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THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
An Interview with Nike Sulway Lisa Dowdall
An Interview with Nike Sulway Lisa Dowdall Nike Sulway’s latest book, Rupetta (2013), won the James Tiptree, Jr Award for a work of science fiction or fantasy that explores or expands our understanding of gender/sexuality. Rupetta begins four hundred years ago in rural France, where a young woman creates a part human, part mechanical woman, who she calls Rupetta. Bound to each of the women who wind her heart, the novel narrates the miracles and tragedies of Rupetta’s existence. The novel is also told from the point of view of Henri, a history student who yearns for her own mechanical heart. But as Henri uncovers the history of the Salt Lane women – mothers and daughters whose lives were shaped by Rupetta’s – she questions the very truth upon which she has always understood the world and her place in it. Writing as N. A. Bourke, Nike’s first novel, The Bone Flute (2001), was shortlisted for the Commonwealth Writers Awards and won the Queensland Premier’s Literary Award for Best Emerging Queensland Author. Her other books, also written as N. A. Bourke, are What the Sky Knows (2005), a children’s picture book illustrated by Stella Danalis, and the novel The True Green of Hope (2008). Nike has a PhD in Creative Writing from Griffith University and lectures in Creative Writing at the University of Southern Queensland. She also blogs at Perilous Adventures. This interview was conducted by email in June 2015. On Rupetta Q: Your writing is stunning; the poetics of Rupetta are simply sublime. How did Rupetta’s voice come to you? A: Those first lines just came, as they so rarely do. -
Hard SF • Graham Joyce on Science, Superstition & Yeast
• Hard SF • Graham Joyce on Science, Superstition & Yeast • Peter James Interview £2.25 Spring 1995 • Reviews The Critical Journal of the BSFA 2 Vector Contents Remember PeIe1 James Interview Check the address label MartinRWebb How Ha,d IS SF? on your mailing to see if Paul Kincaid 14 Science, Supersl1lion & Strange you need to renew your Things Like Yeast Graham Jo,,ce subscription 20 Reviews Index 21 First lmpre~ions Reviews edited by Paul Kincaid 30 Paperback Grnff111 Vector Is published l7j the BSr/\ ,.,11995 Reviews edilec.l lly Stept1er1 Pt!yne /\II opinions are those of the 1nd1v1dua! con1r1bu t01 and should not be taken necessanly to be those of 1110 ed1toI or the BSFA. Editor Catie Ca1y 224 Soulhway, Park Barn, Guildford, Contr,bul,ons &111ey. GU2 SON Good a1 t1Cles are always wanted All MSS shoo Id be Phone; 0483 502349 typed double spaced on one srje ol the page SubmlSSIOns may also be accepted as ASCII text files Hardback Rev10WS on IBM, Afan ST or Mac 3.5• discs. Paul Kincaid Maximum prelerred length IS 6CXX) words; exceplons 60 Bournemouth Rd, Folkestone, Kent. CT 19 5AZ can and will be made. A Pfehm1nary letter IS ad'visable but not essent1al. Unsol1e1ted MSS cannot be returned Paperback Reviews Ed1to1 without an SAE. Stephen Payne Please note lhal !here is no payment fo, pubhcat10n. 24 Malvern Rd, Stoneygate, Leiceste1, LE2 28H Members who wish to ffNl&N books should fusl write to the appropriate echlor. Magazme Reviews Editor Maureen Kmca1d Speller Ar lists 60 Bournemouth Rd, Folkestone, Kent, CT 19 5AZ Cover Art, Illustrations and Fillers are always welcome Editorial Assistants The British Science Fiction Association ltd - Com Alan Johnson. -
Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2014 Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Julie R. Sanchez University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Sanchez, Julie R., "Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction" (2014). Anthropology Senior Theses. Paper 154. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/154 For more information, please contact [email protected]. Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Abstract This thesis analyzes the relationship between science fiction worlds and the worlds in which they are imagined. While this study is interdisciplinary, the central concept employed is Victor Turner’s theory of liminality. Science fiction worlds are liminal spaces; though they are cognitively or existentially linked to objective reality, the points of divergence reveal the boundaries of dominant cultural paradigms. The liminal worlds of science fiction are particularly hospitable to marginalized groups, such as racial, ethnic, and sexual minorities. Engaging with other worlds is method for theorizing alternate structures of reality. Drawing from Darko Suvin’s work on science fiction and utopia, I argue that imagining other worlds through science fiction world-building is a powerful tool for world-making. The thesis contains three case studies of 21st century American science fiction authors, all of whom eflectr trends in postmodern writing. John Scalzi’s critically acclaimed novels parody common science fiction tropes, simultaneously revealing and revising our understanding of the genre. His theory of Narrative in Redshirts is a powerful allegory for Bourdieu’s theory of doxa. -
GLBTRT Newsletter, Winter 2010
GLBTRT Newsletter A publication of the Gay, Lesbian, Bisexual, Transgendered Round Table of the American Library Association http://www.ala.org/glbtrt Vol. 22, No. 4 ◊ Winter 2010 Reviews (Pages 5 -13): Youth Media Awards to Include Stonewall Films Changing House Another The American Library Association (ALA) will Choice of Love prestigious provide a free live webcast of its Youth Media honor is No Regret Awards. The number of available connections joining the for the Webcast are limited and the likes of the broadcast is available on a first-come, first- Plan B Newbery and served basis. Online visitors can view the live Searching for Caldecott Webcast the morning of the Sandeep Medals-the announcements. Those interested in Stonewall following the action live should bookmark Sex in an Epidemic Children's and http://alawebcast.unikron.com . There is an Young Adult additional link to the webcast from the Swimming with Literature GLBTRT website http://www.ala.org/ala/ Lesbians Award, which mgrps/rts/glbtrt/index.cfm. recognizes an Training Rules English-language children's book "of The award is administered by the ALA's exceptional merit relating to the gay, lesbian, We Have to Stop Stonewall Book Awards Committee of the bisexual, and transgendered experience." The Gay, Lesbian, Bisexual, and Transgendered Now Stonewall Awards for adult books have been Round Table. The members of the 2011 Young Adult around since 1971, and the youth award was Stonewall Book Awards Committee are: presented for the first time in 2010 to The Vast Chair Lisa Johnston of Sweet Briar College Dumb Jock Fields of Ordinary by Nick Burd, published by in Virginia; W. -
A Novel About Another Man for Whom a Moral Competition Which Becomes More and Running Is of Existential Importance
SCB DISTRIBUTORS IS Atides Publishing PROUD TO INTRODUCE Freedom Press Friends Without Borders Green Island Publishing Krell Press Mixofpix PottyMD Quarry Press R.I.C. Publications The Fell Press Wet Angel Books Cover design by Rama Crouch-Wong Layout by Dan Nolte Who Killed Hunter Thompson? An Inquiry Into the Life & Death of the Master of Gonzo Edited by Warren Hinckle “I think Thompson has remained a writer of significance because essentially a satirist, he has displayed utter contempt for power; political power, financial power, even show biz juice.” – Paul Theroux A look at the life of Hunter S. Thompson through essays and personal recollections from the Gonzo journalist’s peers, closest friends and co-conspirators—including transcripts of his rants and idiosyncratic phone messages. Thompson’s compatriots, who observe and comment on the journalistic legend’s life and death, include, among many others: I Susie Bright, the editor of On Our Backs and Best American Erotica I Jerry Brown, the former Governor of California and THE UNDERGROUND EULOGIES current Mayor of Oakland I Rick MacArthur, the publisher of Harper’s I Ben Fong-Torres, the iconic Rolling Stone editor I Eugene “Dr. Hip” Schoenfeld, the pot guru I Ralph Steadman, the illustrator for Thompson’s covers, Who Killed as well as for Pink Floyd’s The Wall Hunter Thompson? An Inquiry Into the Life & Death of the Master of Gonzo Warren Hinckle, founder of Ramparts, is a noted Bay Area author and journalist. He ISBN: 0-86719-648-3 shared an office with Hunter Thompson MARKETING $19.95 | paper throughout the 70’s and 80’s in a space I upstairs at the O’Farrell Theater, one of the consumer advertising, reviews 6 x 9 and features in national, 200 pages most famous erotic dance clubs in alternative and pop culture media June the country. -
1. About Mothers and Other Monsters by Maureen F
1. About Mothers and Other Monsters by Maureen F. McHugh 2. Creative Commons License Summary: Attribution-NonCommercial-ShareAlike 3.0 3. Creative Commons Full License 4. Mothers and Other Monsters 1. Mothers and Other Monsters Maureen F. McHugh Published by Small Beer Press http://www.lcrw.net [email protected] April 22, 2008 Trade paper ISBN: 9781931520195 Trade cloth ISBN: 9781931520133 Some Rights Reserved A debut collection and finalist for the Story Prize. Maureen F. McHugh is an expert craftswoman who brings her clear-eyed vision (and empathy) to the relationships at the heart of our lives. Her stories are relevant, insightful, and beautifully written: She uses her deceptively simple prose to illuminate the unexpected chasms that open between generations. The reader's guide includes an essay, an interview, and talking points. Mothers and Other Monsters is being released as a Free Download under Creative Commons license on April 22, 2008. If you'd like to get the book version, Mothers and Other Monsters is available from: Small Beer Press; your local bookshop; Powells; all the usual book shops and web sites, and is distributed to the trade by Consortium. This book is governed by Creative Commons licenses that permit its unlimited noncommercial redistribution, which means that you're welcome to share them with anyone you think will want to see them. If you do something with the book you think we'd be interested in please email ([email protected]) and tell us. Thanks for reading. 2. Creative Commons License Summary: Attribution-NonCommercial-ShareAlike 3.0 3. License THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). -
Slash As Genre
© COPYRIGHT by Erin Webb 2012 ALL RIGHTS RESERVED DEDICATION To Disa Wilson, cultist. SLASH AS GENRE BY Erin Webb ABSTRACT This work applies the tools of genre analysis—specifically the models for genre analysis provided by Rick Altman in The American Film Musical (1989) and Maria Antónia Coutinho and Florencia Miranda in "To Describe Genres: Problems and Strategies" (2009)—to the recurring features of slash fanfiction in order to speculate on the concerns that have underlain its folk production and circulation since the mid-1970s. It offers a text-based interpretation of a frequently grossly over-simplified body of literature; it investigates not only a particular mode of pleasure, with all the anxieties that inhere to modes of pleasure, but also a particular mode of meta-narration and critical intervention. ii PREFACE Sheppard liked it rough. Sometimes. The words rolled around Rodney’s brain like marbles, and made him fidgety, made him want to ask questions, made him want a nice clean testable hypothesis and a big big supercomputer to test it, and John went on dates on Atlantis, sometimes, now that the population was big enough that it wasn’t too awkward, but he always dated girls, pretty, tiny girls, and Rodney knew you couldn’t determine much about people from appearances, but somehow he didn’t think Aubrey Tims from xenobiology, was holding John down and punching him while they were fucking. He didn’t know, though. Rodney missed Google more than stovetop stuffing, more than sleeping in on Saturdays, more than getting to moderate panel discussions and takeout Indian food and cable television, and it wasn’t like he couldn’t understand that not everyone liked some comfortable semi-athletic sex on a soft bed, or maybe a desk chair, with snacks after, but he woke up from dreams about Googling rough sex and finding some freaks on the internet who were too into it and overly serious about it, wore stupid costumes and said stupid things, so he could just dismiss it as a pathetic waste of time. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE CONSTRUCTION OF RACE AND THE REPRESENTATION OF ETHNIC DIFFERENCE IN AMERICAN AND BRITISH SCIENCE FICTION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University by Javier A. -
Birmingham Science Fiction Group Newsletter
BRUM GROUP NEWS - May 1993 The monthly newsletter of the Birmingham Science Fiction Group (Honorary Presidents: Brian W Aldiss & Harry Harrison) Group Chairman - Tony M orton, Secretary - Helena Bowles, Newsletter Editor - Martin Tudor, Treasurer - Richard Standage, Reviews Editor - Bernie Evans, Publicity Officer - Steve jones, Ordinary M ember - M ick Evans, Novacon 23 Chairman - Carol M orton. This month's speaker is COLIN GREENLAND F r i d a y 2 1 M a y , 7.45 p m fo r 8 .OO p m Admittance; Members £2.50 Visitors £3,75 Born in Dover, 17 March 1954, COLIN GREENLAND was educated at St Lawrence College, Ramsgate, Kent, 1964-72 ; Pembroke College, Oxford, 1972-79, BA in English literature and language (honors) 1975 ; D.Phil. in English literature 1981. Fellow in creative writing at the Science Fiction Foundation, 1980-82, he was co-editor of INTERZONE, 1982-85 ; coordinator, Eaton Conference on Science Fiction, University of California, Riverside/North East London Polytechnic, 1983-84 ; part-time tutor, University of London Extra-mural Department, 1985-90 ; chair of the SF Writer's Conference, Milford, 1986. Since 1989 he has been reviews editor of FOUNDATION. He received the J Lloyd Eaton award for criticism in 1985, and both the Arthur C Clarke and the BSFA award in 1991 for his novel TAKE BACK PLENTY. His other works include the novels DAYBREAK ON A DIFFERENT MOUNTAIN (1984), THE HOUR OF THE THIN OX (1986), OTHER VOICES (1988) and HARM’S WAY (1993X (Many thanks to TWENTIETH-CENTURY SCIENCE FICTION WRITERS, third edition, for the above information, ) The BSFG meets at 7.45pm on the 3rd Friday of every month (unless otherwise notified) in the upstairs function room or the White Lion, corner of Thorp Street and Horsefair/Bristol Street in Birmingham city centre.