Art and Design
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Matisse Dance with Joy Ebook
MATISSE DANCE WITH JOY PDF, EPUB, EBOOK Susan Goldman Rubin | 26 pages | 03 Jun 2008 | CHRONICLE BOOKS | 9780811862882 | English | San Francisco, United States Matisse Dance with Joy PDF Book Sell your art. Indeed, Matisse, with its use of strong colors and long, curved lines will initially influenced his acolytes Derain and Vlaminck, then expressionist and surrealist painters same. Jun 13, Mir rated it liked it Shelves: art. He starts using this practice since the title, 'Tonight at Noon' as it is impossible because noon can't ever be at night as it is during midday. Tags: h mastisse, matisse henri, matisse joy of life, matisse goldfish, matisse for kids, matisse drawing, drawings, artsy, matisse painting, henri matisse paintings, masterpiece, artist, abstract, matisse, famous, popular, vintage, expensive, henri matisse, womens, matisse artwork. Welcome back. Master's or higher degree. Matisse had a daughter with his model Caroline Joblau in and in he married Amelie Noelie Parayre with whom he raised Marguerite and their own two sons. Henri Matisse — La joie de vivre Essay. Tags: matisse, matisse henri, matisse art, matisse paintings, picasso, picasso matisse, matisse painting, henri matisse art, artist matisse, henri matisse, la danse, matisse blue, monet, mattise, matisse cut outs, matisse woman, van gogh, matisse moma, moma, henry matisse, matisse artwork, mattisse, henri matisse painting, matisse nude, matisse goldfish, dance, the dance, le bonheur de vivre, joy of life, the joy of life, matisse joy of life, bonheur de vivre, the joy of life matisse. When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania. -
E N G L I S H
Matura Examination 2017 E N G L I S H Advance Information The written Matura examination in English consists of four main sections (total 90 credits in sections I-III): Section I: Listening (credits: 14) Multiple choice and questions Section II: Reading Comprehension (credits: 20) 1. Short answer questions Section III: Use of English (credits: 56) 1. Synonyms 2. Antonyms 3. Word Formation 4. Sentence Transformation 5. Open Cloze Section IV: Writing, approx. 400 words (the mark achieved in this part will make up 50% of the overall mark) Time management: the total time is 240 minutes. We recommend you spend 120 minutes on sections I-III, and 120 minutes on section IV. Write legibly and unambiguously. Spelling is important in all parts of the examination. Use of dictionary: You will be allowed to use a monolingual dictionary after handing in sections I-III. The examination is based on Morgan Meis’s article “Frank Lloyd Wright Tried to Solve the City”, published in the “Critics” section of the May 22, 2014 issue of The New Yorker magazine. Frank Lloyd Wright Tried to Solve the City by MORGAN MEIS In: The New Yorker, May 22, 2014 Frank Lloyd Wright1 hated cities. He thought that they were cramped and crowded, stupidly designed, or, more often, built without any sense of design at all. He once wrote, “To look at the 5 plan of a great City is 5 to look at something like the cross-section of a fibrous tumor.” Wright was always looking for a way to cure the cancer of the city. -
Artistic Evolution at the Confluence of Cultures
Dochaku: Artistic Evolution at the Confluence of Cultures Toshiko Oiyama A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy School of Art, College of Fine Arts University of New South Wales 2011 Acknowledgements Had I known the extent of work required for a PhD research, I would have had a second, and probably a third, thought before starting. My appreciation goes to everyone who made it possible for me to complete the project, which amounts to almost all with whom I came in contact while undertaking the project. Specifically, I would like to thank my supervisors Dr David McNeill, Nicole Ellis, Dr Paula Dawson, Mike Esson and Dr Diane Losche, for their inspiration, challenge, and encouragement. Andrew Christofides was kind to provide me with astute critiques of my practical work, while Dr Vaughan Rees and my fellow PhD students were ever ready with moral support. Special thanks goes to Dr Janet Chan for giving me the first glimpse of the world of academic research, and for her insightful comments on my draft. Ms Hitomi Uchikura and Ms Kazuko Hj were the kind and knowledgeable guides to the contemporary art world in Japan, where I was a stranger. Margaret Blackmore and Mitsuhiro Obora came to my rescue with their friendship and technical expertise in producing this thesis. My sister Setsuko Sprague and my mother Nobuko Oiyama had faith in my ability to complete the task, which kept me afloat. Lastly, a huge thanks goes to my husband Derry Habir. I hold him partly responsible for the very existence of this project – he knew before I ever did that I wanted to do a PhD, and knew when and how to give me a supporting hand in navigating its long process. -
Henri Matisse, Textile Artist by Susanna Marie Kuehl
HENRI MATISSE, TEXTILE ARTIST COSTUMES DESIGNED FOR THE BALLETS RUSSES PRODUCTION OF LE CHANT DU ROSSIGNOL, 1919–1920 Susanna Marie Kuehl Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Susanna Marie Kuehl All Rights Reserved To Marie Muelle and the anonymous fabricators of Le Chant du Rossignol TABLE OF CONTENTS Page Acknowledgements . ii List of Figures . iv Chapter One: Introduction: The Costumes as Matisse’s ‘Best Spokesman . 1 Chapter Two: Where Matisse’s Art Meets Textiles, Dance, Music, and Theater . 15 Chapter Three: Expression through Color, Movement in a Line, and Abstraction as Decoration . 41 Chapter Four: Matisse’s Interpretation of the Orient . 65 Chapter Five: Conclusion: The Textile Continuum . 92 Appendices . 106 Notes . 113 Bibliography . 134 Figures . 142 i ACKNOWLEDGEMENTS As in all scholarly projects, it is the work of not just one person, but the support of many. Just as Matisse created alongside Diaghilev, Stravinsky, Massine, and Muelle, there are numerous players that contributed to this thesis. First and foremost, I want to thank my thesis advisor Dr. Heidi Näsström Evans for her continual commitment to this project and her knowledgeable guidance from its conception to completion. Julia Burke, Textile Conservator at the National Gallery of Art in Washington DC, was instrumental to gaining not only access to the costumes for observation and photography, but her energetic devotion and expertise in the subject of textiles within the realm of fine arts served as an immeasurable inspiration. -
Rise of Modernism
AP History of Art Unit Ten: RISE OF MODERNISM Prepared by: D. Darracott Plano West Senior High School 1 Unit TEN: Rise of Modernism STUDENT NOTES IMPRESSIONISM Edouard Manet. Luncheon on the Grass, 1863, oil on canvas Edouard Manet shocking display of Realism rejection of academic principles development of the avant garde at the Salon des Refuses inclusion of a still life a “vulgar” nude for the bourgeois public Edouard Manet. Olympia, 1863, oil on canvas Victorine Meurent Manet’s ties to tradition attributes of a prostitute Emile Zola a servant with flowers strong, emphatic outlines Manet’s use of black Edouard Manet. Bar at the Folies Bergere, 1882, oil on canvas a barmaid named Suzon Gaston Latouche Folies Bergere love of illusion and reflections champagne and beer Gustave Caillebotte. A Rainy Day, 1877, oil on canvas Gustave Caillebotte great avenues of a modern Paris 2 Unit TEN: Rise of Modernism STUDENT NOTES informal and asymmetrical composition with cropped figures Edgar Degas. The Bellelli Family, 1858-60, oil on canvas Edgar Degas admiration for Ingres cold, austere atmosphere beheaded dog vertical line as a physical and psychological division Edgar Degas. Rehearsal in the Foyer of the Opera, 1872, oil on canvas Degas’ fascination with the ballet use of empty (negative) space informal poses along diagonal lines influence of Japanese woodblock prints strong verticals of the architecture and the dancing master chair in the foreground Edgar Degas. The Morning Bath, c. 1883, pastel on paper advantages of pastels voyeurism Mary Cassatt. The Bath, c. 1892, oil on canvas Mary Cassatt mother and child in flattened space genre scene lacking sentimentality 3 Unit TEN: Rise of Modernism STUDENT NOTES Claude Monet. -
Autumn 2012 Catalogue:1 20/4/12 10:28 Page 1
Autumn 12 Cat. Cover multiple bags:1 16/4/12 12:19 Page 1 YaleBooks www.yalebooks.co.uk twitter.com/yalebooks yalebooks.wordpress.com Yale facebook.com/yalebooks autumn & winter 2012 Yale autumn & winter 2012 Autumn 2012 Cat. Inside Cover:1 20/4/12 10:23 Page 1 Yale sales representatives and overseas agents Great Britain Central Europe China, Hong Kong Scotland and the North Ewa Ledóchowicz & The Philippines Peter Hodgkiss PO Box 8 Ed Summerson 16 The Gardens 05-520 Konstancin-Jeziorna Asia Publishers Services Ltd Whitley Bay NE25 8BG Poland Units B & D Tel. 0191 281 7838 Tel. (+48) 22 754 17 64 17/F Gee Chang Hong Centre Mobile ’phone 07803 012 461 Fax. (+48) 22 756 45 72 65 Wong Chuk Hang Road e-mail: [email protected] Mobile ’phone (+48) 606 488 122 Aberdeen e-mail: [email protected] Hong Kong North West England, inc. Staffordshire Tel. (+852) 2553 9289/9280 Sally Sharp Australia, New Zealand, Fax. (+852) 2554 2912 53 Southway Fiji & Papua New Guinea e-mail: [email protected] Eldwick, Bingley Inbooks West Yorkshire BD16 3DT Locked Bag 535 Singapore, Thailand, Vietnam, Tel. 01274 511 536 Frenchs Forest Cambodia, Indonesia & Brunei Mobile ’phone 07803 008 218 NSW 2086 APD Singapore Ptd Ltd e-mail: [email protected] Australia 52 Genting Lane #06-05 Tel: (+61) 2 8988 5082 Ruby Land Complex 1 South Wales, South and South West Fax: (+61) 2 8988 5090 Singapore 349560 England, inc. South London e-mail: [email protected] Tel. (+65) 6749 3551 Josh Houston Fax. -
Modern Art Music Terms
Modern Art Music Terms Aria: A lyrical type of singing with a steady beat, accompanied by orchestra; a songful monologue or duet in an opera or other dramatic vocal work. Atonality: In modern music, the absence (intentional avoidance) of a tonal center. Avant Garde: (French for "at the forefront") Modern music that is on the cutting edge of innovation.. Counterpoint: Combining two or more independent melodies to make an intricate polyphonic texture. Form: The musical design or shape of a movement or complete work. Expressionism: A style in modern painting and music that projects the inner fear or turmoil of the artist, using abrasive colors/sounds and distortions (begun in music by Schoenberg, Webern and Berg). Impressionism: A term borrowed from 19th-century French art (Claude Monet) to loosely describe early 20th- century French music that focuses on blurred atmosphere and suggestion. Debussy "Nuages" from Trois Nocturnes (1899) Indeterminacy: (also called "Chance Music") A generic term applied to any situation where the performer is given freedom from a composer's notational prescription (when some aspect of the piece is left to chance or the choices of the performer). Metric Modulation: A technique used by Elliott Carter and others to precisely change tempo by using a note value in the original tempo as a metrical time-pivot into the new tempo. Carter String Quartet No. 5 (1995) Minimalism: An avant garde compositional approach that reiterates and slowly transforms small musical motives to create expansive and mesmerizing works. Glass Glassworks (1982); other minimalist composers are Steve Reich and John Adams. Neo-Classicism: Modern music that uses Classic gestures or forms (such as Theme and Variation Form, Rondo Form, Sonata Form, etc.) but still has modern harmonies and instrumentation. -
Fallingwater/Western Pennsylvania Conservancy
Fallingwater and the Western Pennsylvania Conservancy Designed in 1935, Fallingwater is perhaps Frank Lloyd Wright’s most widely acclaimed work. Fallingwater was created for the Edgar J. Kaufmann family, the owners of the former Pittsburgh department store chain, Kaufmann’s. The site of the house was the Kaufmann family’s mountain property at Bear Run, where they enjoyed weekend and summer vacations. Completed with the guest house and servants’ quarters in 1939, Fallingwater was constructed of native sandstone quarried on the property and laid by local craftsmen. Fallingwater is located on a 5,000- acre natural heritage area, Bear Run Nature Reserve, named for Bear Run, the stream that runs through the reserve. In 1963, Edgar Kaufmann jr., son of the house’s patron, entrusted the house and approximately 1,500 acres surrounding it to the Western Pennsylvania Conservancy (WPC). Over time, WPC assembled enough parcels of land to create a 20-mile trail system on the reserve that traverses nearly the entire Bear Run watershed. Nearly 10 acres of the reserve directly surround the house. PA State Route 381, a major two-lane transportation route through the mountainous Laurel Highlands, divides most of the remaining acreage from the Fallingwater side. Bear Run Nature Reserve is an area of great natural diversity with stunning outcroppings of Pottsville sandstone. It has significant aquatic and animal life, such as native trout, numerous birds, black bears and bobcats. The flora includes extensive stands Western Pennsylvania Conservancy • 800 Waterfront Drive • Pittsburgh, PA 15222 412-288-2777 • 1-866-564-6972 Toll Free WaterLandLife.org of wildflowers, rhododendron and trees including mature oaks, maples, poplars, dogwoods and hemlocks. -
AAR Magazine
AMERICAN ACADEMY IN ROME MAGAZINE SPRING 2017 Welcome to the Spring 2017 issue of AAR Magazine. This issue of AAR Magazine offers a summation of a very productive year. We feature the scholars and artists in our creative community at the culmination of their research and look at how the Fellows’ Project Fund has expanded their possibilities for collaborat- ing and presenting their work in intriguing ways. We update this year’s exploration of American Classics with reports on a February conference and previews of events still to come, including an exhibition fea- turing new work by artist Charles Ray. You will also find a close look at AAR’s involvement in archaeology and details of a new Italian Fellowship sponsored by Fondazione Sviluppo e Crescita CRT. And, of course, we introduce the Rome Prize win- ners and Italian Fellows for 2017–2018! Vi diamo il benvenuto al numero “Primavera 2017” dell’AAR Magazine. Questo numero dell’AAR Magazine riassume il lavoro prodotto in un anno eccezionale. Vi presentiamo gli studiosi e gli artisti della nostra comunità creativa al culmine della loro ricerca e siamo lieti di mostrare quanto il Fellows’ Project Fund abbia ampliato le loro possibilità di collaborare e presentare le proprie opere in modo affascinante. Aggiorniamo la pan- oramica fatta quest’anno sugli American Classics con il resoconto del convegno tenutosi a febbraio e con le anticipazioni sui prossimi eventi, tra i quali una mostra con una nuova opera dell’artista Charles Ray. Daremo uno sguardo da vicino all’impegno dell’AAR nel campo dell’archeologia e alla nuova Borsa di studio per Italiani finanziata da Fondazione Sviluppo e Crescita CRT. -
2013 Newsletter
the newsletter of the department of art history at the university of delaware Spring 2013 Looking Forward Remembering William Innes Homer 1 Spring 2013 From the Chair Editor: Camara Dia Holloway Dear friends of the Department of Art History at Editorial Assistant: Amy Torbert the University of Delaware, As you will see from this issue of Insight, it has been Art Director and Project Manager: a busy and eventful year for the faculty and students Christina Jones and former students in the Department. I am writing to you from my temporary position as interim Chair Lawrence Nees. for the next three terms, which I began to occupy in January Photo by George Freeman. Department of Art History Staff: 2013. In the fall of last year our distinguished Professor Nina Linda J. Magner, Starline Griffin Athanassoglou-Kallmyer, who had been serving as Chair for several years, announced that she wished to step down from Photographer: George Freeman that position and, after the sabbatical now beginning, will retire from full-time teaching. Professor Kallmyer has taught at Delaware since 1982 and has brought much distinction to the faculty and immense learning and energy to our students at all levels. She is the Insight is produced by the Department author of four important books, French Images from the Greek War of Independence of Art History as a service to alumni and (1989), Eugène Delacroix: Prints, Politics and Satire (1991), Cézanne and Provence (2003) friends of the Department. We are always and Théodore Géricault (2010), and countless articles, the recipient of many awards, pleased to receive your opinions and including the College Art Association’s (CAA) Arthur Kingsley Porter Prize, and her many The officers of the Art History ideas. -
M O MA Highligh Ts M O MA Highligh Ts
MoMA Highlights MoMA Highlights MoMA This revised and redesigned edition of MoMA Highlights: 350 Works from The Museum of Modern Art presents a new selection from the Museum’s unparalleled collection of modern and contemporary art. Each work receives a vibrant image and an informative text, and 115 works make their first appearance in Highlights, many of them recent acquisitions reflecting the Museum’s commitment to the art of our time. 350 Works from The Museum of Modern Art New York MoMA Highlights 350 Works from The Museum of Modern Art, New York The Museum of Modern Art, New York 2 3 Introduction Generous support for this publication is Produced by the Department of Publications What is The Museum of Modern Art? 53rd Street, from a single curatorial The Museum of Modern Art, New York provided by the Research and Scholarly At first glance, this seems like a rela- department to seven (including the Publications Program of The Museum of Edited by Harriet Schoenholz Bee, Cassandra Heliczer, tively straightforward question. But the most recently established one, Media Modern Art, which was initiated with the sup- and Sarah McFadden Designed by Katy Homans answer is neither simple nor straight- and Performance Art, founded in port of a grant from The Andrew W. Mellon Production by Matthew Pimm forward, and any attempt to answer it 2006), and from a program without a Foundation. Publication is made possible Color separations by Evergreen Colour Separation permanent collection to a collection of by an endowment fund established by The (International) Co., Ltd., Hong Kong almost immediately reveals a complex Printed in China by OGI/1010 Printing International Ltd. -
European Home Look Book
European Home EuropeanFire & ModernHome Interior Design Interior Design Look Book Look Book Gyrofocus by Focus PREFACE Sky T by Element4 Fire & Modern Interior Design This catalog is a celebration of the interior design styles of today. European Home manufactures and imports premium modern fireplaces. Many of the images you will see within these pages are from projects that utilize our fireplaces in creative ways. From Mid-Century Modern to Industrial, we explored the quintessential elements of 10 popular interior design styles and highlighted the role of the fireplace within the context of contemporary interior Kabaz Architecture design. Holly Markham President and Founder European Home STYLES Art Deco ...................................................................................................................... 4 - 5 Contemporary ....................................................................................................... 6 - 7 Industrial ....................................................................................................................... 8 - 9 Mid-Century Modern ................................................................................... 10 - 11 Minimalist ................................................................................................................ 12 - 13 Modern Farmhouse....................................................................................... 14 - 15 Modern Scandinavian ............................................................................... 16 - 17