Cleveland State Community College 2014 Edition

Total Page:16

File Type:pdf, Size:1020Kb

Cleveland State Community College 2014 Edition Cleveland State Community College 2014 Edition ENGLISH DEPARTMENT Editor: Julie Fulbright Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2014 All Rights Reserved Front cover photography by: Julie Fulbright Cleveland State Community College www.clevelandstatecc.edu CSCC HUM/13095/04282014 - Cleveland State Community College is an AA/EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non- discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Michael Whaley, Jr. Legacies Rebecca Tedesco 1 Kim Frank A Snowy Evening Julie Fulbright 2 Arielle Saint-Loth A Rose to Emily Chet Guthrie 3 La’Trayier Williamson Cave In Chet Guthrie 4 Jen O’Neal The Black Spot Marchelle Wear 5-8 Mark Partain ABC’s of College Degrees Marchelle Wear 9 Poems Kim Frank 10 Ode to Santiago Mark Partain 11 Wormwood Chet Guthrie 12 Carolyn Price My Greatest Inspiration Marchelle Wear 13-14 Ashley Gentry The Cask of Amontillado Andy Foskey 15-17 Daddy Come Home Chet Guthrie 18 Chet Guthrie Comet Fall Chet Guthrie 19 Deep Doe Eyes Marchelle Wear 20 Farewell Marchelle Wear 21 Life Marchelle Wear 22 A Beast It Was Marchelle Wear 23-30 Tonya Arsenault The Angel with the Smallest Wings Tonya Arsenault 31 Anonymous Untitled 32 Colby Denton Immortal Andy Foskey 33-34 Dixie Sandlin The Monster in Me Dixie Sandlin 35-36 Zac Parker The Divine Parody Chet Guthrie 37 Delena Richeson Sunsets Julie Fulbright 38 Marriage and Mismatched Socks Julie Fulbright 39 Kaitlin Loseby Untitled Julie Fulbright 40 Jacob Taylor Contingency Marchelle Wear 41-42 William White Haiku Julie Fulbright 43 Table of Contents - Continued. Written By Title Photo/Drawing By: Page Valerie Trentham Purple Julie Fulbright 44 Kelly Osment Why I Can’t Sleep Rebecca Tedesco 45 Days Before Kelly Osment 46 Kevin Houk Angel on the Subway Marchelle Wear 47 Jeremy Edwards My Prayer Julie Fulbright 48 Jarrod Gee Sleeper Rebecca Tedesco 49 Shawn Beshears Untitled 50-52 Legacies Michael Whaley Jr. Legacies, legacies, can we count them all? So many formed without GOD, And we’ve watched them fall Extra, extra read all or shout it Consumed by this cold world As if you can’t live without it You sick, sadistic world, Miss me with your phony legacies And many obsessions with diamonds and pearls I’ll never buy one Go ahead, if you want, try one Personally, I’d rather not I’m too busy making my own!!! Photo by: Rebecca Tedesco 1 A Snowy Evening Kim Frank Photo by: Julie Fulbright We slaughtered a cow in the barn while still light enough to divide, then went our ways, each with a share, sorry to kill but thankful to eat. The grey dusk pelted white flake before becoming invisibly dark. Nothing hurried headlights or the few trucks passing deserted fields & knotty pines. My own sense of sleep weighed the air. Head, hoof, and shoulder rested easily in the bed behind the cab, but inside, words cheated me with silence. Near home I stopped to survey a bridge I had to cross. Covered by wood and snow, it looked as deep as a hole in night. The truck engine’s steady vibration forced me to make my mind. As I drifted closer and closer to sleep, I drifted closer and closer to sleep. 2 A Rose to Emily Arielle Saint-Loth The rose flickering in the wind The suspense that leads to destruction The rose will fade away A rose found in love struck Searching in the dark, shadow, and dust It will find its dryness as townspeople Sprinkle lime Rise up and Walk my Emily The rose awaits in the distance Your love never becomes wasted until we meet again Photo by: Chet Guthrie 3 Drawing by: Chet Guthrie Cave In La’Trayier Williamson When I walk through the halls the walls cave in. When I walk on the streets I feel the ground cave in. When the wind blows it’s as if the clouds are falling. When the sun goes down, it feels as if everything around is caving in. When it rains it is a dead end, even when it snows it caves in, the world around me caving in. The surroundings I see caving in, as if everything will soon come to an end. The little light I did once see is now coming to an end. The life I once had is caving in, no escape from the caving in. As if everything I did for the good, had no purpose and all gone to waste. My life will soon be caving in at a dead end. 4 The Black Spot Jen O’Neal Photo by: Marchelle Wear After waking from a deep sleep, I glanced over at Tessie, whose snores sounded like a freight train amidst the silence of a still forest. I tapped her on the shoulder several times with no response. “Tessie!” I yelled. “Wake up; we are both going to arrive late to the lottery. Folks will get suspicious.” “I’m awake now, Joe,” Tessie remarked. “I must get home to my family quickly. They will begin to wonder where I am. Told them I was staying with my dear friend Mrs. Delacroix.” Tessie leaped up out of bed, hurriedly gathered her belongings, and left without saying another word. Being the most influential member of the village, our trivial love affair must come to an end. My reputation is at stake. People look up to me; I am a leader of this community. Last night I carefully concocted a plan to insure Tessie’s demise. Mr. Graves, my accomplice, aided in the logistics and set up. For that, I owe him much thanks. Now I must tidy myself up and adorn myself in the cleanest, freshest clothing I can find. Looking my best, I stepped out into the brilliant sunshine of a clear June morning. I took in a breath of fresh air and exhaled slowly leaving all of my nervousness and angst behind. My 1969 shiny, black Ford Mustang sat there gleaming as the rays of sunshine enveloped it. Feeling as if I had the whole world at the tip of my fingers, I started the engine and headed towards the village. As I had imagined, all of the villagers were there anxiously awaiting my arrival. Women, children, and men of all ages gathered around. I stepped into the center of the crowd, looking from one face to another and smiling. “Hello, and good afternoon, everyone. I apologize for my late arrival.” Mr. Graves, my ally, approached carrying the black box dilapidated from years of use and a three legged wooden stool. He sat the stool down and immediately placed the box upon it. The crowd separated and shifted away from the ominous box. The box, a monstrous, foul looking creature glared at the crowd with looks of disdain. “Listen up folks. I need a few of you to lend me a hand,” I announced. Reluctantly, Mr. Martin and his son, Baxter, joined me at the head of the crowd. 5 “Please, hold the box as I draw some names.” I shifted through the slips of paper, one by one, making sure I drew the right one. All of them have certain textures, characteristics, and minute differences that only I can tell apart. In order to distract Mr. Martin and Baxter I filled their ears with incessant chatter. In the midst of scrambling through the slips, Tessie arrived. I breathed a sigh of relief. “I sure am glad she made it,” I thought to myself. I watched as she greeted her friend, Mrs. Delacroix, and then quickly found her family. “For a moment I thought we would have to continue this much anticipated ceremony without one of our finest members,” I retorted. “You wouldn’t want me to leave the kitchen a mess, now, would you Joe?” Tessie inquired. “Okay everybody, let’s get started. So we can all, hopefully, return to our jobs by noon,” I stated. “Is anybody absent? Anybody at all?” I asked. “Dunbar isn’t here,” several villagers replied. “Clyde Dunbar. That’s right. His leg is broken,” I said. “Who will draw for him?” may I ask. A woman spoke up. “Me, I suppose,” she stated. “A wife drawing for her husband,” I smirked. “Don’t you have a man to do this for you, Janey?” I waited for a moment with an expression of intent interest, while Mrs. Dunbar answered. “Horace is but sixteen years old, only a young lad. He is not old enough to fill in for Clyde. Suppose It will be my duty this year,” Janey responded. “Right,” I asserted. I made a note on my list. “Is the Watson boy drawing this year?” “Yes. I will be drawing for my mother and me,” Watson uttered with a look of terror. “Guess that’s everybody. Did Old Man Warner make it?” I asked. “Here,” a voice said. I nodded in approval. “Now, I’ll read the names-heads of family first- and the men come up and select a slip of paper. Once you have gotten a paper, please make sure it remains folded in your hand. Nobody will look until everyone has been called forth. Is that clear?” I demanded. “Adams.” A man meandered through the sea of people and came forward.
Recommended publications
  • Ing the Fj Needs of the Music & Record Ti Ó+ Industry
    . I '.k i 1 Dedicated To £15.o nlr:C, .3n0r14 Serving The fJ Needs Of The Music & Record ti Ó+ Industry ra - Vol. 21, No. 1004 September 3, 1966 In the opinion of the editors, this week the following records are the WHO SINGLE PICKS OF THE WEEK LU M MY UNCLE 6 USED TO LOVE IN THE ME BUT SHE DIED y 43192 WORLD JUST LIME A WOMAN Trendsetting Bob Dylan goes Absolutely nonsense song with Gentle love song, "A Time for after a more soothing musical gritty delivery by Miller. Should Love," by Oscar winners Paul background than usual on this catch ears across the country Francis Webster and Johnny ditty, with perceptive lyrics, as Roger, with his TV series Mandel should score for Tony about a precocious teeny bopper about to bow, recalls his odd whose taste and style remains (Columbia 4-43792). uncle (Smash 2055). impeccable (Columbia 4-43768). SLEEPERS OF THE WEEK PHILIPS Am. 7. EVIL ON YOUR MIND , SAID I WASN'T GONNAN TELL 0 00000 TERESA BREARE S AM t - DAVE A1 Duo does "Said I Wasn't Gonna The Uniques have been coming The nifty country song "Evil on Tell Nobody" like it should be up with sounds that have been Your Mind" provides Teresa done. Sam and Dave will appeal just right for the market. "Run Brewer with what could be her to large crowds with tfie bouncy and Hide" could be their biggest biggest hit in quite a while. r/ber (Stax 198). to date. Keep an eye on it Her perky, altogether winning (Paula 245).
    [Show full text]
  • MCA-500 Reissue Series
    MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366.
    [Show full text]
  • East of Downtown and Beyond Interview with Helena Maria Viramontes
    Mester, Vol xxii, No. 2 (Fali, 1993) &Vol. xxiii, No.l (Spring, 1994) 165 East of Downtown and Beyond Interview with Helena Maria Viramontes A native of East Los Angeles, Helena Maria Viramontes has participated in manyjoumals, literary contests, andcommunity activities. She is bestknown forher intemationally acclaimed The Moths and Other Stories published in 1985 by Arte Público Press. This coUection of short stories brings to light the importance of the urban woman's voice, concems, and perspectives within Chicano/Latino culture. Viramontes calis attention to the themes of sexuality in "Growing" and "Birthday," changing cultural/sexual roles in "The Broken Web," the relationships among women in "The Moths," and the immigrant experience in "Cariboo Café." In Chicana Creativity and Criticism: Charting New Frontiers in American Literature (1987), Viramontes and Maria Herrera-Sobek coedited a coUection of criticai articles, fiction, poetry, and essays on Chicana literature, a project that was inspired by a conference held at U.C. Irvine. The book proved to be very popular and recently sold out. The University of New México Press will reissue the book in an expanded edition. In this coUection, the short story "Miss Qairol" by Viramontes shows a new direction in the representation of the urban female factory worker in Chicano/Latino Uterature according to Herrera-Sobek. In "Nopahtos" (Breaking Boundaries: Writings by Latinas 1989), Viramontes cul ti vates the testimonial genre by giving us an autobiographical account of the importance of the oral tradition in her work. Viramontes has been literary editor for Xhismearte and a coordinator for the Latino Writers Association.
    [Show full text]
  • Annual Threat Assessment
    HEARING OF THE HOUSE PERMANENT SELECT COMMITTEE ON INTELLIGENCE ANNUAL THREAT ASSESSMENT WITNESS: MR. DENNIS C. BLAIR, DIRECTOR OF NATIONAL INTELLIGENCE CHAIRED BY: REPRESENTATIVE SILVESTRE REYES (D-TX) LOCATION: 334 CANNON HOUSE OFFICE BUILDING, WASHINGTON, D.C. TIME: 9:00 A.M. ET DATE: WEDNESDAY, FEBRUARY 25, 2009 RELATED DOCUMENTS: 1) Statement for the Record REPRESENTATIVE SILVESTRE REYES (D-TX): Good morning. The committee will please come to order. Today we convene the first public hearing of the House Permanent Select Committee on Intelligence for the 111th Congress. Before I welcome our new members I want to remind everybody we’re having this hearing today in what I call the home of Chairman Sonny Montgomery, someone that championed issues for America’s veterans, someone that’s highly regarded and revered, not just in Congress but by veterans everywhere. So we are very appreciative to Chairman Filner for allowing us to borrow this very historic hearing room here. With that I would like to extend a warm welcome to the new members of the committee, Mr. Smith and Mr. Boren, Ms. Myrick, Mr. Miller, Mr. Kline and Mr. Conaway. And I’d also like to welcome back to our returning members from previous service with the committee, my vice chair, Mr. Hastings, welcome back, and Mr. Blunt as well. Director Blair, welcome. This morning we’re pleased that you are here, and happy to see you today. We also want to congratulate you on your recent confirmation and wish you well as you go forward under these difficult times that we’re facing today as a nation.
    [Show full text]
  • March 02, 2009 ARTIST VARIOUS TITLE Songs of Love, Loss and Longing SA
    SHIPPING DATE: February 16, 2009 (estimated) STREET DATE: March 02, 2009 ARTIST VARIOUS TITLE Songs Of Love, Loss And Longing LABEL Bear Family Records CATALOG # BCD 16632 PRICE-CODE AR EAN-CODE ISBN-CODE 978-3-89916-420-6 FORMAT CD digipac with 64-page booklet GENRE Country / Rockabilly TRACKS 28 PLAYING 72:48 TIME SALES NOTES It's been argued that just about every song ever written – one way or another – is a love song. Even the ones about Hot Rod Lincolns. Some of them are a bit more idiosyncratic than others, but they all get down to the same basic emotions. And where there's love, there's likely to be loss and longing. You might as well sing about it. You'll probably feel better and you might even make a few bucks in the process. This collection brings together 28 songs about love, loss and longing. You can also throw in regret, just for good measure. Because country music has always been grittier and more down to earth than mainstream pop, these songs are even more powerful. This is one of Bear Family's theme collections, drawing often-overlooked tracks from some of country music's strongest performers and performances from over the past half a century. This is music that hasn't been reissued to death; in some cases it hasn't been reissued at all. It's just a good, honest, collection of some of the finest tracks by some of the best country artists. Names like Hank Williams, Johnny Cash, Faron Young, Patsy Cline, Eddy Arnold, Marty Robbins, George Jones, Hank Snow, Don Gibson, Jim Reeves and Merle Haggard.
    [Show full text]
  • House Permanent Select Committee on Intelligence
    HEARING OF THE HOUSE PERMANENT SELECT COMMITTEE ON INTELLIGENCE ANNUAL THREAT ASSESSMENT WITNESS: MR. DENNIS C. BLAIR, DIRECTOR OF NATIONAL INTELLIGENCE CHAIRED BY: REPRESENTATIVE SILVESTRE REYES (D-TX) LOCATION: 334 CANNON HOUSE OFFICE BUILDING, WASHINGTON, D.C. TIME: 9:00 A.M. ET DATE: WEDNESDAY, FEBRUARY 25, 2009 RELATED DOCUMENTS: 1) Statement for the Record REPRESENTATIVE SILVESTRE REYES (D-TX): Good morning. The committee will please come to order. Today we convene the first public hearing of the House Permanent Select Committee on Intelligence for the 111th Congress. Before I welcome our new members I want to remind everybody we’re having this hearing today in what I call the home of Chairman Sonny Montgomery, someone that championed issues for America’s veterans, someone that’s highly regarded and revered, not just in Congress but by veterans everywhere. So we are very appreciative to Chairman Filner for allowing us to borrow this very historic hearing room here. With that I would like to extend a warm welcome to the new members of the committee, Mr. Smith and Mr. Boren, Ms. Myrick, Mr. Miller, Mr. Kline and Mr. Conaway. And I’d also like to welcome back to our returning members from previous service with the committee, my vice chair, Mr. Hastings, welcome back, and Mr. Blunt as well. Director Blair, welcome. This morning we’re pleased that you are here, and happy to see you today. We also want to congratulate you on your recent confirmation and wish you well as you go forward under these difficult times that we’re facing today as a nation.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999
    RCA Discography Part 12 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 3700-3999 LPM/LSP 3700 – Norma Jean Sings Porter Wagoner – Norma Jean [1967] Dooley/Eat, Drink And Be Merry/Country Music Has Gone To Town/Misery Loves Company/Company's Comin'/I've Enjoyed As Much Of This As I Can Stand/Howdy Neighbor, Howdy/I Just Came To Smell The Flowers/A Satisfied Mind/If Jesus Came To Your House/Your Old Love Letters/I Thought I Heard You Calling My Name LPM/LSP 3701 – It Ain’t necessarily Square – Homer and Jethro [1967] Call Me/Lil' Darlin'/Broadway/More/Cute/Liza/The Shadow Of Your Smile/The Sweetest Sounds/Shiny Stockings/Satin Doll/Take The "A" Train LPM/LSP 3702 – Spinout (Soundtrack) – Elvis Presley [1966] Stop, Look And Listen/Adam And Evil/All That I Am/Never Say Yes/Am I Ready/Beach Shack/Spinout/Smorgasbord/I'll Be Back/Tomorrow Is A Long Time/Down In The Alley/I'll Remember You LPM/LSP 3703 – In Gospel Country – Statesmen Quartet [1967] Brighten The Corner Where You Are/Give Me Light/When You've Really Met The Lord/Just Over In The Glory-Land/Grace For Every Need/That Silver-Haired Daddy Of Mine/Where The Milk And Honey Flow/In Jesus' Name, I Will/Watching You/No More/Heaven Is Where You Belong/I Told My Lord LPM/LSP 3704 – Woman, Let Me Sing You a Song – Vernon Oxford [1967] Watermelon Time In Georgia/Woman, Let Me Sing You A Song/Field Of Flowers/Stone By Stone/Let's Take A Cold Shower/Hide/Baby Sister/Goin' Home/Behind Every Good Man There's A Woman/Roll
    [Show full text]
  • Storyteller in the Kitchen the Companion Cookbook to the Popular Television Series
    Thank You! The first episode of my first series aired on public television in December 1994. Today, a sunny spring day in 2017, I marvel at how far I have come from where I started. It is beyond all that I had ever thought possible. For the last 10 years, the sponsorship of Domino and C&H Sugar has allowed me to express my vision and to present our viewers with a television series that, I believe, represents the very essence of who I am. Thank You Domino Sugar! Thank You C&H Sugar! for making my television series and this book possible! Storyteller in the Kitchen The companion cookbook to the popular television series Book Design Paul Dillow Photography Dalen Muster Additional Photography Nanci Stellino Editor Sarah Hinton ©2017 Nick Stellino Productions Los Angeles, California All rights reserved. No part of this book may be repro- duced in any form or by any elec- tronic or mechanical means, in- cluding information storage and retrieval devices or systems, without prior permission from the publish- er, except that brief passages may be quoted for review. Contents Recipes Tuna with Puttanesca Sauce 85 Blueberry Crumble 87 Tortellini in a Creamy Parmesan Sauce 9 Maureen’s Farro Salad 90 Pasta with Clams “Essenziale Style” 11 Shrimp in the Pot 92 Chicken Scaloppini 13 Grandma’s Braciole 94 Apple Tartlet 15 Aunt Buliti’s Strawberries 96 Sausages Braised in Tomato Sauce 19 Chicken, Hunter Style 100 Nanci’s Pasta 21 Sautéed Green Beans with Garlic and Lemon 103 Pasta with Shrimp 23 Pork Chop Alla Milanese 104 Sicilian Fish Soup 25 Marinated
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • The Results of Its Annual Poetry Competition
    POETRY COMPETITION 2021 MASKS 26 schools 114 poets 18 judging panels 2 sections 8 winning poems 1 theme 'Masks' And one overall judge, OIB Cambridge Inspector, Dr Celia O'Donovan The theme of masks unsurprisingly triggered a number of very different individual responses. It has been, as always, a difficult task to select the winning poems. The poems in the final shortlist were of a high quality and the young poets demonstrated considerable maturity in their use of language, metaphor, and reference. The winning poems stand out because of their relevance to the theme, their emotional impact and the way in which they take the reader on a journey of the imagination. It has been a very enjoyable and moving experience reading the poems and it is clear that the last year has given young people a real opportunity to reflect on life, love and literature. Celia O'Donovan Results 'Senior' competition Première / Terminale Winning poems First place: 'If my mind was a ballroom', Stephanie Reed, EIB Etoile, Paris. Second place: 'Muses' Masks', Jackie Slipper, CSI Lycée internationale Europole, Grenoble. Third place: 'Masks', Carlotta Barone-MacDonald, Cité Scolaire Camille Sée, Paris. Fourth place: 'Canvas', Clémence Rebora, Lycée International de Saint Germain en Laye. Finalists 'Picture-Perfect', Salomé Manach, Lycée International Montebello, Lille. 'Masks Off', Salomé Loiseau, Lycée Salvador Allende, Hérouville-Saint-Clair 'Five Four' Maya Cavet Bette, Lycée Georges Duby, Aix-en-Provence. 'Lost Faces', Sol Mingo, CSI Lycée internationale Europole, Grenoble. 'Blind Eye', Aurélie Coop, Cité Scolaire Camille Sée, Paris. Results 'Junior' competition Troisième / Seconde Winning poems First place: 'My Mask is My Battle', Emma Goffinet, Section Internationale, La Celle St Cloud Second place: 'Halloween Masks', Veronika Cameron, Cité Scolaire Camille Sée, Paris.
    [Show full text]
  • Press Briefing Transcript 12/8/2020
    - Good afternoon. Today is Wednesday, December 9th, 2020. My name is Michelle Shoresman, and I'd like to welcome you to this week's San Luis Obispo County, weekly COVID-19 media briefing. This afternoon we will hear from the San Luis Obispo County Health Officer, Dr. Penny Borenstein, County Administrative Officer and Emergency Services Director Mr. Wade Horton is also here and available to take your questions. Thank you once again to our American sign language interpreter Robin Babb. And now SLO County Health Officer Dr. Penny Borenstein. - Hello, good afternoon. As usual, I'm gonna start with sharing the numbers that reflect COVID-19 in our county. They're not particularly good, and I will be talking more about that. But we have now over 7,000 cases in our county, 7,071 today. That is an increase of 10% since the beginning in just the time since I last came before the media, six days ago. And 30% of all our cases have occurred now in the month of November. We had our all-time high single-day on Saturday, which was 186 cases. And by comparison, our last highest number was on November 7th at 128. So you can see our case numbers are going up, so too are the number of individuals we've been consistently having a higher number of active cases in our community, those we call recovering at home. These are people who are isolated because they're COVID positive, and we have nearly 1,000 or 930 to be exact. But still 86% have recovered, and over 6,000 that represents.
    [Show full text]
  • BYU Scholarsarchive
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2006-04-18 Fix Kathryn Williams Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Williams, Kathryn, "Fix" (2006). Theses and Dissertations. 418. https://scholarsarchive.byu.edu/etd/418 This Selected Project is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. FIX by Kathryn Williams Knudsen A selected project report submitted to the faculty of Brigham Young University In partial fulfillment of the requirements for the degree of Master of Fine Arts Department of Visual Arts Brigham Young University April 2006 Copyright © 2006 Kathryn Williams Knudsen All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a selected project report submitted by Kathryn Williams Knudsen This selected project report has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. Date Peter H. Everett, Chair, Graduate Commmittee Date Gary Barton Date Joseph E. Ostraff BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the master’s project of Kathryn Williams Knudsen in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library.
    [Show full text]