Essential Chords in Open Dm Tuning
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Naming a Chord Once You Know the Common Names of the Intervals, the Naming of Chords Is a Little Less Daunting
Naming a Chord Once you know the common names of the intervals, the naming of chords is a little less daunting. Still, there are a few conventions and short-hand terms that many musicians use, that may be confusing at times. A few terms are used throughout the maze of chord names, and it is good to know what they refer to: Major / Minor – a “minor” note is one half step below the “major.” When naming intervals, all but the “perfect” intervals (1,4, 5, 8) are either major or minor. Generally if neither word is used, major is assumed, unless the situation is obvious. However, when used in naming extended chords, the word “minor” usually is reserved to indicate that the third of the triad is flatted. The word “major” is reserved to designate the major seventh interval as opposed to the minor or dominant seventh. It is assumed that the third is major, unless the word “minor” is said, right after the letter name of the chord. Similarly, in a seventh chord, the seventh interval is assumed to be a minor seventh (aka “dominant seventh), unless the word “major” comes right before the word “seventh.” Thus a common “C7” would mean a C major triad with a dominant seventh (CEGBb) While a “Cmaj7” (or CM7) would mean a C major triad with the major seventh interval added (CEGB), And a “Cmin7” (or Cm7) would mean a C minor triad with a dominant seventh interval added (CEbGBb) The dissonant “Cm(M7)” – “C minor major seventh” is fairly uncommon outside of modern jazz: it would mean a C minor triad with the major seventh interval added (CEbGB) Suspended – To suspend a note would mean to raise it up a half step. -
Many of Us Are Familiar with Popular Major Chord Progressions Like I–IV–V–I
Many of us are familiar with popular major chord progressions like I–IV–V–I. Now it’s time to delve into the exciting world of minor chords. Minor scales give flavor and emotion to a song, adding a level of musical depth that can make a mediocre song moving and distinct from others. Because so many of our favorite songs are in major keys, those that are in minor keys1 can stand out, and some musical styles like rock or jazz thrive on complex minor scales and harmonic wizardry. Minor chord progressions generally contain richer harmonic possibilities than the typical major progressions. Minor key songs frequently modulate to major and back to minor. Sometimes the same chord can appear as major and minor in the very same song! But this heady harmonic mix is nothing to be afraid of. By the end of this article, you’ll not only understand how minor chords are made, but you’ll know some common minor chord progressions, how to write them, and how to use them in your own music. With enough listening practice, you’ll be able to recognize minor chord progressions in songs almost instantly! Table of Contents: 1. A Tale of Two Tonalities 2. Major or Minor? 3. Chords in Minor Scales 4. The Top 3 Chords in Minor Progressions 5. Exercises in Minor 6. Writing Your Own Minor Chord Progressions 7. Your Minor Journey 1 https://www.musical-u.com/learn/the-ultimate-guide-to-minor-keys A Tale of Two Tonalities Western music is dominated by two tonalities: major and minor. -
Alternate Tuning Guide
1 Alternate Tuning Guide by Bill Sethares New tunings inspire new musical thoughts. Belew is talented... But playing in alternate Alternate tunings let you play voicings and slide tunings is impossible on stage, retuning is a between chord forms that would normally be nightmare... strings break, wiggle and bend out impossible. They give access to nonstandard of tune, necks warp. And the alternative - carry- open strings. Playing familiar fingerings on an ing around five special guitars for five special unfamiliar fretboard is exciting - you never know tuning tunes - is a hassle. Back to EBGDAE. exactly what to expect. And working out familiar But all these "practical" reasons pale com- riffs on an unfamiliar fretboard often suggests pared to psychological inertia. "I've spent years new sound patterns and variations. This book mastering one tuning, why should I try others?" helps you explore alternative ways of making Because there are musical worlds waiting to be music. exploited. Once you have retuned and explored a Why is the standard guitar tuning standard? single alternate tuning, you'll be hooked by the Where did this strange combination of a major unexpected fingerings, the easy drone strings, 3rd and four perfect 4ths come from? There is a the "new" open chords. New tunings are a way to bit of history (view the guitar as a descendant of recapture the wonder you experienced when first the lute), a bit of technology (strings which are finding your way around the fretboard - but now too high and thin tend to break, those which are you can become proficient in a matter of days too low tend to be too soft), and a bit of chance. -
Affordant Chord Transitions in Selected Guitar-Driven Popular Music
Affordant Chord Transitions in Selected Guitar-Driven Popular Music Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Gary Yim, B.Mus. Graduate Program in Music The Ohio State University 2011 Thesis Committee: David Huron, Advisor Marc Ainger Graeme Boone Copyright by Gary Yim 2011 Abstract It is proposed that two different harmonic systems govern the sequences of chords in popular music: affordant harmony and functional harmony. Affordant chord transitions favor chords and chord transitions that minimize technical difficulty when performed on the guitar, while functional chord transitions favor chords and chord transitions based on a chord's harmonic function within a key. A corpus analysis is used to compare the two harmonic systems in influencing chord transitions, by encoding each song in two different ways. Songs in the corpus are encoded with their absolute chord names (such as “Cm”) to best represent affordant factors in the chord transitions. These same songs are also encoded with their Roman numerals to represent functional factors in the chord transitions. The total entropy within the corpus for both encodings are calculated, and it is argued that the encoding with the lower entropy value corresponds with a harmonic system that more greatly influences the chord transitions. It is predicted that affordant chord transitions play a greater role than functional harmony, and therefore a lower entropy value for the letter-name encoding is expected. But, contrary to expectations, a lower entropy value for the Roman numeral encoding was found. Thus, the results are not consistent with the hypothesis that affordant chord transitions play a greater role than functional chord transitions. -
Fingerstyle Guitar Arrangements
The Heritage Fingerstyle Guitar Arrangements Includes FREE CD! By Stuart Ryan The Heritage An Overview PICKING HAND TECHNIQUES There are several diferent approaches to the picking must ensure your fretting hand is clean and accurate hand that you will encounter in this book. Pieces so you can really keep these strings sounding. When like ‘Amazing Grace’ rely on the traditional ‘pima’ building your own arrangements you’ll fnd DADGAD is fngerpicking approach. In this system the thumb is ideal for pieces from the Irish and Scottish canon (and typically used to pluck the 6th, 5th and 4th strings whilst beyond) but you may come to a point where you fnd it the index, middle and ring fngers pluck 3rd, 2nd and always drags you to the key of D so make sure you try 1st strings respectively. Of course there are variations arranging in some other keys when using this tuning! on these patterns and sometimes the fngers move to diferent strings but if you come from a traditional Standard tuning is ideal for pieces requiring walking fngerpicking background then you will probably be basslines or chords that are commonly associated with already familiar with this approach. Other pieces like Gospel and Blues and you’ll fnd this used on pieces ‘Since I Lay My Burden Down’ rely on the traditional like ‘Amazing Grace’ and ‘Swing Low Sweet Chariot.’ American blues/Travis picking system where the thumb A close cousin of Standard tuning is Drop D where the is used to pluck alternating basslines on the 6th, 5th and 6th string is lowered a tone from E to D. -
Guitar Tunings
Guitar tunings Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches denoted by notes in Western music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to highest-pitched (thickest string to thinnest).[1] Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and The range of a guitar with standard frequently used tunings can be understood as variations on standard tuning. tuning The term guitar tunings may refer to pitch sets other than standard tuning, also called nonstandard, alternative, or alternate. Some tunings are used for 0:00 MENU particular songs, and might be referred to by the song's title. There are Standard tuning (listen) hundreds of such tunings, often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings. Contents Standard and alternatives Standard Alternative String gauges Dropped tunings Open tunings Major key tunings Open D Open C Open G Creating any kind of open tuning Minor or “cross-note” tunings Other open chordal tunings Modal tunings Lowered (standard) E♭ tuning D tuning Regular tunings Major thirds and perfect fourths All fifths and “new standard tuning” Instrumental tunings Miscellaneous or “special” tunings 1 15 See also Notes Citation references References Further reading External links Standard and alternatives Standard Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. -
Guitar Chord Chart – Learn ALL Chords in ALL Keys
Guitar Chord Chart – Learn ALL Chords In ALL Keys In this guide you will find: 60 essential guitar chords which will make you sound amazing. The secret to learning chords quickly. 2 quick and easy tips which will help you read a guitar chord chart. There are 5 main chord types, these are: Major Minor Dominant 7th Minor 7th Major 7th You learn easy versions of these chords here: 14 Easy Guitar Chords For Beginners For today’s lesson, you will learn each of those chords in ALL 12 keys, those keys are: A Bb B C C# D Eb E F F# G G# Hold on tight, this guide will blow your mind! The Major Chord The major chord is one of the most commonly used chords in music. It’s essential that you know how to play a major chord. Major chords sound happy and vibrant. This chord can be heard ALL over music, but is specifically used in pop and country music. Here’s the major guitar chord chart in ALL 12 keys: A Major If you don’t understand how to read this image, go to this article: How To Read Guitar Chords: An Essential Guide Bb Major B Major C Major C# Major D Major (If you don't understand the above image please read our article "How To Read Guitar Chordboxes In 60 Seconds". It will make everything clear!) . Eb Major E Major F Major F# Major G Major G# Major The Minor Chord The minor chord is one of the most popular guitar chords. -
Peavey AT-200™ Auto-Tune® Guitar
Peavey AT-200™ Auto-Tune® Guitar Owner's Manual IMPORTANT SAFETY INSTRUCTIONS WARNING: When using electrical products, basic cautions should always be followed, including the following: 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat. 8. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 9. This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects containing liquids, such as vases, upon the apparatus. 10. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the following permissible noise level exposures: Duration Per Day In Hours Sound Level dBA, Slow Response 8 90 6 92 4 95 3 97 2 100 1 1⁄2 102 1 105 1⁄2 110 1⁄4 or less 115 According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. -
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE” - GUNS AND ROSES 3 “CAT SCRATCH FEVER”- TED NUGENT 32 “ALL DAY AND ALL OF THE NIGHT” -THE “CHINA GROVE”- THE DOOBIE 4 33 KINKS BROTHERS “ALL RIGHT NOW” – FREE 5 “COME AS YOU ARE”-NIRVANA 34 “ARE YOU GOING TO GO MY WAY” - LENNY 6 “ELECTRIC EYE”- JUDAS PRIEST 34 KRAVITZ “BORN TO BE WILD” – STEPPENWOLF 7 “COWBOYS FROM HELL”- PANTERA 35 “DON’T FEAR THE REAPER”- BLUE “CRAZY TRAIN” - OZZY OSBOURNE 9 36 OYSTER CULT “DAY TRIPPER” - THE BEATLES 11 “ENTER SANDMAN”-METALLICA 37 “HALLOWED BE THY NAME”- IRON “EYE OF THE TIGER” – SURVIVOR 12 38 MAIDEN “IRON MAN” - BLACK SABBATH 14 “HELLS BELLS”- ACDC 39 “JOHNNY B. GOODE” - CHUCK BERRY 15 “HOLY DIVER”- DIO 40 “JUMPING JACK FLASH”- THE ROLLING “LAYLA” - DEREK AND THE DOMINOS 17 41 STONES “KEEP ON ROCKING IN THE FREE “LOVE ME TWO TIMES” - THE DOORS 18 41 WORLD”-NEIL YOUNG “PRETTY WOMAN” - ROY ORBISON 19 “MONEY FOR NOTHING”- DIRE STRAITS 42 “SATISFACTION” - THE ROLLING STONES 20 “NO QUARTER”- LED ZEPPELIN 43 “SEVEN NATION ARMY” - WHITE STRIPES 21 “REBEL REBEL”- DAVID BOWIE 43 “SMELLS LIKE TEEN SPIRIT” – NIRVANA 22 “PANAMA”- VAN HALEN 44 “ROCK YOU LIKE A HURRICANE”- THE “SUNSHINE OF YOUR LOVE” – CREAM 23 46 SCORPIONS “WALK THIS WAY” - AEROSMITH 24 “SHARP DRESSED MAN”-ZZ TOP 46 “WHOLE LOTTA LOVE” - LED ZEPPELIN 25 “SPOONMAN”- SOUNDGARDEN 47 “YOU SHOOK ME ALL NIGHT LONG” - AC/DC 26 “START ME UP”- THE ROLLING STONES 48 “WOMAN FROM TOKYO”-DEEP PURPLE 28 “SWEAT LEAF”- BLACK SABBATH 49 292 “AMERICAN WOMAN”- THE GUESS WHO “THE OCEAN”- LED ZEPPELIN 49 8 “THE OTHER SIDE”- THE RED HOT CHILI “ACE OF SPADES”- MOTORHEAD 29 50 PEPPERS “UNDER THE BRIDGE”- RED HOT CHILI “BACK N’ BLACK”- ACDC 30 52 PEPPERS “BORN TO RUN”- BRUCE SPRINGSTEEN 31 “WIPEOUT”- THE SURFARIS 54 Jam Play! -2 - 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE”- GUNS AND ROSES This riff is an arpeggio made up of three figures. -
THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline Email- [email protected] A7sus4
THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline email- [email protected] A7sus4.... A9 A9sus Aadd9. Aadd9.. Aaug/D. Aaug/G. Adim 3 6 The .'s and ,'s after the chord name means that the chord is a duplicate or alternate formation. Ab Ab+ Ab/A. Ab/F. Ab/F.. Ab/Gb. Ab/Gb.. Ab11 Adim/Ab. Adim/E. Adim/F. Adim/F.. Adim/G. Adim/Gb. Adim7. Asus 4 8 4 4 3 Ab4 Ab5. Ab6. Ab6.. Ab7 Ab7.. Abdim Abdim/E. Asus.. Asus... Asus.... Asus2 Asus2.. Asus2... Asus2.... Asus2..... 4 8 4 5 Abdim/E.. Abdim/E... Abdim/Eb.. Abdim/F. Abdim/F.. Abdim/F... Abdim7. Abdim7.. Asus2/Ab. Asus2/C. Asus2/C.. Asus2/D. Asus2/D.. Asus2/Db. Asus2/Db.. Asus2/Eb. 5 6 Abdim7... Absus Absus. Absus2/F. Absus4 Abm Abm/D. Abm/E. Asus2/F. Asus2/G. Asus2/G.. Asus2/Gb. Asus2/Gb.. Asus4 Asus4/Ab. Asus4/B. 4 4 4 2 Abm/E.. Abm/E... Abm/Gb... Abm7 Abm7. Abmaj Abmaj7 Abmin Asus4/Bb. Asus4/C. Asus4/C.. Asus4/Db. Asus4/Db.. Asus4/F. Asus4/G. Asus4/G.. 4 4 4 4 5 6 Ab#5. A A+ A.. A... A..... A/Ab. A/B. Asus4/G... Asus4/Gb. Asus4/Gb.. Am Am(7#) Am(add9) Am.. Am... 2 5 4 5 A/B.. A/D A/D.... A/D..... A/D...... A/F# A/G# A/G. Am/B. Am/B.. Am/D. Am/D.. Am/Eb. Am/F. Am/F.. Am/F... 5 5 9 5 5 A/G. -
Essential Dominant 7Th Chords for Jazz Guitar
Essential Dominant 7th Chords For Jazz Guitar Learning how to play dominant 7th chords can seem like a tough task for any guitarist tackling these essential jazz guitar chords. Compared to other chord shapes, dominant 7th chords have many different variations that you can explore in your playing. While these variations add color to your comping, chord soloing, and chord melody playing, they also make it difficult to memorize all these chord shapes. In this lesson, you’ll learn how to use two shapes, the m7b5 chord and maj7#11 chord, to create 9th, 13th, and two variations of 7alt chords in your playing. By using chords you already know to create new dominant 7th chords, you’ll keep your practice time to a minimum as you expand your 7th chord palette. If you’re new to these concepts, and to applying one chord over another in general, take your time with each section of this lesson. There’s no rush to work all four of these harmonic concepts in your studies. Go slow, become comfortable with each concept one at a time, and before you know it you’ll be playing cool sounding, dominant 7th chords over your favorite tunes. Free Jazz Guitar eBook: Download the beginner’s guide to jazz guitar that’ll teach you how to play jazz chord progressions, solo over jazz chords, and walk basslines. 9th Chord Shapes The first dominant 7th chord variation that you’ll explore is the 9th chord. This common chord sounds great when playing in a blues context, or over the V7 chord in a ii V I, and is an essential sound for any jazz guitarist to learn. -
Chart of Recorded and Related Tunings
Page 1 Dancing Cat Records Hawaiian Slack Key Information Booklet: SECTION IVa: CHART OF RECORDED TUNINGS (and ones closely related to them) 1. 51 of the 65 tunings listed here have had Hawaiian songs recorded in them. Of these 36 of them are played virtually exclusively in Hawai’i (or for playing Hawaiian music). 2. Bb Tunings are the same as C Tunings, except the pitches of the two lowest pitched strings are reversed and tuned up, and the whole tuning is often lowered to the key of Bb to accommodate the fairly extreme raising of the two lowest pitched strings. Therefore, in this chart (and in all the sections of this Slack Key information book) the Bb tunings are listed with the same chart number as the C Tunings that they are related to. 3. In the C Tunings Section of this chart, when two tunings are listed together that are similar, except that the two lowest pitched strings are reversed in pitch (so that one of the tunings is also a Bb Tuning), those two tunings are separated by a space. 4. For songs listed in each of these tunings, see the HAWAIIAN RECORDINGS IN THE SLACK KEY TUNINGS-SECTION V. For other possible Slack Key tunings, see the SUMMARY OF NON- RECORDED TUNINGS-SECTION VI. 5. **The 12 tunings with two asterisks after them have not had any songs recorded in them, but they are reported to have been played by someone in Hawai’i, or are closely related to the one just above it on the chart, and they would be very feasible to play Slack Key in.