D4450 Deliverance (Usa, 1972)
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
BOSTON Is More Than a Running Film. It Is a Timeless Story About Triumph Over Adversity for Runner and Non-Runner Alike. Film Sy
BOSTON is more than a running film. It is a timeless story about triumph over adversity for runner and non-runner alike. Film Synopsis BOSTON is the first ever feature-length documentary film about the world’s most legendary run- ning race – the Boston Marathon. The film chronicles the story of the iconic race from its humble origins with only 15 runners to the present day. In addition to highlighting the event as the oldest annually contested marathon in the world, the film showcases many of the most important moments in more than a century of the race’s history. from a working man’s challenge welcoming foreign athletes and eventually women bec me the stage for manyThe Bostonfirsts and Marathon in no small evolved part the event that paved the way for the modern into a m world-classarathon and event, mass participatory sports. Following the tragic events of. The 2013, Boston BOSTON Marathon a the preparations and eventual running of the, 118th Boston Marathon one year later when runners and community gather once again for what will be the most meaningful raceshowcases of all. for , together The production was granted exclusive documentary rights from the Boston Athletic Association to produce the film and to use the Association’s extensive archive of video, photos and memorabilia. Production Credits: Boston is presented by John Hancock Financial, in association with the Kennedy/Marshall Com- pany. The film is directed by award winning filmmaker Jon Dunham, well known for his Spirit of the Marathon films, and produced by Academy Award-nominee Megan Williams and Eleanor Bingham Miller. -
Invented Worlds
THE WIZARD OF OZ 1939, Victor Fleming Invented Worlds > This beloved classic hails from the peak of Hollywood’s Golden Age, 1939, and By Steve Chagollan was directed by the no-nonsense Victor Fleming—who also helmed Gone With the Wind, released that same year. The film’s blend of realism and fantasy is still OLLYWOOD HAS OFTEN been referred to as a fantasy striking to this day, especially the transition from Dorothy’s sepia-toned Kansas to the factory—a place where both reality and make-believe Technicolor brilliance of Oz. Sixty-five sets were constructed over six sound stages are plumbed from the vast recesses of the filmmakers’ at MGM for the effort, and the quest for perfection was so arduous it took the art imaginations. But when directors delve into literal fantasy department a week to settle on the proper and futurism, that imagination is allowed to run truly wild. shade of yellow for the Yellow Brick Road. Fleming told the film’s producer, Mervyn There have been countless milestones over the years that LeRoy, that he wanted to make “a picture that searched for beauty and decency and point to the medium’s ability to transport us to worlds that love in the world.” H only exist in the movies; here are a few choice examples. 68 DGA QUARTERLY PHOTOS: (ABOVE) AMPAS; (RIGHT) PHOTOFEST DGA QUARTERLY 69 BLADE RUNNER (1982), Ridley Scott > It’s hard to believe we’ve caught up with the time frame, 2019, in which Ridley Scott transformed Los Angeles into what he termed a near-future, “mul- tinational megalopolis,” where a rogue group of synthetic humans, known as replicants, are tracked down by a world-weary cop played by Harrison FORBIDDEN Ford. -
Extreme Leadership Leaders, Teams and Situations Outside the Norm
JOBNAME: Giannantonio PAGE: 3 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 Extreme Leadership Leaders, Teams and Situations Outside the Norm Edited by Cristina M. Giannantonio Amy E. Hurley-Hanson Associate Professors of Management, George L. Argyros School of Business and Economics, Chapman University, USA NEW HORIZONS IN LEADERSHIP STUDIES Edward Elgar Cheltenham, UK + Northampton, MA, USA Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 1 / Date: 30/10 JOBNAME: Giannantonio PAGE: 4 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 © Cristina M. Giannantonio andAmy E. Hurley-Hanson 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2013946802 This book is available electronically in the ElgarOnline.com Business Subject Collection, E-ISBN 978 1 78100 212 4 ISBN 978 1 78100 211 7 (cased) Typeset by Columns Design XML Ltd, Reading Printed and bound in Great Britain by T.J. International Ltd, Padstow Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 2 / Date: 30/10 JOBNAME: Giannantonio PAGE: 1 SESS: 5 OUTPUT: Wed Oct 30 14:57:46 2013 14. Extreme leadership as creative leadership: reflections on Francis Ford Coppola in The Godfather Charalampos Mainemelis and Olga Epitropaki INTRODUCTION How do extreme leadership situations arise? According to one view, they are triggered by environmental factors that have nothing or little to do with the leader. -
The Consequences of Appalachian Representation in Pop Culture
University of Kentucky UKnowledge Theses and Dissertations--English English 2017 STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE Chelsea L. Brislin University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.252 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Brislin, Chelsea L., "STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE" (2017). Theses and Dissertations--English. 59. https://uknowledge.uky.edu/english_etds/59 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
FANTASTIC FAMILY FILMS for the HOLIDAYS Minions, Jurassic World, Song of the Sea and More
15 BOX OFFICE — 0116 242 2800 phoenix.org.uk JULY JULY CINEMA / ART / CAFÉ BAR MINIONS THIS MONTH — 10 – 16 & 24 – 30 Jul FANTASTIC FAMILY FILMS FOR THE HOLIDAYS Minions, Jurassic World, Song of the Sea and more NEW FILMS — SLOW WEST SOUTHPAW LOVE & MERCY AMY JULY AT A GLANCE SLOW WEST P4 <MultipleINTERSECTING LIN KS> <MULTIPLEINTERSECTING LINKS> Box Office242 2800 0116 — DANNY COLLINS P4 LOVE AND MERCY P6 AMY P5 Book Online — www.phoenix.org.uk THE NEW GIRLFRIEND P5 ELECTRIC BOOGALOO P7 FOUR CORNERS P6 WEST P5 ELECTRIC BOOGALOO P7 BREAKIN' 2 P7 <MultipleINTERSECTING LIN KS> <MULTIPLEINTERSECTING LINKS> EDEN P10 DEAR WHITE PEOPLE P10 SOUTHPAW P7 MYSTERY FILM P10 MAN WITH A MOVIE CAMERA P10 COMING IN AUGUST 45 YEARS INSIDE OUT MARSHLAND 2 – 3 DISCOVER SUMMER DISCOVER PHOENIX FIND WELCOME It’s July and school’s out for summer! We’ve a veritable smorgasbord of treats for all ages this month – from blockbuster family films like Minions and Jurassic World, to kids’ creative workshops and short courses for film lovers and young filmmakers. There’s a music theme to our headline movies, with two of the best soundtracks this year: the stunning documentary Amy brings the tortured story of singer Amy Winehouse to the big screen, while The Beach Boys’ Brian Wilson is the focus of biopic Love and Mercy. If gritty drama’s more your thing, we’re screening western thriller Slow West, starring Michael Fassbender, and Southpaw – look out for Jake Gyllenhaal’s spectacular transformation into a heavyweight boxer. Our Stage on Screen summer season is packed with theatrical and operatic gems, including Everyman from NT Live starring BAFTA winner Chiwetel Ejiofor (12 Years a Slave), and ENO’s exciting production of The Pirates of Penzance, directed by Palme D’Or winner and five-times Oscar nominee Mike Leigh – sure to be a major event. -
Bridging the Digital Divide in Rural Appalachia: Internet Usage in the Mountains Jacob J
Informing Science InSITE - “Where Parallels Intersect” June 2003 Bridging the Digital Divide in Rural Appalachia: Internet Usage in the Mountains Jacob J. Podber, Ph.D. Southern Illinois University, Carbondale, IL, USA [email protected] Abstract This project looks at Internet usage within the Melungeon community of Appalachia. Although much has been written on the coal mining communities of Appalachia and on ethnicity within the region, there has been little written on electronic media usage by Appalachian communities, most notably the Melun- geons. The Melungeons are a group who settled in the Appalachian Mountains as early as 1492, of apparent Mediterranean descent. Considered by some to be tri-racial isolates, to a certain extent, Melungeons have been culturally constructed, and largely self-identified. According to the founder of a popular Me- lungeon Web site, the Internet has proven an effective tool in uncovering some of the mysteries and folklore surrounding the Melungeon community. This Web site receives more than 21,000 hits a month from Melungeons or others interested in the group. The Melungeon community, triggered by recent books, films, and video documentaries, has begun to use the Internet to trace their genealogy. Through the use of oral history interviews, this study examines how Melungeons in Appalachia use the Internet to connect to others within their community and to the world at large. Keywords : Internet, media, digital divide, Appalachia, rural, oral history, ethnography, sociology, com- munity Introduction In Rod Carveth and Susan Kretchmer’s paper “The Digital Divide in Western Europe,” (presented at the 2002 International Summer Conference on Communication and Technology) the authors examined how age, income and gender were predictors of the digital divide in Western Europe. -
Extension Activity
Extension Activity - How the Banjo Became White Rhiannon Giddens is a multi-instrumentalist, singer, and found- ing member of the old-time music group Carolina Chocolate Drops. In 2017 she was awarded the Macarthur “Genius” Grant. Below are excerpts from a keynote address she gave at the 2017 International Bluegrass Music Association Conference, where she discusses the erasure of African Americans in the history of bluegrass, a genre that predominantly features the banjo. So more and more of late, the question has been asked: how do we get more diversity in bluegrass? Which of course, behind the hand, is really, why is bluegrass so white??? But the answer doesn’t lie in right now. Before we can look to the future, we need to understand the past. To understand how the banjo, which was once the ultimate symbol of African American musical expression, has done a 180 in popular understanding and become the emblem of the mythical white mountaineer—even now, in the age of Mumford and Sons, and Béla Fleck in Africa, and Taj Mahal’s “Colored Aristocracy,” the average person on the street sees a banjo and still thinks Deliverance, or The Beverly Hillbillies. In order to understand the history of the banjo and the history of bluegrass music, we need to move beyond the narratives we’ve inherited, beyond generalizations that bluegrass is mostly derived from a Scots-Irish tradition, with “influences” from Africa. It is actually a complex creole music that comes from multiple cultures, African and European and Native; the full truth that is so much more interesting, and American. -
Introduction 1 Mimesis and Film Languages
Notes Introduction 1. The English translation is that provided in the subtitles to the UK Region 2 DVD release of the film. 2. The rewarding of Christoph Waltz for his polyglot performance as Hans Landa at the 2010 Academy Awards recalls other Oscar- winning multilin- gual performances such as those by Robert de Niro in The Godfather Part II (Coppola, 1974) and Meryl Streep in Sophie’s Choice (Pakula, 1982). 3. T h is u nder st a nd i ng of f i l m go es bac k to t he era of si lent f i l m, to D.W. Gr i f f it h’s famous affirmation of film as the universal language. For a useful account of the semiotic understanding of film as language, see Monaco (2000: 152–227). 4. I speak here of film and not of television for the sake of convenience only. This is not to undervalue the relevance of these questions to television, and indeed vice versa. The large volume of studies in existence on the audiovisual translation of television texts attests to the applicability of these issues to television too. From a mimetic standpoint, television addresses many of the same issues of language representation. Although the bulk of the exempli- fication in this study will be drawn from the cinema, reference will also be made where applicable to television usage. 1 Mimesis and Film Languages 1. There are, of course, examples of ‘intralingual’ translation where films are post-synchronised with more easily comprehensible accents (e.g. Mad Max for the American market). -
Creating Real and Virtual Communities Among the Melungeons of Appalachia by Jacob J
127 Jacob J. Podber Creating Real and Virtual Communities Among the Melungeons of Appalachia by Jacob J. Podber While the growth of the American “Sunbelt South” has become somewhat of a symbol of United States economic progress, Appalachia is often overlooked. As R. Eller writes in Confronting Appalachian Stereotypes (1999), “Always part of the mythical South, Appalachia continues to languish backstage in the American drama, still dressed, in the popular mind at least, in the garments of backwardness, violence, poverty and hopelessness once associated with the South as a whole. No other region of the United States today plays the role of the ‘other America’ quite so persistently as Appalachia” (p. ix). This article examines how the inception of the Internet into this region of the country has altered people’s lives. Oral history interviews illuminate ways that the Melungeon community, a tri-racial group in rural Appalachia that historically has been perceived as “other,” has begun to use the Internet to define itself, as well as reach out beyond its geographical borders to form an electronic virtual community. The interviews raise the question, does this redefining of Melungeon identity mean that they have actually recreated a larger, electronically—rather than geographically—defined Melungeon community? In the 1960s, Marshall McLuhan predicted that we were at the dawn of a new era of global communications where electronic technology would bring mankind into a “seamless web of kinship and interdependence” (McLuhan, 1964, p. 50). In the 1990s, the rapid expansion of the Internet seemed to suggest that this vision had already been realized. -
WELCOME to FILM NOIR/NEO-NOIR a Robbery Or Holdup; to Take Unlawfully, Especially in a Robbery Or Holdup; Steal
WELCOME TO FILM NOIR/NEO-NOIR a robbery or holdup; to take unlawfully, especially in a robbery or holdup; steal From The Philosophy of Neo-Noir In essence, Point Blank is an archetypical revenge thriller, but turned inside out. From 1001 Movies You Must See Before You Die • …John Boorman’s thriller is as arrestingly and unselfconsciously stylish as the day it was released, • The perfect thriller in both form and vision, Boorman’s use of widescreen to full effect --- urban horizons appear bleak and wide; characters are thrown from one long end of the frame to another... Roger Ebert: • …as suspense thrillers go Point Blank is pretty good. It gets back into the groove of Hollywood thrillers, after the recent glut of spies, counterspies, funny spies, anti-hero spies and spy-spier spies. Marvin is just a plain, simple tough guy who wants to have the same justice done for him as was done for Humphrey Bogart. From FILM NOIR OF THE WEEK: •Based very loosely on Donald Westlake's crime novel 'The Hunter', John Boorman's dazzling 'Point Blank' is a fusion of 1960's New Wave aesthetics on a traditional Noir revenge plot - with decidedly fascinating results… at once an exiting and brutal revenge Noir, and an elliptical fragmented, art film influenced by New Wave filmmakers like Resnais and Antonioni. • Along with displaying a mesmerizing, rigorous color scheme (suits matching decor, dresses matching cars), and a consistently chilly use of widescreen isolation (characters divided by columns, doorways, or space), Point Blank is easily the sexiest of early neo-noirs. -
Hillbillies Emerge from the Woods: an Unsociological Moment* in John Sayles’S Matewan by Jimmy Dean Smith
123 Jimmy Dean Smith Hillbillies Emerge from the Woods: An Unsociological Moment* in John Sayles’s Matewan by Jimmy Dean Smith John Sayles’s 1987 film Matewan depicts a signal event in labor, social, and Ap- palachian history and thus the viewer feels the gravitational pull and satisfaction of a familiar trope—the myth enbodied in a familiar liberal morality tale. The movie can and does do good, but it resists that impulse at the same time. Good is not all it does, since Sayles takes a worthwhile chance on alienating his core audience. While the aesthetic precepts of social justice often limit the range of approaches an engaged but bourgeois artist can bring to politically and socially charged material, Sayles offers a scenario that toys with liberal good taste and questions whether politics that assumes a pre-fabricated response has the guts to recognize the tantalizing power of subversive mythology. Here are “the bare bones of the history [Sayles] started with” (Sayles 16): In 1920 the minefields in eastern Kentucky and southwestern West Virginia are totally nonunion . The United Mine Workers . target . several counties to be organized. The mine owners . hold Mingo and Logan counties in West Virginia in a military grip—controlling political officials and police, posting armed guards . sending spies into the midst of the miners and creating a “judicious mixture” of native miners, blacks and recent immigrants who they believe can never rise above their basic differences to resist collectively. A strike begins near the town of Matewan . The mayor and chief of police of the town, Cabell Testerman and Sid Hatfield, refuse a bribe offered by agents from the Baldwin-Felts Detective Agency, which functions as the enforcing arm of the state’s coal operators.