Inherit the Wind Book Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Inherit the Wind Book Pdf Inherit the wind book pdf Continue Jerome Lawrence was born on July 14, 1915, in Cleveland, Ohio, into a literary family. As a teenager, Jerome Lawrence studied writing with Eugene K. Davis. After graduating from Glenville High School in Cleveland in 1933, Lawrence continued to study with Harlan Hatcher, Herman Miller and Robert Newdick at Ohio State University. He graduated from Phi Beta Kappa in Ohio in 1937. From 1937 to 1939, Lawrence was a graduate student at the University of California, Los Angeles. Together, Jerome Lawrence and Robert E. Lee wrote famous works of American drama, including Inherit the Wind, Night of Thoreau spent in prison and Aunt Mama. For their work as playwrights, they have won two Peabody Awards, the Variety Critics Poll Award, several Tony Award nominations, and many other awards. Both Lawrence and Lee were fundamentally shaped by their participation in World War II. Staff Sgt. Lawrence served as a consultant to the secretary of war and then as an army correspondent for North Africa and Italy. In addition to his service at themilitary, he worked as a journalist, reporter and telegraph editor for small Daily Newspapers Ohio and as a succession editor at KMPC in Beverly Hills. Before World War II, he worked from 1939 to 1941, as a senior staff writer for CBS Radio, an experience that became useful when he and Lee founded Armed Forces Radio. Lawrence's interest in drama was evident in his school and student years, when he starred and directed school and summer theater productions. Working together on Armed Forces Radio, Lawrence and Lee produced official army and naval radio programs for D-Day, VE-Day and VJ-Day. After the war, they created radio programs for CBS, including the Columbia Workshop series. They also co-wrote radio shows, including The Unexpected in 1951, Song of Norway in 1957, Shangri-La in 1960, the radio version of Inherit the Wind in 1965 and Lincoln the Reluctant Warrior in 1974. Inherit the wind earned Lawrence and Lee numerous awards in the year after its production. The play won the Donaldson Award, the Circle of External Critics Award, the Variety of New York Dramatic Critics Award and the Critics' Award for Best Foreign Play, and was nominated for a Tony Award. Since its publication, the play has been translated into thirty languages. Lawrence and Lee's supremacy in theater was rewarded with the Ohio Award, the Lifetime Achievement Award from the American Theatre Association and a number of honorary degrees. Lawrence is a recipient of honorary doctorates from Villanova, Worcester College, Farley Dickinson University and Ohio State University. Together, Lawrence and Lee have won numerous Tony nominations, on two separate occasions keys to the city of Cleveland, the Moss Hart Memorial Award for Plays of the Free World, U.S. State Department Medal, Ohio Medal, Pegasus Award, Ohio Ohio The award, and the Cleveland Playhouse plaque. Lawrence was a visiting professor at Ohio State and a master playwright at New York University, Baylor University and the Salzburg Seminar on American Studies. He died in 2004 from complications from a stroke. Robert Edwin Lee, 1918 - 1994 Robert E. Lee was born on October 15, 1918, in Eleria, Ohio. Lee may have inherited his interest in writing from his mother, Elvira Taft Lee, who was a teacher. Lee graduated from Eliria High School in 1935. He attended Northwestern University in Chicago in 1934 before transferring to Ohio Wesleyan, where he was a student from 1935 to 1937. Lee worked after college, from 1938 to 1942, as an executive at a young firm and Rubicam in New York. Together, Jerome Lawrence and Robert E. Lee wrote famous works of American drama, including Inherit the Wind, Night of Thoreau spent in prison and Aunt Mama. For their work as playwrights, they have won two Peabody Awards, the Variety Critics Poll Award, several Tony Award nominations, and many other awards. Both Lawrence and Lee were fundamentally shaped by their participation in World War II. The conflict gave both their first opportunities to put their writing talents to use. Lee was appointed an expert consultant to the secretary of state in 1942. He also served in the U.S. Air Force from 1943 to 1944, during which time he and Lawrence co-founded The Army Radio. Working together, Lawrence and Lee produced official Army and Navy radio programs for D-Day, VE-Day and VJ-Day. After the war, they created radio programs for CBS, including the Columbia Workshop series. They also co-wrote radio shows, including The Unexpected in 1951, Song of Norway in 1957, Shangri-La in 1960, the radio version of Inherit the Wind in 1965 and Lincoln the Reluctant Warrior in 1974. In 1948, Lee was awarded the Peabody Ward Award for UN Radio. As co-founder, with Lawrence, the American Theatre Playwrights and the Margot Jones Award, Lee has been associated with both academic and professional theater communities, working as a director and teacher as well as a playwright. The duo are perhaps best known for their play, Inherit the Wind, which earned Lawrence and Lee numerous awards in the year after its production. The play won the Donaldson Award, the Circle of External Critics Award, the Variety of New York Dramatic Critics Award and the Critics' Award for Best Foreign Play, and was nominated for a Tony Award. Since its publication, the play has been translated into thirty languages. Lee received an honorary doctorate in literature from Ohio Wesleyan, a doctor from Worcester College, and a doctorate in humanities from Ohio. Together, Lawrence and Lee won many Tony nominations, on two separate occasions keys to the City of Cleveland, the Moss Hart Memorial Award for The Play of the Free World, Medal Ohio, Ohio Medal, Pegasus Award, Ohio Governor's Award and Cleveland Game House plaque. For twenty years, Lee served as an adjunct professor of drama at the University of California. In 1990, Lawrence and Lee Wehr named fellows of the American Theatre at the Kennedy Center in Washington, D.C. Lee died in Los Angeles on July 8, 1994. The classic work of American theater, based on the Area Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution Accused was a small, frightened man who intentionally broke the law. His trial was a Roman circus. The main gladiators were the two great legal giants of the century. As the two elephant bulls are locked in a deadly battle, they roared and roared curses and abuse. The spectators sat restlessly in the sweltering heat with a murder in their hearts, barely restraining themselves. The freedom of every American is at stake. One of the most touching and significant plays of our generation. Praise for Inherit the Wind Tidal Wave drama. --New York World-Telegram And Sun Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to make serious plays for thinking Americans... Inheriting the Wind is a constantly prescient legal battle over the legitimacy of evolutionary learning... We continue to approve this case in the White House. --Chicago Tribune Powerful . crackle a good courtroom play . It gives two of the most juicy roles in American theater . --Copley Press Office It's a historical drama . deserves respect. --Columbus Dispatch American Play about Spheres of Judgment Inherit WindWritten By Jerome LawrenceRobert E. LeeCharactersGenry Drummond, Matthew Harrison Brady, E.K. Hornback, Bertram Cates, Rachel Brown, The Rev. Jeremiah BrownDate premiere1955Place PremiereUnited StatesSettingHillsboro, United States Inherit the Wind is the American play History of the 1925 Von Henry Drummond (Spencer Tracy, left) and Matthew Harrison Brady (Fredrik March, right) in the film version of Inherit the Wind (1960) Inherit the Wind is a fictional account of the 1925 Monkey County Trial, resulting in John T.Dinari's tuition of Charles Darwin's theory of evolution in a high school science class, contrary to Tennessee law. The role of Matthew Harrison Brady is intended to reflect the personality and beliefs of William Jennings Bryan, while the role of Henry Drummond should be similar to the role of Clarence Darrow. Brian and Darrow, former close friends, confronted each other at the Spherea trial. Character of E. K. Hornbeck modeled after H.L. Menken, who covered the trial The Baltimore Sun, and the character of Bertram Cates fits the Sphere. However, the playwrights are thrusting in a note at the opening of the play that it should not be a historical score, and there are many instances where events have been substantially altered or invented. For example, the characters of the preacher and his daughter were fictional, the townspeople were not hostile to those who came to Dayton for the trial, and Brian offered to pay a fine if he was convicted. Brian died shortly after the trial, but it happened five days later, in his sleep. Political commentator Steve Benen said of the play's inaccuracies: The area is not a call for sympathy, there was no bride and real spheres were never arrested. In fact, the popular film that has been nominated for four Oscars and helped shape the American understanding of the Monkey Trial area for decades is an inadequate reflection of history. Lawrence explained in a 1996 interview that the purpose of the drama was to criticize the then state of McCarthyism. The play was also intended to protect intellectual freedom. According to Lawrence, we used the teachings of evolution as a parable, a metaphor for any kind of mind control. It's not about science or religion.
Recommended publications
  • Jerome Lawrence & Robert Edwin Lee Jerry Herman
    Artistic Director Bruce Miller Managing Director Phil Whiteway BOOK BY JEROME LAWRENCE & ROBERT EDWIN LEE MUSIC AND LYRICS BY JERRY HERMAN Based on the novel by PATRICK DENNIS and the play “Auntie Mame” by LAWRENCE & LEE Dance and Musical numbers for the Broadway production staged by ONNA WHITE, and Directed by GENE SAKS Produced for the New York Stage by FRYER, CARR & HARRIS STAGE MANAGEMENT Christi B. Spann* SOUND DESIGN SET DESIGN LIGHT DESIGN COSTUME DESIGN Derek Dumais Ron Keller+ Lynne M. Hartman+ Sue Griffin ASSOCIATE CHOREOGRAPHER Brad Willcuts MUSIC DIRECTOR John Winn DIRECTOR/CHOREOGRAPHER Patti D’Beck^ Season Sponsors: Additional Support provided by: Funding for musicians provided by The Windsor Foundation CAST (in order of appearance) SONGS Young Patrick ���������������������������������������������������������������������������������������������������������Brandon McKinney ACT ONE Agnes ��������������������������������������������������������������������������������������������������������������������������������Audra Honaker St. Bridget ................................................................................................. Young Patrick and Agnes Vera �������������������������������������������������������������������������������������������������������������������Desiree Roots Centéio* It’s Today .............................................................................................................................Mame and All Mame ����������������������������������������������������������������������������������������������������������������������������������Emily
    [Show full text]
  • A Critical Analysis of the Stage Work Inherit the Wind Regarding Its Deviation from the Historic Scopes'
    A CRITICAL ANALYSIS OF THE STAGE WORK INHERIT THE WIND REGARDING ITS DEVIATION FROM THE HISTORIC SCOPES’ TRIAL OF 1925 AND SUBSEQUENT IMPACT UPON THE DEBATE OF HUMAN ORIGINS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Jeffrey S. Miller May 2008 A CRITICAL ANALYSIS OF THE STAGE WORK INHERIT THE WIND REGARDING ITS DEVIATION FROM THE HISTORIC SCOPES’ TRIAL OF 1925 AND SUBSEQUENT IMPACT UPON THE DEBATE OF HUMAN ORIGINS Jeffrey S. Miller Thesis Approved: Accepted: Advisor Dean of the College James Slowiak James M. Lynn Faculty Reader Dean of the Graduate School Durand L. Pope George R. Newkome Faculty Reader Date Kevin Priest School Director Neil Sapienza ii TABLE OF CONTENTS CHAPTER Page I. THE STAGE WORK’S ORGINAL INTENT AS A PRODUCT OF THE TIMES…………………………………..…………….………….…..………………….01 II. THE STAGE WORK’S GRADUAL DEVIATION FROM ITS ORIGINAL INTENT………………………………………………………………..……………..…06 III. THE STAGE WORK’S DEVIATION FROM THE HISTORICAL PERCEPTION OF THE CHARACTER OF WILLIAM JENNINGS BRYAN…..…14 IV. THE STAGE WORK’S DEVIATION FROM THE HISTORICAL PERCEPTION OF THE CHARACTER OF CLARENCE DARROW……………...24 V. THE STAGE WORK’S DEVIATION FROM A HISTORICAL PERCEPTION OF DAYTON, TENNESSE’S RELIGIOUS POPULATION……..............…..….…..35 H. L. Mencken…………………………………………………………….……47 Concluding thoughts on the religious of Dayton, Tennessee……...…..….53 VI. THE PHENOMENON OF ART’S ABILITY TO INFLUENCE SOCIETY AS SEEN IN THE STAGEWORK INHERIT THE WIND………….…….…..….……....55
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough,m argins,substandard and improperalignm entcan adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI Universily Microfilms international A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800.'521-0600 Order Nimiber dS2S492 The American Playwrights Theatre: Creating a partnership between commercial and educational theatre as an alternative to Broadway in the 1960s and 1970s Fink, Lawrence Edward, Ph.D.
    [Show full text]
  • The Inventory of the Angela Lansbury Collection #787
    The Inventory of the Angela Lansbury Collection #787 Howard Gotlieb Archival Research Center Lansbury, Angela January 1981 Outline of Inventory I, MATERIAL RELATED TO STAGE PLAYS AND MUSICALS II, MATERIAL RELATED TO FILMS III, CORRESPONDENCE IV, PHOTOGRAPHS V, PRINTED ITEMS vr. MATERIAL RELATED TO LECTURES, DINNERS AND PUBLIC APPEARANCES VII, AWARD NOMINATIONS VITI., TAPE RECORDINGS LANSBURY, ANGELA January 1981 Box 1 I, MATERIAL RELATED TO STAGE PLAYS and MUSICALS IN WHICH MISS LANSBURY PERFORMED (May include script, programs, printed reviews, ads, photographs, correspondence), A. "All Over" by Edward Albee (London, Aldwych Theatre, 1971-72), 1, Script, with AL's holo notations. Typescript, 59p,, Aug.­ Nov. 1970. 2. Program, 3. Newsclippings and photocopies of reviews, c,22 items. (#2) B. "Gypsy" by Arthur Laurents, Stephen Sondheim and Jule Styne. 1, London (Piccadilly Theatre, May - Dec.1973), a. Reviews. Newsclippings and magazine tearsheets from various London publications. c,65 items, (#3) b. Publicity, (#4) i. Advertisements, c.25, ii, Program. iii.Souvenir book (2 copies), c, Correspondence (many cards and notes from people at opening and closing involved with show). Ca,30 pieces incl,: Charisse, Zan, ANS (on birthday card from cast and others). Dowd, M'el, ALS, Jan.16, 1973, Hancock, Sheila, TLS, June 8, 1973. Ingham, Barrie, ANS (on birthday card from cast and others). Shaw, Peter. ANS, no date [oct,197~, Lansbur:y 1 Angela Janua!)'.'y 19.81 Page 2 Box l d, Photographs, Gf 5) i, Scenes fvom "Gypsy'''~ 2 8" x 10" black and white. AL~ ch±ldren, and unidentified man in car ("Baby Jane and He:i, Newsboys,,.
    [Show full text]
  • An Interview with Jerome Lawrence and Robert E. Lee
    Studies in American Drama. 1945 - Present. 1992, vol. 7:1: p.3-18. ISSN: 0886-7097 http://www.ohiostatepress.org/ © Ohio State University Press,1992. An Interview with Jerome Lawrence and Robert E. Lee By Nena Couch As one of the great partnerships in theatre, Jerome Lawrence and Robert E. Lee have written some of the longest running and most widely produced plays of this century, many of which have been called contemporary theatre classics. But their proudest accolade is when they are described as "The Thinking-Person's Playwrights." Ironically, since they most often work as a team, Lawrence and Lee have been dedicated, enthusiastic proponents of the individual. This commitment to the "dignity of the individual human mind," [Jerome Lawrence, "The Renaissance Man" (Lecture delivered at The Ohio State University, Columbus, Ohio, 5 May 1969), 2] apparent in their first Broadway success, Look, Ma, I'm Dancin'! in 1948, has continued to their newest play, Whisper in the Mind which premiered on October 5, 1990. Be that individual a delightful and free-thinking Mame (Auntie Mame and Mame) who urges us to discover new things about ourselves and the world, a Drummond (Inherit the Wind) whose balancing of the Bible and Darwin shows us that the open and inquiring mind is our champion against censorship, a Countess Aurelia (Dear World) who proves to us that "one person can change the world," a Supreme Court Justice Dan Snow (First Monday in October) who fights for the light for everyone, or a Thoreau (The Night Thoreau Spent in Jail) who is not afraid to march to a different drummer, Lawrence and Lee have populated stages all over the world with sometimes serious, sometimes witty, but always passionately committed, individuals.
    [Show full text]
  • OQ Summer 2018
    QUARTERLY SUMMER 2018 | VOL. 61 NO. 3 Collecting, Preserving, and Celebrating Ohio Literature Summer 2018 | 1 Contents QUARTERLY SUMMER 2018 FEATURES BOARD OF TRUSTEES EX-OFFICIO Karen Waldbillig Kasich, Columbus 4 A Treasure House in Columbus: ELECTED Theatre History at the Lawrence President: Daniel Shuey, Westerville Vice-President: John Sullivan, Plain City & Lee Secretary: Geoffrey Smith, Columbus Treasurer: Jay Yurkiw, Columbus Ohio Literary Landmarks Gillian Berchowitz, Athens 8 2018 Ohioana Book Award Finalists Rudine Sims Bishop, Columbus Helen F. Bolte, Columbus Katie Brandt, Columbus Lisa Evans, Johnstown BOOK REVIEWS Bryan Loar, Columbus Mary Heather Munger, Perrysburg Louise Musser, Delaware 10 Nonfiction Claudia Plumley, Dublin Cynthia Puckett, Columbus 13 Fiction David Siders, Cincinnati Yolanda Danyi Szuch, Perrysburg 14 Poetry Jacquelyn L. Vaughan, Dublin 16 Young Adult APPOINTED BY THE GOVERNOR OF OHIO Carl Denbow, Ph.D., Athens Carol Garner, Mount Vernon 18 Middle Grade H.C. "Buck" Niehoff, Cincinnati 19 Children’s TRUSTEES EMERITUS Francis Ott Allen, Cincinnati Christina Butler, Ph.D., Columbus BOOKS AND EVENTS James Hughes, Ph.D., Dayton George Knepper, Ph.D., Stow Robert Webner, Columbus 20 Book List OHIOANA STAFF 29 Coming Soon Executive Director..............David Weaver Office Manager...............Kathryn Powers Library Specialist............Courtney Brown Program Coordinator........Morgan Peters Editor...............Leslie Birdwell Shortlidge Co-Editor..................Stephanie Michaels The Ohioana Quarterly (ISSN 0030-1248) is currently published four times a year by the Ohioana Library Association, 274 East First Avenue, Suite 300, Columbus, Ohio 43201. Individual subscriptions to the Ohioana Quarterly are available through membership in the Association; $50 of membership dues pays the required subscription. Single copy $6.50.
    [Show full text]
  • Teacher's Instructional Guide
    GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE Goodspeed’s Teacher’s Instructional Guide Instructional Teacher’s Goodspeed’s is madepossiblethroughthegenerosity of The Max Showalter Centerfor Education inMusical Theatre MAME Goodspeed Opera House April 20 - July 1, 2012 _________ MUSIC AND LYRICS BY JERRY HERMAN BOOK BY JEROME LAWRENCE Teacher’s Instructional Guide & ROBERT E. LEE TABLE OF CONTENTS BASED ON THE NOVEL BY How To Use The Guides.......................................................................................3 PATRICK DENNIS AND THE PLAY “AUNTIE MAME” BY ABOUT THE SHOW: LAWRENCE & LEE Show Synopsis........................………………………………………………...4 LIGHTING DESIGN BY Character Summary.........................………………………………………..6 CHARLIE MORRISON The Novelist: Patrick Dennis.....................................................................7 COSTUME DESIGN BY Meet the Writers.........................................................................................8 GREGG BARNES Behind the Scenes: Costume Design.................................................10 SCENIC DESIGN BY BACKGROUND AND THEMATIC MATERIAL: JAMES YOUMANS From Page to Stage: Adaptation....…....……………………………….11 CHOREOGRAPHED BY The Great Crash.....................…………....…………………………………13 VINCE PESCE The Great Depression..............……………………………………………..14 DIRECTED BY RAY RODERICK The Social Class System…………………………………………….……….15 The Role of Women................................................................................16 PRODUCED FOR GOODSPEED MUSICALS
    [Show full text]
  • Inherit the Wind Based on the Play by Jerome Lawrence & Robert E
    TEACHER’S PET PUBLICATIONS LITPLAN TEACHER PACK™ for Inherit the Wind based on the play by Jerome Lawrence & Robert E. Lee Written by Mary B. Collins © 1996 Teacher’s Pet Publications All Rights Reserved ISBN 978-1-60249-191-5 TABLE OF CONTENTS - Inherit the Wind Introduction 5 Unit Objectives 7 Reading Assignment Sheet 8 Unit Outline 9 Study Questions (Short Answer) 13 Quiz/Study Questions (Multiple Choice) 18 Pre-reading Vocabulary Worksheets 29 Lesson One (Introductory Lesson) 39 Nonfiction Assignment Sheet 40 Oral Reading Evaluation Form 43 Writing Assignment 1 41 Writing Assignment 2 42 Writing Assignment 3 60 Writing Evaluation Form 61 Vocabulary Review Activities 49 Extra Writing Assignments/Discussion ?s 47 Unit Review Activities 62 Unit Tests 65 Unit Resource Materials 93 Vocabulary Resource Materials 107 A FEW NOTES ABOUT THE AUTHORS Lawrence and Lee Jerome Lawrence was born on July 14, 1915 in Cleveland, Ohio. He graduated from Ohio State University with a B. A. degree in 1937 and completed his graduate study at the University of California, Los Angeles in 1939. He began his career as a reporter and telegraph editor for the Wilmington News Journal in Wilmington, Ohio. The most noteworthy event in his early career was his chance meeting with Robert E. Lee in a restaurant in New York City in 1942. The two men subsequently formed a partnership which proved to be long-lasting, productive, and very successful. Robert E. Lee was born in Elyria, Ohio on October 14, 1918. He attended Northwestern University, Ohio Wesleyan University, Western Reserve University, and Drake University.
    [Show full text]
  • A Godly Hero: the Life of William Jennings Bryan by Michael Kazin, Alfred A
    A Godly Hero: The Life of William Jennings Bryan By Michael Kazin, Alfred A. Knopf, New York, 306 pages, $30 Reviewed by Ronald W. Meister n the ranks of historical figures whose reputations were business man as the corporation counsel in a great ruined by a play, William Jennings Bryan is at the very top, metropolis;....[the farmer] is as much a business man as the man I alongside Richard III and Antonio Salieri. Inherit the Wind who goes upon the board of trade and bets upon the price of forever impressed on the public mind the image of Bryan as a Bible- grain; the miners who go down a thousand feet into the thumping boob of the boondocks, eternally squirming on the hooks of earth…and bring forth from their hiding places the precious Clarence Darrow’s cross-examination: metals to be poured into the channels of trade are as much business men as the few financial magnates who, in a back room, Q: The first day – was it a twenty-four hour day? corner the money of the world. … On the hustings, in Chautauqua tents, in Sunday sermons, Bryan A: I do not know. could pour out oratory like his contemporary Puccini could write melody. Q: What do you think? Having painted this picture of the Social Gospel personified, Kazin A: I do not think about things that I do not think approaches the final crisis of Bryan’s career almost reluctantly, as if about unwilling to confront the lasting damage the Monkey Trial did to Bryan and his reputation.
    [Show full text]
  • Famous Ohio State Alumni, Former Students, And
    FAMOUS OHIO STATE ALUMNI, FORMER STUDENTS, AND FACULTY The attached list of names includes the name of the person, the reason they are famous, and the graduation date, or year(s) at OSU, or their withdrawal (w) date from the University. The names were compiled from various sources including the Alumni Association, a journalism student, and files in the OSU Archives. FAMOUS OHIO STATE ALUMNI, FORMER STUDENTS, AND FACULTY Abel, Alan Hoaxer: 1950 Amstutz, Daniel Former special envoy for agricultural trade and development: 1954 Bassett, Brian Political Cartoonist: w 1978 Batten, William M. Former president of the New York Stock Exchange: 1932 Bellows, George American Artist: 1901-1903 Bogdonich, Walt 1988 Pulitzer Prize for specialized reporting - writer for the Wall Street Journal: 1976 Bowen, Clotilde Marion (Dent) First black female Colonel, U.S. Army: 1943, 1947 Bremner, Robert H. OSU Faculty (1946 to present); specialist in modern American history: 1939, 1943 Bricker, John W. OSU Trustee (1948-1949); U.S. Senator; Ohio Governor; Ohio Attorney General: 1916, 1920, 1939 (Hon.) Brooks, Ned Cadle NBC newscaster - “Meet the Press” moderator: 1924 Brown, Paul E. OSU and Cleveland Browns coach; founded the Cleveland Browns and the Cincinnati Bengals NFL pro-football teams: 1940 Buck, Jack Baseball Announcer for CBS: 1949 Buck, Paul Herman 1938 Pulitzer Prize in history; faculty member and first provost at Harvard University: 1921, 1922, 1946 (Hon.) Buckner, Jennie Rae VP of news - Knight-Ridder: 1969 Caniff, Milton Cartoonist; creator of “Steve Canyon”: 1930 Cates, Harry Louis, Jr. DuPont researcher, guided development of Delrin, a metal-like plastic: 1951 Charct William Hale Led DuPont research team that developed cellophane: 1921, 1923 Christian, Shirley A.
    [Show full text]
  • Books All Students Should Read Before They Graduate High School
    Books All Students Should Read Before they Graduate High School Unit I: Soldiers, Pirates, and Knights—Tales of Adventure and Survival Title Author EMD* Lexile Born Free Joy Adamson E 1180 The Red Badge of Courage Stephen Crane M 920 The African Queen C.S. Forester M Green Dolphin Street Elizabeth Goudge D The Call of the Wild Jack London E 1170 (620, 780, 820, 1310) Day of Infamy Walter Lord M 1030 A Night to Remember Walter Lord E 950 Moby Dick Herman Melville D 1230 (340, 980) Never Cry Wolf Farley Mowat E 1330 All Quiet on the Western Front Erich Maria Remarque M 830 Rabble in Arms Kenneth Roberts D Ivanhoe Sir Walter Scott M 1410 (990) Treasure Island Robert Louis Stevenson E 1100 (250, 440, 740, 890) The Once and Future King T.H. White D 1080 The Virginian Owen Wister M 830 Unit 2: Coming of Age—The Maturation of Self Title Author EMD* Lexile When the Legends Die Hal Borland M 850 Jane Eyre Charlotte Brontë M 780 (530, 630, 820) Great Expectations Charles Dickens M 880 (400, 750, 590, 1320) The Summer of My German Soldier Better Greene E 800 Tex S.E. Hinton E 710 The Metamorphosis Franz Kafka D 1320 A Separate Peace John Knowles E 1110 Christy Catherine Marshall M 930 The Heart is a Lonely Hunter Carson McCullers M 760 The Member of the Wedding Carson McCullers M 900 The Chosen Chaim Potok M 970 The Catcher in the Rye J.D. Salinger M 790 Shane Jack Schaefer E 870 The Odd Couple Neil Simon E (Non Prose) Rabbit, Run John Updike D 960 Macho Victor Edmund Villasenor M 660 Unit 3: The Imagined Past—History in Fiction Title Author EMD* Lexile Elizabeth the Queen Maxwell Anderson M Becket Jean Anouilh M Non Prose A Tale of Two Cities Charles Dickens D 990 (460, 620, 650,710,) April Morning Howard Fast E 1050 Cimarron Edna Ferber M The Great Gatsby F.
    [Show full text]
  • Year Date Name of Production Description 1917 September 27, 28, 28 Have a Heart a Musical Comedy by Guy Bolton and P. G
    Year Date Name of Production Description 1917 September 27, 28, 28 Have A Heart A musical comedy by Guy Bolton and P. G. Wodehouse, music by Jerome Kern 1917 1-Oct Furs and Frills A musical with lyrics by Edward Clark, music by Silvo Hein 1919 6-Oct The Gallo Opera Co. A revival of William S. Gilbert and Sir Arthur Sullivan's The Mikado , music directed by Max Bendix 1922 May 19 and 20 Dulcy A comedy in three acts by George S. Kaufman and Marc Connelly 1924 9-Apr Anna Pavlowa A ballet featuring Hilda Butsova and Corps De Ballet; Ivan Clustine, Balletmaster and conductor Theodore Stier 1924 April 10, 11, 12 Jane Cowl Portraying Juliet in Shakespeare's Romeo and Juliet ; staged by Frank Reicher 1927 1-Sep My Princess A modern Operetta based on a play by Edward A. Sheldon and Dorothy Donnelly; music by Sigmund Romberg 1927 September 5, 6, 7 Creoles A romantic comedy drama by Samuel Shipman and Kenneth Perkins 1927 September 8, 9, 10 The Cradle Song A Comedy in two acts by Gregario and Maria Martinez Sierra translated in English by John Garrett Underhill 1928 January 26, 27, 28 Quicksand A play presented by Anna Held Jr. and written by Warren F. Lawrence 1928 January 30 Scandals A play based on the book by Williams K. Wells and George White 1928 September 17, 18, 19 Paris Bound/Little Accident A comedy by Philip Barry presented by Arthur Hopkins; featuring (1 play per side of one Madge Kennedy sheet) 1928 September 20, 21, 22 Little Accident/Paris Bound A comedy in three acts by Floyd Dell and Thomas Mitchell; staged (1 play per side of one by Arthur Hurley sheet) 1928 October 1, 2, 3, The Shanghai Gesture/The presented by A.
    [Show full text]