GLBTRT Newsletter, Winter 2010
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The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S
St. Cloud State University theRepository at St. Cloud State Library Faculty Publications Library Services 2019 The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S. Wexelbaum Saint Cloud State University, [email protected] Follow this and additional works at: https://repository.stcloudstate.edu/lrs_facpubs Part of the Library and Information Science Commons Recommended Citation Wexelbaum, Rachel S., "The Reading Habits and Preferences of LGBTIQ+ Youth" (2019). Library Faculty Publications. 62. https://repository.stcloudstate.edu/lrs_facpubs/62 This Article is brought to you for free and open access by the Library Services at theRepository at St. Cloud State. It has been accepted for inclusion in Library Faculty Publications by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. The Reading Habits and Preferences of LGBTIQ+ Youth Rachel Wexelbaum, St. Cloud State University, USA Abstract The author of this article presents the available findings on the reading habits and preferences of LGBTIQ+ youth. She will discuss the information seeking behavior of LGBTIQ+ youth and challenges that these youth face in locating LGBTIQ+ reading materials, whether in traditional book format or via social media. Finally, the author will provide recommendations to librarians on how to make LGBTIQ+ library resources more relevant for youth, as well as identify areas that require more research. Keywords: LGBT; LGBT library resources and services; reading; social -
Sfiff 2019 Program Here
SantaFeIndependent.com 2019 team and advisory board 2019 SFIFF TEAM Jacques Paisner Artistic Director Liesette Paisner Bailey Executive Director Jena Braziel Guest Service Director Derek Horne Director of Shorts Programmer Beau Farrell Associate Programmer Stephanie Love Office Manager Dawn Hoffman Events Manager Deb French Venue Coordinator Chris Bredenberg Tech Director Allie Salazar Graphic Designer Blake Lewis Headquarters Manager Castle Searcy Festival Dailies Adelaide Zhang Box Office Assistant Sarah Mease Box Office Assistant Eileen O’Brien MC Sage Paisner Photographer 2019 SFIFF ADVISORY BOARD Gary Farmer, Chair Chris Eyre Kirk Ellis David Sontag Alexandria Bombach Nicole Guillemet “A young Sundance” Alton Walpole —Indiewire Kimi Ginoza Green Paul Langland Beth Caldarello Xavier Horan “An all inclusive Marissa Juarez resort for cinephiles...” —Filmmaker Magazine “Bringing the community together” 505-349-1414 —Slant Magazine www.santafeindependent.com • [email protected] 418 Montezuma Ave. Suite 22 Santa Fe, NM 87501 3 AD AD welcome WELCOME Dear Santa Fe Independent Film Festival Visitors and Community, Welcome to Santa Fe, and to the festival The Albuquerque Journal calls “The Next Sundance.” The Santa Fe Independent Film Festival (SFIFF), now in its eleventh year, has become one of Santa Fe’s most celebrated annual events. I know you will enjoy SFIFF’s world-class programming and award-winning guests, including renowned ac- tors Jane Seymour and Tantoo Cardinal. I encourage you to investi- gate the many activities, museums, galleries, restaurants, and more that Santa Fe has to offer. The Santa Fe Independent Film Festival fills five days with screen- ings, workshops, educational panels, book signings, and celebra- tions. -
THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
Yes, You Can! LGBTQ Literature in the Classroom and the Library
Yes, You Can! LGBTQ Literature in the Classroom and the Library Picture Books (all ages) DePaola, Tomie. Oliver Button Is A Sissy. Harcourt Brace Jovanovich, 1979. Ewert, Marcus. 10,000 Dresses. Illus. Rex Ray. Seven Stories Press, 2008. Garden, Nancy. Molly’s Family. Illus. Sharon Wooding. Farrar Straus Giroux, 2004. Haan, Linda de. King & King. Tricycle Press, 2002. Meyers, Susan. Everywhere Babies. Illus. Marla Frazee. Harcourt, 2001. Newman, Leslea. Donovan’s Big Day. Illus. Mike Dutton. Tricycle Press, 2011. Oelschlager, Vanita. A Tale of Two Daddies. Illus. Kristin Blackwood and Mike Blanc. Vanita Books, 2010. __________. A Tale of Two Mommies. Illus. Mike Blanc. VanitaBooks, 2011. Parr, Todd. It’s Okay to be Different. Little, Brown, 2001. Polacco, Patricia. In Our Mother’s House. Philomel, 2009. Richardson, Justin. And Tango Makes Three. Illus. Henry Cole. Simon & Schuster, 2005. Winter, Jonah. Gertrude is Gertrude is Gertrude is Gertrude. Illus. Calef Brown. Atheneum, 2009. Zolotow, Charlotte. William’s Doll. Illus. William Pene Du Bois. Harper & Row, 1972. Middle School Fiction Agell, Charlotte. The Accidental Adventures of Indian McAllister. Henry Holt, 2010. Crutcher, Chris. Angry Management: Three Novellas. Greenwillow, 2009. Hegamin, Tonya. M + O 4evr. Houghton Mifflin, 2008. Howe, James. Totally Joe. Atheneum, 2005. Ketchum, Liza. Newsgirl. Viking, 2009. LaRochelle, David. Absolutely, Positively Not. Arthur A. Levine, 2005. McCaughrean, Geraldine. The Death-Defying Pepper Roux. Harper, 2010. Walliams, David. The Boy in the Dress. Razorbill, 2009. Woodson, Jacqueline. After Tupac & D Foster. Putnam, 2008. High School Fiction Beam, Cris. I am J. Little Brown, 2011. Bray, Libba. Beauty Queen. Scholastic, 2011. Brothers, Meagan. -
Boys' Love, Byte-Sized
School of Sociology and Social Policy Boys’ Love, Byte-sized: A Qualitative Exploration of Queer- themed Microfiction in Chinese Cyberspace Gareth Shaw B.A. (Hons), M.A. Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy January 2017 Acknowledgements I owe an enormous debt of gratitude to my supervisors, Dr Xiaoling Zhang, Professor Andrew Kam-Tuck Yip, and Dr Jeremy Taylor, for their constant support and faith in my research. This project would not have been possible without them. I also wish to convey my sincerest thanks to my examiners, Professor Sally Munt and Dr Sarah Dauncey, for their very insightful comments and suggestions, which have been invaluable to this project’s completion. I am grateful to the Economic and Social Research Council for funding this research (Award number: 1228555). I wish to express my heartfelt gratitude to everyone who has participated in this project, particularly to the interview respondents, who gave so freely of their time. I am especially thankful to Huang Guan, Zhai Shunyi and Wei Ye for assisting me with some of the (often quite esoteric) Chinese to English translations. To my family, friends and colleagues, I thank you for being a constant source of comfort and advice when the light at the end of the tunnel seemed to have vanished. Special thanks go to Laura and Céline, for their support and encouragement during the long writing hours. Finally, to Juan and Mani, whose love and support means the world to me, I am eternally grateful to have had you both by my side on this journey. -
Summer 2003 Newsletternewslettera Publication of the Gay, Lesbian, Bisexual, Transgendered Round Table of the American Library Association
Vol 15 Volume 15 Number 2 GLBTRTGLBGLB NewsletterTRTRTT SummerNo 2003 2 Summer 2003 NewsletterNewsletterA publication of the Gay, Lesbian, Bisexual, Transgendered Round Table of the American Library Association Greetings!! As we approach the 2003 annual conference, there is the usual excitement around the great authors, programs, and events that It's time for another issue of the GLBTRT Newsletter, and once are a part of ALA. More information on the programs and again I've had an enormous amount of contributions from Round events will be listed in this issue of the newsletter. Table members. Thank you all so very much for contributing such useful and interesting material to this publication. Without you, I Beyond the usual array of events, this conference holds special could do nothing. If anyone is interested in contributing to the next interest for several of us in the Round Table, who are either issue, just send me an email. August 15 is the deadline! from Ontario or attended library school in Ontario. For those of you who have not been to Toronto, it is a wonderful city. Thanks for your continued support! As we look forward to the time in Toronto, we are aware that Ken Wells, GLBTRT Newsletter Editor budget cuts and health concerns may curtail some of our [email protected] members from attending. For those of you who cannot attend ALA, we would encourage you to still participate in the Round Table. If you would like to participate on a committee or do work for the Round Table, please contact Steve or myself. -
Logging Into Horror's Closet
Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
An Interview with Nike Sulway Lisa Dowdall
An Interview with Nike Sulway Lisa Dowdall Nike Sulway’s latest book, Rupetta (2013), won the James Tiptree, Jr Award for a work of science fiction or fantasy that explores or expands our understanding of gender/sexuality. Rupetta begins four hundred years ago in rural France, where a young woman creates a part human, part mechanical woman, who she calls Rupetta. Bound to each of the women who wind her heart, the novel narrates the miracles and tragedies of Rupetta’s existence. The novel is also told from the point of view of Henri, a history student who yearns for her own mechanical heart. But as Henri uncovers the history of the Salt Lane women – mothers and daughters whose lives were shaped by Rupetta’s – she questions the very truth upon which she has always understood the world and her place in it. Writing as N. A. Bourke, Nike’s first novel, The Bone Flute (2001), was shortlisted for the Commonwealth Writers Awards and won the Queensland Premier’s Literary Award for Best Emerging Queensland Author. Her other books, also written as N. A. Bourke, are What the Sky Knows (2005), a children’s picture book illustrated by Stella Danalis, and the novel The True Green of Hope (2008). Nike has a PhD in Creative Writing from Griffith University and lectures in Creative Writing at the University of Southern Queensland. She also blogs at Perilous Adventures. This interview was conducted by email in June 2015. On Rupetta Q: Your writing is stunning; the poetics of Rupetta are simply sublime. How did Rupetta’s voice come to you? A: Those first lines just came, as they so rarely do. -
From “Telling Transgender Stories” to “Transgender People Telling Stories”: Transgender Literature and the Lambda Literary Awards, 1997-2017
FROM “TELLING TRANSGENDER STORIES” TO “TRANSGENDER PEOPLE TELLING STORIES”: TRANSGENDER LITERATURE AND THE LAMBDA LITERARY AWARDS, 1997-2017 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Andrew J. Young May 2018 Examining Committee Members: Dr. Dustin Kidd, Advisory Chair, Sociology Dr. Judith A. Levine, Sociology Dr. Tom Waidzunas, Sociology Dr. Heath Fogg Davis, External Member, Political Science © Copyright 2018 by Andrew J. Yo u n g All Rights Res erved ii ABSTRACT Transgender lives and identities have gained considerable popular notoriety in the past decades. As part of this wider visibility, dominant narratives regarding the “transgender experience” have surfaced in both the community itself and the wider public. Perhaps the most prominent of these narratives define transgender people as those living in the “wrong body” for their true gender identity. While a popular and powerful story, the wrong body narrative has been criticized as limited, not representing the experience of all transgender people, and valorized as the only legitimate identifier of transgender status. The dominance of this narrative has been challenged through the proliferation of alternate narratives of transgender identity, largely through transgender people telling their own stories, which has the potential to complicate and expand the social understanding of what it means to be transgender for both trans- and cisgender communities. I focus on transgender literature as a point of entrance into the changing narratives of transgender identity and experience. This work addresses two main questions: What are the stories being told by trans lit? and What are the stories being told about trans literature? What follows is a series of separate, yet linked chapters exploring the contours of transgender literature, largely through the context of the Lambda Literary Awards over the past twenty years. -
Between Boys: Fantasy of Male Homosexuality in Boys' Love, Mary Renault, and Marguerite Yourcenar by Jui-An Chou Graduate Pr
Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 ABSTRACT Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 Copyright by Jui-an Chou 2018 Abstract “Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar” examines an unexpected kinship between Boys’ Love, a Japanese male-on-male romance genre, and literary works by Mary Renault and Marguerite Yourcenar, two mid-twentieth century authors who wrote about male homosexuality. Following Eve Sedgwick, who proposed that a “rich tradition of cross- gender inventions of homosexuality” should be studied separately from gay and lesbian literature, this dissertation examines male homoerotic fictions authored by women. These fictions foreground a disjunction between authorial and textual identities in gender and sexuality, and they have often been accused of inauthenticity, appropriation, and exploitation. -
Japanese Boy-Love Manga and the Global Fandom
JAPANESE BOY-LOVE MANGA AND THE GLOBAL FANDOM: A CASE STUDY OF CHINESE FEMALE READERS Yannan Li Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of Communication Studies Indiana University July 2009 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. John Parrish-Sprowl, Ph.D., Chair Elizabeth M. Goering, Ph.D. Master’s Thesis Committee Ronald M. Sandwina, Ph.D. ii ACKNOWLEDGEMENTS It is difficult to overstate my gratitude to my advisor, Dr. John Parrish-Sprowl, for being so supportive and encouraging me every step of the way throughout my thesis- writing period. The sound advice, warm encouragement and good teaching I received from him always filled me with confidence. I also like to express my gratitude to Dr. Elizabeth M. Goering, for sharing with me a lot of her research expertise and insights. Her enthusiasm and intelligence in Intercultural Studies motivated me to keep going from time to time. And I am especially grateful to Dr. Ronald M. Sandwina, for helping me polishing the research and keeping me on the right track. Under his instruction, learning and applying communication research methods became such a great fun. Special thanks to my colleague Tilicia, for inspiring me with interesting insights from Rhetorical Studies and generously sharing with me the academic literatures she found. Thank all my Chinese friends who volunteered in the survey to help me figure out the myth. Without them I cannot imagine how to accomplish this innovative project.