Confucius in Mongolian: Some Remarks on the Mongol Exegesis of the Analects Igor De Rachewiltz
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The Body in Packaging Culture: Researching Cosmetic Surgery Within Korea’S Neo-Confucian Culture
The Body in Packaging Culture: Researching Cosmetic Surgery within Korea’s Neo-Confucian Culture By Eunji Choi Submitted to Utrecht University Graduate Gender Studies Program Main Supervisor: Prof. dr. Anne-Marie Korte Support Supervisor: Dr. Mark Johnson Utrecht, The Netherlands 2015 The Body in Packaging Culture: Researching Cosmetic Surgery within Korea’s Neo-Confucian Culture By Eunji Choi Submitted to Utrecht University Graduate Gender Studies Program Main Supervisor: Prof. dr. Anne-Marie Korte Support Supervisor: Dr. Mark Johnson Approved by: Utrecht, The Netherlands 2015 2 Abstract Contemporary developments within the current global self-care regime have increased the potential of many individuals to control their own bodies, and to have their bodies surveilled by others (Shilling, 2003). The body is understood as a project that needs to be “worked at and accomplished as part of an individual’s self-identity” (Shilling, 2003:4) in this time of ‘high modernity’ (Giddens, 1991). The project of cosmetic surgery is one example of how modern individuals attribute significance both to their bodies and the way their bodies look. In a South Korean context, the cosmetic surgery scene is especially interesting to examine in the light of the uniquely Korean practice of giving cosmetic surgery as a gift, especially to daughters. Ironically, the body has to remain unaltered from how it has been received at birth according to the Neo-Confucian tradition, which continues to form the ideological base of contemporary Korean society. Moreover, this tradition teaches that inward goodness does not depend upon one’s outer appearance, something that is quite opposite to “popular physiognomic assumptions that the body, especially the face, is a reflection of the self” (Featherstone, 2010:195). -
Towards Chinese Calligraphy Zhuzhong Qian
Macalester International Volume 18 Chinese Worlds: Multiple Temporalities Article 12 and Transformations Spring 2007 Towards Chinese Calligraphy Zhuzhong Qian Desheng Fang Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation Qian, Zhuzhong and Fang, Desheng (2007) "Towards Chinese Calligraphy," Macalester International: Vol. 18, Article 12. Available at: http://digitalcommons.macalester.edu/macintl/vol18/iss1/12 This Article is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Towards Chinese Calligraphy Qian Zhuzhong and Fang Desheng I. History of Chinese Calligraphy: A Brief Overview Chinese calligraphy, like script itself, began with hieroglyphs and, over time, has developed various styles and schools, constituting an important part of the national cultural heritage. Chinese scripts are generally divided into five categories: Seal script, Clerical (or Official) script, Regular script, Running script, and Cursive script. What follows is a brief introduction of the evolution of Chinese calligraphy. A. From Prehistory to Xia Dynasty (ca. 16 century B.C.) The art of calligraphy began with the creation of Chinese characters. Without modern technology in ancient times, “Sound couldn’t travel to another place and couldn’t remain, so writings came into being to act as the track of meaning and sound.”1 However, instead of characters, the first calligraphy works were picture-like symbols. These symbols first appeared on ceramic vessels and only showed ambiguous con- cepts without clear meanings. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
"Ancient Mirror": an Interpretation of Gujing Ji in the Context of Medieval Chinese Cultural History Ju E Chen
East Asian History NUMBER 27 . JUNE 2004 Institute of Advanced Studies Australian National University Editor Geremie R. Barme Associate Editor Helen Lo Business Manager Marion Weeks Editorial Advisors B0rge Bakken John Clark Lo uise Edwards Mark Elvin (Convenor) John Fitzgerald Colin Jeffcott Li Tana Kam Lo uie Le wis Mayo Gavan McCormack David Marr Tessa Morris-Suzuki Benjamin Penny Kenneth Wells Design and Production Design ONE Solutions, Victoria Street, Hall ACT 2618 Printed by Goanna Print, Fyshwick, ACT This is the twenty-seventh issue of Ea st Asian History, printed August 2005, in the series previously entitled Papers on Far Ea sternHist ory. This externally refereed journal is published twice a year. Contributions to The Editor, Ea st Asian Hist ory Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 2 6125 314 0 Fax +61 26125 5525 Email [email protected] Subscription Enquiries to Marion Weeks, East Asian History, at the above address, or to [email protected]. au Annual Subscription Australia A$50 (including GST) Overseas US$45 (GST free) (for two issues) ISSN 1036-6008 iii CONTENTS 1 Friendship in Ancient China Aat Vervoom 33 The Mystery of an "Ancient Mirror": An Interpretation of Gujing ji in the Context of Medieval Chinese Cultural History Ju e Chen 51 The Missing First Page of the Preclassical Mongolian Version of the Hs iao-ching: A Tentative Reconstruction Igor de Rachewiltz 57 Historian and Courtesan: Chen Yinke !l*Ji[Nj. and the Writing of Liu Rushi Biezhuan t9P�Qjll:J,jiJf� We n-hsin Yeh 71 Demons, Gangsters, and Secret Societies in Early Modern China Robert]. -
Basic Idea Conclusion Results Annotated Dictionary Creation Of
Using Time Periods Comparison for Eliminating Chronological Discrepancies between Question and Answer Candidates at QALab NTCIR11 Task Yasutomo Kimura, Fumitoshi Ashihara, Arnaud Jordan, Keiichi Takamaru, Yuzu Uchida, Hokuto Ototake, Hideyuki Shibuki, Michal Ptaszynski, Rafal Rzepka, Fumito Masui and Kenji Araki NNLP Basic idea To solve the Center Exams for world history in Japanese, our system firstly extracts -me related phrases from ques-ons and their answer candidates. Then the terms are compared from various viewpoints to the compared one. The candidate whose terms are the most consistent with each other is selected as most probable answer. There are a numerous viewpoints to find correctness of answer candidate, e.g. date, place, country, religion, etc. The NNLP team considered that dates of the terms are most important clue to solve an exam for history. Method Our system focuses on dates within the terms from world history. The system checks up temporal overlaps between periods of terms in ques-ons and their answer candidates. Incorrect candidates are likely to contain terms that do not overlap with other terms. The dates related to most of the terms usually span over a period of several years, although some terms are events within a year. Therefore, we needed to specify the Time Period Beginning point (TPB) and the Time Period Ending point (TPE) of all applicable terms. Creation of annotated dictionary Raw data TPB TPE 1795,1806 1795 1806 1861,65 1861 1865 We considered Dic-onary of World History as a sufficient database Dictionary of March, 1802 1802.16 1802.16 world history since almost each term contains such informaon as ``me period", 1838/39,97 1838/39 1897 ``area" or ``religion". -
Study and Uses of the I Ching in Tokugawa Japan
Study Ching Tokugawa Uses of and I Japan the in Wai-ming Ng University Singapore National of • Ching $A (Book Changes) The of 1 particular significance has been book of a history. interest and in Asian East Divination philosophy basis its and derived from it on integral of Being civilization. Chinese within parts orbit the Chinese of the cultural were sphere, Japan traditional Ching development indebted for the the 1 of of its to aspects was culture. Japan The arrived in later sixth than the and little studied text in century no was (539-1186). Japan ancient readership expanded major It literate such Zen to groups as high-ranking monks, Buddhist courtiers, and period warriors medieval in the (1186- 1603). Ching scholarship 1 during reached Tokugawa its period the (1603-1868) apex Ching when the became 1 popular of the influential and Chinese This 2 most texts. one preliminary is provide work aims which brief Ching of overview 1 to essay a a scholarship highlighting Tokugawa Japan, in popularity themes: several of the the text, major writings, schools, the scholars, of/Ching and characteristics the and scholarship. 3 Popularity Ching The of the I popularity Ching Tokugawa of the The Japan in acknowledged I has been by a t• •" :i• •b Miyazaki Japanese number scholars. of Michio Tokugawa scholar of a thought, has remarked: "There by [Tokugawa] reached Confucians consensus was a pre-Tokugawa historical of the For overview Wai-ming in Japan, Ng, Ching "The 1 in text a see Japan," Quarterly Ancient (Summer Culture 1996), 26.2 Wai-ming 73-76; Asian and Ng pp. -
Moral and Philosophical Implications of Chinese Calligraphy Peimin Ni Grand Valley State University
Grand Valley Review Volume 20 | Issue 1 Article 8 1-1-1999 Moral and Philosophical Implications of Chinese Calligraphy Peimin Ni Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/gvr Recommended Citation Ni, Peimin (1999) "Moral and Philosophical Implications of Chinese Calligraphy," Grand Valley Review: Vol. 20: Iss. 1, Article 8. Available at: http://scholarworks.gvsu.edu/gvr/vol20/iss1/8 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Grand Valley Review by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. by PeiminNi Moral and Philosophical Implications of Chinese Calligraphy alligraphy is esteemed as an art univer sally. Good calligraphy adds beauty to the Cwords and enhances the impact that the words are able to bring to their readers. In East Asian countries such as China, calligraphy is tra ditionally respected as one of the most highly sophisticated forms of art. Peimin Ni is Associate Professor The reason that calligraphy can have such a ofPhilosophy. His research inter status in China is partly due to the fact that Chi ests include modern philosophy, nese written language is pictographic and Eastern philosophy, and meta ideographic, rather than alphabetic. In its primor physics of causation. dial form, Chinese written language consists of images that picture their referents or directly sig nify what they mean. That is different from most other languages that consist of alphabetic symbols that represent sounds, which in turn are used to refer to objects. -
Recent Approaches to Confucian Filial Morality1 Forthcoming in Philosophy Compass
Recent Approaches to Confucian Filial Morality1 Forthcoming in Philosophy Compass Hagop Sarkissian Department of Philosophy The City University of New York Graduate Center | Baruch College ABSTRACT: A hallmark of Confucian morality is its emphasis on duties to family and kin as weighty features of moral life. The virtue of ‘filiality’ or ‘filial piety’ (xiao 孝), for example, is one of the most important in the Confucian canon. This aspect of Confucianism has been of renewed interest recently. On the one hand, some have claimed that, precisely because it acknowledges the importance of kin duties, Confucianism should be seen as an ethics rooted in human nature that remains a viable system of morality today. On the other hand, some have argued that the extreme emphasis on filial duties is precisely the aspect of Confucian moral philosophy that ought to be jettisoned in favor of greater impartialism; without mitigating its emphasis on filial piety, Confucianism risks irrelevance to modern concerns. In this paper, I will outline the nature of filial morality in the Confucian tradition and discuss these recent contributions to the literature. A hallmark of Confucian morality is its emphasis on duties to family and kin as weighty features of moral life. The virtue of ‘filiality’ or ‘filial piety’ (xiao 孝), for example, is one of the most important in the Confucian canon. This aspect of Confucianism has been of renewed interest recently. On the one hand, some have claimed that, precisely because it acknowledges the importance of kin duties, Confucianism should be seen as an ethics rooted in human nature that remains a viable system of morality today. -
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On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 © 2021 Xiaohan Du All Rights Reserved Abstract On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan Xiaohan Du This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247- 1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, in particular the relationship between text and image, and its connection to the rise of ink monochrome landscape painting genre in 14th century Japan. This study fills a gap in the history of Chinese calligraphy, from which monk- calligraphers and their practices have received little attention. It also contributes to existing Japanese scholarship on bokuseki by relating Zen calligraphy to religious and political currents in Kamakura Japan. Furthermore, this study questions the validity of the “China influences Japan” model in the history of calligraphy and proposes a more fluid and nuanced model of synthesis between the wa and the kan (Japanese and Chinese) in examining cultural practices in East Asian culture. -
CHING, Julia 1976 to Acquire Wisdom: the Way of Wang Yang-Ming
The Idea of God in Nakae T5ju Julia Ching INTRODUCTION Nakae T5ju (1608-48) is acknowledged to be the founder of the Wang Yang-ming (Oy5m ei) school of philosophy in Japan—a school which produced such great men as Kuma- za w a Banzan (1619-91), an immediate disciple and chief minister to Ikeda Mitsumasa, feudal lord of Okayama, and Yoshida Shoin (1830-59), a fiery young reformer who paid with his life for his determination to learn from Western science in order to "modernize" Japan. In contrast to these men, Toju led a retiring life, distinguishing himself chiefly as a village teacher, and extending the doctrine and prac tice of filial piety beyond the family, to the belief in and worship of a supreme deity. In this study, I should like to focus on Toju's idea of God, and compare it to the Chris tian idea. The various influences on the formation and evolution of this idea, whether Confucian, Taoist, Shinto, Buddhist, or even possibly Christian, will also be discussed, in order that we might better understand this idea of God and perceive its uniqueness. LIFE AND THOUGHT Nakae Toju was born in the village of O g aw a, in the pro vince of O m i,on the west bank of Lake Biwa, in a quiet and beautiful place which would become known mainly because of his own later fame. From the age of six on, the child lived, not with his parents in O g aw a, but with his grandparents in Shikoku. His sensitivity was probably enhanced by the successive tragic losses, during Toju!s early youth, of his grandmother (1621), grandfather (1622), and father (1625),which effectively left his mother alone and his only close adult kin by the time Toju was age seventeen. -
Virtuous Life, Honored Afterlife and the Evolution of Confucianism
History in the Making Volume 10 Article 7 January 2017 Virtuous Life, Honored Afterlife and the Evolution of Confucianism Jasmyn Murrell CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Asian History Commons Recommended Citation Murrell, Jasmyn (2017) "Virtuous Life, Honored Afterlife and the Evolution of Confucianism," History in the Making: Vol. 10 , Article 7. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/7 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Jasmyn Murrell Virtuous Life, Honored Afterlife and the Evolution of Confucianism By Jasmyn Murrell Abstract: Confucius states that we must not focus on the afterlife, because we know so little of it, and we must focus on everyday life. However, Confucianism holds a philosophy of afterlife, even if it is not outright said or depicted. This paper will aim to prove just that. First, through Confucian ideals of being a dutiful person, to grant yourself an honored afterlife, and second, through how Confucianism influenced other religions such as Buddhism and Daoism, which will show a clear depiction of afterlife by considering death rituals, festivals, commune with ancestors, prayers, tomb decor, and the ideology of Confucianism, Daoism, and Buddhism – you will begin to see the depiction of afterlife within Confucianism. But also, you will get to see how Confucianism has evolved and took on traits of both Daoism and Buddhism, which in turn is called Neo-Confucianism. -
Relationship Between Confucian Ethics and Care Ethics: a Reflection, Rejection, and Reconstruction
RELATIONSHIP BETWEEN CONFUCIAN ETHICS AND CARE ETHICS: A REFLECTION, REJECTION, AND RECONSTRUCTION Qingjuan Sun Abstract: This essay first refutes two extant views on the relationship between Confucian ethics and care ethics, that is, 1) Confucian ethics is a care ethics, and 2) Confucian ethics and care ethics are virtue ethics. It then proposes that a better accommodation of Confucian ethics and care ethics into a single value system is to put them under relation ethics. While Confucian ethics is relation-oriented, care ethics is relation-constituted. Regarding the relationship between Confucian ethics and care ethics, there are two kinds of mainstream opinions. One is represented by Chenyang Li (1994; 2008) and characterizes Confucian ethics, Mencius ethics included, as a care ethics. The other is hold by scholars such as Daniel Star (2002) and Raja Halwani (2003) and regards Confucian ethics and care ethics as virtue ethics. This essay in the following will reject both views and propose a new approach that can accommodate Confucian ethics and care ethics in a single value system. To avoid confusion and ambiguity, two points should be clarified beforehand. First, by Confucian ethics, this essay does not refer to the broad and prolonged ethical tradition of Confucianism, which is far beyond its coverage. Rather, it succeeds previous discussions pertinent to the topic and focuses on Confucius ethics as well as Mencius ethics in elaborating Confucian ethical points. Second, when talking about care ethics, instead of referring it broadly as a cluster of normative ethical theories, this essay, following Li’s arguments, draws support from Carol Gilligan and Nel Noddings’s works.