Who's Watching You Tonight?
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Marco Balzarotti
MARCO BALZAROTTI (Curriculum Professionale liberamente fornito dall'utente a Voci.FM) link originale (thanks to): http://www.antoniogenna.net/doppiaggio/voci/vocimbal.htm Alcuni attori e personaggi doppiati: FILM CINEMA Spencer Garrett in "Il nome del mio assassino" (Ag. Phil Lazarus), "Il cammino per Santiago" (Phil) Viggo Mortensen in "American Yakuza" (Nick Davis / David Brandt) Michael Wisdom in "Masked and Anonymous" (Lucius) John Hawkes in "La banda del porno - Dilettanti allo sbaraglio!" (Moe) Jake Busey in "The Hitcher II - Ti stavo aspettando" (Jim) Vinnie Jones in "Brivido biondo" (Lou Harris) Larry McHale in "Joaquin Phoenix - Io sono qui!" (Larry McHale) Paul Sadot in "Dead Man's Shoes - Cinque giorni di vendetta" (Tuff) Jerome Ehlers in "Presa mortale" (Van Buren) John Surman in "I'll Sleep When I'm Dead" (Anatomopatologo) Anthony Andrews in "Attacco nel deserto" (Magg. Meinertzhagen) William Bumiller in "OP Center" (Lou Bender) Miles O'Keefe in "Liberty & Bash" (Liberty) Colin Stinton in "The Commander" (Ambasc. George Norland) Norm McDonald in "Screwed" Jeroen Krabbé in "The Punisher - Il Vendicatore" (1989) (Gianni Franco, ridopp. TV) Malcolm Scott in "Air Bud vince ancora" (Gordon) Robert Lee Oliver in "Oh, mio Dio! Mia madre è cannibale" (Jeffrey Nathan) John Corbett in "Prancer - Una renna per amico" (Tom Sullivan) Paul Schrier in "Power Rangers: Il film" e "Turbo - A Power Rangers Movie" (Bulk) Samuel Le Bihan in "Frontiers - Ai confini dell'inferno" (Goetz) Stefan Jürgens in "Porky college 2 - Sempre più duro!" (Padre di Ryan) Tokuma Nishioka in "Godzilla contro King Ghidora" (Prof. Takehito Fujio) Kunihiko Mitamura in "Godzilla contro Biollante" (Kazuhito Kirishima) Choi Won-seok in "La leggenda del lago maledetto" (Maestro Myo-hyeon) Eugene Nomura in "Gengis Khan - Il grande conquistatore" (Borchu) FILM D'ANIMAZIONE (CINEMA E HOME-VIDEO) . -
Margot Knight
MARGOT KNIGHT THEATRE: 2019 UNDERGROUND lead role: Nancy Wake Dir: Sara Grenfell Gasworks Theatre, Small Gems Tour 2016 THE WORLD WITHOUT BIRDS lead role: Queen of The Birds Dir: Elizabeth Wally La Mama 2012 THE EMPTY CHAIR co-lead Dir: Paul English by Alan Hopgood, Vic Regional Tour 2012 ICI co-lead Writer: Rebecca Lister Esplanade DuLac Theatre France Tour 2012 THE IMPORTANCE OF BEING EARNEST Lady Bracknell Dir: Stig Wemyss Melbourne French Theatre 2011 HOME FOR LUNCH lead role Heather Director Luch Freeman @ Chapel Off Chapel 2010 THE PEPPERCORN TREE co-lead ‘Grace’, Dir: Lucy Freeman, Victorian Regional Tour 2007 CHOSEN VESSEL – PETTY TRAFFIKERS at Theatreworks Director Stewart Morritt 2006/2007 CONTROLLED CRYING (Lead role: Libby) Melb Season, Vic Tour, Seymour Centre Sydney. Director Joy Mitchell. 2007 WICKED WIDOWS (lead role) by Alan Hopgood. Victorian and metropolitan tour. 2007 FOUR FUNERALS IN ONE DAY - By Alan Hopgood. Melb Convention Centre 2007 THE LOWER DEPTHS – reading 45 Downstairs. Director Ariette Taylor. 2005/2006 A PILL A PUMP AND A NEEDLE by Alan Hopgood (Lead) Vict and interstate tour. 2005 IF I SHOULD DIE BEFORE I WAKE (Lead) Victorian Tour – Director Joy Mitchell. FRUITS OF LOVE – Reading. The Malthouse. 2001-2002 FOR BETTER FOR WORSE (Barbara) Tour Canberra & Victoria. Dir: Peter Adams 2000 BILLY POSSIBLE (Rebecca Worthchild) Director Joy Mitchell. Comedy Festival FOR BETTER FOR WORSE (Barbara) South Australia Tour & Tasmanian Tour 1998 FOR BETTER FOR WORSE (Barbra) Regional Tour THREE SCORE AND TEN (Sister Knightsley) Theatre In The Raw, Playbox 1997 FOR BETTER FOR WORSE (Barbra) Dir. Peter Adams, Chapel Off Chapel 1996 RICHARD II (Duke Of York) Dir. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Phillip Street Theatre
COLLECTION FINDING AID Phillip Street Theatre Performing Arts Programs and Ephemera (PROMPT) Australian ColleCtion Development The Phillip Street Theatre (sucCeeded by the Phillip Theatre) was a popular and influential commercial Sydney theatre and theatriCal Company of the 1950s and 1960s that beCame well known for its intimate satiriCal revue produCtions. William Orr was the Company’s founding DireCtor of ProduCtions, and EriC DuCkworth was General Manager. After taking over the MerCury Theatre in Phillip Street, William Orr re- opened it as the Phillip Street Theatre in 1954, presenting a series of “Phillip Street Revues” and children's musicals, including Top of the Bill and Hit and Run (both 1954), Willow Pattern Plate (1957), Cross Section (1957-58), Ride on a Broomstick (1959), Mistress Money (1960). These featured many noted Australian performers, many who later went on to beCome well known film, theatre and television personalities, inCluding Gordon Chater, Margot Lee, Barry Creyton, Jill Perryman, Noeline Brown, Robina Beard, Judi Farr, Kevin Miles, Charles "Bud" Tingwell, Ray Barrett, Ruth CraCknell, June Salter, John Meillon, Barry Humphries, Reg Livermore, Peter Phelps, and Gloria Dawn. The Phillip Street Theatre was demolished at the time of Out on a Limb with Bobby Limb and Dawn Lake in 1961, and the Company moved to the Australian Hall at 150 Elizabeth Street, near Liverpool Street. The Company's name was then shortened to the Phillip Theatre in reCognition of this move. Content Printed materials in the PROMPT ColleCtion include programs and printed ephemera such as broChures, leaflets, tiCkets, etC. Theatre programs are taken as the prime doCumentary evidenCe of a performanCe at the Phillip Street Theatre. -
Crafting Your Own Story - Connecting Through Writing and Speaking
Choose two when you register at: www.trybooking.com/NANU Crafting Your Own Story - Connecting through writing and speaking Join JENNIFER LUMSDEN to hear why story telling is an effective way to reflect and gain personal insight as well as connecting with others through story. You will get to use a simple story structure to develop a story of your own and then enjoy sharing and listening to the stories of others. Initially training as a midwife and then armed with degrees in Social Work and Adult Education, Jennifer worked and freelanced in community development, policy and program development and innovation across a range of sectors. One project Jennifer has enjoyed is working with young people with intellectual disability to craft their stories of transition from school. Her motivation is to enable people to learn from what works well and from what isn’t working so well so that energy can be used meaningfully. Facilitating story telling is a powerful way to build insights and learning. Jennifer enjoys cycling, reading, and walking the dogs early in the morning. The Five Elements of Apology - Reconnecting after messing up Join TITA COOK in this interactive workshop which responds to when you find yourself feeling sad, hurt or frustrated – wondering “why can’t xxx ever apologise?” Tita will explore the five elements that make an apology meaningful. Born in Mexico, Tita originally trained as a paediatric dentist. After living in many different countries, Tita is now settled in Melbourne and she is a full-time staff member of LifeWorks Relationship Counselling and Education Services. -
CAST BIOGRAPHIES Season 2 RICKY WHITTLE
CAST BIOGRAPHIES Season 2 RICKY WHITTLE (SHADOW MOON) Ricky Whittle was born in Oldham, near Manchester in the north of England. Growing up, Whittle excelled in various sports representing his country at youth level in football, rugby, American football and athletics. After being scouted by both Arsenal and Celtic Football Clubs, injuries forced him to pursue a law degree at Southampton University. It was here he began modeling, becoming the face of a Reebok campaign in 2000. Whittle left university to pursue an acting career and soon joined several action-packed seasons as bad boy Ryan Naysmith in Sky One’s “Dream Team.” Following that, Whittle quickly joined the U.K.’s hugely popular long-running drama, “Hollyoaks,” in which he played rookie cop Calvin Valentine to acclaim across 400+ episodes. In 2010, Whittle made the decision to relocate to California and, within months of settling in, booked the role of Captain George East in the romantic-comedy feature Austenland for Sony Pictures, which was produced by Twilight creator Stephanie Meyer. Additionally, he was soon cast in a major recurring role in VH1’s popular series, “Single Ladies.” Another major recurring role followed on The CW’s popular post-apocalyptic sci-fi series “The 100.” Whittle’s character, Lincoln, immediately became a fan-favorite character, so he was upped to a series regular. Simultaneously, Whittle also had a recurring arc as Daniel Zamora in ABC’s “Mistresses.” In 2016, after a vigorous casting process, Whittle won the coveted role of Shadow Moon in Starz’s “American Gods.” In 2017, Whittle was seen opposite Sanaa Lathan in the Netflix feature film Nappily Ever After, which is based on the novel of the same name by Trisha R. -
The Life and Times of the Remarkable Alf Pollard
1 FROM FARMBOY TO SUPERSTAR: THE LIFE AND TIMES OF THE REMARKABLE ALF POLLARD John S. Croucher B.A. (Hons) (Macq) MSc PhD (Minn) PhD (Macq) PhD (Hon) (DWU) FRSA FAustMS A dissertation submitted for the degree of Doctor of Philosophy University of Technology, Sydney Faculty of Arts and Social Sciences August 2014 2 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12 August 2014 3 INTRODUCTION Alf Pollard’s contribution to the business history of Australia is as yet unwritten—both as a biography of the man himself, but also his singular, albeit often quiet, achievements. He helped to shape the business world in which he operated and, in parallel, made outstanding contributions to Australian society. Cultural deprivation theory tells us that people who are working class have themselves to blame for the failure of their children in education1 and Alf was certainly from a low socio-economic, indeed extremely poor, family. He fitted such a child to the letter, although he later turned out to be an outstanding counter-example despite having no ‘built-in’ advantage as he not been socialised in a dominant wealthy culture. -
Jeremy Lindsay Taylor
JEREMY LINDSAY TAYLOR TRAINING Howard Fine Masterclass 2016 Howard Fine Masterclass 2015 Howard Fine Masterclass 2012 Howard Fine Masterclass 2010 The Actor’s Centre, London 2005 Graduate, Bachelor of Arts, Drama: Newcastle University 1995 TELEVISION BLACK COMEDY (Series 4) Role: Rodger Dir: Nakkiah Lui, Steven McGregor, Scarlett Pictures 2020 PLAYING FOR KEEPS (Series 2) Role: Brian Dir: Various, Screentime 2019 REEF BREAK Role: Dylan Sawyer Dir: Sian Davies, ABC Studios International 2019 THE FAMILY LAW (Series 3) Role: Pete Dir: Ben Chessell, Sophie Miller. SBS 2019 BLACK COMEDY (Series 3) Role: Fritz Dir: Beck Cole, Steven McGregor. Scarlett Pictures/ABC 2018 PLAYING FOR KEEPS (Series 1) Role: Brian Dir: Various, Screentime 2018 OLIVIA NEWTON-JOHN: Hopelessly Devoted To You (Telemovie) Role: John Easterling Dir: Shawn Seet, Fremantle Media Australia Pty Ltd 2018 ROMPER STOMPER Role: Marco Dir: Geoffrey Wright, STAN 2017 OFFSPRING (Series 7) Role: Dan Dir: Various, Network Ten 2017 HOME & AWAY Role: Dylan Carter (Guest) Dir: Arnie Custo, 7 Network 2017 NEWTON’S LAW Role: Andrew de Vries Dir: Jennifer Perrott, Newton’s Law Series 1 Pty Ltd 2016 BLUE WATER EMPIRE Role: Captain Lewis Dir: Steven McGregor, Blue Water Empire Media Pty Ltd 2016 HYDE & SEEK Role: Andrew Dir: Peter Andrikidis & David Cesar, Matchbox Pictures 2016 DEEP WATER Role: Oscar Dir: Shawn Seet, Blackfella Films / SBS 2016 BARRACUDA Role: Neal Dir: Rob Connolly, Barracuda Productions Pty Ltd 2016 LOVE CHILD (Series 3) Role: Leon Dir: Various, Playmaker LC3 SPV Pty Ltd -
How I Clawed My Way to the Middle JOHN WOOD Viking | RRP $34.99 | Trade Paperback | 4 August 2020 | Available As an Audiobook Via Audible
How I Clawed My Way to the Middle JOHN WOOD Viking | RRP $34.99 | Trade Paperback | 4 August 2020 | Available as an audiobook via Audible A delightful peek behind the curtains at the life of John Wood, one of Australia’s most beloved actors. From working class beginnings in Melbourne through to rubbing shoulders with some of the best and brightest in Australia’s acting scene, John takes the reader on an enchanting jaunt through his childhood to his time on the silver screen. Tales of running money to the head office of Victorian Railways—with gun in tow—or working in the cold bowels of an abattoir provides glimpses into John’s humble origins. Whilst stories of participating in seances and seeing The Beatles live at Festival Hall reveal snippets of his life in Melbourne in a bygone era. John treads the boards of Australia’s most prominent theatres in the plays of our most acclaimed playwrights and directors, Williamson, Bell and Sumner to name but a few, until finally his time on television as familiar faces Michael Rafferty of Rafferty’s Rules and Tom Croydon from Blue Heelers. All of which is threaded with the uncertainty of an actor’s life; surviving on a six dollar a week scholarship at NIDA, being parted from his young family for months at a time due to filming to each lull in work that causes John’s sense of self worth to plummet. ‘On stage is where I feel most alive, Like the man himself, How I Clawed my Way to the Middle is engaged and sure of unpretentious, funny and charming. -
Lindsay Hardy
Lindsay Hardy the man who wrote from Lindsay Street Victor Harbor —via Adelaide & Sydney— to the Middle East, North Africa, New Guinea, to Adelaide, Melbourne, Sydney, North America —Vancouver, Hollywood, Toronto, New York— to London, Sydney, to permanent expatriacy in London Peter Adamson To Angus ‘Gus’ Dodd of the 2/48th, who, typical of the vast majority of diggers, said so little of his war service that it was only when I researched Hardy’s life that I gained an inkling of what he endured. ©2014 Peter David Adamson 7 Horn Court, Walkerville. South Australia. 5081. <[email protected]> (08) 8344-3709 2 Lindsay Hardy was Australia’s finest writer of suspense thrillers for radio. Born in Victor Harbor, South Australia, he moved to Sydney, joined the army in December 1939, was wounded twice (once in North Africa and again in New Guinea), returned to Australia, and began writing radio serials. He and his serials soon became household names. He then sought fame in Hollywood and was successful, until McCarthyite hysteria saw him refused residential status. Disappointed, he moved to Cana- da and London; came back to Sydney, then finally, with very little work in Australian radio and television for writers of drama, re- turned to England and permanent expatriacy. 3 Lindsay Hardy the man who wrote Contents Preface 5 Acknowledgments 7 Introduction: Who was Lindsay Hardy? 9 1. Starting points: from Lindsay Street Victor Harbor to Sydney 12 September 1914-December 1939 2. To World War II: the Middle East and New Guinea 15 December 1939-November 1943 3. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.