 Allen Ravenstine Waiting For The Bomb Recommended 2018 # # # For review materials, to set-up interviews with Allen Ravenstine or to request additional information on the album, Waiting For The Bomb, please contact Fly PR: T. -
Agent Cody Banks
i The Voice Of Whittier College Since 1914 March 13,2003 QUAKER CAMPUS http://web.whittier.edu/qc College community addresses City Council • POLITICS cifically to student reaction to war. directly on the City of Whittier and "As students, we feel that we the County of Los Angeles; its claus are one of the groups that is most es point to the funding that the city by Amy Stice affected by this war," Moorehead receives directly from the federal QC Editor-in-Chief said in her allotted three minutes in government for local programs, and front of the Council. "We have al to the county's ability to respond to A Whittier College student and ready had to say goodbye to some emergency situations if its person faculty member joined members of of our classmates, friends and loved nel are overseas serving the mili the Whittier community in asking ones. ...We are the generation that tary. The resolution does not rule the City Council to consider a reso will be fighting this war, and we out any war in Iraq, but rather cen lution opposing unilateral preemp will be living in the true aftermath ters its opposition on the U.S. wag tive action by the U.S. against Iraq of the conflicts that may arise." ing a war without the sanction ofthe on Tuesday, March 11. Howard also addressed the fu United Nations; it applauds weap Sophomore Emily Moorehead ture of young people after the war, ons inspections and the efforts of and Professor of Sociology Les remarking that as an educator, he military personnel. -
PERE UBU Ln 1975, Pere Ubu Was Organized As a One-Off Recording Project
Ile-_c-o_1'do ENIGMA. PERE UBU ln 1975, Pere Ubu was organized as a one-off recording project. lts horizons soon broadened- Four self-produced singles, released betweeo 1975 and 1977, led to major iabel releases in 1978- The first album, enlitled The Modern Danôe, and lhe later Dub Housing were bolh considered important albums and lound their way to several crilics' "don't miss' lists. Over the cburse of the next four years; Ubu:co'ntinued to experiment with lhe lorm of rock music, pursuing the way of the avant-garage;recording three more studio LPs: 1980's controversial The Art Of Walking;'Nèw Picnic Time and:The Song Ol The Bailing Man- By 1982, Pere Ubu had exhausted ltself. "We were all so tangled up Ity quii!É. create together had gotten mired," said Allen Ravensli rnt intervii we reached a point like that we'd try difierent cu music somewhere new. By the end, we'd exhausted There were no melodramatic scenes or mply stopped working. Weeks turned into months (and then years) while members group busied themselves in other fields. Allen worked with Mayo Thompson's Red Crayola before dropping out of music altogether lor a time. Scott Krauss ony Maimone founded Home & Garden. David Thomas fronled a succession and poetry troupes; first The Pedestrians, then The Wooden Birds. : ln 1986, however, the way was clear lor a revitalization of Reconcilialions had _U9tl,Proie.x. been accomplished and evênts began to suggest thsinevitability of it. Thomas, Ravenstine and Maimone were working together as The Wooden Birds and planning a rock pro.iect with guitarist Jim Jones (an Ubu associate lrom the days of the Cleveland underground) aid drum- mer Chris Cutler, Ubu friend and tormer member of '70s avant-rock pioneeÉ Henry Cow. -
Kelley Mike Foul Perfection Es
FOULPERFECTION The MIT Press Cambridge, Massachusetts London, England MIKE KELLEY FOULPERFECTION essays and criticism EDITED BY JOHN C. WELCHMAN © 2003 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Frutiger by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Kelley, Mike, 1954– Foul perfection : essays and criticism / Mike Kelley ; edited by John C. Welchman. p. cm. Includes bibliographical references and index. ISBN 0-262-11270-1 (hc. : alk. paper) — ISBN 0-262-61178-3 (pbk. : alk. paper) 1. Kelley, Mike, 1954– —Written works. 2. Kelley, Mike, 1954– —Aesthetics. 3. Art criticism. I. Welchman, John C. II. Title. N6537.K423 A35 2003 700′.92—dc21 2002029391 Mike Kelley, Ectoplasm Photograph (1979). Black and white photograph altered with bleach. 30 ϫ 23 ins. Collection of the artist. Preface viii Introduction by John C. Welchman ix SECTION I Urban Gothic (1985) 2 Empathy, Alienation, the Ivar (1985) 14 Foul Perfection: Thoughts on Caricature (1989) 20 Hollywood Filmic Language, Stuttered: 40 Caltiki the Immortal Monster and Rose Hobart (1992) Filmic Regression: The Baby and Baby Huey (1992) 50 From the Sublime to the Uncanny: 58 Mike Kelley in Conversation with Thomas McEvilley (1993) Playing with Dead Things: -
Artis Title Format Released Label Ref. No. Loc. Page 1 Of
Artis Title Format Released Label Ref. no. Loc. Seaworthy Map in Hand CD 2007 12k 6273 Pjusk Sart CD 2007 12k 6272 Moskitoo Drape CD 2007 12k 6271 Cop Shoot Cop Consumer Revolt FLAC 1992 Big Cat 6270 Shankar Lal & Sunil Banerjee Morning Raga FLAC 1996 Bandaloop 6269 Riccardo Tesi & Banda Italiana Thapsos FLAC 2000 Il Manifesto 6268 Various Ethiopiques 3 FLAC 2000 Buda 6267 Various Ethiopiques 5 - Tigrigna Music FLAC 1999 Buda 6266 Noah Howard The Black Ark LP 2007 Bo'Weavil 6265 Shelly Manne & His Men The Gambit FLAC 1958 Contemporary 6264 DVD164 Shelly Manne Steps to the Desert FLAC 1962 Contemporary 6263 DVD164 Serge Gainsbourg La Javanaise ( Vol.2 - 1961-1962-1963) FLAC 1989 Philips 6262 DVD164 Sam Rivers & the Andrew Hill Quartet Rare Tracks From "Involution" FLAC 1966 Blue Note 6261 DVD163 Robert Lee Mccoy Complete Recorded Works (1937 - 1940) FLAC 1998 Wolf 6260 DVD163 PJ Harvey Rid of Me FLAC 1993 Island 6259 DVD163 Oskar Sala Oskar Sala: Elektronische Impressionen FLAC 1978 Telefunken 6258 DVD163 Nurse With Wound Ladies Home Tickler FLAC 1980 United Dairies 6257 DVD163 Mulgrew Miller Keys to the City FLAC 1985 Landmark 6256 DVD163 Médéric Collignon Porgy And Bess FLAC 2006 Minium 6255 DVD163 Lounge Lizards Voice of Chunk FLAC 1989 Strange & Beautiful 6254 DVD163 Li Xiangting China the Art of the Qin FLAC 1990 Ocora 6253 DVD163 Lee Morgan Caramba FLAC 1968 Blue Note 6252 DVD163 Lee Konitz Some New Stuff FLAC 2000 DIW 6251 DVD163 Julie London Twin Best Now FLAC 1992 Liberty 6250 DVD163 John Coltrane Sun Ship FLAC 1965 Impulse! 6249 DVD163 Jan Garbarek Dis FLAC 1977 ECM 6248 DVD163 Jan Garbarek The Esoteric Circle FLAC 1969 Freedom 6247 DVD163 Ibrahim Ferrer Mi Sueño FLAC 2007 World Circuit 6246 DVD162 Gene Ammons Boss Tenor (RVG Remaster) FLAC 1960 Blue Note 6245 DVD162 Flanger Nuclear Jazz FLAC 2007 Nonplace 6244 DVD162 Fela Kuti Expensive Shit + He Miss Road FLAC 1975 Universal 6243 DVD162 Ali Akbar Khan Journey FLAC 1990 Triloka 6242 DVD162 Xiu Xiu vs.