Theatre Arts Brochure

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Theatre Arts Brochure Meet Your Theatre Arts Theatre Arts Instructors Associate of Arts Page received her Performance Ph.D. in Fine Arts from Texas Tech Performance Track Associates of Arts University and her Master’s from Utah State University. First Semester: 16 hours Much of her film • English Comp I – 3 hours work can be • Voice I – 3 hours seen during the Page Petrucka, Ph.D. • Theatre Appreciation – 3 hours Christmas season • Stagecraft I – 3 hours on both the Lifetime and • Acting I – 3 hours Hallmark channels. • Rehearsal & Performance I – 1 hour Dr. Petrucka has written and produced several of her own plays in both the U.S. and the Second Semester: 16 hours Czech Republic. Her two published • English Comp II – 3 hours plays are titled Return to Roswell • Movement I – 3 hours and A 1940s Christmas Carol, • Public Speaking – 3 hours produced during ICC’s • Acting II / Intro. To Playwrighting – 3 hours fall 2020 season. • Script Analysis – 3 hours • Rehearsal & Performance II – 1 hour Paul comes Third Semester: 16 hours to us having • Cultural Studies Elective – 3 hours spent 20 years in NYC • Health & Well-Being Elective – 3 hours my Opportunity. working as an actor, • Movement II – 3 hours director, movement • Voice II – 3 hours my Passion. consultant, fight • Play Production: Directing – 3 hours choreographer and • Rehearsal & Performance III – 1 hour my Choice. Paul Molnar, MFA producer. my Indy. Fourth Semester: 16 hours Paul’s work has been seen at LORT Theatres, SPT’s, Off- • College Algebra (or higher) – 3 hours Broadway and Regionally. His TV Credits include: Law & • Laboratory Science (elective) – 5 hours Order, Law & Order SVU and Person of Interest. • Human Heritage (elective) – 3 hours • Intro to Dramatic Literature – 3 hours Paul was the Producing Artistic Director of South • Audition Techniques – 1 hour 1057 W. College Ave. Brooklyn Shakespeare Company for 6 seasons. Member: Independence, KS 67301 AEA, SAG-AFTRA and SAFD. • Rehearsal & Performance IV – 1 hour www.indycc.edu Why Theatre Arts Performance? Why Choose US? Focused study in Theatre Arts Performance You will work with talented instructors who have prepares students for careers in the theatre and worked professionally in the theatre industry for builds skills that employers are looking for. many years. David Henry Hwang 2012 Inge Award Winner Transferrable Skills: You will participate on and off the stage each • Collaboration semester, gaining important experience and Honoring Playwrights in a • Communication/Public Speaking expertise. Playwright’s Town • Presentation Skills • Adaptability You will experience the world-renowned William Distinguished Achievement in American • Organization Inge Theatre Festival as an intern and important Theatre Award • Self-Discipline part of our team. • Creativity Since 1982, ICC has been the home of the William You will enjoy vibrant campus life from theatre Inge Theater festival, named in celebration and to football to disc golf while getting an excellent memory of Pulitzer Prize and Academy Award- education. winning playwright William Inge, who is a native of Independence and a graduate of Independence You will make lasting connections with your fellow Community College. “Don’t be shy! This is a great space students and faculty! to develop your creative potential. Playwrights honored in these hallowed halls have received the Distinguished Achievement in American Let us help you discover how Theatre Award. fabulous you are!” We WANT You! Some of the playwrights honored in the past include: • Stephen Sondheim West Side Story, Sweeny Todd, Into the Woods • August Wilson Fences, Ma Rainey’s Black Bottom, Joe Turner’s Come & Gone What careers are available to students • John Kander & Fred Ebb Cabaret, of Theatre Arts Performance? Chicago, Fosse, Funny Lady • Jerome Lawrence Inherit the Wind, Just to name a few: Performer, Writer, Director, Auntie Mame, The Night Thoreau Spent in Teacher/College Professor, Non-Profit Grant Jail • Neil Simon Barefoot in the Park, The Odd Writer, Marketer, Producer, Publicists Agent, Couple, Biloxi Blues, The Goodbye Girl Voice-Over Artist, Make-Up Artist, Lighting As a theatre arts student at ICC, you will have the rare Designer, Fundraiser, Musical Director, Costumer and unique opportunity to intern with performers, Designers TV Host, Sound Designer, Composer, directors and playwrights during this annual event Dramaturg, Choreographer, Box Office Manager, as well as attend workshops and performances by Administration, Facility Manager, Event Planner, working professionals in theatre today. Salesperson, Casting Director and so much more!.
Recommended publications
  • What's Inside
    NON-PROFIT ORG. U.S. POSTAGE PAID What’s Inside: ROCHESTER, NY Page 2 | Letter from the President East House | 259 Monroe Avenue | Suite 200 | Rochester, NY 14607 PERMIT NO. 1109 Page 3 | Breaking Ground – Alexander St. Page 4 | Meet East House at the Ball Game Page 5 | Color & Lights Water Infusion Party Page 8 | Upcoming Events IN CELEBRATION OF EAST HOUSE’S 50TH ANNIVERSARY, THE 2016 HOPE & RECOVERY LUNCHEON will feature guest speaker Richard Dreyfuss, Academy Award, Golden Globe, and BAFTA award-winning actor, and mental Happenings at East House… Advance Newsletter health advocate on Friday, September 30 at 11:30am at the Floreano Rochester is published three times per year by: Riverside Convention Center. Calendar of Events East House 259 Monroe Avenue, Suite 200 Richard Dreyfuss is a renowned actor of both stage and screen whose career has Rochester, NY 14607 spanned almost 50 years and whose performances have moved millions. In 1978, FRIDAY, APRIL 15 FROM 5:30-7:30PM P:585.238.4800 COLOR + LIGHTS WATER INFUSION PARTY F:585.238.4899 Richard was the youngest man, at the age of 30, to win the Academy Award Please join East House as we celebrate our 50th anniversary at the www.easthouse.org for Best Actor for his performance in The Goodbye Girl. For his role in that fi lm, Penthouse at One East Avenue. For more information about the event, Facebook: EastHouseNY he also won a Golden Globe Award, LA Film Critics Association Award, BAFTA Twitter: @EastHouseNY please see the article on page 5 or visit easthouse.org.
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  • Shakespeare in Love
    FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically.
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  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
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  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
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  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
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  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
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  • Bernhardt Hamlet Cast FINAL
    IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero.
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  • Barefoot in the Park Audition / Rehearsal / Performance Information
    Barefoot in the Park Audition / Rehearsal / Performance Information Prattville’s Way Off Broadway Theatre announces auditions for Barefoot in the Park, by Neil Simon, which will be presented through special arrangement with Samuel French. The production will be directed by Blair Dyson, who last directed Merry Christmas, Dear Gramdpa at WOBT. AUDITION DETAILS Auditions will be held Monday & Tuesday, May 23 & 24, from 7-9:30pm at the Prattville Cultural Arts Center at 203 West 4th Street, Prattville, Alabama 36067. Please plan to attend both days, if possible. Character Descriptions are included below. Auditions are open to anyone interested, and no prepared pieces are required. We will be doing cold readings from the script. Acting resumes & pictures are appreciated, but not necessary. Please bring ALL available information as far as scheduling conflicts from June-September with you. REHEARSAL/PRODUCTION DETAILS Rehearsals will typically be held on Monday-Thursday nights (probably about 3 days/week) from 6:45-9:30, and will begin in early June. Barefoot in the Park will open on Thursday, August 25 at 7:30pm with an Opening-Night Reception to follow. All remaining performances will be August 26-September 11, on Fridays & Saturdays at 7:30pm, and Sundays at 2pm (10 performances total over 3 weekends). ROLES TO BE CAST Ages listed are the CHARACTER’s approximate age. Actors can be younger or older, but must be able to play the approximate age listed, especially in relation to the other actors cast. CORIE BRATTER (25ish) A newlywed, married only six days at the beginning of the play.
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  • Jerome Lawrence & Robert Edwin Lee Jerry Herman
    Artistic Director Bruce Miller Managing Director Phil Whiteway BOOK BY JEROME LAWRENCE & ROBERT EDWIN LEE MUSIC AND LYRICS BY JERRY HERMAN Based on the novel by PATRICK DENNIS and the play “Auntie Mame” by LAWRENCE & LEE Dance and Musical numbers for the Broadway production staged by ONNA WHITE, and Directed by GENE SAKS Produced for the New York Stage by FRYER, CARR & HARRIS STAGE MANAGEMENT Christi B. Spann* SOUND DESIGN SET DESIGN LIGHT DESIGN COSTUME DESIGN Derek Dumais Ron Keller+ Lynne M. Hartman+ Sue Griffin ASSOCIATE CHOREOGRAPHER Brad Willcuts MUSIC DIRECTOR John Winn DIRECTOR/CHOREOGRAPHER Patti D’Beck^ Season Sponsors: Additional Support provided by: Funding for musicians provided by The Windsor Foundation CAST (in order of appearance) SONGS Young Patrick ���������������������������������������������������������������������������������������������������������Brandon McKinney ACT ONE Agnes ��������������������������������������������������������������������������������������������������������������������������������Audra Honaker St. Bridget ................................................................................................. Young Patrick and Agnes Vera �������������������������������������������������������������������������������������������������������������������Desiree Roots Centéio* It’s Today .............................................................................................................................Mame and All Mame ����������������������������������������������������������������������������������������������������������������������������������Emily
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  • Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS
    ISSUE 16 DRAMATISTS PLAY SERVICE SPRING 2015 ROUND TABLE with JOHN PATRICK SHANLEY, Dramatists Play Service POLLY PEN, and LYNN NOTTAGE is very fortunate not just to publish and license the best BY PETER HAGAN, PRESIDENT American playwrights, but also to have four of them sit on our the publishing conversation. As a woman of always going to be slightly different from that of the color, I also see my role as one of advocacy; agents. Our plays are creative extensions of Board of Directors. I want to make sure that there’s a diversity ourselves — we live with them for long periods of of voices being published by DPS. time; we keep them close and protected until we release them into the world. The founding charter of the Play Service, back in As time has gone by, have you seen your Then we entrust our plays 1936, called for the Board to be split evenly position as a playwright member change? to others for safekeeping: between playwrights (all members of the initially agents, and eventually Dramatists Guild) and agents. Back then, the star John Patrick Shanley: When I first served on publishing companies like playwrights included Howard Lindsay, George the Board, I was skeptical and challenging DPS. For better or worse, Abbott, and Sidney Howard. Today our stars are and, frankly, young. But over time I morphed agents can approach the Donald Margulies, Polly Pen, Lynn Nottage, and from opponent to colleague. business of publishing with John Patrick Shanley, who have been members a certain level of objectivity of the board ranging from five years (Nottage) to PP: Ways of thinking about how theatrical and distance; however, it’s over 20 (Shanley).
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  • A History of Production
    A HISTORY OF PRODUCTION 2020-2021 2019-2020 2018-2019 Annie Stripped: Cry It Out, Ohio State The Humans 12 Angry Jurors Murders, The Empty Space Private Lies Avenue Q The Wolves The Good Person of Setzuan john proctor is the villain As It Is in Heaven Sweet Charity A Celebration of Women’s Voices in Musical Theatre 2017-2018 2016-2017 2015-2016 The Cradle Will Rock The Foreigner Reefer Madness Sense and Sensibility Upton Abbey Tartuffe The Women of Lockerbie A Piece of my Heart Expecting Isabel 9 to 5 Urinetown Hello, Dolly! 2014-2015 2013-2014 2012-2013 Working The Laramie Project: Ten Years Later The Miss Firecracker Contest Our Town The 25th Annual Putnam County The Drowsy Chaperone Machinal Spelling Bee Anna in the Tropics Guys and Dolls The Clean House She Stoops to Conquer The Lost Comedies of William Shakespeare 2011-2012 2010-2011 2009-2010 The Sweetest Swing in Baseball Biloxi Blues Antigone Little Shop of Horrors Grease Cabaret Picasso at the Lapin Agile Letters to Sala How I Learned to Drive Love’s Labour’s Lost It’s All Greek to Me Playhouse Creatures 2008-2009 2007-2008 2006-2007 Doubt Equus The Mousetrap They’re Playing Our Song Gypsy Annie Get Your Gun A Midsummer Night’s Dream The Importance of Being Earnest Rumors I Hate Hamlet Murder We Wrote Henry V 2005-2006 2004-2005 2003-2004 Starting Here, Starting Now Oscar and Felix Noises Off Pack of Lies Extremities 2 X Albee: “The Sandbox” and “The Zoo All My Sons Twelfth Night Story” Lend Me a Tenor A Day in Hollywood/A Night in the The Triumph of Love Ukraine Babes in Arms
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  • PLAYNOTES Season: 43 Issue: 05
    PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
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