The Magic of Drop D Tuning
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Alternate Tuning Guide
1 Alternate Tuning Guide by Bill Sethares New tunings inspire new musical thoughts. Belew is talented... But playing in alternate Alternate tunings let you play voicings and slide tunings is impossible on stage, retuning is a between chord forms that would normally be nightmare... strings break, wiggle and bend out impossible. They give access to nonstandard of tune, necks warp. And the alternative - carry- open strings. Playing familiar fingerings on an ing around five special guitars for five special unfamiliar fretboard is exciting - you never know tuning tunes - is a hassle. Back to EBGDAE. exactly what to expect. And working out familiar But all these "practical" reasons pale com- riffs on an unfamiliar fretboard often suggests pared to psychological inertia. "I've spent years new sound patterns and variations. This book mastering one tuning, why should I try others?" helps you explore alternative ways of making Because there are musical worlds waiting to be music. exploited. Once you have retuned and explored a Why is the standard guitar tuning standard? single alternate tuning, you'll be hooked by the Where did this strange combination of a major unexpected fingerings, the easy drone strings, 3rd and four perfect 4ths come from? There is a the "new" open chords. New tunings are a way to bit of history (view the guitar as a descendant of recapture the wonder you experienced when first the lute), a bit of technology (strings which are finding your way around the fretboard - but now too high and thin tend to break, those which are you can become proficient in a matter of days too low tend to be too soft), and a bit of chance. -
Fingerstyle Guitar Arrangements
The Heritage Fingerstyle Guitar Arrangements Includes FREE CD! By Stuart Ryan The Heritage An Overview PICKING HAND TECHNIQUES There are several diferent approaches to the picking must ensure your fretting hand is clean and accurate hand that you will encounter in this book. Pieces so you can really keep these strings sounding. When like ‘Amazing Grace’ rely on the traditional ‘pima’ building your own arrangements you’ll fnd DADGAD is fngerpicking approach. In this system the thumb is ideal for pieces from the Irish and Scottish canon (and typically used to pluck the 6th, 5th and 4th strings whilst beyond) but you may come to a point where you fnd it the index, middle and ring fngers pluck 3rd, 2nd and always drags you to the key of D so make sure you try 1st strings respectively. Of course there are variations arranging in some other keys when using this tuning! on these patterns and sometimes the fngers move to diferent strings but if you come from a traditional Standard tuning is ideal for pieces requiring walking fngerpicking background then you will probably be basslines or chords that are commonly associated with already familiar with this approach. Other pieces like Gospel and Blues and you’ll fnd this used on pieces ‘Since I Lay My Burden Down’ rely on the traditional like ‘Amazing Grace’ and ‘Swing Low Sweet Chariot.’ American blues/Travis picking system where the thumb A close cousin of Standard tuning is Drop D where the is used to pluck alternating basslines on the 6th, 5th and 6th string is lowered a tone from E to D. -
Guitar Tunings
Guitar tunings Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches denoted by notes in Western music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to highest-pitched (thickest string to thinnest).[1] Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and The range of a guitar with standard frequently used tunings can be understood as variations on standard tuning. tuning The term guitar tunings may refer to pitch sets other than standard tuning, also called nonstandard, alternative, or alternate. Some tunings are used for 0:00 MENU particular songs, and might be referred to by the song's title. There are Standard tuning (listen) hundreds of such tunings, often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings. Contents Standard and alternatives Standard Alternative String gauges Dropped tunings Open tunings Major key tunings Open D Open C Open G Creating any kind of open tuning Minor or “cross-note” tunings Other open chordal tunings Modal tunings Lowered (standard) E♭ tuning D tuning Regular tunings Major thirds and perfect fourths All fifths and “new standard tuning” Instrumental tunings Miscellaneous or “special” tunings 1 15 See also Notes Citation references References Further reading External links Standard and alternatives Standard Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. -
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know
Guitar Riffs Every Guitarists Should Know 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE” - GUNS AND ROSES 3 “CAT SCRATCH FEVER”- TED NUGENT 32 “ALL DAY AND ALL OF THE NIGHT” -THE “CHINA GROVE”- THE DOOBIE 4 33 KINKS BROTHERS “ALL RIGHT NOW” – FREE 5 “COME AS YOU ARE”-NIRVANA 34 “ARE YOU GOING TO GO MY WAY” - LENNY 6 “ELECTRIC EYE”- JUDAS PRIEST 34 KRAVITZ “BORN TO BE WILD” – STEPPENWOLF 7 “COWBOYS FROM HELL”- PANTERA 35 “DON’T FEAR THE REAPER”- BLUE “CRAZY TRAIN” - OZZY OSBOURNE 9 36 OYSTER CULT “DAY TRIPPER” - THE BEATLES 11 “ENTER SANDMAN”-METALLICA 37 “HALLOWED BE THY NAME”- IRON “EYE OF THE TIGER” – SURVIVOR 12 38 MAIDEN “IRON MAN” - BLACK SABBATH 14 “HELLS BELLS”- ACDC 39 “JOHNNY B. GOODE” - CHUCK BERRY 15 “HOLY DIVER”- DIO 40 “JUMPING JACK FLASH”- THE ROLLING “LAYLA” - DEREK AND THE DOMINOS 17 41 STONES “KEEP ON ROCKING IN THE FREE “LOVE ME TWO TIMES” - THE DOORS 18 41 WORLD”-NEIL YOUNG “PRETTY WOMAN” - ROY ORBISON 19 “MONEY FOR NOTHING”- DIRE STRAITS 42 “SATISFACTION” - THE ROLLING STONES 20 “NO QUARTER”- LED ZEPPELIN 43 “SEVEN NATION ARMY” - WHITE STRIPES 21 “REBEL REBEL”- DAVID BOWIE 43 “SMELLS LIKE TEEN SPIRIT” – NIRVANA 22 “PANAMA”- VAN HALEN 44 “ROCK YOU LIKE A HURRICANE”- THE “SUNSHINE OF YOUR LOVE” – CREAM 23 46 SCORPIONS “WALK THIS WAY” - AEROSMITH 24 “SHARP DRESSED MAN”-ZZ TOP 46 “WHOLE LOTTA LOVE” - LED ZEPPELIN 25 “SPOONMAN”- SOUNDGARDEN 47 “YOU SHOOK ME ALL NIGHT LONG” - AC/DC 26 “START ME UP”- THE ROLLING STONES 48 “WOMAN FROM TOKYO”-DEEP PURPLE 28 “SWEAT LEAF”- BLACK SABBATH 49 292 “AMERICAN WOMAN”- THE GUESS WHO “THE OCEAN”- LED ZEPPELIN 49 8 “THE OTHER SIDE”- THE RED HOT CHILI “ACE OF SPADES”- MOTORHEAD 29 50 PEPPERS “UNDER THE BRIDGE”- RED HOT CHILI “BACK N’ BLACK”- ACDC 30 52 PEPPERS “BORN TO RUN”- BRUCE SPRINGSTEEN 31 “WIPEOUT”- THE SURFARIS 54 Jam Play! -2 - 50 Guitar Riffs Every Guitarists Should Know “SWEET CHILD O’MINE”- GUNS AND ROSES This riff is an arpeggio made up of three figures. -
Essential Chords in Open Dm Tuning
e b o o k Essential Chords in Open Dm Tuning A guide to the Open D Tuning through chords AN EBOOK FROM GUITAR-CHORD.ORG Copyright © 2021 Guitar-chord.org. All Rights Reserved. No part of this publication may be reproduced in any form or by any means without permission from the publisher except for personal use. Table of Contents Introduction Understanding the Open Dm tuning Open chords Voicings Movable chords Chord progressions Tabs Introduction About this ebook The purpose with this ebook is to let you explore more of the Open Dm Tuning landscapes by presenting over 100 chords with diagrams. The ebook is sparse in sense of colors and has a simple layout, which is made with the print possibility in mind. Tune in into Open Dm Tuning If you are unfamiliar to how to tuned to the Open Dm Tuning, the guitar should be tuned as D-A-D-F-A-D from lowest (thickest) to highest (thinnest) string. To include an octave perspective, the tuning could be written as D2-A2-D3-F3-A3-D4, meaning that the lowest string is a D note on the second octave, the second lowest string is a A note on the second octave and so on. Always tune down (decreasing string tension) and not up (increasing string tension). This is important because too much pressure will break the strings, and in the worst scenario, damage the guitar. Open Em Tuning Related to the Open Dm Tuning is the Open Em Tuning (E-B-E-G-B-E). By putting a capo on the second fret, you can play all the presented chords two positions up in the Open Em Tuning. -
Chords, Scales, Arpeggios & Picking
843 CHORDS, SCALES, ARPEGGIOS & PICKING ACOUSTIC GUITAR METHOD ARPEGGIO FINDER A BEGINNER’S CHORD BOOK EASY-TO-USE GUIDE TO OVER GUIDE TO by David Hamburger 1,300 GUITAR ARPEGGIOS CHORD Acoustic Guitar Magazine Private Lessons by Chad Johnson POSITIONS String Letter Publishing Hal Leonard Guitar Method SIMPLE, CREATIVE WAYS David Hamburger’s supplementary chord book for the Please see the Hal Leonard TO MOVE UP THE NECK Acoustic Guitar Method is a must-have resource for gui- Guitar Method for com- by Happy Traum tarists who want to build their chord vocabulary! Starting plete description. Homespun with a user-friendly explanation of what chords are and Find chords in the upper how they are named, this book presents chords by key in reaches of the fingerboard, all 12 keys, offering both open-position and closed- ______00697351 9" x 12" Edition.................$6.95 and learn the basic concepts of music theory for guitar. position voicings for each common chord type. Also ARPEGGIOS Starting with the easiest three-string movable chord includes info on barre chords, using a capo and more. positions, Happy explains with very clear, simple ______00695722............................................$5.95 by Joe Charupakorn instructions how to use them, combining them with Cherry Lane Music other movable chords until you can play in any ADVANCED Please see Guitar Reference Guides Series for a position and in any key. Moving on to four, five and six- SCALE complete description. string (barre) movable chords, you’ll learn songs and CONCEPTS ______02500125..........................................$14.95 G chord progressions that will help you put your newly- U I AND LICKS FOR acquired chord knowledge into practice. -
MTO 21.2: Heetderks, Hipster Harmony
Volume 21, Number 2, June 2015 Copyright © 2015 Society for Music Theory Hipster Harmony: The Hybrid Syntax of Seventh Chords in Post-Millennial Rock David J. Heetderks NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.15.21.2/mto.15.21.2.heetderks.php KEYWORDS: chromaticism, rock, art rock, experimental rock, experimental pop, progressive rock, Dirty Projectors, Radiohead, Mew, Grizzly Bear, Deerhunter, musical geometry, seventh chords, transformational theory, chromatic harmony ABSTRACT: This article argues that art-rock groups active since 2000 often use chromatic progressions between seventh chords and other chords of four or more notes in order to differentiate themselves from generic rock styles. These groups introduce chromatic progressions through one of three schemas: altering a recurring diatonic progression (a recurring Roman-numeral progression), exploring the voice-leading possibilities of a recurring chord (a magic chord), and exploring the diatonic and chromatic possibilities of a voice-leading motion (a magic voice leading). When a chromatic progression appears, it functions as a large-scale, tonally undetermined alternation between two chords, or as a substitution for a normative progression. Hybrid syntax occurs where progressions arising from the techniques listed above are juxtaposed with common rock progressions. I analyze instances of hybrid syntax in songs by Dirty Projectors, Deerhunter, Mew, Grizzly Bear, and Radiohead. In these songs, chromatic progressions conspire with lyrics, timbre, and texture to convey otherworldliness or ambiguity, supporting the depictions of unusual personae or situations that art-rock groups favor. Received October 2014 Introduction [0.1] Many rock critics recognize that a broad genre of rock music has emerged since around 2000. -
Drop D Tuning from Wikipedia, the Free Encyclopedia
Drop D tuning From Wikipedia, the free encyclopedia Not to be confused with D tuning. Drop D tuning Drop D tuning is an alternative form of guitar tuning in which the lowest (sixth) string is tuned down from the usual E of standard tuning by one whole step to D.[1] Drop D tuning, as well as other lowered altered tunings, are often used with the electric guitar in heavy metal music. It is also used in blues, country, folk (often with acoustic guitar), and classical guitar. Uses In drop D, the three open bass strings form a D5 power chord. Other fifth chords are made when barred with the index finger of the fretting hand shifted up the fretboard. Drop D tuning is frequently used in heavy metal and its various subgenres, as guitarists in these styles often need fast transitions between power chords. Drop D is also used in metal because it adds two lower semitones to the bass range of the rhythm guitar, which adds two more low-range power chords (Eb and D) and enables a "heavier", deeper sound. The tuning has also been used in many other styles of music, including blues, country, folk, and classical. Due to its similarity to standard tuning, drop D is recognised as a useful introduction to alternative tunings, leading logically to an exploration of DADGAD, open D and drop D drop G (in which both the 5th and 6th strings are dropped a tone) tunings. The tuning allows for chords with a root or bass note of D to be played with a D an octave lower than with standard tuning. -
Exploration of Unorthodox Tunings and Muscle Memory Practice for the Electric Guitar
EXPLORATION OF UNORTHODOX TUNINGS AND MUSCLE MEMORY PRACTICE FOR THE ELECTRIC GUITAR LEE ANTHONY JONES SCHOOL OF ARTS AND MEDIA SALFORD MUSIC RESEARCH CENTRE UNIVERSITY OF SALFORD SALFORD, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy (PhD) September 2018 Table of Contents List of Tables and Illustrations iii Glossary of Terms iv Acknowledgements vii Abstract viii Chapter 1: Introduction 1 Chapter 2: Literature Review 4 Chapter 3: Methodology 47 Chapter 4: Commentary 59 Chapter 5: Conclusion and Suggestion for Future Research 91 Bibliography 95 Discography 115 Appendix I: 118 CD Track Lists 119 CDs of Recordings 120 Appendix II: 121 Directory of Muscle Memory Patterns / Shapes 122 Appendix III: 133 12 Short Solo Studies (1-7) 134 12 Short Solo Studies (8-12) 137 Etude for Two Guitars Score 140 Not That That Helps Score 142 Valentine Fog Clears Score 144 Chinese Whispers Score 146 i Chromatic Attack Score 148 Babylon Bells Score 150 Surf-Dale Score 151 Kotofuzz Score 153 Augmented Realism Score 155 Volcanic Waltz Score 157 All’s Well, End’s Well Score 159 Night Train to Mumbai Score 161 Twelve Constellations Score 163 ii List of Tables and Illustrations Figure 1: Table of Alternate Tunings 47 Figure 2: Extract from Solo Study 2 49 Figure 3: Comparison of Standard/C#ADGAD Tuning 53 Figure 4: Comparison of Standard/Chromatic Tuning 54 Figure 5: Amaj7#5 chord voicing derived from Chromatic Tuning 54 Figure 6: Photo of Guitar Ibanez JSM10 63 Figure 7: Photo of Fender Blues Deluxe Amplifier and -
Peterson Guided Tuning™
Peterson Guided Tuning™ Guided Tuning is a new feature in tuners, it allows the user to tune to specified tunings, be they dropped, open, alternative etc. without having to know the correct note names. The tuner replaces the note name with a string number which the user simply uses as a guide while adjusting the pitch of the string so that the string number displayed on the tuner matches the string number being plucked. The result is an accurately tuned guitar tuned to the required alternative tuning. Using Peterson Guided Tuning, it is not only possible to try out new tunings without any other reference whatsoever, it is also entirely possible for someone with no previous musical experience at all to consistently, accurately and easily tune a 5, 6, 7, 8 or 9-string guitar to any tuning. When a Guided Tuning Preset is selected: The tuner displays pitch as follows – Example: Standard Tuning 1 (= High E string) 2 (= B String) 3 (= G String) 4 (= D String) 5 (= A String) 6 (= Low E String) Strobe image turns clockwise = String played is too high in pitch = tune DOWN. Strobe image turns counter-clockwise = String played is too low in pitch = tune UP. Strobe image immobile or hovering = String played is in tune with selected Guided Tuning preset. Tuning directions are the same, regardless of which Guided Tuning is selected: 1. Forget about note and note names, they will not be displayed on the tuner’s screen in Guided Tuning mode*. 2. Pluck the open string only (don’t use a flageolet, “chime” or “harmonic” tone). -
Everlong 1/8
Everlong 1/8 ic Check M Listen to the Foo Fighters’ supercharged hit “Everlong” from their sophomore release, The Colour and the Shape, and it’s hard to imagine this post-grunge rocker in an acoustic setting. But Dave Grohl somehow reimagined the track as a solo acoustic number, and he did such a good job with it that this version is nearly as popular as the original, which peaked at No. 1 on Billboard’s Alternative Songs chart. One key factor in translating this piece to the acoustic realm: Grohl doesn’t try to replicate the blood-pumping chorus of the original. Instead of digging into the guitar part and screaming through the vocals at the top of his range, Grohl keeps his voice down in the lower octave, giving the song a completely different feel. n Stage O First off, make sure you tune your 6th string down a whole step to D to get into Drop D tuning. You can do that by tuning the 6th string with the octave D on the open 4th string, or you can fret the 6th string at the 7th fret and match that note against the open A string. Many of the chords throughout this song are based on familiar barred power chord shapes that place your index and ring fingers two frets apart on a pair of strings. What’s interesting about this song, though, is that because of the Drop D tuning (and where the shapes are played), you’re often playing more complex chords, like major seventh and sus2 sounds. -
List of Guitar Tunings
List of guitar tunings This list of guitar tunings supplements the article guitar tunings. In particular, this list contains more examples of open and regular tunings, which are discussed in the article on guitar tunings. In addition, this list also notes dropped tunings. Contents 1 Open 1.1 Major 1.1.1 Open A 1.1.2 Open B A FuniChar D-616 guitar 1.1.3 Open C with a Drop D tuning. It has an 1.1.4 Open D unusual additional fretboard 1.1.5 Open E that extends onto the 1.1.6 Open F headstock. Most guitarists 1.1.7 Open G obtain a Drop D tuning by 1.2 Minor: Cross-note 1.3 Modal detuning the low E string a 1.4 Extended chord tone down. 2 Regular Tunings 2.1 Major seconds 2.2 Minor thirds 2.3 Major thirds 2.4 All Fourths 2.5 Augmented fourths 2.6 All fifths: "Mandoguitar" 2.6.1 New standard tuning 2.7 Ostrich tuning 3 Dropped 3.1 Examples 4 Shifted 4.1 Lowered 4.2 Raised 4.3 Double-dropped 5 Miscellaneous 5.1 Dad-Gad 5.2 Dad-Dad 5.3 Cello/Standard guitar 5.4 "Karnivool" tuning 5.5 Mi-composé 5.6 "Iris" Tuning 5.7 E-A-C#-F#-A-C# ("Sleeping Ute") 5.8 FGC3 5.9 Microtonal tuning 5.10 Guitar tunings inspired by other Instruments 6 Extended range and other guitar tunings 6.1 Five-string 6.2 Seven-string 6.2.1 Lower 6.2.2 Higher 6.2.3 Dropped 6.3 Eight-string 6.3.1 Lower 6.3.2 Higher 6.3.3 Dropped 6.4 Nine-string 6.4.1 Lower 6.4.2 Dropped 6.5 Ten-String 6.6 Steel Guitar 6.7 Renaissance lute 7 References 7.1 Sources 8 Further reading 9 External links Open Main article: Open tuning Major Major open-tunings give a major chord with the open strings.