How We Pray the Rosaryl
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How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock
James Blair Historical Review Volume 9 Issue 2 Article 4 2019 How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock Nicholas Arata Boston College, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/jbhr Part of the History Commons Recommended Citation Arata, Nicholas (2019) "How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock," James Blair Historical Review: Vol. 9 : Iss. 2 , Article 4. Available at: https://scholarworks.wm.edu/jbhr/vol9/iss2/4 This Article is brought to you for free and open access by the Journals at W&M ScholarWorks. It has been accepted for inclusion in James Blair Historical Review by an authorized editor of W&M ScholarWorks. For more information, please contact [email protected]. Arata: How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock How the Christian Faith Helped World War I Soldiers on the Western Front Cope with Shell-Shock Nicholas Arata The First World War’s extensive use of trench warfare exposed soldiers to some of industrialized war’s greatest horrors. In such a hellish environment, one would think that such horrors would corrupt a soldier’s faith in his Christian beliefs. How could a loving God allow such atrocities to occur? However, not only did faith help countless soldiers through the war, but Christianity helped relieve the symptoms of war neuroses, such as “shell-shock.” Armies across Europe used chaplains to give soldiers a religious guide, and those chaplains provided a religious outlet for the common soldier. -
Michelangelo's Pieta in Bronze
Michelangelo’s Pieta in Bronze by Michael Riddick Fig. 1: A bronze Pieta pax, attributed here to Jacopo and/or Ludovico del Duca, ca. 1580 (private collection) MICHELANGELO’S PIETA IN BRONZE The small bronze Pieta relief cast integrally with its frame for use as a pax (Fig. 1) follows after a prototype by Michelangelo (1475-1564) made during the early Fig. 2: A sketch (graphite and watercolor) of the Pieta, 1540s. Michelangelo created the Pieta for Vittoria attributed to Marcello Venusti, after Michelangelo Colonna (1492-1547),1 an esteemed noblewoman with (© Teylers Museum; Inv. A90) whom he shared corresponding spiritual beliefs inspired by progressive Christian reformists. Michelangelo’s Pieta relates to Colonna’s Lamentation on the Passion of Pieta was likely inspired by Colonna’s writing, evidenced Christ,2 written in the early 1540s and later published in through the synchronicity of his design in relationship 3 1556. In her Lamentation Colonna vividly adopts the role with Colonna’s prose. of Mary in grieving the death of her son. Michelangelo’s Michelangelo’s Pieta in Bronze 2 Michael Riddick Fig. 3: An incomplete marble relief of the Pieta, after Michelangelo (left; Vatican); a marble relief of the Pieta, after Michelangelo, ca. 1551 (right, Santo Spirito in Sassia) Michelangelo’s original Pieta for Colonna is a debated Agostino Carracci (1557-1602) in 1579.5 By the mid-16th subject. Traditional scholarship suggests a sketch at century Michelangelo’s Pieta for Colonna was widely the Isabella Stewart Gardner Museum is the original celebrated and diffused through prints as well as painted he made for her while others propose a panel painting and sketched copies. -
Abbess-Elect Envisions Great U. S. Benedictine Convent Mullen High to Take Day Pupils Denvircatholic Work Halted on Ten Projects
Abbess-Elect Envisions Great U. S. Benedictine Convent Mother Augustina Returns to Germany Next Month But Her Heart Will Remain in Colorado A grgantic Benedioine convent, a St. Walburga’s of ser of Eichstaett. That day is the Feast of the Holy Name In 1949 when Mother Augustina visited the German as Abbess will be as custodian and distributor of the famed the West, is the W jo c h o p e envisioned by Mother M. of Mary, a name that Mother Augustina bears as'' a nun. mother-house and conferred with the late Lady Abbess Ben- St. Walburga oil. This oil exudes from the bones of the Augustina Weihermuellcrp^perior of St. Walbutga’s con The ceremony will be held in St. Walburga’s parish church edicta, whom she has succeeejed, among the subjects con saint, who founded the Benedictine community and lived vent in South Boulder, as she prepares to return to Ger and the cloistered nuns of the community will witness it sidered wJs the possibility of transferring the heart of the 710-780. Many remarkable cures have been attributed many to assume her position as, Lady Abbess at the mother- ffom their private choir. order to America if Russia should:overrun Europe! to its use while seeking the intercession o f St. Walburga. house of her community in Eidistaett, Bavaria. That day, just two months hence, will mark the first At the great St. Walburga’s mother-house in Eich 'Those who have heard Mother Augustina in one of her Mother Augustina’s departure for Europe is scheduled time that an American citizen ,has returned to Europe to staett, she will be superior of 130 sisters. -
The Pietà in Historical Perspective
The Pietà in historical perspective The Pietà is not a scene that can be found in the Gospels. The Gospels describe Crucifixion (El Greco), Deposition or descent from the Cross (Rubens), Laying on the ground (Epitaphios), Lamentation (Giotto), Entombment (Rogier Van de Weyden) So How did this image emerge? Background one-devotional images • Narrative images from the Gospel, e.g Icon of Mary at foot of cross • Devotional images, where scene is taken out of its historical context to be used for prayer. e.g. Man of Sorrows from Constantinople and print of it by Israhel van Meckenhem. The Pietà is one of a number of devotional images that developed from the 13th century, which went with intense forms of prayer in which the person was asked to imagine themselves before the image speaking with Jesus. It emerged first in the Thuringia area of Germany, where there was a tradition of fine wood carving and which was also open to mysticism. Background two-the position of the Virgin Mary • During the middle ages the position of Mary grew in importance, as reflected in the doctrine of the Assumption (Titian), the image of the coronation of the Virgin (El Greco) • So too did the emphasis on Mary sharing in the suffering of Jesus as in this Mater Dolorosa (Titian) • Further background is provided by the Orthodox image of the threnos which was taken up by Western mystics, and the image of The Virgin of Humility A devotional gap? • So the Pietà, which is not a Gospel scene, started to appear as a natural stage, between the Gospel scenes of the crucifixion smf the deposition or descent from the cross on the one hand, and the stone of annointing, the lamentation, and the burial on the other. -
The Holy Rosary
THE HOLY ROSARY INTRODUCTORY PRAYERS Sign of the Cross (leader) In + nomine Patris, et Filii, et Spiritus Sancti. Amen Apostle’s Creed (leader) I believe in God, the Father Almighty, Creator of heaven and earth; and in Jesus Christ, His only Son, our Lord, Who was conceived by the Holy Spirit, born of the Virgin Mary; suffered under Pontius Pilate, was crucified, died and was buried. (all) He descended into hell; on the third day He rose again from the dead; He ascended into heaven, and is seated at the right hand of God the Father Almighty; from there He will come to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of Saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen. Pater Noster (leader) Pater noster, qui es in caelis, sanctificetur nomen tuum. Adveniat regnum tuum. Fiat voluntas tua, sicut in caelo et in terra. (all) Panem nostrum quotidianum da nobis hodie, et dimitte nobis debita nostra sicut et nos dimittimus debitoribus nostris. Et ne nos inducas in tentationem, sed libera nos a malo. Amen. Ave Maria (x3) (leader) Ave Maria, gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus. (all) Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae. Amen. Gloria Patri (leader) Gloria Patri, et Filio, et Spiritui Sancto. (all) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. Intentions Let us bind our prayers to the Immaculate Heart of Mary and offer this Rosary to the Immaculate Conception, Patroness of the United States; our patron, St. -
Palm Sunday of Lent Sorrowful Mysteries of the Rosary
Palm Sunday of Lent Sorrowful Mysteries of the Rosary Sign of the Cross The Apostles’ Creed Leader: I believe in God, the Father almighty, Creator of heaven and earth, and in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, Bow born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died and was buried; He descended into hell; on the third day he rose again from the dead; He ascended into heaven, and is seated at the right hand of God the Father almighty; from there he will come to judge the living and the dead. Participants: I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting. Amen. The Our Father Leader: Our Father who art in heaven, hallowed be thy name; thy Kingdom come, thy will be done on earth as it is in heaven. Participants: Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us; and lead us not into temptation, but deliver us from evil. Amen. The Hail Mary (pray 3 times for opening prayers) Leader: Hail, Mary, full of grace, the Lord is with thee. Blessed art thou among women and blessed is the fruit of thy womb, Jesus. Participants: Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen The Glory Be Leader: Glory be to the Father and to the Son and to the Holy Spirit, Participants: as it was in the beginning Is now, and ever shall be world without end. -
Total Consecration to Jesus Through Mary
Saint Louis-Marie de Montfort’s Total Consecration to Jesus Through Mary Choose a day for the Consecration To begin, choose the date of a Marian Feast on which to make the consecration. Whichever Feast you choose will determine the date to begin a 33-day period of spiritual preparation, i.e., you follow spiritual exercises for 33 days, and the next day will be the Marian Feast on which you consecrate yourself. Below is a list of Marian Feasts which are the same on both the traditional and Novus Ordo calendars: Feast / Start of Marian Feast You've Chosen Consecration 33-day Plan Day Apparition of the Immaculate 9 Jan 11 Feb Virgin Mary at Lourdes 20 Feb 1 The Annunciation 25 Mar 13 Jun Our Lady of Mt. Carmel 16 Jul 13 Jul The Assumption 15 Aug 6 Aug Nativity of the Blessed Virgin Mary 8 Sep 13 Aug Our Lady of Sorrows 15 Sep 19 Oct Presentation of the Blessed Virgin Mary 21 Nov 5 Nov Immaculate Conception 8 Dec 9 Nov Our Lady of Guadalupe 12 Dec 1 21 Feb when February has 29 days. The Feast of the Annunciation is the Feast that St. Louis de Montfort recommends most of all as it is this Feast that commemorates God Himself taking on flesh and, thereby, subjecting even Himself to trust in and dependency on Our Lady Recommendation: To read St. Louis de Montfort’s True Devotion to Mary either before beginning the Consecration or in conjunction with it. Begin the 33-Day Preparation for Consecration Now begins the 33-day period of exercises. -
Rosary Novenas to Our Lady
ROSARY NOVENAS TO OUR LADY to Our jQady By CHARLES V. LACEY With Preface by REV. RAYMOND R LAWRENCE BENZIGER A division of Benziger Bruce & Glencoe, Inc. Beverly Hills 3 4 5 6 7 8 9 CGr 80 79 78 77 76 Copyright, 1926, 1954, by Benziger Brothers, Inc. Printed in U.S.A. Nihil Obstat. John M. A. Fearns, S.T.D., Censor Librorum Imprimatur. + Francis Cardinal Spellman, Archbishop of New York New York, September 30, 1954 To MARY Mother of God and Queen of the Holy Rosary in devout memory of The Very Rev. Monsignor WILLIAM L. LIDDY (+ February 16, 1924) "Tigsary J\[ovenas PREFACE MONSIGNOR BENSON, in one of his early novels, gave us a beautiful expla- nation of the Rosary. An old nun is trying to make the devotion clear to a young Protestant girl. The enquirer asks: **How can prayers said over and over again like that be any good?" Mistress Margaret was silent for a moment. "I saw young Mrs. Martin last week," she said, '''with her little girl in her lap. She had her arms around her mother's neck, and was being rocked to and fro; and every time she " rocked she said 'Oh, mother.' "But, then," said Isabel, after a moment's silence, "she was only a child." " 'Except ye — " become as little children ' quoted Mistress Margaret softly—"you see, my Isabel, we are nothing more than children with God and His Blessed Mother. To say, 'Hail Mary, Hail Mary,' is the best way of telling her how much we love her. -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
The Patriotic Rosary - for the Consecration of Our Nation
The Patriotic Rosary - For the Consecration of our Nation Come Holy Spirit For the Conversion of our Nation’s Capital - The Apostle’s Creed For the Holy Father – The Our Father For Bishops, Priests, and Religious - Three Hail Mary’s For the Conversion of our Country - Glory Be The First Mystery Choose from the Joyful, Sorrowful, Luminous, or Glorious Mysteries. “No one can rejoice more than I do at every step the people of this great country take to preserve the Union, establish good order and government, and to render the nation happy at home and respectable abroad. No country upon earth ever had it more in its power to attain these blessings than United America. Wondrously strange then, and much to be regretted indeed would it be, were we to neglect the means, and to depart from the road which Providence has pointed us, so plainly; I cannot believe it will ever come to pass. The Great Governor of the Universe has led us too long and too far on the road to happiness and glory, to forsake us in the midst of it. By folly and improper conduct, proceeding from a variety of causes, we may now and then get bewildered; but I hope and trust that there is good sense and virtue enough left to recover the right path before we shall be entirely lost.” George Washington, June 29, 1788 For the Presidency of the United States of America – The Our Father Before each of the 10 Hail Mary pray - “We plead the Blood of Jesus over ___________ and every soul in that state.” Substitute one of the following states into the blank: Alabama, Arkansas , Connecticut, Georgia, Alaska, California, Delaware, Arizona, Colorado, and Florida. -
A New Abbey and a New Abbot
Volume 17 Issue 1 Spring 2013 A New Abbey and a New Abbot has given to us over the years; the friendship of our diocesan priest–brothers and our religious brothers and sisters in the local church; the sup- port of our Norbertine Oblates and Associates; the affection and love which so many gathered at Our Lady of the Most Holy Rosary have ex- tended to us, among them on that day a number of our ecumenical brothers and sisters; the presence and ministry of our brothers Fr. Binu, Fr. Bijoy, and Fr. George from the Norbertine Community of Mananthavady in India; and especially the support and fraternal love of Ab- bots Benjamin Mackin, E. Thomas DeWane, y blessing as the first Abbot of Santa Gary Neville and our brothers at St. Norbert M Maria de la Vid Abbey by Archbishop Abbey over the last 27 years. Michael Sheehan on November 9, 2012 car- ried a full range of emotions for me. While But I was particularly grateful to have been every new abbey needs an abbot, for me this blessed as Abbot in the worship space of Our was a public celebration of all the events and Lady of the Most Holy Rosary Catholic Com- relationships that had brought us to this day. munity. Holy Rosary is a very special believ- It was a celebration of a mission realized. ing community of which I have had the privi- lege of being pastor for many years. So many In 1985 five of us were missioned from St. people in this community take their baptismal Norbert Abbey in Wisconsin to found a Nor- commitment to Christ seriously. -
And Post-Vatican Ii (1943-1986 American Mariology)
FACULTAS THEOLOGICA "MARIANUM" MARIAN LffiRARY INSTITUTE (UNIVERSITY OF DAYTON) TITLE: THE HISTORICAL DEVELOPMENT OF BIBLICAL MARIOLOGY PRE- AND POST-VATICAN II (1943-1986 AMERICAN MARIOLOGY) A thesis submitted to The Theological Faculty "Marianwn" In Partial Fulfillment of the Requirements for the Degree Licentiate of Sacred Theology By: James J. Tibbetts, SFO Director: Reverend Bertrand A. Buby, SM Thesis at: Marian Library Institute Dayton, Ohio, USA 1995 TABLE OF CONTENTS Chapter 1 The Question of Development I. Introduction - Status Questionis 1 II. The Question of Historical Development 2 III. The Question of Biblical Theological Development 7 Footnotes 12 Chapter 2 Historical Development of Mariology I. Historical Perspective Pre- to Post Vatican Emphasis A. Mariological Movement - Vatican I to Vatican II 14 B. Pre-Vatican Emphasis on Scripture Scholarship 16 II. Development and Decline in Mariology 19 III. Development and Controversy: Mary as Church vs. Mediatrix A. The Mary-Church Relationship at Vatican II 31 B. Mary as Mediatrix at Vatican II 37 c. Interpretations of an Undeveloped Christology 41 Footnotes 44 Chapter 3 Development of a Biblical Mariology I. Biblical Mariology A. Development towards a Biblical Theology of Mary 57 B. Developmental Shift in Mariology 63 c. Problems of a Biblical Mariology 67 D. The Place of Mariology in the Bible 75 II. Symbolism, Scripture and Marian Theology A. The Meaning of Symbol 82 B. Marian Symbolism 86 c. Structuralism and Semeiotics 94 D. The Development of Two Schools of Thought 109 Footnotes 113 Chapter 4 Comparative Development in Mariology I. Comparative Studies - Scriptural Theology 127 A. Richard Kugelman's Commentary on the Annunciation 133 B.