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CHAN 9791 Front.qxd 26/7/07 4:47 pm Page 1 CHAN 9791 CHANDOS Adalbert Gyrowetz Symphoniespremiere recordings London Mozart Players Matthias Bamert CHAN 9791 BOOK.qxd 26/7/07 4:49 pm Page 2 Adalbert Gyrowetz (1763 –1850) premiere recording Symphony in E flat major, Op. 6 No. 2 17:52 in Es-Dur . mi bémol majeur 1 I Allegro 6:05 2 II Andante 4:37 3 III Minuetto: Allegretto 3:40 AKG 4 IV Finale: Presto 3:16 premiere recording Symphony in F major, Op. 6 No. 3 20:14 in F-Dur . fa majeur 5 I Allegro 7:37 6 II Andante 5:22 7 III Minuetto: Allegretto 4:08 8 IV Finale (Rondo): Allegro vivace 2:56 premiere recording Symphony in D major, Op. 12 No. 1 25:48 in D-Dur . ré majeur 9 I Adagio – Allegro 8:23 Adalbert Gyrowetz 10 II Andante poco adagio 6:30 11 III Minuetto: Allegro 6:04 12 IV Presto 4:41 TT 64:13 London Mozart Players Matthias Bamert 3 CHAN 9791 BOOK.qxd 26/7/07 4:49 pm Page 4 with the violinist and publisher Jean-Jérôme conductor and teacher he played an Gyrowetz: Symphonies Imbault. In October that year he travelled to important role in Viennese musical society London, where he was commissioned by the into the 1820s and was one of the violinist and impresario Johann Peter pallbearers at the funeral of his friend and Adalbert Gyrowetz was born on 20 February pieces for wind ensemble which he offered Salomon to write symphonies for his close contemporary, Beethoven. He retired 1763 in Böhmisch Budweis (now ˇCeské to an anonymous publisher, certain that they concerts in the Hanover Square Rooms. In in 1831, but lived on until 1850. As he Budˇejovice), some sixty-five miles due were written exactly ‘for today’s taste’. In 1791 he welcomed his idol Haydn on the remarked, modestly, in an article published south of Prague and then, as now, more 1785 he went, like so many Bohemian first of his two visits to England (arranged in the Ostdeutsche Post in 1850: ‘I was only a famous for producing beer than musicians. musicians of his time, to Vienna. There he by Salomon), and with his command of talented man who can be happy if he In the Czech Republic he is nowadays met Mozart, who befriended him and English and familiarity with ‘polite society’ conquers the present; only a genius lives known, for good patriotic reasons, as performed one of Gyrowetz’s symphonies at was in a position to be of considerable beyond the grave’. Vojtˇech Jírovec, but he himself always used a subscription concert in the Mehlgrube; practical help to the great man during their Gyrowetz’s compositions include some the German form of his name rather than and when, a year later, Gyrowetz decided to time together in London. Gyrowetz was thirty operas (most, but not all, written for the Bohemian one (his mother may have chance his arm in Italy, Mozart, who had commissioned to write an opera, Semiramis, Vienna); ballets and incidental music; over been German) even though he was fluent in been to Italy three times and knew the for the Pantheon in Oxford Street, but the forty symphonies; a huge body of chamber French, Italian, English, Latin and – country well, said to him: ‘You lucky man! building was destroyed by fire on 14 January music; many songs and various sacred works, exceptionally for a Bohemian émigré – O, if only I could go with you, how happy I 1792, the night before the first performance, including eleven Masses. A thematic Czech. In his (German) Biographie, should be!’. and all the music except the overture was catalogue was compiled in 1982 by John A. published in Vienna in 1848, he wrote that He spent three years in Italy, first as lost. Later that year he set out on his Rice, in conjunction with The Symphony, he began his musical studies with his father, secretary and music master to the family of homeward journey, reaching Bohemia in 1720–1840 (Editor-in-Chief Barry S. who was choirmaster of the cathedral in Prince Ruspoli, with whom he travelled to 1793 by way of Brussels, Berlin and Brook, Garland Publishing Inc., New York Budweis, and continued them while he was Florence (where he met Pietro Nardini), Dresden, and then returned to Vienna, and London, 1986), which lists twenty-nine reading Law at the University in Prague. He Rome (where he spent some time with where he was to spend the rest of his long authentic surviving symphonies and one of then worked in Brünn (now Brno) as Goethe and composed his first six string life, except for a brief period in Munich and doubtful authenticity, two serenades, two secretary to Count Franz von Fünfkirchen, quartets), Bologna and Venice, after which Schwetzingen in the service of Count von symphonies concertantes and one divertimento all of whose employees had to be musicians he spent two years in Naples studying with Sickingen towards the end of the century. In concertante. The symphonies, which are so that they could form an orchestra and Nicola Sala. In 1789 he went to 1804 he was appointed Vize-Kapellmeister of preserved in manuscript orchestral parts give concerts in addition to their other Revolutionary Paris, where he discovered the Court Theatre in Vienna, for which he belonging to Haydn’s employer Prince duties. At this time he composed, among that one of his symphonies was being played was expected to write at least one opera and Nicolaus I Esterházy and to Prince Joseph other things, twelve symphonies and six but attributed to Haydn, and made a deal one ballet every year. As a composer, Maria Benedikt von Fürstenberg, and in 4 5 CHAN 9791 BOOK.qxd 26/7/07 4:49 pm Page 6 early printed editions published by Imbault, The Symphony in F, Op. 6 No. 3 (Rice’s movement, a gentle Andante poco adagio in Guest Conductor, and in September 2000 André (under various opus numbers) and F1) is also scored for strings, two oboes, G and in 6/8 metre, with effective Andrew Parrott succeeds Matthias Bamert as Sieber, date mainly from the early 1780s to bassoon and two horns. It begins with an alternation of pizzicato and arco on the the Orchestra’s Music Director. the early 1790s, only a handful being attractive, waltz-like Allegro, with a smiling strings. The third movement is a strapping believed to date from the early years of the second subject in two distinct halves, and a Minuet, with a wistful trio featuring the Matthias Bamert is Music Director of the nineteenth century. Rice’s catalogue lists taut, interesting development. The slow oboe, and the brisk finale is a witty, London Mozart Players and was Principal them under key (A–B flat) in alphabetical movement, in D minor and in compact distinctly Haydnish rondo. Guest Conductor of the Scottish National order, and within these groups in sonata form, is weighty and dramatic, but Orchestra and Director of the Glasgow chronological sequence so far as this is some relief is offered by the lyrical second © 2000 Robin Golding contemporary music festival, Musica Nova, possible. The three symphonies recorded subject, in F major and on the first oboe from 1985 to 1990. He has conducted the here are all believed to have been written in (but in D minor in the recapitulation, and In February 1999 the London Mozart world premieres of works by many about 1790 or earlier. on the first violins). Next comes a jolly Players became the first UK chamber composers such as Takemitsu, Casken, The Symphony in E flat, Op. 6 No. 2 Minuet, with syncopations in its second orchestra to celebrate its 50th anniversary. MacMillan and Rihm and has taken the (Rice’s E flat 1) is modestly scored for section, framing a melodious trio, also Founded by Harry Blech, the LMP is London Mozart Players to the BBC Proms, strings, two oboes, bassoon and two horns. featuring the first oboe, and, to end with, a regarded as one of the finest chamber Vienna and to the Luzern Festival. He works Its first movement is a busy Allegro. There brisk Rondo with some nice touches for the orchestras in Europe, bringing together some regularly with orchestras including the are very similar second and third subjects, wind section. of the UK’s most outstanding musicians. Philharmonia, the London Philharmonic both in B flat and both featuring the The Symphony in D, Op. 12 No. 1 It is particularly known for its definitive Orchestra, the BBC Philharmonic and the bassoon, and a particularly long and (Rice’s D6) is scored for strings, two flutes, performances of Mozart and other core City of Birmingham Symphony Orchestra elaborate development section, followed by a two oboes, two horns, two trumpets and classical repertoire. Matthias Bamert has and tours extensively to North America, varied recapitulation. Next comes an timpani. A short but eloquent slow been the Music Director since 1993 and the Australia, New Zealand and Hong Kong. He Andante in B flat and in ternary form, the ‘A’ introduction prefaces a busy, festive Allegro, LMP is acknowledged as one of the few UK has guest-conducted many orchestras section being scored for the full orchestra, with a gentle second subject (in A but with chamber orchestras with a genuinely including the Orchestre de Paris and the and the ‘B’ section for the winds alone and minor-key inflections) shared by the strings dynamic and distinctive sound.