Cosmopolis#61
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Yandros; by Our Records, He Began Subscribing with Issue ?#152, in 1965
Published, by Robert & Juanita Coulson, Route 3, Hartford City, IN 473U8, USA British Agent is Alan Dodd, '77 Stanstead Road, Hoddesdon, Herts., Great Britain Price: US, 750, $ for $3*00, 10 for S5«00 - Britain, 35p, 5 for El.fjO, 10 for E2.5O .. CONTENTS . Ramblings (editorial)- - - ------- _ _ _ _ JWC --------- ----------- ------- _______ _ 2 Rumblings ( " )- -------------------------. - RSC-----------.------------------ --------- ---------------- 4 A Coulumn - - — — _________ Bruce Coulson -------------6 An Advertisement Brought To You - - by Darrell Schweitzer, John Miesel, and ■ . • . Sandra Miesel--------8 Star. Laden Trek To A Black Wormhole - - Thomas Stratton - - - - - ------ --- -11 ; Grumblings (letters) - -- -- -- -- -- — ---------------- 14 Special Book Review - -- -- -- -- - rsc. - - - - - - ----------- - - - 13 Things That Go BumpJ In The Mailbox - - the. readers - — — ________ 18 Golden Minutes (book reviews) - - RSC ________ 20 Strange Fruit (fanzine reviews)-----------RSC -----------------. - ------------------------ ------ 39 ARTWORK . Cover by Fred. Jac.obcic Cover logo by Dave Locke Page 1 - - Joyce Scrivner (-wThe State of Reading Yaidro.; part 2 of a series) "2-------- - JWC Page 9 - - — - Alexis Gilliland «4------ -~- JWC " 10 - - - - - Alexis Gilliland " 6 - - - - - - - - - JWC . "L .14 ------ - Al Sirois " 8 - - - - - Alexis Gilliland ’’ 16 ----- - - Jann Frank "An Advertisement Brought To You" copyright 1980 by the authors Irv Jacobs, P.O. Box 57U, National City, CA 92050, is planning to dispose of his old YANDROs; by our records, he began subscribing with issue ?#152, in 1965. He wants 250 apiece, plus pos tage, and wants to sell them as a lot. NEW ADDRESSES ' Bruce Coulson and Lori Huff, 2454 Indiana Ave., Columbus, OH 43202 Ruth Berman, 2809 Dewey, #120, Norman, OK 73069 (for college year only; she’s teaching Freshman Corrip.) Jim Turner, 9218 8th. Ave. NW, Seattle, WA 98117 Hank Luttrell, 2619 Monroe St., Madison, WI 53711 Lesleigh Luttrell, 51h Stang St. -
Cosmopolis#57
COSMOPOLIS Number 57 January, 2005 And So It Ends SUBSCRIPTION know, we’re not done yet, but for someone who’s been I with the VIE for as long as I have (Volunteer # 76) the time remaining is vanishingly small compared to the eons DEADLINE is that have gone before. I’ve just received my last assign- JANUARY 25th! ment, and it’s like... well, the ‘last’. You know, like when you leave some place—house, employment, country—and lvl you’ll suddenly find yourself doing ‘last’ things. The deadline to order the complete set of ‘Last’ things that you’re aware of. ‘Last’ things that mat- VIE books is the 25th. ter; punctuation marks in the course of your life that add meta-meaning and frame its content. Punctuation we notice, You cannot procrastinate any longer! as if we were proofing the copy and wondering if that Order on the VIE website. comma really belongs here, or if it’s just a stylistic quirk, or if that colon should really be a full-stop. In contrast to this consider those sentence marks we don’t notice, because they, like someone wrote about Jack’s style, are Contents invisible, and by their implicitness serve to make limpid that which otherwise would be hidden. And So It Ends . 1 For everything in life, every action we take, is a ‘last’, at the same time as it is a first; only our urge to generalize, Till Noever simplify and abstract makes us believe otherwise. And, Work Tsar Report . .2 let’s face it, everything could just be ‘last’—because of our ignorance about what will be tomorrow, or maybe in the Joel Riedesel next few minutes, that will retroactively turn any given action into a ‘last’, by anybody’s definition. -
Footnotes in Fiction: a Rhetorical Approach
FOOTNOTES IN FICTION: A RHETORICAL APPROACH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward J. Maloney, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor James Phelan, Adviser Professor Morris Beja ________________________ Adviser Professor Brian McHale English Graduate Program Copyright by Edward J. Maloney 2005 ABSTRACT This study explores the use of footnotes in fictional narratives. Footnotes and endnotes fall under the category of what Gérard Genette has labeled paratexts, or the elements that sit above or external to the text of the story. In some narratives, however, notes and other paratexts are incorporated into the story as part of the internal narrative frame. I call this particular type of paratext an artificial paratext. Much like traditional paratexts, artificial paratexts are often seen as ancillary to the text. However, artificial paratexts can play a significant role in the narrative dynamic by extending the boundaries of the narrative frame, introducing new heuristic models for interpretation, and offering alternative narrative threads for the reader to unravel. In addition, artificial paratexts provide a useful lens through which to explore current theories of narrative progression, character development, voice, and reliability. In the first chapter, I develop a typology of paratexts, showing that paratexts have been used to deliver factual information, interpretive or analytical glosses, and discursive narratives in their own right. Paratexts can originate from a number of possible sources, including allographic sources (editors, translators, publishers) and autographic sources— the author, writing as author, fictitious editor, or one or more of the narrators. -
The Dragon Masters by Jack Vance
The Dragon Masters by Jack Vance Table of contents • Introduction • CHAPTER 1 • CHAPTER 2 • CHAPTER 3 • CHAPTER 4 • CHAPTER 5 • CHAPTER 6 • CHAPTER 7 • CHAPTER 8 • CHAPTER 9 • CHAPTER 10 • CHAPTER 11 • CHAPTER 12 • Annotation • Document information Introduction HOW can one explain the relative obscurity of a writer whose work has twice won the Hugo Award for best science fiction of the year in its category? A man who has been writing and publishing science fiction for over a quarter of a century. A man whose prose style is so unique that a random paragraph taken out of almost any piece of science fiction or fantasy he has written is sufficient to identify itself as unmistakably the work of Jack Vance: In the first place, the Rhune is exquisitely sensitive to his landscapes of mountain, meadow, forest and sky — all changing with the changing modes of day. He reckons his land by its aesthetic appeal; he will connive a lifetime to gain a few choice acres. He enjoys pomp, protocol, heraldic minutiae; his niceties and graces are judged as carefully as the figures of a ballet. He prides himself on his collection of sherliken scales; or the emeralds which he has mined, cut, and polished with his own hands; or his Arah magic wheels, imported from halfway across the Gaean Reach. He will perfect himself in special mathematics, or an ancient language, or the lore of fanfares, or all three, or three other abstrusities. — Marune: Alastor 933, p. 41. Yet Jack Vance seems to be an invisible man. Academics have written at great length and Byzantine complexity about science fiction writers with a far less substantial body of work and far less stylistic interest than Jack Vance. -
L'opera Di Jack Vance
RETROSPETTIVA www.clubcity.info CITYcircolo d’immaginazione L’opera di Jack Vance 1982. Silvio Sosio con cappello e capelli (a destra); Paolo Pavesi (a sinistra) tiene in mano il primo numero de “La Spada Spezzata“, da loro appena realizzata. CITYcircolo d’immaginazione retrospettiva L’opera di Jack Vance di Silvio Sosio Quattro mondi di Jack Vance da City fanzine bimestrale n.10, anno II aprile 1983 Altri quattro mondi di Jack Vance da City fanzine bimestrale n.11, anno II, giugno 1983 Ancora su Jack Vance: I principi Demoni da City fanzine bimestrale n.18, anno III, giugno 1984 Vance: il Pianeta Gigante [e altro] da City fanzine bimestrale n.19, anno IV, ottobre 1984 Questi quattro articoli dedicati alla narrativa di Jack Vance furono pubblicati a puntate sulla fanzine periodica del club City. Silvio Sosio aveva solo vent’anni quando li scrisse e riletti adesso ci fanno capire che Silvio aveva già in sé capacità di analisi, di confronto e una scrittura ricca e scorrevole, da premio. Quando vennero pubblicati l’indice di apprezzamento fu altissimo. E poi … vent’anni, da invidia! Silvio è riuscito a penetrare nella narrativa di Vance cogliendone le caratteristiche e i valori predominanti: l’estro paesaggistico, l’ironia, gli schemi di potere, e soprattutto la fascinazione della scrittura, che nell’autore di San Francisco è stile artistico. I suoi personaggi possono sconfinare nel bizzarro ma mai nello stereotipo e Vance li arricchisce con pennellate di creatività e fantasia. Questo vale per gli umani e per gli alieni. Le note bibliografiche sono state aggiornate, sebbene molti testi non siano stati più ristampati e .siano reperibili solo in rete nel mercato di libri usati e da collezione. -
Discussion About Jack Vance
Science Fiction Book Club Interview with John Vance II (April 2020) John H. Vance II is the only child of Jack and Norma Vance. And raised three children in the house that he and his father built with their own hands. He is now an “empty-nester” living in the old house with his fiancé, four cats and a dog (and the house remains a work in progress). John has worked actively with fans to preserve and promote his father's work, starting with Paul Rhoads in 1999, an association which led to publication of a subscription-funded set of 44 volumes known as the Vance Integral Edition, now sought after by collectors and hardcore fans alike. John manages his father's legacy through the publishing company Spatterlight Press LLC. John made his career designing and operating submersible systems and other marine equipment. Robert Matthew Knuckles: Vance's "Dying Earth" is often cited as the inspiration for the Magic System of earlier Editions of Dungeons & Dragons. How did he feel about the level of influence he had on such a phenomenally popular game and its many imitators? He was hardly aware of it. After a letter or two with Gary Gygax at the start he had little feedback, and of course zero income from the situation—so he had no way of knowing. Aldo Defraites: My question is this: When will Night Lamp be released on Kindle? Great book! Loved it Aldo, you can purchase and download .epub or .prc files of Night Lamp right now, on jackvance.com under our Spatterlight Press imprint. -
000 Index Cosmopolis and Extant 20190603 1123.Xlsx
Index 2 - Index Name 3 - X 4 - Item 5 - Cosmopolis or 6 - Page 7 - Text Extant No All Articles 0001 Cosmopolis #02 1 The VIE Vision (Mazirian, Die Domaänen von Koryphon, Bodissy, F. Herbert, Azimov, S. Lem, Bradbury, Twain, Stevenson, Dickens, Balzac), p1, Paul Rhoads. All Articles 0002 Cosmopolis #02 4 The New Textual Integrity Principles (Palace of Love, Star King, Killing Machine), p4, Alun Hughes All Articles 0003 Cosmopolis #02 7 Response to Paul Rhoads’ Vision of the VIE, p7, Alun Hughes VIE Proj 0001 Cosmopolis #02 15 The VIE Vision, p1, Paul Rhoads. VIE Proj 0002 Cosmopolis #02 25 Response to ‘VIE Vision’, p7, Alun Hughes VIE Text Integrity 0001 Cosmopolis #02 37 The New Textual Integrity Principles, p4. Alun Hughes All Articles 0004 Cosmopolis #03 4 The Font in Question, p4, Paul Rhoads All Articles 0005 Cosmopolis #03 5 Is Vance a Science Fiction Author? ( Narnia, The Wizard of Oz, H.G. Wells, 1984, Brave New World, Martian Chronicles, Dune, Wodehouse, Praxiteles, Michelangelo, Tolkein, H.C. Anderson, Dunsany, Ovid, Dante, Gogol, Jane Austen, Shakespeare, Balzac, Thackery, Niven, Aldiss, Clark), p5, Paul Rhoads Format and Font 0001 Cosmopolis #03 21 The Font in Question, p4, Paul Rhoads Literary (By Author) 0029 Paul Rhoads Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5 Literary 0001 Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5, Paul Rhoads All Articles 0006 Cosmopolis #04 5 What Sort of Artist is Jack Vance? (The Domains of Koryphon, The Killing Machine, Lyonesse, Poussin, Tiepolo, Goya), p5, Paul Rhoads -
Wortschmied Und Weltenschöpfer Jack Vance Wird Achtzig
Andreas Irle Wortschmied und Weltenschöpfer Jack Vance wird achtzig 1996 2 Andreas Irle Wortschmied und Weltenschöpfer 3 Im August 1996 feierte Jack Vance seinen achtzigsten Geburts- tag. Ich kann ihn mir gut vorstellen, wie er vor einem Glas Granatapfelwein sitzt und über sein Leben und sein Werk nach- denkt. Achtzig Lebensjahre, davon über fünfzig als Schriftstel- ler: In der Tat, letztes Jahr jährte sich der Verkauf seiner ersten Geschichte zum fünfzigsten Mal. Grund genug (wieder) einmal über Jack Vance nachzudenken, zumal da auch sein neuer Ro- man »Nachtlicht« seine Schatten vorauswirft. Einige der Werkinhalte sind kurz skizziert, um jene, die Vance nicht kennen, neugierig zu machen; und jene, die ihn kennen und mögen, anzuregen, die ein oder andere Geschichte noch einmal zu lesen. Mann und Mythos Jack Vance (richtiger Name: John Holbrook Vance) wurde am 28. August 1916 als Sohn von Charles Albert und Edith (Hoef- ler) Vance in San Francisco geboren. Er wuchs auf einer Ranch im San Joaquin Valley in Kalifornien auf und besuchte die University of California in Berkeley, wo er Bergbau, Physik und Journalismus studierte. Während und nach dem 2. Weltkrieg fuhr er als Matrose der US-Handelsmarine zur See. Nach dem Krieg ging er mehreren Beschäftigungen nach: Er arbeitete in einer Konservenfabrik, als Zimmermann, als Obstpflücker und spielte in einer Jazzband Trompete. 1946 heiratete er Norma Ingold; 1961 wurde ihr Sohn John geboren. Die Vances leben in Oakland und haben im Laufe der Jahre nahezu die ganze Welt bereist. Eines von Jack Vances bevorzugten Magazinen seiner Jugend war Weird Tales, in dem er die Geschichten von Clark Asthon Smith und Edgar Rice Burroughs las. -
COSMOPOLIS Number 22 January, 2002
COSMOPOLIS Number 22 January, 2002 Contents The VIE Text Flow (in which a VIE text must endure the eyes of The VIE Text Flow . 1 by Joel Riedesel many assorted and dissimilar characters) The phases of text production explained by Joel Riedesel, Work Flow Commissar Work Tsar Status Report . 5 As everyone knows, the goal of the VIE is to produce by Joel Riedesel and establish the corrected, authoritative, and authorized version of the complete works of Jack Vance. Doing so Project Report . 6 involves many phases and steps; two might be considered by Paul Rhoads most interesting: Textual Integrity, where VIE volunteers attempt to find Jack’s words; and Composition, where VIE You Have Done It! . 7 volunteers artistically re-present Jack’s words. The rest by Hans van der Veeke of VIE work concerns removal of typos introduced by Volunteer work credits for completed texts: editors and, particularly, errors of all kinds introduced Ullward’s Retreat, Mazirian the Magician, The in the course of VIE work itself! Languages ofPao, The Men Return I’ve divided the numerous steps of the VIE Text Flow into the following phases (these are detailed further on): The Mathematical Vance. 9 by Richard Chandler 1. Raw Verified Text Phase Math examples from Jack’s works 2. Double-Digitization Phase 3. Techno-Proof Phase In Favor of Science Fiction? . 10 4. Textual Integrity Phase by Paul Rhoads 5. Composition Phase Is Vance a science fiction writer or not? 6. Golden Master Phase The goal of phases 1 through 3 is to produce a text suit- Letters to the Editor. -
Inspirational Reading List 2008 Edition
Old School Dungeons & Dragons™ Inspirational Reading List 2008 Edition Edited by Kellri [email protected] http://kellri.blogspot.com While there are bookcases in the upper studio, elsewhere on the second floor, and on the first floor, the main repository of printed lore (other than that piled here and there) is my basement library which includes thousands of reference works, maps, magazines, and works of fiction. - E. Gary Gygax Some guidelines for future contributors: (1) No Forgotten Realms/Dragonlance/etc. tie-ins. This is not a list of licensed gaming fiction. You’ll thank me later. (2) No campaign journals, fan-written fiction or other unpublished/amateur work. See (1). (3) No gaming sourcebooks, modules, rulebooks or magazines (unless they contain reprinted or original fiction). For a list of old school gaming materials, surf to the Acaeum. (4) Include in-line links to the material. In some cases these books are available online for free, if not, they are available from Amazon. Several gaming-related reader’s lists are already available at Amazon, and can be a decent way to find reviews for many of these books. c.f. http://www.amazon.com/D-Inspirational-Educational-Reading-Appendix/lm/2K4BPQB553DZ1 (5) A descriptive blurb would be great, or optionally a short list of keywords or tags for the DM looking for specific inspiration. Examples might include ELVES, DUNGEON, DRAGON, THIEVES, OGRES, etc. (6) In the case of series or trilogies, please include the titles of the individual books if possible. (7) Several of the authors listed below may need an updated or expanded listing. -
Jack Vance: an Appreciation
JACK VANCE: AN APPRECIATION George R. R. Martin here is only one Jack Vance. T I am sometimes asked which writers have most influenced my own work. That’s a tricky question, since the writers who have the most profound impact on you are the ones you read when you are young, and hardly aware of whatever influences it was you were absorbing. I will confess, however, that Jack Vance is one of only two writers that I have ever set out consciously to imitate (the other one was H.P. Lovecraft, for what it’s worth). Along about the mid 70s, I was a young writer with a couple dozen short story sales under my belt, still struggling to improve my craft. I would pore over every book and magazine that I could get my hands on, and try to dissect the stories that impressed me, looking for techniques that I could incorporate into my own reper- toire…and there was no one who impressed me as much as Vance. So one day I decided to try my hand at a Vance story, and wrote a novelette called “A Beast for Norn,” introducing Haviland Tuf, whose ancestry owed more than a little to Vance’s Magnus Ridolph. The story sold and Tuf went on to have a long and successful run, but the experiment convinced me that no one but Jack Vance could write like Jack Vance. You could say that Jack Vance is the Fred Astaire of letters. Astaire brought such grace and style to his dancing that he made it seem almost easy, just as Vance does when he writes. -
Science Fiction Review Interviews: ☆ A.E
THE HUGO WINNER!! SCIENCE FICTION REVIEW INTERVIEWS: ☆ A.E. VAN VOGT ☆ JACK VANCE ☆ RAY BRADBURY ☆ PIERS ANTHONY THE SILVERBERG THAT WAS BY ROBERT SILVERBERG I always do immediately after receiv¬ ALIEN THOUGHTS ing it. Other zines pile up, but this one becomes addictive. 'The Libertarians, like genuine Communists, and other idealists, are talking about a form of government which has never been tried on this planet, and which probably would never work beyond the level of a small, carefully engineered commun¬ ity populated entirely by zealots who are willing to force the offic¬ T. Pflock, free-lance writer, who ial theory onto reality no matter wrote, what. 'By the way, I'm now a REASON 'There are many examples of the contributing editor-haven't con¬ kind of elimination of competition tributed anything yet, however. in a free market that you hypothe¬ 'And have you heard: J.J. Pierce size. When there's no government is/has replacing (ed) J. Baen as GALAXY control, big companies take the op¬ editor! Baen's going to Ace to re¬ portunity to rub out little ones. place LoBrutto, who's going to Dou¬ This was commonplace in the early bleday to replace Jarvis, who's going part of this century in the communi¬ to Playboy Press. Ah, musical edit¬ cations media. More powerful radio ors. Such fun.' stations simply blew the smaller ones off the air by applying (and wast¬ Except for the editor at Playboy 8-5-77 A new area representative ing) more juice than anybody else Press who got booted, to create the from Gestetner, Dan Cunnings, dropp¬ had.