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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
THE DAILY DIARY of PRESIDENT JIMMY CARTER DATE ~Mo
THE DAILY DIARY OF PRESIDENT JIMMY CARTER DATE ~Mo.. Day, k’r.) U.S. EMBASSY RESIDENCE JULY 15, 1978 BONN, FEDERAL REPUBLIC OF GERMANY THE DAY 6:00 a.m. SATURDAY WOKE From 1 To R The President received a wake up call from the White House signal board operator. The President had breakfast with Secretary of State Cyrus R. Vance. 7: 48 The President and the First Lady went to their motorcade. 7:48 8~4 The President and the First Lady motored from the U.S. Embassy residence to the Cologne/Bonn Airport. 828 8s The President and the First Lady flew by Air Force One from the Cologne/Bonn Airport to Rhein-Main Air Base, Frankfurt, Germany. For a list of passengers, see 3PENDIX "A." 8:32 8: 37 The President talked with Representative of the U.S. to the United Nations Andrew J. Young. Air Force One arrived at Rhein-Main Air Base. The President and the First Lady were greeted by: Helmut Schmidt, Chancellor of the Federal Republic of Germany (FRG) Mrs. Helmut Schmidt Holger Borner, Minister-President, Hesse Mrs. Holger Borner Hans-Dietrich Genscher, Minister of Foreign Affairs, FRG Hans Apel, Minister of Defense, FRG Wolfgang J, Lehmann, Consul General, FRG Mrs. Wolfgang J. Lehmann Gen. William J. Evans, Commander-in-Chief, U.S. Air Force, Europe Col. Robert D. Springer, Wing Commander, Rhein-Main Air Base Gen. Gethard Limberg, Chief of the German Air Force 8:45 g:oo The President and Chancellor Schmidt participated in a tour of static display of U.S. -
He Big “Mitte-Struggle” Politics and Aesthetics of Berlin's Post
Martin Gegner he big “mitt e-struggl e” politics and a esth etics of t b rlin’s post-r nification e eu urbanism proj ects Abstract There is hardly a metropolis found in Europe or elsewhere where the 104 urban structure and architectural face changed as often, or dramatically, as in 20 th century Berlin. During this century, the city served as the state capital for five different political systems, suffered partial destruction pós- during World War II, and experienced physical separation by the Berlin wall for 28 years. Shortly after the reunification of Germany in 1989, Berlin was designated the capital of the unified country. This triggered massive building activity for federal ministries and other governmental facilities, the majority of which was carried out in the old city center (Mitte) . It was here that previous regimes of various ideologies had built their major architectural state representations; from to the authoritarian Empire (1871-1918) to authoritarian socialism in the German Democratic Republic (1949-89). All of these époques still have remains concentrated in the Mitte district, but it is not only with governmental buildings that Berlin and its Mitte transformed drastically in the last 20 years; there were also cultural, commercial, and industrial projects and, of course, apartment buildings which were designed and completed. With all of these reasons for construction, the question arose of what to do with the old buildings and how to build the new. From 1991 onwards, the Berlin urbanism authority worked out guidelines which set aesthetic guidelines for all construction activity. The 1999 Planwerk Innenstadt (City Center Master Plan) itself was based on a Leitbild (overall concept) from the 1980s called “Critical Reconstruction of a European City.” Many critics, architects, and theorists called it a prohibitive construction doctrine that, to a certain extent, represented conservative or even reactionary political tendencies in unified Germany. -
Things to Do in Berlin – a List of Options 19Th of June (Wednesday
Things to do in Berlin – A List of Options Dear all, in preparation for the International Staff Week, we have composed an extensive list of activities or excursions you could participate in during your stay in Berlin. We hope we have managed to include something for the likes of everyone, however if you are not particularly interested in any of the things listed there are tons of other options out there. We recommend having a look at the following websites for further suggestions: https://www.berlin.de/en/ https://www.top10berlin.de/en We hope you will have a wonderful stay in Berlin. Kind regards, ??? 19th of June (Wednesday) / Things you can always do: - Famous sights: Brandenburger Tor, Fernsehturm (Alexanderplatz), Schloss Charlottenburg, Reichstag, Potsdamer Platz, Schloss Sanssouci in Potsdam, East Side Gallery, Holocaust Memorial, Pfaueninsel, Topographie des Terrors - Free Berlin Tours: https://www.neweuropetours.eu/sandemans- tours/berlin/free-tour-of-berlin/ - City Tours via bus: https://city- sightseeing.com/en/3/berlin/45/hop-on-hop-off- berlin?utm_source=google&utm_medium=cpc&gclid=EAIaIQobChMI_s2es 9Pe4AIVgc13Ch1BxwBCEAAYASAAEgInWvD_BwE - City Tours via bike: https://www.fahrradtouren-berlin.com/en/ - Espresso-Concerts: https://www.konzerthaus.de/en/espresso- concerts - Selection of famous Museums (Museumspass Berlin buys admission to the permanent exhibits of about 50 museums for three consecutive days. It costs €24 (concession €12) and is sold at tourist offices and participating museums.): Pergamonmuseum, Neues Museum, -
Francesca Rogier
The Other Parliam ent in th e Francesca Rogier 07 When the Reichstag, seat of the German parliament Fig. 1 Aerial view of the Palast and the surrounding area. The 190 m from 1889 to 1933, was re-dedicated as the new home long building, placed 180' to the for- mer palace footprint, marks a of the Bundestag last April, another parliament build- sequence of open spaces moving ing gazed vacantly from the foot of Unter east from Marx-Engels-Platz at the westward foot of Unter den Linden to the Marx- Engels-Forum, the 1 969 TV tower, den Linden. The Pa/ost (^er Re^wfaZ/fc, the monolith overlooking and Alexanderplatz. Wrapped in a Marx-Engels-Platz in the heart of Berlin that once housed the East marble base, the Palast's rear eleva- German Volkskammer, might as well have been worlds away, so tion makes contact with the Spree in a lateral walkway and boat landing, insignificant was its presence in the public's consciousness. But at pre- directly engaging the island site in a cisely that moment, a shift have taken place that could lead to a may manner unusual for modernist build- new perception and possible re-use of the forgotten parliament, just as mgs. Although plans for Marx- it could engender a new definition of German identity. Engels-Platz never progressed past the stage of parking lot, it has proven to be an excellent outdoor The greatest moment for the Palast der Republik came in August 1990, space for carnivals, performance art, when the first freely-elected representatives of the Volkskammer, a body volleyball matches, attracting large crowds - the kind of public previously subjugated to the central committee, voted for German unifi- entertain- ments so often promoted today in cation. -
Berliner Brief Der Vfa Deutschland
09 17 03.03.2017 2 – Bundesstiftung Baukultur: Bauakademieforen in Berlin – Ideenforum im März Am 16. Februar 2017 wurde das 3-stufige ergebnisoffene Dialogverfahren zur Wiedererrichtung der Bauakademie in der historischen Mitte Berlins als Statusforum eröffnet. Bundesbauministerin Dr. Barbara Hendricks und viele Gäste aus verschiedenen Fachbereichen, privaten und öffentlichen Institutionen haben bestehende Ideen und planerische Rahmenbedingungen mit dem interessierten Publikum diskutiert. Wir möchten Sie zum nächsten Ideenforum am 22. März 2017 herzlich einladen! Dabei werden Impulse aufgegriffen, Referenzbeispiele betrachtet und die Ideen für die zukünftige Nutzung mit ExpertInnen und der Öffentlichkeit behandelt. Die Veranstaltung findet wieder im Großen Saal im Kronprinzenpalais (Unter den Linden 3, 10117 Berlin) statt. Weitere Informationen zum Programm und Anmeldemöglichkeiten finden Sie auf unserer Website. Foto: Till Budde für die Bundesstiftung Baukultur“ Anmeldung: https://www.bundesstiftung-baukultur.de/veranstaltungen/dialogverfahren-zur-wiedererrichtung-der-bauakademie- ideenforum 9 – ABC-Klinkergruppe: Studentisches Wohnen – Schellerdamm, Hamburg Projekt: Wohnanlage Schellerdamm, Hamburg-Harburg, Binnenhafen Bauherr: Aurelius Verwaltungsgesellschaft mbH, Hamburg Projektkosten: 11,4 Mio Euro BGF: ca. 10.540 m Grundstücksgröße: ca. 1.970 m² Fertigstellung: 2016 Architektur: Limbrock Tubbesing Architekten und Stadtplaner, Hamburg Fassade: ABC-Keramikfassade, Direkt an der Ecke Schellerdamm-Veritaskai wurde auf dem 1.970 m großen Grundstück das Projekt Studentisches Wohnen Schellerdamm nach dem Entwurf des Hamburger Büros „limbrock tubbesing“ realisiert. In Zukunft beherbergt das 5-8 geschossige Gebäude neben ca. 5.109 m Wohnfläche auch weitere gewerbliche Nutzungen. Wichtiges Gestaltungsmerkmal ist der Höhenversprung in der Fassade. Das Gebäude gliedert sich in fünf unterschiedlich hohe Abschnitte, die zwischen fünf und acht Geschosse umfassen. In seiner Fassade nimmt das Gebäude den Bezug zum benachbarten, historischen Fleethaus auf. -
Germany Berlin Tiergarten Tunnel Verkehrsanlagen Im Zentralen
Germany Berlin Tiergarten Tunnel Verkehrsanlagen im zentralen Bereich – VZB This report was compiled by the German OMEGA Team, Free University Berlin, Berlin, Germany. Please Note: This Project Profile has been prepared as part of the ongoing OMEGA Centre of Excellence work on Mega Urban Transport Projects. The information presented in the Profile is essentially a 'work in progress' and will be updated/amended as necessary as work proceeds. Readers are therefore advised to periodically check for any updates or revisions. The Centre and its collaborators/partners have obtained data from sources believed to be reliable and have made every reasonable effort to ensure its accuracy. However, the Centre and its collaborators/partners cannot assume responsibility for errors and omissions in the data nor in the documentation accompanying them. 2 CONTENTS A PROJECT INTRODUCTION Type of project Project name Description of mode type Technical specification Principal transport nodes Major associated developments Parent projects Country/location Current status B PROJECT BACKGROUND Principal project objectives Key enabling mechanisms Description of key enabling mechanisms Key enabling mechanisms timeline Main organisations involved Planning and environmental regime Outline of planning legislation Environmental statements Overview of public consultation Ecological mitigation Regeneration Ways of appraisal Complaints procedures Land acquisition C PRINCIPAL PROJECT CHARACTERISTICS Detailed description of route Detailed description of main -
Berlin Unter Den Linden
BERLIN UNTER DEN LINDEN PIONEERING WORKING LANDSCAPES SITE TOP FEATURES Unter den Linden is one of the most exclusive addresses in the whole of Germany. Our site is situated at the heart of the historical Kaiserhöfe complex. Originally built for Daimler-Motoren-Gesellschaft AG, the en- semble features an impressive Neoclassical architectural style. Ionian capitals and Tuscan wall pillars are reminiscent of history as well as providing a source of inspiration for the future. The visitor reaches our state-of-the-art working landscape via six separate staircases – as a venue in which to receive partners, customers and guests, it is hard to imagine anything more prestigious. Whether staff are employed on a temporary or long term basis, or you simply maintain a business address here, it is bound to have a highly positive impact on your company's success and reputation. · Work at the number one address in Germany · Coworking, events and conferences in a prestigious setting · A business address of immense renown · Directly adjacent to the country’s most important decision-makers 2 © Lorem Ipsum U Or an ie nb ur ge r S tr. Joh annisstr. Z F e r traß m i rdts A r i a e Reinh k u d s r i c h s t r a ß L e u i s e m n am s rd t ue r Schiff ba a ß e P l a n Dorotheenstraße c LOCATION k s t r Mittelstraße a ß e Straße des 17. Juni U Unter den Linden IN THE BEST COMPANY C h a r l U o t Unter den Linden and the adjacent Friedrichstraße are the lifelines of t nzösische Straße e Fra n s the capital – this is where you feel the pulse of Berlin. -
Exploring the Altes Museum the Altes Museum Or Old Museum Was
1 Sara Marcus 12-11-18 From Royalty to Bourgeoisie: Exploring the Altes Museum The Altes Museum or Old Museum was constructed in Berlin between 1824-30 by Karl Friedrich Schinkel (1781-1841). Originally known as the “Königliches Museum,” it was commissioned by King Friedrich Wilhelm III of Prussia for the purpose of being the first public art museum in Prussia as well as the first royal museum. As the relationship in the 19th century changed between art, the observer, and who should be a part of that experience, the Altes Museum was erected to embody the idea of Berlin as a center of learning and culture, and to elevate its citizens in the presence of art. The Berlin Museum emerged from a small group of the ruling class and it was first officially demanded and proclaimed by the Art Academy under Friedrich Wilhelm II. (Das Berliner Museum entsteht aus einer kleinen Gruppe der herrschenden Schicht. Öffntlich wurde es zuerst gefordrt und verkundet… in der Kunstakademie unter Friedrich Wilhelm II.)1 After the Wars of Liberation, his son, King Friedrich Wilhelm III, continued to advocate for the foundation of a public art museum to display the collection of artifacts that Prussia had amassed over the years. During the reign of Napoleon, Prussian art was forcefully taken to be displayed in Paris, which alerted the Prussian people that a permanent home to show off their national heritage was necessary.2 While ideas for a museum were already in the air, it is safe to say that the main reason why construction started when it did was in response to Napoleon’s looting. -
A Survey of Anton Von Werner's Proclamation of the German Empire
A Survey of Anton von Werner’s Proclamation of the German Empire Paintings Berri Bottomley HIST 133A December 11, 2018 1 Anton von Werner (1843-1915), created four images of the proclamation of the German Empire, which took place on January 18, 1871, in the Hall of Mirrors at the Palace of Versailles. Von Werner had been summoned to Versailles by the Grand Duke of Baden. He was present and made sketches at the event, and was subsequently commissioned by various members of the court to create various images over time. He appears to have changed the focus of the composition and other details to correspond with the donors’ purposes for each version. The four versions are: 1) The Palace Version (1877), commissioned by the Grand Duke of Baden and other German Princes for Kaiser Wilhelm I’s 80th birthday. It was hung in Berlin’s City Palace but was destroyed in WWII. It is preserved only as a black-and-white photograph.1 2) The Woodcut Version (1880), is identified as a woodcut after a drawing by von Werner and a print is listed as in the Berlin collection at the Archiv für Kunst und Geschichte.2 3) The Zeughaus Version (1882), commissioned by William I for the Hall of Fame of the Prussian Army housed in Berlin’s Zeughaus. The painting was apparently lost at the end of WWII.3 4) The Friedrichsruh Version (1885), commissioned by the Prussian royal family for Bismarck’s 70th birthday. This painting is extant at Bismarck’s former estate in Friedrichsruh.4 Anton von Werner was born in Frankfurt an der Oder in 1843 and apprenticed to a housepainter.5 He won a fellowship to the Academic Institute of Fine Arts in Berlin, and later studied with painter Adolph Schroeder (his future father-in-law) in Karlsruhe. -
Musekamp on Stangl, 'Risen from Ruins: the Cultural Politics of Rebuilding East Berlin'
H-Urban Musekamp on Stangl, 'Risen from Ruins: The Cultural Politics of Rebuilding East Berlin' Review published on Friday, September 11, 2020 Paul Stangl. Risen from Ruins: The Cultural Politics of Rebuilding East Berlin. Stanford: Stanford University Press, 2018. 352 pp. $65.00 (cloth), ISBN 978-1-5036-0320-2. Reviewed by Jan Musekamp (University of Pittsburgh) Published on H-Urban (September, 2020) Commissioned by Alexander Vari (Marywood University) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=54596 Beyond Socialist Remodeling: Rebuilding East Berlin, 1945-61 Given its tumultuous history, it is not surprising that numerous scholars focus on postwar Berlin’s changing urban landscape. This is an interdisciplinary endeavor, with architects, urban planners, historians, and art historians looking at the city from markedly different perspectives.[1] Paul Stangl is a geographer by training and adds to this growing body of scholarship on the divided city. His focus is on the twenty-five years between the end of the Second World War and the construction of the infamous Berlin Wall—a time when Germany and the entire European continent “rose from ruins,” as the GDR national anthem put it. However, the Berlin case is unique for a number of reasons. First, the former German capital quickly developed into the front city of the Cold War. Second, as a result of this geopolitical background, both East and West Berlin served as showcases of the ideologies clashing here. Third, Berlin soon became a truly divided city in both spatial and ideological ways. Here, architects and urban planners often had to make decisions that followed not only general trends in urban planning but also ideological guidelines or directives. -
The History of a Hotel – Reading Comprehension
The history of a hotel – Reading Comprehension The Hotel Adlon Kempinski Berlin is a luxury hotel in Berlin, Germany. It is located on Unter den Linden, the main boulevard in the central Mitte district, at the corner with Pariser Platz, directly opposite the Brandenburg Gate and the Memorial to the Murdered Jews of Europe. The legendary original Hotel Adlon was one of the most famous hotels in Europe. It opened in 1907 and was largely destroyed in 1945 in the closing days of World War II, though a small wing continued operating until 1984. The current hotel, which opened on August 23, 1997, is a new building with a design inspired by the original. In the late 19th century, European hotels, which generally offered no more than overnight accommodation, evolved to become social gathering places which could host large receptions given by nobility and the wealthy. Modeled on American hotels like the Waldorf Astoria, new hotel buildings arose all over the continent with lavishly decorated ballrooms, dining halls, arcades, smoking lounges, libraries, and coffeehouses. In 1873 the Hotel Imperial opened in Vienna, followed by the Hôtel Ritz Paris in 1898, and The Ritz London Hotel in 1906. History in Details In 1905 Lorenz Adlon, a successful wine merchant and restaurateur originally from Mainz, purchased two properties on Unter den Linden. Adlon ran several coffeehouses in Berlin, among others in the Berlin Zoological Garden, and had raised capital to build a hotel on Pariser Platz, at the heart of the German capital. He convinced Kaiser Wilhelm II that Berlin needed a luxury hotel at the level of those in Paris, London and the other European capitals, and so the Kaiser personally cleared the way for Adlon's purchase of the Palais and for the subsequent demolition of the historic building and the constrtuction of the first Adlon Hotel.