Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 1 of 72

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

CATHLEEN COLVIN et al., Civil No. 1:16-cv-01423 (ABJ)

Plaintiffs,

V.

SYRIAN ARAB REPUBLIC,

Defendant.

Declaration of John Moore Witherow

I, John Moore Witherow, of 1 London Bridge Street, London, SE1 9GF, declare as follows:

1. I am the Editor of The Times, a London newspaper which was first published in

1785. From 1995 to 2013 I was Editor of The Sunday Times, where I met and

worked with Marie Colvin. The Sunday Times and The Times are owned by the

same publisher but are formally separate newspapers.

2. I submit this declaration to describe to the Court the circumstances of Marie's last

assignment to the Syrian Arab Republic and the reactions to her killing in the

world of journalism; the breadth and success of her career; and my expectations

about what more she might have done had she not been killed in Horns on

February 22, 2012.

3. All of my statements are based on personal knowledge unless otherwise

indicated.

1 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 2 of 72

My background and career

4. I have been in journalism since I was 19. I started my career when I went to

Namibia (then South West Africa) in 1970 hoping to teach in Ovamboland on the

Angolan border, and ended up working on a development project and working

freelance for the BBC Africa Service when I was denied the necessary entry

permit. In 1977, after university, I joined the Reuters News Agency's graduate

trainee programme, and was sent to the Cardiff School of Journalism, where I

obtained a distinction. I worked in Madrid for a year for Reuters before joining

The Times as a reporter in 1980. In my first few weeks at The Times , I covered

the Iranian embassy siege; and two years later in 1982, I covered the Falklands

war, where I came under bomb attack and witnessed the strike on RFA Galahad

that killed 48 servicemen and became the biggest single loss of the war. In 1982

I wrote a book about my experiences, The Falklands: the Winter War, with

Patrick Bishop, a war correspondent for The Observer newspaper who was later

married for a period to Marie. In the same year, I also spent six months in Boston

and Washington for the Boston Globe.

5. In 1983, I moved to The Sunday Times under the editorship of Andrew Neil and

served in several positions, including defence correspondent, diplomatic

correspondent, foreign editor, and head of news. I covered the Soviet withdrawal

from Afghanistan in 1989. I became Acting Editor of The Sunday Times after Mr

Neil's departure in 1994. I was confirmed as Editor the following year and edited

the newspaper for 18 years. In January 2013 I was appointed Acting Editor of

2 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 3 of 72

The Times and confirmed in the post in September. As Editor of The Times, I am

in charge of the newspaper's content and staff.

6. We at The Times and The Sunday Times believe that newspapers play an

important part in a free society, and we take our responsibility seriously to report

accurately and to pursue vigorous journalism. We believe such journalism is vital

for a flourishing democracy through its acts of exposing wrongdoing and holding

people in positions of power to account. This is especially true of reporting from

within wars zones and from hostile environments, an increasingly challenging

and daunting mission for any reporter and media organisation.

Marie Colvin's last assignment

7. I knew Marie Colvin for over twenty-five years as a colleague and dear friend. I

first met her in the newsroom at The Sunday Times sometime in 1985, when she

joined the newspaper from United Press International in Paris. My first

impression of Marie has stayed with me. She was a whirl of black curls, a force of

nature. I came to know her as committed to her vocation, wilful and determined,

and, while prepared to take risks, never foolish.

8. Marie had a quiet authority and immense charm and wit. When she arrived, the

newspapers in London were caught in the turmoil of industrial action by print

workers. Pickets circled the building from which The Sunday Times was printed.

Marie quickly made her views known: "My god", she said, "I'm not hanging

around here. I need a real war to go to". Marie died on 22 February 2012 in the

Baba Amr neighbourhood of Horns, Syria, covering such a "real" war.

3 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 4 of 72

9. The Sunday Times had been reporting on Syria's descent into war since 2011 . In

Dera'a that year, the Syrian government opened fire, killing four people in a

peaceful protest following anti-government slogans appearing on walls about the

arrest and alleged torture of 15 young people. The city of Homs became the seat

of opposition as Syria descended into chaos.

1 10. On February 5 h, three weeks before Marie was killed, she and her colleagues

filed an article about the escalating violence in Syria from Beirut, Lebanon. They

reported that "[t]he fighting in Syria spiralled yesterday into the worst violence

since protesters began their uprising against the regime of President Bashar al-

Assad almost a year ago. More than 200 men, women and children were killed in

Homs ... ". 1 "There are growing fears of a civil war, with the FSA not only

controlling parts of Hams, but also fighting in Damascus, the capital". 2

11 . Marie reached Syria on or around February 15th, even though we knew that

foreign journalists were unwelcome there and that Homs was becoming

increasingly dangerous. lt was typical that Marie felt compelled to be in Syria as it

tipped towards civil war. In November 2010 she gave a speech in

commemoration of war reporters at the church of St Bride's on Fleet Street in

London, known as the journalists' church. She said, "Covering a war means

going to places torn by chaos, destruction and death, and trying to bear witness ..

1 Marie Colvin, Peter Kellier & Annasofie Flamand, 'Bombs fell like rain. You could only pray', THE SUNDAY TIMES, Feb. 5, 2012, at 27 (Ex. A-1). As Editor of The Sunday Times, I oversaw the publication of this and the other Sunday Times articles exhibited with this declaration. I personally managed the publication of all articles from the 26 February 2012 issue of The Sunday Times, which commemorated Marie. Each of the articles exhibited herewith is a true and correct copy of the original publications. 2 Id.

4 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 5 of 72

.. lt has never been more dangerous to be a war co rrespondent, because the

journalist in the combat zone has become a prime target."3 She saw it as her job

to bear witness and I know she believed passionately in the importance of her

work.

1 12. On February 19 h we published her first on-the-ground report from Hams. She

was the only journalist with a British newspaper inside the city and was

accompanied by our photographer, Paul Conroy. She wrote in detail of the

growing despair as "international diplomats dither".4 Five thousand Syrian

soldiers were believed to be on the outskirts, with residents fearing a ground

assault. She told the Foreign Editor, "lt is sickening that the Syrian regime is

allowed to keep doing this".5

13. Marie and Conroy were working from a makeshift media centre in Baba Amr run

by anti-government activists. They left Baba Amr temporarily, so they would not

1 be there when their report was published on Sunday February 19 h. Marie

dictated that report to our newsroom by satellite phone, offering a haunting

glimpse into the battered city: "Crammed amid makeshift beds and scattered

belongings are frightened women and children trapped in the horror of Hams, the

3 Marie Colvin , 'Our mission is to report these horrors of war with accuracy and without prejudice', transcript available at THE GUARDIAN (Nov. 10, 2010) https://www. theg ua rd ia n.com/commentisfree/2 0 12/feb/22/ma rie-colvi n-our-miss ion-is­ to-speak-truth. 4 Marie Colvin, 'We live in fear of a massacre', THE SUNDAY TIMES, Feb. 19, 2012, at 18- 19 (Ex. A-2); see also Marie Colvin, Vet offers only hope for Syrian wounded, THE SUNDAY TIMES, Feb. 19, 2012, at 1 (Ex. A-3). 5 Features, Marie Colvin: the Last Assignment, News, THE SUNDAY TIMES, Feb. 26, 2012, at 22-23 (Ex. A-4).

5 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 6 of 72

Syrian city shaken by two weeks of relentless bombardment."6 Marie and Conroy

1 returned to Homs on the 20 h.

14. On the evening of February 21 51 I remember Marie giving interviews from the

media centre to CNN and the BBC; she told ITV news, "The Syrians are not

allowing civilians to leave ... anyone who gets on the street is hit by a shell. If

they are not hit by a shell they are hit by snipers. There are snipers all around on

the high buildings. I think the sickening thing is the complete merciless nature.

They are hitting the civilian buildings absolutely mercilessly and without caring

and the scale of it is just shocking".7

15. Unknown to Marie, Conroy had written to The Sunday Times foreign editor, Sean

Ryan, "I suspect that Marie's high profile due to this week's material in paper and

TV interviews also compromises our safety". Ryan replied that they should leave

at the first opportunity.8 Marie resolved to leave Hams with Conroy on February

23rd, but was killed by what appears to have been coordinated shellfire in the

early morning of February 22°d.

16. I heard about Marie's death on the morning of February 22°d, 2012, as I came out

of a breakfast meeting with a chief executive at a hotel in London. My phone rang

and I was told by the Managing Editor at The Sunday Times that reports were

reaching us from Syria that Marie had been killed. I could not initially believe the

news. Rumours like this often come back from the field and are often

6 Colvin, 'We live in fear of a massacre' (Ex. A-2), supra note 4. 7 See Roy Greenslade, Marie Colvin obituary, T HE GUARDIAN (Feb. 22 , 2012), https://www.theguardian .com/media/2012/feb/22/marie-colvin. 8 Features, Marie Colvin: the Last Assignment (Ex. A-4), supra note 5.

6 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 7 of 72

exaggerated. As I reached my office at the newspaper, I was told that the reports

had been confirmed through Conroy. Remi Ochlik, a French photographer, had

died with her. Edith Bouvier of Le Figaro and their translator, Wael ai-Omar, were

injured alongside Conroy.

17. I was hugely shocked by the news on a personal and professional level. The

reaction to Marie's death from friends, colleagues. politicians and the media was

immediate and overwhelming: grief. disbelief. a profound sense of loss. The loss

to society was recognized by then-Prime Minister, David Cameron, who told

Parliament shortly afterward that "[t]his is a desperately sad reminder of the risks

that journalists take to inform the world of what is happening and the dreadful

events in Syria and our thoughts should be with her family and with her friends".9

News of Marie's death spread rapidly around the world.

18. While the press inquiries flooded in and the world reported the deaths, at The

Sunday Times we tried to focus on getting Conroy out alive. We and Marie's

family were also still faced with the enormous task of recovering Marie's body.

Sean Ryan and I, together with other senior staff, worked with the British Foreign

Office and contacts in Syria. including the British ambassador to Syria. Simon

Collins. and his French counterpart, Eric Chevallier. We were in constant contact

with Marie's family and with Conroy's family. Ray Wells, our picture editor, and

Miles Amoore, a foreign correspondent. were dispatched to Beirut to help

coordinate the rescue operation. Hala Jaber, another foreign correspondent. left

for Damascus to liaise with Syrian officials. We received scores of letters of

9 See id.

7 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 8 of 72

support from readers for publication, expressing distress at Marie's death. We

also turned to our duty to report what happened. All this amidst our personal

shock and grief.

19. I wrote a piece entitled ''The silver girl sails off into the night" drawing on my

personal memories and the many reactions and tributes I received over the few

days after she died from friends, family and colleagues.10 In it, I shared my

memories of Marie, which I believed captured her zest for life and fun and wit;

and her tremendous commitment and contribution to our understanding of human

plight in war. I wrote how in a conversation on The Sunday Times website two

years before, she had said: "I am always moved by the people I encounter in

horrific situations. But that is what war is all about. The mothers, kids, soldiers".11

20. The edition of February 26 was our tribute to Marie. My piece was accompanied

by others who worked with her. Jon Swain, a distinguished former Sunday Times

war correspondent, wrote about Marie's final movements, her communications

with the foreign desk, the moment of the shelling.12 Christina Lamb, another of

our foreign correspondents, wrote that we suspected that the media centre had

been targeted. "If, as we suspect, it was targeted because they were telling the

world what the Syrian regime was doing to its own people . . . we should be

outraged". Lamb further explained in her piece that repressive regimes knew that

10 John Witherow, The silver girl sails off into the night, THE SUNDAY TIMES (Feb. 26, 2012), at 1-3 (Ex. A-5). 11 /d. 12 Jon Swain, Colvin's final hours inside stricken city, THE SUNDAY TIMES, Feb. 26, 2012, at 1 (Ex. A-6).

8 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 9 of 72

killing journalists could deter others from reporting the story. She also observed

the limitations of social media, which is now widely used and can fill information

gaps when journalists cannot get in, but cannot carry the power of the words

which Marie had shared. 13 Experienced and well known reporters capture the

public's imagination in a way which citizen journalists cannot. Hala Jaber in

Damascus and Miles Amoore in Beirut wrote about Conroy's injuries and the

attempts to rescue him and the injured French journalist. 14

21. I attended Marie's funeral in her home town of Oyster Bay, Long Island , on 12

1 March 2012. On May 16 h a memorial was held for her at the Church of St Martin-

in-the-fields in London, attended by family, friends, colleagues and dignitaries.

The attendance at both services showed the tremendous esteem in which Marie

was held . In Long Island, the ceremony was a low key affair, but outside, I

remember how Syrians opposing Assad congregated. In London, friends and

fellow journalists attended to pay their tributes. The foreign secretary, William

Hague, was present.

Marie's career in journalism

22. Marie worked hard and deservedly had a truly extraordinary career. Her articles

speak for themselves. She covered the Iran-Iraq war, reported from the West

Bank in the 1990s, remained in Baghdad through the Gulf War bombing in 1991 ,

and witnessed the American bombing of Tripoli in 1992. She was the first

13 Christina Lamb, The despot's new rule: kill the messenger, THE SUNDAY TIMES, Feb. 26, 2012, at 5 ("Who will forget the report of her final hours when she said 'I saw a baby die today'?") (Ex. A-7). 14 Hala Jaber & Miles Amoore, Last-ditch bid to save journalists, THE SuNDAY TIMES, Feb. 26, 2012, at 1 (Ex. A-8).

9 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 10 of 72

reporter to enter Kosovo from Albania in 1999, with a special forces unit trying to

open up a supply line. She reported from Chechnya, Ethiopia, Zimbabwe and

Sierra Leone. She knew and interviewed Gaddafi and Arafat.

23. In 1999, during the East Timorese crisis, Marie and two other journalists refused

to leave a compound in Dili, East Timor, where over 1,000 women and children

and staff were left without United Nations protection from Indonesian forces. Her

television broadcasts spread the news across the world: due to her visible

presence, the compound was spared from the attack and the refugees were

eventually evacuated. Marie wrote:

"lt was horrific but I stayed because the women and children in the compound were going to be deserted by the United Nations and I was not willing to countenance another Srebrenica. lt was a difficult decision and led to one funny moment. When my press colleagues evacuated, I decided to stay but did not get on my satellite phone to ask permission from my foreign editor, who I should have consulted. I called him when all the trucks had left for the airport, and stayed with the rear guard and East Timor families. He went ballistic, and rightly so. "What do you mean all the other newspapers have left?" Well, they have. "What do you mean all the wire services have left?" Well they have. "What do you mean ALL THE MEN HAVE LEFT?" To his credit he printed my response, "I guess they don't make men like they used to."15

lt was just one example of the real impact Marie had on world affairs.

24. In 2001 Marie was the first foreign reporter in six years to enter the dangerous

Vanni region of Sri Lanka. She was ambushed returning from an interview with

Tamil Tiger leaders and seriously injured, losing sight in one eye. She wore her

signature black eye patch from then on. lt was a distressing price to pay for the

15 Marie Colvin: Q&A on life as a foreign correspondent, T HE SuNDAY TIMES, Feb. 22, 2012 (Ex. A-9).

10 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 11 of 72

work she loved. She wrote after the event, "WHY do I cover wars? I have been

asked this often in the past week. lt is a difficult question to answer. I did not set

out to be a war correspondent. lt has always seemed to me that what I write

about is humanity in extremis, pushed to the unendurable, and that it is important

to tell people what really happens in wars- declared and undeclared. My job is

to bear witness. I have never been interested in knowing what make of plane had

just bombed a village or whether the artillery that fired at it was 120mm or

155mm. War is also about propaganda. Both sides try to obscure the truth". 16

With unending resilience she wrote, "I am not going to hang up my flak jacket as

a result of this incident".17

25. Marie received a legion of accolades for her work. The glittering prizes testified to

the high esteem with which she was regarded by her colleagues and reflected

my own view of what an exceptional and accomplished war reporter she was.

Few reporters have the temerity to be a war correspondent; even fewer display

the insight and sensitivity with which Marie wrote. After her death, The Sunday

Times collated her published work in a volume entitled On the Front Line: The

Collected Journalism of Marie Co/vin. I am sure it will be well read by students of

journalism and young reporters hoping to pick up all the skills Marie had. Marie

was and continues to be a source of inspiration for young war reporters, including

many young female reporters who currently work for Times Newspapers. Some

of them knew her personally. All of them admired and respected her.

16 Marie Colvin, The Shot Hit Me, MARIE COLVIN CENTER FOR INTERNATIONAL REPORTING (Apr. 22, 2001 ), http://mariecolvincenter.org/stories-by-marie-colvin/the-shot-hit-me/. 17 Id.

11 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 12 of 72

Marie's role in war reporting

26. Only a handful of newsroom reporters can become successful war

correspondents, not least because it requires huge bravery. Marie followed in a

long line of war correspondents, including at The Times and The Sunday Times.

Her contribution has to be seen in context to be fully appreciated. She more than

lived up to the traditions she contributed to and was in my view the leading war

correspondent of her generation.

27. War reporting has always held a special place in journalism. lt has become

essential for democracy that independent journalists, whose reports can be

trusted by the public, can speak truth to power and report the truth from places

which are otherwise inaccessible. Without the presence of reporters on the

ground in hostile environments, news reports would be limited to propaganda

from repressive regimes and from third-hand tales of atrocities. Eye witness

accounts, such as those Marie wrote, add another dimension altogether to

information which is otherwise controlled by governments in its content and

distribution.

28. The Times' records show that overseas events were , until the 18th century,

haphazardly reported, with newspapers relying on personal letters, journals or

navy or military bulletins for information. In 1807 The Times appointed its first

staff correspondent, Henry Crabb Robinson, who reported from the Peninsular

War. William Howard Russell of The Times reported from the Crimean War,

returning to England a hero in 1856, and is widely credited as the original war

correspondent.

12 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 13 of 72

29. The role of war correspondents like Marie has not been diminished by changes in

technology and the increase in the use of social media. Social media

proliferates, but well-written, reliable reports from inside war zones are unique to

the traditional press. Our correspondents still have the unique advantage of

being deployed with the backing and contacts of a large news organisation.

These help our war correspondents reach difficult territories and find the truth

with all its rich context. In fact, Marie's writing was made all the more unique

because of the proliferation of social media. The importance of war reporting

could not be greater in our age of misinformation.

30. Although the nature of the challenges which reporters face in the field has

changed over time, the tremendous personal risks they must take remain.

Marie's death had a significant impact on war reporting. Only major news

organisations can afford to provide the backup, security, and support required to

deploy reporters to hostile zones. A death deters future assignments by less well­

resourced organisations. After Marie's death I had to think long and hard before

deciding to continue to send my reporters to Syria. Morale was low and there

was a sense of vulnerability, as well as shock. Syria was becoming impossible to

cover.

31. But we determined that we could not allow that to be Marie's legacy. If we were

to cease reporting from countries whose regimes try to prevent accounts of their

terror from reaching the international community, we would be conceding defeat.

Marie would have been outraged at the prospect. Thus, despite Marie's death,

Times Newspapers and their staff remain committed to war reporting, even

13 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 14 of 72

though this often comes with a high price. For example, Anthony Loyd, war

reporter, and Jack Hill, photographer for The Times, were shot and kidnapped by

a rebel gang while on assignment in Syria in May 2014. Incredibly, they escaped

and continue to report from dangerous zones. Loyd, another leading war

correspondent of our generation, had won the Fo reign Reporter of the Year

award earlier in 2014, for exposing the use of chemical warfare by the Assad

regime. Those reports would not have been possible had we called a halt to

sending reporters to Syria.

32. However, we do not know what Marie would have gone on to report, given her

experience and contacts. I have no doubt that had she survived , she would have

continued to be at the forefront of reporting on this and other conflicts. Without

Marie, there is one less voice - one of exceptional experience, insight, and

compassion - explaining what is really happening in a conflict which continues to

tear Syria apart with devastating consequences for its people.

Marie's future

33. Marie's future would without a doubt have been as remarkable as her career

already was. She was world-renowned for her reporting and for her resilience,

warmth and humour. She commanded professional respect and would have

continued to cover Syria and world events had she survived the attack in Horns.

34. After her injury in Sri Lanka Marie asked to become freelance for a short period.

Her contract with The Sunday Times in subsequent years allowed her to work

freelance as well, albeit subject to some conditions. lt would have been possible

for her to make even more time to pursue her own projects which could have

14 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 15 of 72

included books or documentaries. And she had no dearth of stories to tell. In

1990 she appeared in the BBC documentary Arafat: Behind the Myth. She also

featured in the 2005 documentary film Bearing Witness along with four other

female war journalists.

35 . Marie never discussed retiring with me and I was not aware of her plans to

reduce the number of assignments she took on. She showed no signs of slowing

down and was in good physical health - her prior injuries had never interfered

with her work. There was no ceiling on her reporting for The Sunday Times and I

had no plans to reduce her assignments unless she asked me to. Dedicated

journalists tend to work as long as they enjoy their work, and for someone like

Marie, her work was a huge part of her life. As long as I remained her Editor I

would have been willing and keen to ensure she worked for as long as she could,

even until her seventies if she wished. That could have included shorter or less

risky assignments or allowing her to take longer breaks.18

36 . lt is hard to imagine Marie doing anything other than what she wanted to do,

which was to be in the field. But if she had chosen to, as the years went by, she

could have picked up any number of commissions, projects or speaking

engagements. There are certainly reporters of Marie's calibre who have

successfully done this and been well paid. There would have been few more

desirable or experienced insightful speakers than Marie, and she would have

been highly paid and in demand. Her earning capacity in that sense is

18 I doubt such shifts in assignments would have affected her income, as I would very probably have compensated her experience at that stage at a higher rate.

15 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 16 of 72

exceptional; her selling point, uniquely above most others. She had, as I

described in my piece to her when she died, a winning combination of "guts and

glamour"19 which would have translated easily into the speaking circuit.

37. I cannot imagine that Marie would have retired to a quiet life, hanging up her

boots. Again, in Marie's words, "Going to these places, finding out what is

happening, is the only way to get at the truth. lt is not perfect, it is a rough draft of

history. But historians come later. You see such huge injustices happening and,

as a reporter, you have the chance to tell people about that. .. . The point is to

try to report as truthfully as you know how, about what you see and make that

part of the record. You can 't get that information in a war without going to a place

where people are being shot and they are shooting at you. The real difficulty is

having enough faith in humanity to believe that someone will care". 20

38. The Syrian attack of February 22, 2012 cut short Marie's exceptional contribution

to journalism and her work opening the world's eyes to hidden atrocities. With

Marie's death we all lost a remarkable, indefatigable reporter.

19 Witherow, The silver girl sails off into the night (Ex. A-5), supra note 10 (internal quotation omitted). 20 Marie Colvin, Bravery is not being afraid to be afraid, Woman of the Year Award Speech, London (Oct. 21 , 2001 ), reprinted in ON THE FRONT LINE: THE COLLECTED JOURNALISM OF MARIE COLVIN 211 , 214 (2012) (Ex. A-10).

16 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 17 of 72

I declare under penalty of perjury under the laws of the United States of America that the foregoing is true and correct to the best of my recollection.

Executed in _ __k__ ~ ---=------on J.l March 2018 ~~~ John Moore Witherow

17 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 18 of 72

([KLELW$ Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 19 of 72

* INDEX OF EXHIBITS TO THE DECLARATION OF JOHN WITHEROW

Exhibit Description

Marie Colvin, Peter Kellier and Annasofie Flamand, ‘Bombs fell like rain. You A-1 could only pray’, THE SUNDAY TIMES, Feb. 5, 2012

Marie Colvin, ‘We Live in Fear of a Massacre’, THE SUNDAY TIMES, Feb. 19, A-2 2012

Marie Colvin, Vet offers only hope for Syrian wounded, THE SUNDAY TIMES, A-3 Feb. 19, 2012

Features, Marie Colvin: the Last Assignment, News, THE SUNDAY TIMES, Feb. A-4 26, 2012

John Witherow, The silver girl sails off into the night, THE SUNDAY TIMES, Feb. A-5 26, 2012

Jon Swain, Colvin’s final hours inside stricken city, THE SUNDAY TIMES, Feb. A-6 26, 2012

Christina Lamb, The despot’s new rule: kill the messenger, THE SUNDAY A-7 TIMES, Feb. 26, 2012

Hala Jaber and Miles Amoore, Last-ditch bid to save journalists, THE SUNDAY A-8 TIMES, Feb. 26, 2012

Marie Colvin: Q&A on life as a foreign correspondent, THE SUNDAY TIMES, A-9 Feb. 22, 2012

Marie Colvin, Bravery is not being afraid to be afraid, Woman of the Year A-10 Award Speech, London (Oct. 21, 2001), reprinted in ON THE FRONT LINE: THE COLLECTED JOURNALISM OF MARIE COLVIN, 211 (2012).

* For the convenience of the Court, Declarant provides an index of the individual exhibits to his declaration. The entries in the index are hyperlinked to the cover page of each exhibit listed.

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 20 of 72

Exhibit A-1

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 21 of 72

Date: 05 February 2012 Page: 27

Ì ©ŸSÔ }p™™ ™˜p ÐC¤¾>©ç ]©ç™g ©¤™ð ¸ÐCðÍ Ô Þp 2ðАC¤ ©¸¸©ÔÞ©¤ ÔÞp¸Ô ç¸ ÞÔ CÞÞC]˜Ô ©¤ ލp Ðp„Ÿpd C ÔÞC¤g©}} ¤ ލp ]Þð ©} ©ŸÔ ]™CŸÔ Ÿ©Ðp ލC¤ åöö ™ípÔ !AΎn §—쎢b -nÜnÎ n——ŽnÎ /åÒҎA A¢e ‹Ž¢A¼ A[܎ìŽÒÜÒË În¶§ÎÜÒ ‚A܋nÎne Qï {Ύn¢e $AÎ ?AΧåÎb 틧 —n{Ü A¢e
¢¢AÒ§{Žn —AA¢e
¢ A¢ÜŽ‚§ìn΢n¢Ü A[܎ìŽÒÜ
ìAAób A ‹åA¢ Ύ‚‹ÜÒ ‚Χå¶b ‹ŽÒ ‹§n ܧ ‹n—¶ ÎnÒ[ån ܋§Òn nŽÎåÜ {ם §Ò 틧 AҖne ܧ Qn 틎[‹ enÒ[ΎQne ܋n ‹åA¢Ž ÜÎA¶¶ne¼ Žen¢ÜŽ{Žne §¢—ï AÒ !å‹AAe ÜAΎA¢ ҎÜåA܎§¢ AÒ ÈA¶¶A——Ž¢‚ɼ §ìn΢n¢Ü Ò§åÎ[nÒ ÒAŽe ܋n 2{Ž ‹{Ž‚‹ÜŽ¢‚ Ž Ž Ž¢ 0ïΎA Ž Ž Ò¶ŽÎA——ne —— e ‚Aìn A ‚ÎA¶‹Ž[ A[[§å¢Ü §{ ܋n 0A—— {Žn—e ‹§Ò¶ŽÜA—Ò ÒnÜ å¶ Ü§ AÎï ‹Ae ÎnA[Üne ÒÜΧ¢‚—ï ܧ ïnÒÜnÎeAï Ž¢Ü§ ܋n í§ÎÒÜ ìŽ§ Q厗eå¶ ܧ ܋n §¢Ò—A傋ܼ ÜÎnAÜ Ž¢•åÎne ¶Î§ÜnÒÜnÎÒ ínÎn ܋n –Že¢A¶¶Ž¢‚ §{ ŽÜÒ Ò§—eŽnÎÒb —n¢[n Ҏ¢[n ¶Î§ÜnÒÜnÎÒ Qn‚A¢ n ÒAŽe A¢ AΝne §¶¶§ÒŽÜŽ§¢ §ìnÎí‹n—ne íŽÜ‹ ‹å¢eÎneÒ §{ Ž¢ ¶AÎÜ Qn[AåÒn ŽÜ ‹AÒ Qnn¢ ܋nŽÎ å¶ÎŽÒŽ¢‚ A‚AŽ¢ÒÜ Ü‹n ‚Χå¶b 틎[‹ ‹n ܋§å‚‹Ü íAÒ A Ž¢•åÎneb A[[§ÎeŽ¢‚ ܧ A[܎ìŽÒÜÒ¼ —§ÒŽ¢‚ Ž¢[ÎnAҎ¢‚ ¢åQnÎÒ §{ În‚Žn §{ -ÎnҎen¢Ü AҋAÎ A— å¢ŽÜ §{ ܋n ÎnQn—ÒË Înn 0ïΎA¢ 2‹nï A[[åÒne Òn[åΎÜï {§Î[nÒ §{ ï§å¢‚ n¢ 틧 e§ ¢§Ü íA¢Ü ܧ
ÒÒAe A—§ÒÜ A ïnAÎ A‚§¼ !§În
Îï ¸0
¹b AÜÜA[–ne A [‹n[– ¶Înìn¢ÜŽ¢‚ neŽ[A— Ò嶶—ŽnÒ {Ž‚‹Ü ܋nŽÎ §í¢ ¶n§¶—n¼ ܋A¢ ãõõ n¢b í§n¢ A¢e ¶§Ž¢Ü Ž¢ ‹A—ŽeŽïA A¢e {ם ÎnA[‹Ž¢‚ ܋n í§å¢ene /nҎen¢ÜÒ enÒ[ΎQne Ž¢Ü§—n΍ [‹Ž—eÎn¢ ínÎn –Ž——ne Ž¢ §Òb A –Že¢A¶¶ne ®Ö Ò§—eŽnÎÒ¼
Ü A¢e íA΢ne ܋AÜ A¢ï §{ ܋n AQ—n [§¢eŽÜŽ§¢Ò Ž¢ §Ò¼ ¢§Î܋n΢ [ŽÜï ܋AÜ ‹AÒ Qn[§n Χ傋—ï ܋n ÒAn ܎nb ‹n ÒAŽeb ®bõõõ Ž¢•åÎne í§å—e eŽn Qn[AåÒn È:nËÎn Q厗eŽ¢‚ A ‹§Ò¶ŽÜA— Ž¢ ܋n [n¢ÜÎn §{ ܋n §¶¶§ÒŽÜŽ§¢b A¢§Ü‹nÎ AΝne §¶¶§ÒŽÜŽ§¢ ܋nÎn íAÒ ¢§ íAï ܧ ÜÎnAÜ Ü‹n¼ §¢n §{ ܋n ‹§åÒnÒ QåÜ Ü‹nÎnËÒ ÎnQn— Ò§åÎ[nÒ ÒAŽe¼
¢§Ü‹nÎ íŽÜ¢nÒÒb :A—nne —ŽÜܗn neŽ[Ž¢nbÉ ÒAŽe §¢n¼ :§å¢ene [ŽìŽ—ŽA¢Ò Ò¶ÎAí—ne ‚Î§å¶ ÒÜÎå[– AÜ A 0ïΎA¢ AŽÎ AÎnÒb ÒAŽe ܋AÜ í‹n¢ ܋n È:nËÎn A{ÎAŽe ܋n AΝï 펗— Q—nneŽ¢‚ Ž¢ A A–nҋŽ{Ü [—Ž¢Ž[ {§Î[n Òn[åΎÜï QAÒn Ž¢ ܋n AÎnA¼ ҋn——Ž¢‚ Qn‚A¢ AÜ AΧå¢e ®õ¶ [§n QA[–¼É 0‹§Îܗï A{ÜnΠ܋AÜb ܋n AÎï §¢ ΎeAï §ÒÜ ÎnҎen¢ÜÒ ÒÜAïne
®£ïnA΍§—e Q§ï 틧 ‹AÒ AÜ A §ÒÃån Ž¢ ܋n ‹A—ŽeŽïA ÎnÒ¶§¢ene Qï AÜÜA[–Ž¢‚ ܋n Ž¢e§§ÎÒ¼ 2‹n¢ A¢ n¢§Î§åÒ Ò¶§–n¢ ܧ 2‹n 0å¢eAï 2ŽnÒ eŽÒÜΎ[Üb 틎[‹ A¶¶nAÎne ܧ §¶¶§ÒŽÜŽ§¢ Ž¢ ‹A—ŽeŽïA¼ [ÎAҋŽ¢‚ Ò§å¢e ¶Î§¶Üne {ם ‹A—ŽeŽïA §ìnΠ܋n ¶AÒÜ ‹Aìn Q§Î¢n ܋n QÎå¢Ü §{ È2‹n Òåeen¢ nÒ[A—A܎§¢ A¢ï ܧ Îå¢ §åÜҎen í‹nÎn {ní ínn–Ò ÒAŽe ÎnҎen¢ÜÒ ‹Ae §ÎÜAÎÒ A¢e ÜA¢– ҋn——Ò {ŽÎne Qï íAÒ §¢ Q§Ü‹ ҎenÒbÉ ‹n ÒAŽe¼ Qnn¢ —ŽìŽ¢‚ íŽÜ‹ —ŽÜܗn {§§eb A¢e ‚§ìn΢n¢Ü {§Î[nÒ¼ È2‹nÎn ínÎn ìŽ[܎Ò §¢ Q§Ü‹ ܋nï ÒAí ܋n {ŽÎÒÜ Üí§ A¶AÎ܍ ‹nA܎¢‚ §Ž— ‹Ae Qn[§n ¶Î§‹ŽQŽ ¢en¶n¢en¢Ü •§å΢A—ŽÒÜÒ ÒŽenÒb QåÜ Ü‹n Q§QŽ¢‚ íAÒ n¢Ü Q—§[–Ò [§——A¶Òn¼ ܎ìn—ï nî¶n¢ÒŽìn¼ ‹Aìn Qnn¢ QA¢¢ne {ם ܋n Ž¢eŽÒ[ΎŽ¢AÜn¼É 2í§ {åÎ܋nÎ Q厗eŽ¢‚Òb nA[‹ ȧНå[‹ §{ ܋n eAïb ܋n AÎnA QåÜ enÒ¶nÎAÜn Ž¢‹AQŽÜA¢ÜÒ 0n¶AÎAÜn A[[§å¢ÜÒ Ò¶§–n §{ [§¢ÜAŽ¢Ž¢‚ AQ§åÜ Þõ {—AÜÒb ‹Ae n—n[ÜΎ[ŽÜï ŽÒ [åÜbÉ ‹n ÒAŽe¼ ‚§Ü ܋n Ž¢{§ÎA܎§¢ §åÜ Ž¢ {§åÎ A¶AÎܝn¢Ü Q—§[–Ò QnŽ¢‚ ÒåQÒnÃån¢Ü—ï Qnn¢ enìAÒÜAÜneb È-n§¶—n AÎn Ò§ ¶§§Î ܋AÜ QΎn{b {nAÎ{å— Ün—n¶‹§¢n [A——Ò¼ QnŽ¢‚ —A΂n—ï enÒÜΧïne Ž¢ ܋n íŽÜ‹ §Ü‹nÎÒ ¶AÎ܎A——ï enÒÜΧïne¼ È:n ‹Aìn •åÒÜ QåΎne }õ A΍ Q§QAÎen¢Ü A¢e e§ón¢Ò §{
Ò ‹n ÜΎne ܧ eŽ‚ §åÜ Ü‹n Qå΂—AÎÒ QΧ–n Ž¢Ü§ ܋n —§[A— ÜïÎÒbÉ ÒAŽe
Qå Ž‹Aeb A¢ §¶¶§ÒŽ Q§eŽnÒ QnŽ¢‚ ¶å——ne {ם ܋n Q§eŽnÒ §{ ܋n enAe A¢e Ž¢•åÎneb Ò[‹§§— A¢e Òܧ—n ܋n 펢e§íÒ¼É ÜŽ§¢ A[܎ìŽÒܼ È:nËìn ‹Ae ܧ ÎåQQ—n¼ AÎnÒ ‹nAÎe §În ҋn——Ò 0§åÎ[nÒ Ž¢ §Ò A¢e §Ü‹nÎ Q厗e A ¢ní ‚ÎAìnïAÎe {§Î ܋n /nҎen¢ÜÒ §{ §Ò enÒ[ΎQne n§eŽ¢‚ {ם ܋n Χ§{ܧ¶Ò AÒ ¶Îne§Ž¢A¢Ü—ï 0墢Ž [ŽÜŽnÒ Qn[AåÒn ܋n §—e §¢n íAÒ {嗗¼É A ¢Ž‚‹Ü §{ ÜnÎΧμ ÈÜ íAÒ —Ž–n A ܋n [Îï §{ ȧe ŽÒ ‚ÎnAÜÉ ÎA¢‚ íA΢ne ܋AÜ Ü‹n În‚Žn n ÒAŽe ܋n ÎnҎen¢ÜÒ ‹Ae A[‹Ž¢n‚å¢ ҋ§§ÜŽ¢‚ ÎA¢ §åÜ {ם Ž¢AÎnÜÒ¼ A¶¶nAÎne ܧ Qn A͎¢‚ ܋n ¢Ane ܋n ¢ní QåΎA— ҎÜn e§—ïb §¢—ï å[‹b å[‹ È2‹nÎn ínÎn [‹Ž—eÎn¢ [Î‚b Ž¢§ÎŽÜï
—AíŽÜn [§å¢ŽÜïb ‹nAìŽnÎbÉ ÒAŽe $AÎ 0‹A–ŽÎ¼ í§n¢ Ò[ÎnAŽ¢‚b ÒÜA¢eŽ¢‚ Ž¢ ܧ 틎[‹ ܋n
ÒÒAe {AŽ—ï !AÃnQÎAÜ A—0‹§‹AeAAb §Î È2‹n Q§QÒ {n—— —Ž–n ÎAŽ¢¼ <§å ܋nŽÎ ¢Ž‚‹Ü[—§Ü‹nÒ Qn[AåÒn ܋nï Qn—§¢‚Ò¼ ȂÎAìnïAÎe §{ ܋n AÎÜïÎÒɼ eŽe¢ËÜ –¢§í í‹nÎn ܋nï í§å—e ‹Ae ¢§Ü ‹Ae ܎n ܧ eÎnÒÒbÉ ÒAŽe 2‹nÎn AÎn ‚Χ펢‚ {nAÎÒ §{ A 2‹n AÜÜA[– §¢ §Ò [An AÜ {A——¼ <§å [§å—e §¢—ï ¶ÎAï¼É AÎnÒ¼ È:n ܧ§– ܋n Q§eŽnÒ A¢e [ŽìŽ— íAÎb íŽÜ‹ ܋n 0
¢§Ü §¢—ï A [Ύ܎[A— §n¢Üb ‹§åÎÒ Qn{§În 0‹A–ŽÎ ÒAŽe ‹ŽÒ QnÒÜ {Ύn¢eb ܋n Ž¢•åÎne ܧ A ¢nAÎQï ¶AΖ¼  [§¢ÜΧ——Ž¢‚ ¶AÎÜÒ §{ §Òb QåÜ Ü‹n 4¢ŽÜne "A܎§¢Ò Òn[åΎÜï !Ae‹nÎ 2AïïAÎAb ãÞb A [ŽìŽ— n¢‚Ž [§å¢Üne AΧå¢e €õ Q§eŽnÒ {ם A—Ò§ {Ž‚‹ÜŽ¢‚ Ž¢ AAÒ[åÒb ܋n [§å¢[Ž— nÜ Ž¢ "ní <§Î– ܧ ¢nnΎ¢‚ ÒÜåen¢Ü A¢e 짗å¢ÜnnΠ܋n Q厗eŽ¢‚ [§——A¶Òn¼ 2‹n Ž¢•å [A¶ŽÜA—¼ [§¢ÒŽenÎ n¢e§ÎҎ¢‚
ÎAQ ΎnÒ ínÎn A¶¶A——Ž¢‚a ¶n§¶—n
¢ 0
Ò¶§–nҝA¢ ÒAŽe ŽÜ nA‚ån enA¢eÒ {§Î
ÒÒAe ܧ neŽ[b ‹Ae eŽne Ž¢ ‹ŽÒ ‹§n ŽÒҎ¢‚ —ŽQÒb ¶n§¶—n [Îåҋne ‹Ae —§ÒÜ ãÖ Ò§—eŽnÎÒ Ž¢ ܋n ¶AÒÜ ÒÜn¶ e§í¢ A¢e ÜÎA¢Ò{nÎ ¶§ínÎ A{ÜnÎ QnŽ¢‚ ‹ŽÜ Qï ҋÎA¶¢n— Ž¢ Ò§ QAe—ï ï§å [§å—e¢ËÜ În[§‚¢ŽÒn {§åÎ eAïÒ A¢e [—AŽne ܋n ܧ ‹ŽÒ ìŽ[n¶ÎnҎen¢Ü¼ 2‹ŽÎÜnn¢ ‹ŽÒ [‹nÒÜ A¢e ‹nAe¼ ܋nb ¶n§¶—n ¶ŽnÎ[ne Qï nÜA—¼É enA܋ ܧ—— {ם ܋n ҋn——Ž¢‚ Ž¢ [§å¢ÜΎnÒ Ž¢[—åeŽ¢‚ ΎÜAŽ¢ A¢e 0nìnÎA— ‹§Ò¶ŽÜA—Ò ÜÎnA܎¢‚
[[§ÎeŽ¢‚ ܧ AÎnÒb ܋Înn §Ò nî[nnene Þ}õ¼
nΎ[A Ò嶶§ÎÜne ܋n ܋n enAe A¢e e‚ ínÎn ÎAŽene Q§QÒ {n—— §¢ ܋n ¶AΖb –Ž——Ž¢‚ È:n [A¶ÜåÎn Ò§—eŽnÎÒ Ü§ ҋ§í ÎnÒ§—å܎§¢ QåÜ ŽÜ íAÒ ìnܧne Qï Qï Òn[åΎÜï {§Î[nÒb A[[§ÎeŽ¢‚ ܧ AQ§åÜ Þõ ¶n§¶—nb Ž¢[—åeŽ¢‚ ‹ŽÒ ‹§í ínA– ܋n În‚Žn ŽÒbÉ ÒAŽe

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 22 of 72

Date: 05 February 2012 Page: 27

Qå
—Žb A¢ 0
[§A¢enμ È2‹nŽÎ Ò§—eŽnÎÒ {Ž‚‹Ü {§Î §¢n ¶nÎÒ§¢a AҋAÎ A—
ÒÒAe¼ :n {Ž‚‹Ü {§Î A [AåÒna ܋n ¢A܎§¢¼É
eeŽÜŽ§¢A— În¶§Î܎¢‚a 傋 !A[—n§e A¢e 0AÎA AҋAҋ

9

?


   

      
    
     

/nҎen¢ÜÒ §{ §Ò AÜÜn¢e A AÒÒ QåΎA— §{ ìŽ[܎Ò §{ ܋n ҋn——Ž¢‚¼ $¢n íŽÜ¢nÒÒ ÒAŽe ÊQ§QÒ {n—— —Ž–n ÎAŽ¢Ëb Ύ‚‹Ü¼ 2‹n AÜÜA[– ܧ§– ¶—A[n A{ÜnÎ A 0ïΎA¢ ÎnQn— ‚Î§å¶ [A¶ÜåÎne Ò§—eŽnÎÒ {ם ܋n AΝï A¢e eŽÒ¶—Aïne ܋n §¢ ìŽen§b ܧ¶ Ύ‚‹Ü

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 23 of 72

Exhibit A-2

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 24 of 72

Date: 19 February 2012 Page: 18,19

Ê: 9"
/$
!
00
/Ë 4p ©¤™ð Аސԍ ¤pîÔ¸C¸pÐ —©çФC™ÔÞ ¤Ôgp ލp SpԐp„pg 2ðАC¤ p¤]™Cíp ©} CSC ŸÐ Ðp¸©ÐÞÔ ©¤ ލp ÞpÐАS™p ]©ÔÞ ©} ލp ç¸ÐÔ¤„ C„C¤ÔÞ /ÐpԐgp¤Þ ÔÔCg ìnÎ梨n Ž¢ ܋n [n——AÎ ‹AÒ A Χå¢eÒ AÜ ÎA¢e§¼ ҎŽ—AÎ ÒܧÎï §{ ‹AÎeҋŽ¶ §Î 0¢Ž¶nÎÒ §¢ ܋n Χ§{ܧ¶Ò §{ !
/ $ 9" enA܋¼ 2‹n În{å‚n íAÒ [‹§Òn¢ A— AËA܋ 4¢ŽìnÎҎÜï A¢e §Ü‹nÎ $!0 Qn[AåÒn ŽÜ ŽÒ §¢n §{ ܋n {ní QAÒn ‹Ž‚‹ Q厗eŽ¢‚Ò ÒåÎΧå¢eŽ¢‚ n¢ÜÒ Ž¢ AQA
Î¼ §A A܍ AQA
Î ҋ§§Ü A¢ï [ŽìŽ—ŽA¢ ÜÎnÒÒnÒ AÎn ¶Ž—ne A‚AŽ¢ÒÜ Ü‹n 틧 [§nÒ Ž¢Ü§ ܋nŽÎ Ҏ‚‹ÜÒ¼ - 24/0a íA——Ò A¢e ܋n [‹Ž—eÎn¢ ‹Aìn ¢§Ü /nҎen¢ÜÒ ínÎn {n——ne Ž¢ eΧìnÒ Ònn¢ ܋n —Ž‚‹Ü §{ eAï Ҏ¢[n ܋n Ž¢ ܋n {ŽÎÒÜ eAïÒ §{ ܋n Ҏn‚n QåÜ -
4 $"/$< Ҏn‚n Qn‚A¢ §¢ nQÎåAÎï €¼ !§ÒÜ ‹Aìn ¢§í —nA뢆 í‹nÎn ܋n {AŽ—ŽnÒ {—ne ܋nŽÎ ‹§nÒ íŽÜ‹ Ò¢Ž¶nÎÒ AÎn A¢e Îå¢ A[ΧÒÒ •å¢[܎§¢Ò í‹nÎn ܋nï –¢§í ‹nï [A—— ŽÜ ܋n §¢—ï ܋n [—§Ü‹nÒ §¢ ܋nŽÎ QA[–Ò¼ ܋nï [A¢ Qn Ònn¢¼ ní [AÎÒ AÎn íŽe§íÒË QAÒnn¢Ü¼ 2‹n [ŽÜï ŽÒ Î墢Ž¢‚ —n{Ü §¢ ܋n ÒÜÎnnÜÒ¼ ÎAne AŽe ¶nΎ—§åҗï ҋ§ÎÜ §{ Ò嶶—ŽnÒ A¢e
—§ÒÜ nìnÎï Q厗eŽ¢‚ ŽÒ A–nҋŽ{Ü QneÒ A¢e ܋n §¢—ï {§§e ‹nÎn ŽÒ Ύ[nb ÜnA ¶§[–AΖne A{ÜnÎ ÜA¢– Χå¢eÒ Ò[AÜÜnÎne Qn—§¢‚Ž¢‚Ò A¢e Ò§n ܎¢Ò §{ Üå¢A en—ŽìnÎne ¶å¢[‹ne ܋Χ傋 [§¢[ÎnÜn 2AÎn {Ύ‚‹Ün¢ne í§n¢ A¢e [‹Ž— Qï A —§[A— ҋnŽ–‹ 틧 —§§Üne íA——Ò §Î Χ[–nÜÒ Q—AÒÜne ‚A¶Ž¢‚ eÎn¢ ÜÎA¶¶ne Ž¢ ܋n ‹§ÎΧΠ§{ ܋n {ם A Q§Qne§åÜ ‹§—nÒ Ž¢ 嶶nÎ {—§§ÎÒ¼ 2‹n Òå¶nΝAΖnܼ Q厗eŽ¢‚  íAÒ ÒÜA‚ Ž¢ —§ÒÜ ŽÜÒ §Òb ܋n 0ïΎA¢ [ŽÜï ҋA–n¢
QAQï Q§Î¢ Ž¢ ܋n QAÒnn¢Ü 嶶nÎ {—§§Î ܧ A Χ[–nÜ —AÒÜ Qï Üí§ ínn–Ò §{ În—n¢Ü—nÒÒ —AÒÜ ínn– —§§–ne AÒ :ne¢nÒeAï¼ $¢ Ò§n ÒÜÎnnÜÒ Q§QAÎen¢Ü¼ ҋn——Ò‹§[–ne AÒ ‹nÎ §Ü‹nÎb
§¢‚ ܋n Þõõ ‹åee—Ž¢‚ Ž¢ A܎Ab ®£b 틧 {—ne ܋nÎn 틧—n Q厗eŽ¢‚Ò ‹Aìn [§——A¶Òne ܋ŽÒ í§§e {A[ܧÎï [n——AÎ Ž¢ ܋n í‹n¢ ‹nÎ {AŽ—ïËÒ ÒŽ¢‚—nÒܧÎnï u A—— ܋nÎn ŽÒ ܧ Ònn AÎn QnҎn‚ne eŽÒÜΎ[Ü §{ AQA
Î ŽÒ ҋÎneene [—§Ü‹nÒb QΧ–n¢ ¶§ÜÒ ãõïnA΍§—e "§§Îb 틧 —§ÒÜ ‹nÎ ‹§åÒn íAÒ §Q—ŽÜnÎAÜne¼ È:n A¢e ܋n ҋAÜÜnÎne {å΢ŽÜåÎn §{ ÒåÎìŽìne Qï A ŽÎA[—nbÉ Ò‹n {AŽ—ŽnÒ enÒÜΧïne¼ ‹åÒQA¢e A¢e ‹nÎ ‹§n ܧ ܋n 틎ҶnÎÒ¼ A܎A ŽÒ Ò§ ÜÎAåA Ü ŽÒ A [ŽÜï §{ ܋n [§—e A¢e ҋn——Ò A¢e Χ[–nÜÒ¼ ܎Òne ܋AÜ Ò‹n [A¢¢§Ü QÎnAÒ܍ ‹å¢‚Îïb n[‹§Ž¢‚ ܧ n§eŽ¢‚ È$åÎ ‹§åÒn íAÒ ‹ŽÜ Qï A {nneb Ò§ ܋n QAQï ‹AÒ Qnn¢ {ne ҋn——Ò A¢e QåÎÒÜÒ §{ ‚å¢{ŽÎn¼ Χ[–nÜ Ò§ ®Ö §{ åÒ ínÎn ÒÜA‚ Ž¢ §¢—ï Òå‚AÎ A¢e íAÜnÎÕ Ü‹nÎn ŽÒ 2‹nÎn AÎn ¢§ Ün—n¶‹§¢nÒ A¢e §¢n Χ§bÉ Ò‹n În[A——Ò AÒ !ŽŽb ¢§ {§Îå—A Ž—–¼ ܋n n—n[ÜΎ[ŽÜï ‹AÒ Qnn¢ [åÜ §{{¼ ‹nΠ܋ÎnnïnA΍§—e eA傋ÜnÎb A܎A Aï §Î Aï ¢§Ü Qn A ní ‹§nÒ ‹Aìn eŽnÒn— {§Î ܋n A¢e !§‹Aneb ‹nÎ {ŽìnïnA΍§—e íŽe§í¼ nÎ ‹åÒQA¢eb A ҋn¶ ܎¢ ÒܧìnÒ Ü‹nï În—ï §¢ {§Î ‹nAÜ Ò§¢b [—Ž¢‚ ܧ ‹nÎ AQAïA¼ ‹nÎeb íAÒ Ž¢ ܋n [§å¢ÜÎïҎen Ž¢ ܋n [§—enÒÜ íŽ¢ÜnΠ܋AÜ È:n ‹Ae ‹Ae ¢§Ü‹Ž¢‚ QåÜ í‹n¢ ܋n Ҏn‚n ÒÜAÎÜne íŽÜ‹ A A¢ï§¢n [A¢ ÎnnQnμ Òå‚AÎ A¢e íAÜnÎ {§Î Üí§ eAïÒ {nΧ[Ž§åÒ QAÎÎA‚n A¢e ҋn ‹AÒ Înn󎢂 ÎAŽ¢ {Ž——Ò ¶§Ü‹§—nÒ A¢e A¢e ï ‹åÒQA¢e ín¢Ü ܧ ÜÎï ܧ ‹nAÎe ¢§ í§Îe §{ ‹Ž Ҏ¢[n¼ Ò¢§í eΎ{ÜÒ Ž¢ ܋Χ傋 {Ž¢e {§§e¼É Ü íAÒ Ü‹n —AÒÜ ÜŽn 2‹n íŽe§íÒË QAÒnn¢Ü 펢e§íÒ n¶Üï §{ ‚—AÒÒ¼ "§ ҋn ÒAí !AóŽAeb Þõb 틧 ‹Ae ҋ§¶Ò AÎn §¶n¢b Ò§ {AŽ—ŽnÒ AÎn í§Î–ne Ž¢ A §QŽ—n ¶‹§¢n În{—n[ÜÒ Ü‹n §ÎenA— §{ ãsbõõõ n¢b í§n¢ A¢e [‹Ž—eÎn¢ ҋAΎ¢‚ í‹AÜ Ü‹nï ‹Aìn În¶AŽÎ ҋ§¶¼ Èn íAÒ Ü§Î¢ ܧ íŽÜ‹ În—A܎ìnÒ A¢e ¢nŽ‚‹Q§åÎÒ¼ ¶Žn[nÒ Qï A §ÎÜAΠҋn——¼É [—Ž¢‚Ž¢‚ ܧ nîŽÒÜn¢[n Ž¢ AQA
Îb A eŽÒÜΎ[Ü §{ —§í [§¢[ÎnÜn !A¢ï §{ ܋n enAe A¢e Ž¢•åÎne §Î "§§Îb ŽÜ íAÒ A e§åQ—n AÎn ܋§Òn 틧 ΎҖne {§ÎA‚Ž¢‚ ÜÎA‚neï¼
e¢A¢b ‹nÎ ã֍ïnA΍§—e Q—§[– ‹§nÒ ÒåÎΧå¢ene §¢ A—— ҎenÒ Qï 0ïΎA¢ {§Î[nÒ¼ 2‹n {§Î {§§e¼ QΧ܋nÎb íAÒ –Ž——ne AÜ !AóŽAeËÒ nAΎ¢‚ ܋n Ò¢Ž¶nÎÒË nÎ[Ž Ҏen¼ AÎï ŽÒ —Aå¢[‹Ž¢‚ AÜïåҋA Χ[–nÜÒb §ÎÜAΠҋn——Ò A¢e ÜA¢– —nÒÒ nïnÒb {AŽ—ŽnÒ ÎnÒ§ÎÜne —AÒÜ

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 25 of 72

Date: 19 February 2012 Page: 18,19

ínn– ܧ ܋Χ펢‚ QÎnAe A[ΧÒÒ -—nAÒnb •åÒÜ Òܧ¶ ܋n ҋn——Ž¢‚¼É [AÎb ŽÜÒ —Ž‚‹ÜÒ §{{b A—§¢‚ eAΖ Χ§{ܧ¶Òb §Î QÎnA–Ž¢‚ ܋Χ傋 n¶Üï ÒÜÎnnÜÒb ܋n eA¢‚nÎ ¶A— [§å¢A— íA——Ò ܧ ¶AÒÒ 2 •§å΢nï A[ΧÒÒ Ü‹n [§å¢ÜÎï ¶AQ—n¼
Ò ín ¶AÒÒne A¢ §¶n¢ å¢Ònn¢¼ Ҏen {ם ܋n nQA¢nÒn Q§ÎenÎ ÒÜÎnÜ[‹ §{ ΧAeb A 0ïΎA¢ AΝï 2‹n 0ïΎA¢Ò ‹Aìn eå‚ A ‹å‚n å¢ŽÜ {ŽÎne §¢ ܋n [AÎ A‚AŽ¢ íŽÜ‹ ÜÎn¢[‹ AΧå¢e §ÒÜ §{ ܋n eŽÒ ܧ §Ò í§å—e Qn ŽeŽ[ Ž¢ A[‹Ž¢n‚å¢Ò A¢e —Aå¢[‹ne A ÜΎ[Üb A¢e —nÜ ìŽÎÜåA——ï ¢§Q§eï QnÜÜnΠ܎nÒ¼ 2‹n 쎗—A‚nÒ AÎn Χ[–n܍¶Î§¶n——ne ‚În¢Aen¼ :n Ž¢ §Î §åܼ 2‹n AÎï ŽÒ ¶åÎÒ厢‚ ¢§¢enÒ[Ύ¶Ü [—åÒÜnÎÒ §{ [§¢ Ò¶ne Ž¢Ü§ A Î§í §{ AQA¢e§¢ne A QÎåÜA— [A¶AŽ‚¢ ܧ Ãån—— ܋n [ÎnÜn Q厗eŽ¢‚Ò §¢ eŽÎÜ ÜÎA[–Ò Q厗eŽ¢‚Ò {§Î [§ìnμ ÎnҎÒÜA¢[n §{ §Òb AA A¢e QåÜ Ü‹n —A¢nÒ AÎn —Ž¢ne íŽÜ‹ 2‹n Ò[A—n §{ ‹åA¢ ÜÎA‚neï §Ü‹nÎ [ŽÜŽnÒ Ü‹AÜ ‹Aìn ΎÒn¢ å¶ [ï¶ÎnÒÒnÒ A¢e ¶§¶—AÎ ÜÎnnÒ A¢e Ž¢ ܋n [ŽÜï ŽÒ Žn¢Òn¼ 2‹n A‚AŽ¢ÒÜ AҋAÎ A—
ÒÒAeb ܋n 펢e ܋Χ傋 §Î[‹AÎeÒ §{ Ž¢‹AQŽÜA¢ÜÒ AÎn —ŽìŽ¢‚ Ž¢ ÜnÎΧμ 0ïΎA¢ ¶ÎnҎen¢Üb 틧Òn {AŽ—ï A¶ÎŽ[§Ü A¢e A¶¶—n ÜÎnnÒ¼
—§ÒÜ nìnÎï {AŽ—ï ÒnnÒ ܧ ‹AÒ Qnn¢ Ž¢ ¶§ínÎ {§Î €ã ïnAÎÒ¼ 2‹nÒn eAïÒb ‹§ínìnÎb ܋nÎn ‹Aìn Òå{{nÎne ܋n enA܋ §Î ¢ AQA
Îb ܋n Înn 0ïΎA¢ ŽÒ A¢ ne‚n §{ {nAÎ §¢ A¢ï Ž¢•åÎï §{ A —§ìne §¢n¼
Îï ¸0
¹b ܋n AΝne {A[n §{ •§å΢nï ܋Χ傋 ܋ŽÒ AÎnA¼ ‹A—ne
Qå 0A—A‹b A¢ A[܎ìŽÒÜ §¶¶§ÒŽÜŽ§¢ ܧ
ÒÒAeb ‹AÒ !§ÒÜ §{ ܋ŽÒ —A¢e ŽÒ nÒÒn¢ÜŽA——ï 틧 ܧ§– ¶AÎÜ Ž¢ ܋n {ŽÎÒÜ ìŽÎÜåA——ï å¢A¢Ž§åÒ Ò嶶§ÎÜ í‹AÜ ŽÜÒ ÎnҎen¢ÜÒ [A—— È0ïΎA en§¢ÒÜÎA܎§¢Ò A‚AŽ¢ÒÜ
ÒÒAe {ם [ŽìŽ—ŽA¢Ò 틧 Ònn ܋n AÒ ‹åÎÎAÉb §Î {Înn 0ïΎAb ¶AÜΧ——ne Ž¢ §Ò —AÒÜ !AÎ[‹b ÒAÜ §¢ ܋n ܋nŽÎ en{n¢enÎÒ¼ Ü ŽÒ A¢ å¢n Qï ܋n 0
¼ {—§§Î §{ A¢ §{{Ž[nb ‹ŽÒ ‹A¢e ÃåA— QAÜܗna ܋n ÜA¢–Ò A¢e "nìnÎ܋n—nÒÒb
ÒÒAeËÒ AΝï QΧ–n¢ A¢e QA¢eA‚nÒ [§ìnΎ¢‚ ‹nAìï ínA¶§¢Îï §{
ÒÒAeËÒ ‹AÒ [‹n[–¶§Ž¢ÜÒ §¢ ܋n AŽ¢ ҋÎA¶¢n— í§å¢eÒ Ü§ ‹ŽÒ —n‚ A¢e ÜΧ§¶Ò A‚AŽ¢ÒÜ Ü‹n A—Aҋ ΧAeÒ A¢e ÜΧ§¶Ò ÒÜA܎§¢ne Ž¢ ҋ§å—enμ ¢Ž–§ìÒ §{ ܋n 0
¼ Ò[‹§§—Òb ‹§Ò¶ŽÜA—Ò A¢e {A[ܧΎnÒ¼
ã}ïnA΍§—e 墎ìnÎҎÜï ÒÜå
Q§åÜ }bõõõ 0ïΎA¢ Ò§—eŽnÎÒ 2‹nï AÎn ‹nA쎗ï AΝne A¢e en¢Üb 틧 ΎҖne ‹ŽÒ —Ž{n AÎn Qn—Žnìne ܧ Qn §¢ ܋n §å܍ QA[–ne Qï ÜA¢–Ò A¢e AÎ܎——nÎï¼ {Ž—Ž¢‚ ìŽen§Ò §{ ܋n җA傋ÜnΠҖŽÎÜÒ §{ AQA
Îb A¢e ܋n 0
0§ A eΎìn ܧ §Ò ŽÒ A Q§¢n §{ AQA
Î ÎnҎen¢ÜÒb ‹n În[nŽìne În¶§ÎÜÒ ïnÒÜnÎeAï ܋AÜ ÎAÜܗŽ¢‚ ÒÜÎ傂—n e§í¢ eŽÎÜ ¢AÎΧí—ï nÒ[A¶ne í‹n¢ ‹n ܋nï ínÎn ¶În¶AΎ¢‚ A ‚Χå¢e ΧAeÒb [ΎÒҍ[ΧÒҎ¢‚ {Žn—eÒ¼ ÜΎne ܧ ‚nÜ Üí§ n¢ í§å¢ene AÒÒAå—ܼ 2‹n ÎnҎen¢ÜÒ eÎnAe ܋n !n¢ [—åÒÜnÎ Qï {ŽÎnÒ AÜ å¢§{{Ž Qï §ÎÜAÎ {ŽÎn ܧ A A–nҋŽ{Ü §åÜ[§n¼ [ŽA— 0
[‹n[–¶§Ž¢ÜÒb nïnŽ¢‚ [—Ž¢Ž[¼ È:n —Žìn Ž¢ {nAΠ܋n 0
펗— A¢ï ìn‹Ž[—n ÒåÒ¶Ž[Ž§åҗï¼
Ò n A¢e ܋Înn {Ύn¢eÒ ‹Ae •åÒÜ —nAìn ܋n [ŽÜïbÉ ÒAŽe AŽeAb €Þb ¢Ž‚‹Ü {A——Òb {—Aҋ—Ž‚‹ÜÒ íAìne ÜA–n¢ ܋n í§å¢ene ܧ ܋n ‹ŽeŽ¢‚ íŽÜ‹ ‹nÎ [‹Ž—eÎn¢ A¢e Qï å¢Ònn¢ {Ž‚åÎnÒ ÒŽ‚¢A— ܋AÜ [—Ž¢Ž[b 틎[‹ íAÒ ÒÜA{{ne Qï A ‹nΠҎÒÜnÎËÒ {AŽ—ï Ž¢ A¢ n¶Üï ܋n íAï A‹nAe ŽÒ [—nAμ e§[ܧΠA¢e A en¢ÜŽÒÜb A¢e ‚Χå¢e{—§§Î A¶AÎܝn¢Ü A{ÜnÎ A[‹ ÜÎAìn——Ž¢‚ 0
[AÎ ‹AÒ A ÒÜn¶¶ne AíAï {ם ܋n e§§Î ܋nŽÎ ‹§åÒn íAÒ Q§Qne¼ —§[A— ҋn¶‹nÎe §Î {AΝnÎ í‹n¢ ÈA ҋn—— —A¢ene Ύ‚‹Ü AÜ È2‹nÎn 펗— Qn A AÒÒA[În¼É AQ§AÎe ܧ ‹n—¶ ¢A쎂AÜn ܋n ܋n n¢ÜÎA¢[nÉb ‹n În[A——ne —AÒÜ $¢ ܋n —Ž¶Ò §{ nìnÎ梨n íAÒ [§å¢ÜÎïҎenÕ Ü‹n 0ïΎA¢ AΝï ínn–¼ ܋n ÃånÒ܎§¢a È:‹ï ‹Aìn ín Aï ‹Aìn ܋n ¶§ínÎb QåÜ È!ï ܋Înn {Ύn¢eÒ eŽne Žn Qnn¢ AQA¢e§¢ne Qï ܋n í§Î—eÄÉ Ü‹n —§[A—Ò –¢§í nìnÎï ÜÎA[– §{ eŽAÜn—ï¼É 2‹n Üí§ n¢ ܋nï ‹Ae A¢ Ž§§¢b ܋n Òn[ÎnÜAÎï Ü‹nŽÎ {Žn—eÒ¼ ‹n—¶ne ínÎn A—Ò§ –Ž——ne¼ ‚n¢nÎA— §{ ܋n 4¢ŽÜne "A܎§¢Òb  n¢ÜnÎne §Ò §¢ A ҝ傍
Qå
AÎb €sb A ÜAîŽ ÒAŽe —AÒÜ ínn–a È:n Ònn ‚—nÎÒË Î§åÜnb 틎[‹  ¶Î§ŽÒne eΎìnÎb ín¢Ü §åÜ Ü§ —§§– {§Î ¢nŽ‚‹Q§å΋§§eÒ Ò‹n——ne Ž¢eŽÒ ¢§Ü ܧ ÎnìnA—b [—ŽQŽ¢‚ §ìnÎ QÎnAe AÜ sA §¢n eAï —AÒÜ ínn–¼ [ΎŽ¢AÜn—ïb ‹§Ò¶ŽÜA—Ò åÒne AÒ íA——Ò Ž¢ ܋n eAΖ A¢e җŽ¶¶Ž¢‚ nb ‹ŽÒ íŽ{n A¢e ܋nŽÎ Ae§¶Üne ܧÎÜåÎn [n¢ÜÎnÒb [‹Ž—eÎn¢ AÒ Ž¢Ü§ åeeï ÜÎn¢[‹nÒ¼
ÎΎ쎢‚ eA傋ÜnÎ ‹Ae ÜA–n¢ În{å‚n íŽÜ‹ ï§å¢‚ AÒ ®õ ïnAÎÒ §—e –Ž——ne A¢e Ž¢ ܋n eAΖn¢ne [ŽÜï Ž¢ ܋n nAΗï Üí§ n—enΗï ҎÒÜnÎÒ A{ÜnΠ܋nŽÎ AQåÒne¼ :n Ònn A—§ÒÜ ‹§åÎÒb  íAÒ nÜ Qï A ín—[§Ž¢‚ ‹§n íAÒ ‹ŽÜ Qï ҋn——Ò¼ [nÎÜAŽ¢—ï [ΎnÒ A‚AŽ¢ÒÜ ¶AÎÜï –nn¢ {§Î {§ÎnŽ‚¢ •§å΢A— È:‹n¢  ÎnÜå΢ne ܋n ‹§åÒn ‹åA¢ŽÜï¼É

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 26 of 72

Date: 19 February 2012 Page: 18,19

‹§åÒn ‹Ae AÎΎìne AÜ Ü‹n [—Ž¢Ž[ ÜAÎï e§[ܧΠ틧 en{n[Üne {ם nìnÎï ‹§åÒn íAÒ ‹ŽÜ¼ A—Žìnb QåÜ Q§Ü‹ —n‚Ò ‹Ae Qnn¢
ÒÒAeËÒ AΝïb ҋ§åÜnea È:‹nÎn È ín¢Ü ܧ A¢ AΝï [‹n[– A¶åÜAÜne A¢e ҋn eŽne¼ AÎn ܋n ‹åA¢ Ύ‚‹ÜÒÄ § ín ¶§Ž¢Ü ܋AÜ  íAÒ Ü§—e íAÒ ¢§Ü 2‹n [—Ž¢Ž[ ŽÒ nÎn—ï A {ŽÎÒ܍ ‹Aìn ¢§¢nÄ :‹nÎn AÎn ܋n ܧ§ QAe¼  ‚Aìn ܋n A ¶A[–nÜ §{ {—§§Î A¶AÎܝn¢Ü e§¢AÜne Qï ܋n 4¢ŽÜne "A܎§¢ÒÄÉ [Ž‚AÎnÜÜnÒb Üí§ QA‚Ò §{ ÜnA A¢e –Ž¢e—ï §í¢nμ Ü Ò܎—— ‹AÒ §å܍§{ 2‹nÎn ínÎn §¢—ï Üí§ QneÒ Ž¢ }õõ 0ïΎA¢ ¶§å¢eÒ¼ 2‹nï ܧ—e ¶—A[n e§nÒ܎[ ܧå[‹nÒa ¶—AҝA ܋n [—Ž¢Ž[ {§Î [§¢ìA—nÒ[Ž¢‚¼ $¢n n ܧ Îå¢¼É ¶§å[‹nÒ ‹A¢‚ {ם A í§§en¢ íAÒ ÜA–n¢ Qï
–‹ne ‹A—neb —AÒÜÒ §{ A—Aҋ¢Ž–§ì {ŽÎn [§AÜ ‹A¢‚nÎ A¢e AQ§ìn ܋n 틧 ‹Ae Qnn¢ Ž¢•åÎneb ‹n ÒAŽeb ÎA¢‚ §åÜ AQ§ìn ‹ŽÒ ‹nAe å¢ÜŽ— ¶A܎n¢ÜÒ A [§—§åÎ{å— [‹Ž—eÎn¢ËÒ í‹n¢ A ҋn—— ‹ŽÜ A §ÒÃån AÒ ‹n ‹n ÎnA[‹ne ܋n ÜÎnn —Ž¢n¼ n §QŽ—n ‹A¢‚Ò {ם ܋n [nŽ—Ž¢‚¼ íAÒ AQ§åÜ Ü§ —nAìn ¶ÎAïnÎÒ¼ ŽÒ 2‹n ҋn——Ž¢‚ —AÒÜ ΎeAï íAÒ ÎŽ‚‹Ü ÜnÒ܎[—n ‹Ae ‹Ae ܧ Qn ÒAŽe ܋n Ò§—eŽnÎÒ ínÎn §¢—ï ܋n §ÒÜ Ž¢Ün¢Òn ïnÜ A¢e ܋n În§ìne íŽÜ‹ §¢—ï ¶AÎA ¶ÎnÜn¢eŽ¢‚ ܧ ÜÎï ܧ ҋ§§Ü ‹Ž í§å¢ene ínÎn Îåҋne ܧ ܋n [nÜA§— ܧ e嗗 ܋n ¶AŽ¢¼ ܧ ¶Î§Ün[Ü Ü‹nÒn—ìnÒb QåÜ ‹ŽÒ [—Ž¢Ž[ Ž¢ ܋n QA[–Ò §{ [AÎÒ Qï n en¢§å¢[ne ܋n
ÒÒAe ‹Aå¢Üne nïnÒ Ò‹§íne ‹n íAÒ {AŽ—ï nQnÎÒ¼ În‚ŽnËÒ [—AŽ ܋AÜ Ü‹n ÎnQn—Ò ¢§Ü n¢ÜŽÎn—ï ÒåÎn¼
—Ž ܋n en¢ÜŽÒÜ íAÒ [åÜ܎¢‚ ínÎn җAŽ[ nîÜÎnŽÒÜÒ A¢e ܋n [—§Ü‹nÒ §{{ 」ïnA΍§—e ÒAŽea È:n AҖ A—— ¶n§¶—n 틧  2 0ïΎA¢ Ž—ŽÜAÎï Χ——Ò Ž¢Ü§ AQA
Îb ܋n 0
펗—
‹ne A—Ύ¢Ž §¢ §¢n §{ ܋n Qn—Žnìn Ž¢ §e u ‹ÎŽÒ܎A¢Òb [—Ž¢Ž[ËÒ Üí§ §¶nÎA܎¢‚ ÜAQ—nÒ¼ ‹Aìn —ŽÜܗn [‹A¢[n A‚AŽ¢ÒÜ ŽÜÒ níÒb !åҗŽÒ ܧ ‹n—¶ åÒyÉ ÜA¢–Òb Òå¶nΎ§Î ínA¶§¢Îï A¢e 0‹ÎA¶¢n— ‹Ae ‚Aҋne ‹å‚n { ܋n Ž¢•åÎne ÜÎï ܧ {—nn AQA Q—§§eï [‹å¢–Ò §åÜ §{ Ύ¢ŽËÒ ¢åQnÎÒ¼ 2‹nï 펗—b ‹§ínìnÎb
Îb ܋nï {ŽÎÒÜ ‹Aìn ܧ Qn {Ž‚‹Ü {nΧ[Ž§åҗï ܧ en{n¢e ܋nŽÎ ܋Ž‚‹Ò¼ —§§e ¶§åÎne §åÜ AÒ
—Ž [AÎΎne §¢ {§§Ü¼ 2‹n¢ ܋nï AÎn åÒne ÜínnónÎÒ Ü§ eÎAí A ¶Žn[n §{ {AŽ—ŽnÒ Qn[AåÒn ܋nï –¢§í A ÜÎA¢Ò{nÎÎne ܧ §Ü§ÎQŽ–nÒ A¢e AÒÒA[În ŽÒ —Ž–n—ï ܧ {§——§í A¢ï nÜA— {ם Qn¢nA܋ ‹ŽÒ —n{Ü nïn¼ ܋n —å[–ï §¢nÒ AÎn ҝ傂—ne ܧ Ύ¢ŽËÒ —n‚Ò Ò¶Aҝne A¢e ‹n {AŽ—åÎnb Ž{ ܋n ¶AÒÜ A[܎§¢Ò §{ ܋n ÒA{nÜï¼ 2‹n í§ÎÒÜ Ž¢•åÎne e§ ¢§Ü
ÒÒAe În‚Žn AÎn A¢ï܋Ž¢‚ ܧ eŽne §¢ ܋n ÜAQ—n¼ ŽÒ QΧ܋n΍ A–n ŽÜ¼ Ž¢—Aíb 틧 ‹Ae QÎ§å‚‹Ü ‹Ž ‚§ Qï¼ 2‹§å‚‹ 0ïΎA¢ §{{Ž[ŽA—Ò 2‹n 0
¶AÎܗï În—ŽnÒ §¢ en{n[ Ž¢b Qn‚A¢ ínn¶Ž¢‚¼ È:n ínÎn ¶Î§‹ŽQŽÜ A¢ï§¢n {ם —nA쎢‚b ¶—A‚ [AÎeÒ í‹n¢ A ŽÒҎ—n ܎§¢Ò {ם
ÒÒAeËÒ AΝï Ò§n nÒ[A¶nnÒ A¢A‚n ܧ QΎQn Qn[AåÒn ŽÜ e§nÒ ¢§Ü A[[n¶Ü [ŽìŽ— ‹ŽÜ §åÎ ‹§åÒnbÉ ‹n ÒAŽe ܋Χ傋 ܋nŽÎ íAï §åܼ  nÜ În{å‚nnÒ Ž¢ ‹ŽÒ ÜnAÎÒ¼ Ύ¢Ž íAÒ ÜA–n¢ §åÜ Ü§ ŽA¢Ò Ž¢Ü§ ŽÜÒ ÎA¢–Òb ܋§å‚‹ ܋nï 쎗—A‚nÒ AΧå¢e §Ò¼ "ní—ï ¶nÎ{§Î Χ—nÒ Òå[‹ AÒ §¢Ž ܋n A–nҋŽ{Ü §ÎÜåAÎï Ž¢ A íne !ŽÎŽAb Þãb ÒAŽe ҋn A¢e {§ÎnÎ QA[– QneΧ§b ¢A–ne ܧΎ¢‚ ÜΧ§¶ §ìnn¢ÜÒ A¢e ‹nÎ ‹åÒQA¢e ‹Ae en[Žene ܧ ÜÎA¢Ò¶§Î܎¢‚ Ò嶶—ŽnÒ¼ åÜ ŽÜ QåÜ {§Î A Q—A[– ¶—AÒ܎[ QA‚ —nAìn í‹n¢ ܋nï ‹nAÎe ܋AÜ [§ìnΎ¢‚ ‹ŽÒ ‚n¢ŽÜA—Ò¼ ‹AÒ Qn[§n ‹AÎenÎ {§Î Ò§—eŽnÎÒ Ü§ en{n[Ü Ž¢ ܋n ¶AÒÜ §¢Ü‹¼ 2‹nÎn íAÒ ¢§ —n܍嶼 ‹A—ne ܋Înn {AŽ—ŽnÒ ‹Ae Qnn¢ –Ž——ne
Qå AA—Ž eŽne Qn{§În ܋n
Qå 0Aïnneb €×b A A•§Î A¢e ܋n í§n¢ ÎA¶ne Qï ܋n ‚n¢nÎA— 틧 en{n[Üne Ҏî e§[ܧΠ[§å—e ‚nÜ ‹ŽÒ [—§Ü‹nÒ §{{¼ 0‹AQŽ‹A Ž—ŽÜŽAb A QÎåÜA— {§Î[n n ‹Ae Qnn¢ ‹ŽÜ Qï ҋÎA¶¢n— Ž¢ §¢Ü‹Ò A‚§b ÒAŽe nìnÎï 0ïΎA¢ —ne Qï
ÒÒAeËÒ ï§å¢‚nÎ QΧ܋nÎb Ž—ŽÜAÎï å¢ŽÜ íAÒ ¢§í AÒҎ‚¢ne ܋n [‹nÒÜ í‹Ž—n AÜ ‹§n¼ !A‹nμ 0A—A‹b ã×b íAÒ ¶n¶¶nÎne íŽÜ‹ A nQnÎ §{ ܋n !喋AQAÎAÜb È:n ínÎn ¶ÎA[܎[A——ï ܋n {nAÎne Ž¢Ün——Ž‚n¢[n ÒnÎìŽ[nb ҋÎA¶¢n— Ž¢ ‹ŽÒ [‹nÒÜ A¢e ܋n íA—–Ž¢‚ §¢ Q§eï ¶AÎÜÒ AÒ ín —n{Ü §{ ‹ŽÒ QA[–¼ 2‹nÎn íAÒ í‹§ ‹Aìn §ÎenÎÒ Ü§ nîn[åÜn A¢ï íA—–ne å¢enΠҋn——Ž¢‚ §ìn΍ Ò§—eŽnÎ În{åҎ¢‚ A¢ §ÎenΠܧ ¢§ A¢AnÒ܋n܎[b QåÜ ‹n ÜA—–ne AÒ ‹nAebÉ Ò‹n ÒAŽe¼ 0§n‹§í ܋nï
—Ž Ž¢ÒnÎÜne A nÜA— ¶Ž¶n Ž¢Ü§ ҋ§§Ü §Î 틧 ÜΎnÒ Ü§ en{n[ܼ Aen ŽÜ å¢Ò[A܋ne¼ 0‹n ‹Ae 2‹n AΝïb —Ž–n ܋n [§å¢ÜÎïb ‹ŽÒ QA[– ܧ În—nAÒn ܋n ¶ÎnÒÒåÎn ‚Žìn¢ A¢ §{{Ž[ŽA— ‹nÎ íneeŽ¢‚ §{ ܋n Q—§§e Q厗eŽ¢‚ å¶ Ž¢ Aï ín—— Qn AQ§åÜ Ü§ eŽìŽen Ύ¢‚ Ž¢ §ÎenΠܧ Qn ҝ傂—ne A—§¢‚ Òn[ÜAΎA¢ —Ž¢nÒ¼ !§ÒÜ §{ ‹ŽÒ [‹nÒܼ §åÜ Ü§ ÒA{nÜï¼ n—¶Ž¢‚ Ün¢e ܋n í§å¢ene ܋n §{{Ž[nÎÒ AÎn nQnÎÒ §{ ܋n
Qeå— !A•Žeb A [§¶åÜnÎ Ò[Ž
—AíŽÜn Òn[Üb ܋n Ž¢§ÎŽÜï íAÒ 4
AÎb A €}ïnA΍§—e n¢[n ÒÜåen¢Ü AÜ å¢ŽìnÎҎÜïb íAÒ §Ü‹nÎ §{ Ònìn¢b 틧 ‹Ae 0‹ŽËŽÜn [—A¢ ܧ 틎[‹ ܋n
ÒÒAe Ò܎—— ҋA–Ž¢‚ ‹§åÎÒ A{ÜnÎ {AŽ—ï Qn—§¢‚Òb 틎—n {§§Ü Ò§— §{{nÎne ܧ Qn A ¢åÎÒn A{ÜnÎ A AÎΎ쎢‚ Ž¢ A 쎗—A‚n §åÜҎen ¢nŽ‚‹Q§åÎËÒ ‹§åÒn íAÒ Ò‹n——ne¼ eŽnÎÒ AÎn 0墢Ž¼ 0‹n í§În {Ž—Ü‹ï ¶—AÒ܎[ ‚—§ìnÒ §Ò¼ n ‹Ae ÒÜAïne Qn‹Ž¢e 2‹n [§Ž¢‚ ÜnÒÜ {§Î ܋n AΝï A¢e íAÒ [Î‚¼ È˝ §Q—Ž‚ne ܧ A—§¢n Ž¢ AQA
Î¼ È ‹Ae ܧ 펗— Qn Ž{ ŽÜÒ ÎA¢–Ò ‹§—e Ž{ n¢eåÎn ܋ŽÒb Qn[AåÒn A—— ‹n—¶ ܋n §—e ¶n§¶—n Qn[AåÒn §ÎenÎne ܧ –Ž—— Ž¢[ÎnAҎ¢‚ ¢å [‹Ž—eÎn¢ QÎ§å‚‹Ü ‹nÎn AÎn ï §¢—ï ܋n ï§å¢‚ [A¢ ‚nÜ §åÜbÉ QnÎÒ §{ ܋nŽÎ QÎn܋În¢¼ [‹Ž—eÎn¢bÉ Ò‹n ÒAŽe¼ È åÜ ŽÜ ŽÒ Ò§ ÒAŽe !A•Žeb ãõb ínAΎ¢‚ A 2‹n ÒíA܋n §{ ܋n [§å¢ÜÎï ‹AÎe¼É —nA܋nÎ •A[–nÜ A¢e •nA¢Ò¼ n —n{Ü Ü‹AÜ ÒÜÎnÜ[‹nÒ nAÒÜ {ם ܋n
–‹ne !§‹Aneb A Ž—Ž í‹n¢ ‹ŽÒ n¢ÜŽÎn ÒÜÎnnÜ {—ne A{ÜnÎ nQA¢§¢ Q§ÎenÎ A¢e Ž¢[—åenÒ

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 27 of 72

Date: 19 February 2012 Page: 18,19

§Ò ŽÒ 0墢ŽÕ Ž¢ ܋n 쎗—A‚nÒ ŽÒҎ—n í‹n¢ ‹n ín¢Ü ܧ ÜÎï ܧ ܋nÎn ܋nï ÒAï ܋AÜ §{{Ž[nÎÒ {Ž¢e QÎnAe¼ §ÎenΎ¢‚ AÜÜA[–Ò AÎn
—AíŽÜnÒ È2‹n –ŽeÒ AÎn Ò[ÎnAŽ¢‚ A—— {Ž‚‹ÜŽ¢‚ {§Î ܋n
ÒÒAe {AŽ—ïb ܋n ܎nbÉ AŽeA ÒAŽe¼ È {nn— ¢§Ü ܋nŽÎ [§å¢ÜÎï¼ Ò§ ‹n—¶—nÒÒ¼É 0‹n Qn‚A¢ 2‹n §ÎA—n §{
ÒÒAeËÒ AΝïb ínn¶Ž¢‚¼ È:n {nn— Ò§ AQA¢ enÒ¶ŽÜn ŽÜÒ Òå¶nΎ§ÎŽÜïb ŽÒ ÒAŽe ܧ e§¢ne¼ 2‹nïËìn ‚Žìn¢ AҋAÎ A— Qn —§í AÒ ŽÜ ŽÒ ¶§§Î—ï ¶AŽe A¢e
ÒÒAe ܋n ‚Înn¢ —Ž‚‹Ü ܧ –Ž—— åÒ¼É Ò嶶—Žneb A—Ü‹§å‚‹ ܋ŽÒ Ž¢{§Î A܎§¢ [§nÒ §Òܗï {ם en{n[ܧÎÒ¼ È2‹n {ŽÎÒÜ Ü‹Ž¢‚ ín eŽe í‹n¢ ín AÜÜA[–ne ܋n ‹§åÒn íAÒ ÎA[n ܧ ܋n În{Ύ‚n΍ AܧÎbÉ ÒAŽe A en{n[ܧμ 2‹§åÒA¢eÒ §{ Ò§—eŽnÎÒ í§å—e Qn ¢nnene ܧ ÎnÜA–n ܋n Ò§å܋n΢ [§å¢ÜÎïҎen¼ A{nó A—
ÒÒAeb AҋAÎËÒ {A܋nÎ A¢e - 
0 2 {§ÎnÎ ¶ÎnҎen¢Üb [Îåҋne ‹ŽÒ ¶Î§Q—nÒ íŽÜ‹ җAŽ[ {å¢eA n¢ÜA—ŽÒÜÒ Ž¢ ®£sã Qï ҋn——Ž¢‚ 2 :$/ 2$ ܋n [ŽÜï §{ AA Ž¢Ü§ ÎåŽ¢Ò A¢e –Ž——Ž¢‚ AÜ —nAÒÜ ®õbõõõ n¢b  - 40¼ 402 í§n¢ A¢e [‹Ž—eÎn¢¼ 0§ {AÎ ‹ŽÒ Ò§¢ A¶¶nAÎÒ Ü§ ‹Aìn [A—[å—AÜne 02$- 2 ܋AÜ A ҎŽ—AÎ A[Ü í§å—e Qn A ÒÜn¶ ܧ§ {AÎ {§Î ‹ŽÒ ÎnAŽ¢Ž¢‚ $! " A——ŽnÒ §{ /åÒҎAb ‹Ž¢A A¢e ÎA¢¼ ÊÊ §Î ¢§í ŽÜ ŽÒ A 쎧—n¢Ü A¢e enAe—ï ÒÜA¢e§{{¼ 2‹n 0
ŽÒ ¢§Ü §ïA—ÜŽnÒ §{ ÊenÒnÎÜ Î§ÒnË ÜnÒÜne

AQ§åÜ Ü§ 펢 A¢e ŽÜÒ Ò嶶—ŽnÒ §{
ҝAb ܋n Ύ܎ҋQ§Î¢ íŽ{n —§í ¶Î§{Ž—n AÒ Ü‹n [§¢{—Ž[Ü ‹AÒ ŽÒ Ò܎—— {§[åÒne §¢ Ò嶶§Î܎¢‚ Aå¢ŽÜŽ§¢ AÎn e펢e—Ž¢‚¼ §{ -ÎnҎen¢Ü AҋAÎ Ž¢Ün¢ÒŽ{Žne¼ 0‹n ‹AÒ În{åÒne ܋n ìAΎ§åÒ [‹AΎ܎nÒ Ò‹n ‹AÒ 2‹n §¢—ï ÎnA— ‹§¶n §{ Òå[[nÒÒ A—
ÒÒAeb Aï ín—— Qn {nn—Ž¢‚ ܧ [§n¢Ü §¢ ܋n íAï ‹nÎ —§¢‚ Qnn¢ Ž¢ì§—ìne íŽÜ‹ AÒ {§Î
ÒÒAeËÒ §¶¶§¢n¢ÜÒ ŽÒ Ž{ ܋n A Òn¢Òn §{ eŽìŽene —§ïA—Üï AÒ ‹åÒQA¢eËÒ În‚Žn ‹AÒ åÒne ín—— AÒ ÎåÎA— enìn—§¶n¢Ü Ž¢Ün΢A܎§¢A— [§å¢ŽÜï ܋n 쎧—n¢[n [§¢ÜŽ¢ånÒ Ž¢ ܋n ÜA¢–Ò A¢e §Ü‹nÎ —n܋A— nA¢Ò A¢e Ò嶶§Î܎¢‚ ܋n -ÎnҎen¢Ü [§nÒ Ü§ ܋nŽÎ AŽeb AÒ "Aܧ eŽe 0ïΎA¢ [ŽÜï §{ §Ò¼ nΠܧ [Îåҋ ¶Î§ÜnÒÜnÎÒ¼ ¢ A¢ AÒ ¢nnene¼É A‚AŽ¢ÒÜ !åAAÎ AeA{{Ž Ž¢ {AŽ—ï AÎn {ם ܋n AÎnAb nAŽ— Òn¢Ü nAǎnΠ܋ŽÒ §¢Ü‹b 2‹n eA傋ÜnÎ §{ A ŽQïA¼ 0§ {AΠ܋ŽÒ ÒnnÒ 틎[‹ ‹AÒ Qnn¢ A {§[A— ¶§Ž¢Ü ‹nÎ §{{Ž[n nÎn—ï ÒAŽea È2‹n [§¢Òå—ÜA¢Ü [AÎeŽ§—§‚ŽÒÜ A¢e A 増Ž–n—ï ܧ ‹A¶¶n¢ Ž¢ 0ïΎA¼ {§Î A¢ï §{ ܋n În[n¢Ü {ŽÎÒÜ —AeïËÒ ìnÎï QåÒï A‚n¢eA În܎Îne eŽ¶—§AÜb
ҝA íAÒ $QÒnÎìnÎÒ Ònn A ¢n‚§ÜŽAÜne ¶Î§ÜnÒÜÒ A‚AŽ¢ÒÜ ‹nÎ Q§Î¢ Ž¢ §¢e§¢¼ 0‹n AÜÜn¢ene Ò§—å܎§¢ AÒ ¶n΋A¶Ò A —§¢‚ ҋ§Üb ‹åÒQA¢eËÒ În‚Žn A¢e ܋n A ‹åÎ[‹ §{ ¢‚—A¢e ÒÜAÜn QåÜ Ü‹n QnÒÜ íAï §åÜ §{ ܋ŽÒ 0ïΎA¢ AΝïËÒ QÎåÜA— Ò[‹§§— Ž¢
[ܧ¢ A¢e ‚AŽ¢ne A Ž¶AÒÒn¼ 2‹§å‚‹ ¢nŽÜ‹nΠҎen ÎnÒ¶§¢Òn¼ 0[ Ž¢ [§¶åÜnÎ Ò[Žn¢[n A¢e A¶¶nAÎÒ ÎnAeï ܧ ¢n‚§ÜŽAÜnb nÒ¶ŽÜn ‚Χ펢‚ å¶ Ž¢ A eŽ¶—§A Ž¢ În¢[‹ ܋nÎn AÎn ÒnΎ§åÒ n{{§ÎÜÒ Qn‹Ž¢e
[ܧ¢b ínÒÜ §¢e§¢b
ҝA —ŽÜnÎAÜåÎn {ם Ž¢‚ËÒ Ü‹n Ò[n¢nÒ Ü§ ¶nÎÒåAen /åÒҎA ìŽÒŽÜne ‹nÎ {AŽ—ïËÒ ‹§n Ž¢ §——n‚n §¢e§¢¼ ܧ ¶å——
ÒÒAe Ž¢Ü§ ÜA—–Ò¼ §Ò nìnÎï ïnAΠ܋Χ傋§åÜ 0‹n ín¢Ü §¢ ܧ í§Î– {§Î
Ò Ž¢Ün΢A܎§¢A— eŽ¶—§AÜÒ ‹nÎ [‹Ž—e‹§§e¼ 0‹n ŽÒ A—Ò§ A nåÜÒ[‹n A¢– A¢e AÎΎne eŽÜ‹nÎb ܋n enÒ¶nÎA܎§¢ Ž¢ AQA 0墢Ž !åҗŽb 増Ž–n ‹nÎ
ÒÒAe Ž¢ 0ïΎA Ž¢ ãõõõ¼ "§í
Î ‚ΧíÒ¼ 2‹n enÒ¶AŽÎ íAÒ ‹åÒQA¢eb 틧 [§nÒ {ם A §Ü‹nÎ §{ ܋Înnb ҋn íAÒ nî¶ÎnÒÒne Qï AŽeAb Þõb ܋n [§å¢ÜÎïËÒ Ž¢§ÎŽÜï 0‹ŽËŽÜn §¢[n enÒ[ΎQne Qï 9§‚ån AÒ A ‹ŽeŽ¢‚ Ž¢ A e§í¢ÒÜAŽÎÒ {—AÜ íŽÜ‹ [§å¢ŽÜï¼ ÈΧÒn Ž¢ ܋n enÒnÎÜɼ ¢ ‹nΠҎÒÜnÎ A¢e ܋nŽÎ ®Þ [‹Ž—eÎn¢
ҝAb Þ×b ‹AÒ Qnn¢ §Òb ܋n Qn—nA‚ånÎne A{ÜnÎ Üí§ ŽÒҎ—nÒ ‹ŽÜ ܋nŽÎ [Ύ܎[ŽÒne {§Î eŽÒ¶—A‚ A¢ ¶n§¶—n Aï ¢§í ÜA–n A ‹§n¼ 2‹Înn —ŽÜܗn ‚ŽÎ—Òb A‚ne ®× ȧÒÜΎ[‹ AÜ܎ÜåenÉb –nn¶Ž¢‚ A eŽ{{nÎn¢Ü ìŽní¼ §¢Ü‹Ò ܧ Ҏî ïnAÎÒb җnn¶ §¢ §¢n ܋Ž¢b ܧ΢ AÜÜÎnÒÒ §¢ ܋n {—§§ÎÕ Ü‹Înn §Ü‹nÎÒ Ò‹AÎn A Òn[§¢e¼
‹neb ®×b ‹nΠҎÒÜnÎËÒ n—enÒÜ [‹Ž—eb íAÒ –Ž——ne Qï A

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 28 of 72

Date: 19 February 2012 Page: 18,19

 


   

   
 
 
 


!AΎn §—쎢 AÜ A ‹§åÒn Ž¢ §Ò enÒÜΧïne Qï A Q—AÒÜ Ü‹AÜ –Ž——ne {§åÎ í§n¢

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 29 of 72

Date: 19 February 2012 Page: 18,19

‹Ž—eÎn¢ ҋn—ÜnΎ¢‚ Ž¢ AQA
Îb A í§å¢ene A¢ Ž¢ ܋n A–nҋŽ{Ü [—Ž¢Ž[b A Înn 0ïΎA¢
Νï {Ž‚‹ÜnÎ A¢e A Q§Qne §Ž— ¶Ž¶n—Ž¢n

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 30 of 72

Exhibit A-3

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 31 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 32 of 72

Exhibit A-4

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 33 of 72

Date: 26 February 2012 Page: 22,23

!
/ $ 9"a 2
02
00"!"2 2p SÐCípg ލp gC¤„pÐÔ ©} 2ðАC Þ© Þp™™ ލp î©Ð™g ލp ÞÐçލ CS©çÞ ÞÔ ©ÐЩÐÔ¾ ©¤ 2îC¤ ÐpípC™Ô ލp ¤Ôgp ÔÞ©Ðð ©} ©î Ô }Аp¤g C¤g ]©™™pC„çp ¸Cg ލp ç™ÞŸCÞp ¸Ð]p Ün¶§ÎAÎï ‹§n A¢eb ÜÎån ܧ eAҋ {§Î ܋n n¢ÜÎA¢[n ‹A——¼
Ü —§[A— [åÒܧb !AΎn ‹Ae —n{Ü ‹nΠ܋AÜ §n¢Ü åÒÒnŽ¢b A¢§Ü‹nÎ /n¶§Î܎¢‚ ҋ§nÒ Ž¢ ܋n ‹A——¼ §{ ܋n A[܎ìŽÒÜÒb ‹nAÎe A eŽÒÜA¢Ü ÜnA Ü íAÒ A ‚nÒÜåÎn ܋AÜ í§å—e ȶå{{É u ܋n Ò§å¢e §{ A Χ[–nÜ [§ÒÜ ‹nÎ —Ž{n¼ —nA쎢‚ ŽÜÒ —Aå¢[‹nμ !–mÑ
œ¦¦Íma
—Ò§ Ž¢ ܋n Q厗eŽ¢‚ ínÎn 䁊 !Z m¦da /Aî :m––Ñ -Aå— §¢Î§ïb A 0å¢eAï 2ŽnÒ 2 :
0 nAΗï ܋ŽÒ §¢Ü‹ ܋AÜ A¡d
¡¡AѦzm ¶‹§Ü§‚ÎA¶‹nÎÕ AìŽnÎ Ò¶Ž¢§ÒAb !AΎn en[Žene ҋn ‹Ae ܧ ‚§ ܧ –AœA¡da mÍäÛ A 0¶A¢ŽÒ‹ •§å΢A—ŽÒÜÕ eŽÜ‹ 0ïΎA¼ 2‹n å¶ÎŽÒŽ¢‚ A‚AŽ¢ÒÜ §åìŽnÎ A¢e :Ž——ŽA A¢Žn—Òb A
ÒÒAeËÒ În‚Žn íAÒ ‚A܋nΎ¢‚ ¦¡ 4¡¦mdŒ2Š¦œAÑ În¢[‹ [§å¶—nÕ A¢e /oŽ {§Î[n A¢e ܋n QA[–—Aҋ íAÒ A¡d äZî ÑŠmÍa ¦¡d¦¡ $[‹—Ž–b A¢ AíAÎeíŽ¢¢Ž¢‚ Qn[§Ž¢‚ §În 쎧—n¢Ü¼ 2‹n dÛmd Pî /ZŠAÍd :¦¦dÑ În¢[‹ ¶‹§Ü§‚ÎA¶‹nμ 2‹nï 0ïΎA¢ ‚§ìn΢n¢Ü íAÒ ÜÎ‚ ínÎn Ž¢ ܋n [AÎn §{ Ònìn¢ 0ïΎA¢ ܧ ‹Žen ŽÜÒ QÎåÜA—ŽÜï Qï –nn¶Ž¢‚ ¢ÒŽen ܋n A–nҋŽ{Ü A[܎ìŽÒÜÒ¼ •§å΢A—ŽÒÜÒ §åܼ !AΎn {n—Ü ܋n ȝneŽA [n¢ÜÎnÉ Ž¢ AQA È2í§ Î§[–nÜÒ ‹ŽÜ ¢nAΠ܋n ÜÎå܋ ¢nnene ܧ Qn ܧ—e¼
Îb ܋n •§å΢A—ŽÒÜÒ ‹Ae ‹§åÒnbÉ ÒAŽe
Qå A¢nn¢b §¢n :‹n¢ ܋n 0ïΎA¢Ò §Q{åҍ ÎnÜÎnAÜne ܧ ܋n ‚Χå¢e §{ ܋n A[܎ìŽÒÜÒ ÎnA[‹ne —AÒÜ [AÜne §ìnÎ A ìŽÒAb ҋn {—ní ܧ {—§§Î¼ Ü íAÒ A¢ §ÎeŽ¢AÎï ínn–¼ È2‹n¢ A ܋ŽÎe¼É 2‹n n§ nŽÎåÜb ܋n [A¶ŽÜA— §{ nQA¢§¢b Q厗eŽ¢‚b [‹§Òn¢ Qn[AåÒn ܋n Ҏ§¢ Ύ¶¶ne ܋Χ傋 A¢ 嶶nÎ §¢ nQÎåAÎï Öb ¶—A¢¢Ž¢‚ ܧ {Ž¢e ¢AÎΧí ÒÜÎnnÜÒ A¢e Òå΍ Χ§¼ -AÎÜ §{ ܋n {—§§Î [Aìne Ž¢b ‹nÎ §í¢ íAï A[ΧÒÒ Ü‹n Q§Îenμ Χå¢eŽ¢‚ ÒÜÎå[ÜåÎnÒ §{{nÎne [ÎAҋŽ¢‚ §¢Ü§ ܋n •§å΢A—ŽÒÜÒ 0‹n ÒÜAïne §¢n ¢Ž‚‹Ü AÜ n Ò§n ¶Î§Ün[܎§¢ {ם ܋n Qn—§í¼ È åÒÜ íAÒ nìnÎïí‹nÎn¼ ΎÒܧ—b QåÜ §ìne ܧ ܋n Χ[–nÜÒ A¢e ҋn——Ò¼ ìnÎ梨n íAÒ ÜnÎΎ{Žne¼É n{Ž¢§Î /§ÜA¢A ‹§Ün—b 틎[‹ 2‹n ܧ¶ {—§§Î ‹Ae Qnn¢ ‹ŽÜ Qï n—Žn쎢‚ ܋n Q厗eŽ¢‚ íAÒ íAÒ §În ܧ ‹nÎ ÜAÒÜn A¢e ܋n 0ïΎA¢ {§Î[nÒ QnҎn‚Ž¢‚ ܋n QnŽ¢‚ ÜA΂nÜne A¢e §În í‹nÎn §Ü‹nÎ [§¢ÜA[ÜÒ ínÎn eŽÒÜΎ[Üb ¶AÎÜ §{ ܋n [ŽÜï §{ Χ[–nÜÒ ínÎn —Ž–n—ïb A¢nn¢ QAÒne¼ ìn¢ AÒ Ò‹n ¶În¶AÎne {§Î §Òb QåÜ Ü‹n §Ü‹nÎÒ ‹Ae ҋ§åÜne AÜ Ü‹n §Ü‹nÎÒ Ü§ ‚nÜ §åܼ ܋n ‹§ÎΧÎÒ §{ §Òb !AΎnb —A΂n—ï nÒ[A¶ne u Ò§ {Aμ ÎAQQŽ¢‚ Qn—§¢‚Ž¢‚Òb ܋n 틧Òn —Ž{n {—ŽÜÜne QnÜínn¢ $¢ ܋n ‚Χå¢e {—§§Îb !AΎn •§å΢A—ŽÒÜÒ ‚A܋nÎne Ž¢ ܋n AŽ¢ Χ§b ÜÎ‚ ܧ {§Îå—AÜn [§QAÜ –ŽÜ A¢e [§[–ÜAŽ— eÎnÒÒnÒb §—쎢 íAÒ Aҗnn¶ Ž¢ A Χ§ §¢ ‹Ae [nÎÜAŽ¢ ÒÜA¢eAÎeÒ¼ ‹nÎ §í¢ —AÒÜ :ne¢nÒeAï A ¶—A¢¼ Ü íAÒ Ü‹n ÒA{nÒÜ ¶AÎÜ §{ ܋n ¢ A¢ nAŽ— §¢ ΎeAï nQ §Î¢Ž¢‚ í‹n¢ ܋n —n܋A— ÎAŽ¢ ÎåAÎï ®õb ҋn nAŽ¢ne ‹nÎ §{ n§ÒŽìnÒ ÎnÒåne¼
¢ Q厗eŽ¢‚b ܧíAÎeÒ Ü‹n {Χ¢Ü Ҏen ܋AÜ ‹Ae ¢§Ü Qnn¢ ‹ŽÜ Qn{§În¼ ‹§¶nÒ A¢e §ÜŽìnÒ Ü§ 0AÎA
nΎ[A¢ 틧 ‹Ae í§Î–ne AÒ A AҋAҋb A {Ύn¢e A¢e ï§å¢‚ {§ÎnŽ‚¢ [§ÎÎnÒ¶§¢en¢Ü {§Î 2‹n -În쎧åҗï A—— ܋n eAA‚n ܧ ܋n neŽA [n¢ÜÎn ‹Ae [§n •§å΢A—ŽÒÜ Ž¢ AŽÎ§¼ È2‹n §ìnÎA—— 0å¢eAï 2ŽnÒ {§Î ã} ïnAÎÒb ¶Ž[ÜåÎn  ‹Aìn Qnn¢ ܧ—e AQ§åÜ ŽÒ !AΎn íAÒ åÒne ܧ íAÎ ó§¢nÒ {ם A¢§Ü‹nÎ eŽÎn[܎§¢b ÒÜΎ–Ž¢‚ ܋n QA[–¼ 2‹ŽÒ ܎n ܋n ܋AÜ §Ò ŽÒ Ύ¢‚ne Qï ܋n A¢e íAÒ nî¶nÎÜ Ž¢ ܋n íAïÒ §{ AΝï A¢e ÜA¢–Òb A¢e ܋n AΝï ܋n !Žee—n AÒܼ 0ïΎA¢Ò ‹Ae [‹A¢‚ne ܋nŽÎ A¢‚—n §{ {ŽÎn¼ ŽÒ Òܧ¶¶Ž¢‚ A¢ï§¢n {ם 2‹n ÒÜÎnnÜÒ ínÎn —ŽÜÜnÎne n¢ÜnΎ¢‚ A¢e —nA쎢‚¼  Aï íŽÜ‹ ÎåQQ—nb A¢ï ‹§åÒnÒ !AΎn A¢e ܋n §Ü‹nÎÒ –¢ní ܋nï ‹Ae ܧ ‚nÜ Ü§ ܋n ÒA{nÜï §{ ‹Aìn {§å¢e A íAï Ž¢¼ ¼ ¼ íÎn[–neb ¢§í‹nÎn íAÒ ÒA{n¼

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 34 of 72

Date: 26 February 2012 Page: 22,23

AÎn AQ§åÜ Ü§ Qn §ìnÎÎ墼 ¼ ¼ 0§b ‹A¢¢n— €¼ AÒÜ ínn– Ž—Òå A—ÎnAeï ÜA΂n܎¢‚ ܋n ҎÜn en—ŽQ ¢§ ¶ÎnÒÒåÎn ܋n¢¼É 0‹n íA¢Üne În[A——nea È ܧ—e !AΎn ܋AÜ  nÎAÜn—ï §Î ¢§Üb ŽÜ íAÒ Ž¢nìŽÜAQ—ï ܧ ‹n—¶ Qn{§În ŽÜ íAÒ Ü§§ —AÜn¼ í§å—e ¢§Ü Ò¢nA– A[ΧÒÒ Ü‹n AÜ ÎŽÒ– AÒ Ü‹n
ÒÒAeËÒ ÜΧ§¶Ò $܋nÎ •§å΢A—ŽÒÜÒ ‹Ae ¶În쎍 Q§ÎenÎ Ž¢Ü§ §Ò Qn[AåÒn ŽÜ íAÒ Q§QAÎene ܋n eŽÒÜΎ[ܼ §åҗï Ò¢nA–ne Ž¢ ܧ 0ïΎA A[ΧÒÒ Ü§§ eA¢‚nΧåÒ¼ 0‹n ÒAŽe ҋn íAÒ AÎ—ï §¢ ΎeAïb nQÎåAÎï ®Öb ܋n Q§ÎenÎ íŽÜ‹ nQA¢§¢b QåÜ ‚§Ž¢‚ ܧ ‹Aìn A ‚§ A¢ïíAï¼ 0‹n !AΎn Òn¢Ü A¢§Ü‹nÎ nÒÒA‚n ܧ !AΎn ‹Ae Žen¢ÜŽ{Žne ܋n AÎnA {n—Ü ŽÜ íAÒ Ž¶§ÎÜA¢Ü¼ Ê
¢ïíAïb /ïA¢a È å¶—A VҎ[W Ün[‹¢Ž[A— ܋AÜ Ònnne ‹AÎenÒÜ ‹ŽÜ AÒ ŽÜËÒ í‹AÜ ín e§bË Ò‹n ÒAŽe¼É ܋Ž¢‚Ò¼ §Î‚nÜ Ü‹AÜ ¢åQnÎ 
ÒÒAeËÒ [ÎA[–e§í¢ Ž¢Ün¢ÒŽ{Žne¼ AïÒ —AÜnÎ !AΎn җŽ¶¶ne §ìnÎ Òn¢Ü ï§åb ŽÜ íAÒ –¢§[–ne §åÜ ¢ A¢ nAŽ— ܋n {§——§íŽ¢‚ eAï ܋n Q§ÎenÎ A¢e íAÒ ‚åŽene Qï í‹n¢ ܋n ܧ¶ {—§§Î §{ Q厗eŽ¢‚  ܧ 0nA¢ /ïA¢b {§ÎnŽ‚¢ neŽÜ§Î §{ A[܎ìŽÒÜÒ Ü‹Î§å‚‹ QA[– ΧAeÒ A Ž¢ íAÒ ‹ŽÜ ïnÒÜnÎeAï¼É 2‹n 0å¢eAï 2ŽnÒb ҋn §å܍ A¢e {Žn—eÒ Ž¢Ü§ §Ò¼ Ü íAÒ 2‹n ܧ¶ {—§§Î íAÒ QAe—ï eA —Ž¢ne ܋n ҎÜåA܎§¢ Ž¢ §Òa eAΖ A¢e eA¢‚nΧåÒb [§—e A¢e A‚neb QåÜ Ü‹n A[܎ìŽÒÜÒ –n¶Ü §¶n΍ ÈnAìï ҋn——Ž¢‚ A‚AŽ¢¼ ¼ ¼ ínÜÕ Ü‹n {Ž¢A— —n‚ §{ ‹nÎ •§å΢nï A܎¢‚ {ם ܋n §Ü‹nÎ Üí§¼ !AΎn 2Î‚ ܧ ‚nÜ §În enÜAŽ—b Ž¢Ü§ ܋n QnҎn‚ne ¢nŽ‚‹Q§å΍ [§¢ÜŽ¢ånea ÈnAìï ҋn——Ž¢‚ ÒnnÒ ŽÜ ŽÒ §ÒÜ—ï Ž¢ AQA
Î ‹§§e §{ AQA
Î ҋn ¶Î§ŽÒne ܋ŽÒ §Î¢Ž¢‚¼  [§å¢Üne €} A¢e ҋAAÜ ¢nŽ‚‹Q§å΋§§eÒb ܧ –nn¶ Òn[ÎnÜ Ü§ ¶Î§Ün[Ü Ü‹n ҋn——Ò Ž¢ Ö Ž¢åÜnÒ ¢nAÎQï¼ Ü‹n AŽ¢ ÒÜΧ¢‚‹§—eÒ §{ ܋n ҝ傂—nÎÒ¼ :‹n¢ ŽÜ —nÜÒ å¶  펗— ÜÎï ܧ ‚nÜ 0
VÎnn 0ïΎA¢
ΝïWɼ 2‹§å‚‹ ҋn –¢ní [nÎÜAŽ¢ §åÜ Ü§ ܋n {Žn—e [—Ž¢Ž[¼É Üï¶nÒ §{ [§å¢Ž[A܎§¢ ínÎn 2‹§å‚‹ ¶AÎÜÒ §{ 0ïΎA AÎn 2‹AÜ eAï ҋn QÎAìne —A΂n—ï ‹§Ò܎—n ܧ
ÒÒAeb ‹ŽÒ ΎҖïb —AÜn §¢ 2‹åÎÒeAïb nQ ÎåAÎï ®×b ҋn [§¢ÜA[Üne /ïA¢a ܋n Ò¢Ž¶nÎÒ Ü§ Ž¢ÜnÎìŽní —§[A—Ò {§Î[nÒ Ò܎—— ‹Aìn [‹n[–¶§Ž¢ÜÒ ‹åee—ne Ž¢ ‹§åÒnÒ A¢e nìnÎïí‹nÎn¼ nÜ܎¢‚ Ž¢ í§å—e È2‹ŽÒ ŽÒ A Òn[åÎn —Ž¢n Ò§  A ÜA–Ž¢‚ AeìA¢ÜA‚n ܧ Òn¢e ï§å A QAÒnn¢ÜÒ A¢e ܧ ìŽÒŽÜ A A–n ÎnÃåŽÎn ܋n ‹n—¶ §{ 0ïΎA¢ A[ÜŽì Ò‹Ž{Ü [—Ž¢Ž[ ÜÎnA܎¢‚ ܋n ŽÒÜÒ §¶¶§Òne ܧ
ÒÒAe¼ ÃåŽ[– nÒÒA‚n ܧ ÒAï  ‹Aìn AÎΎìne ÒA{n—ï AÜ Ü‹n ‹nAÎÜ §{ í§å¢ene¼ 2‹n Ò[n¢nÒ Ò‹n !AΎnËÒ ïnAÎÒ §{ [§ìnΎ¢‚ ܋n íŽÜ¢nÒÒne ínÎn ‚ÎŽ¼ !Žee—n AÒÜ ‹Ae QÎ§å‚‹Ü ‹nÎ AQA
Î¼ 2‹n •§å΢nï íAÒ nìn¢Ü{å— Ü§ ÒAï ܋n —nAÒܼ -ÎnÜÜï ¢ A¢ nAŽ— ܧ A ï§å¢‚ ¢ånΧåÒ [§¢ÜA[ÜÒ Ž¢ ܋n {Ύn¢eb å[ï ŽÒ‹nÎb ҋn În‚Ž§¢b {ם ‹Ž‚‹ÎA¢–Ž¢‚ ¶§—Ž å[‹ nìnÎï –Ž¢e §{ eA¢‚nÎb [§—eb ínÜ A¢e åeeïb QåÜ ín AeŽÜÜne ‹nÎ {nAÎÒb íΎ܎¢‚a È ܎[ŽA¢Ò ܧ ín——[§¢¢n[Üne eŽe ‹Aìn A {ní §n¢ÜÒ í‹n¢ {ŽînÎÒ¼ 2‹n —AÜÜnÎ ínÎn í‹AÜ Ò‹n Aen ŽÜy :n AÎn Ž¢ í‹AÜ ÒnnÒ ܧ Qn ܋n §¢n ¶—A[n Ž¢ ܋n [ŽÜï  ܋§å‚‹Üb :‹AÜ A  e§Ž¢‚ÄÉ ¢nnene ¢§í¼ AÜnΠ܋AÜ A{Ün΍ 2‹n¢ ҋn Aeenea È0ܧÎï Ž¢[Îne ¢§§¢ ҋn Òn¢Ü A¢§Ü‹nÎ nAŽ—a È ܋AÜ ‹AÒ n—n[ÜΎ[ŽÜï¼ 2‹nÎn ŽÒ A —§Ü §{ ҋn——Ž¢‚b A¢e Ò¢Ž¶nÎÒ ŽQ—ï Ž¶§ÎÜA¢Ü ܋§å‚‹¼ !î¼É A nn܎¢‚ 0ïΎA¢ ÊÜÎA¢Ò 2‹AÜ ¢Ž‚‹Ü ҋn íAÒ Òå‚ ¶§ÎÜnÎË ¸ÎnAe ҝ傂—nι ܧ¢Ž‚‹Ü¼ eåΎ¢‚ ܋n eAï¼É §¢Î§ïb A ¶‹§Ü§‚ÎA¶‹nΠ틧 ‚—ne §åÜ §{ AQA
Î A¢e ܋n 2‹n {ŽînÎ [An nAǎnΠܧeAïb ¢nîÜ eAïb {ם A ÒA{nÎ —§[A܎§¢b A¢e ÎnAeŽ¢‚ QnÜínn¢ ܋n —Ž¢nÒb ‹Ae í§Î–ne nîÜn¢ÒŽìn—ï íŽÜ‹ ҋn {Ž—ne A ÒnAΎ¢‚ A[[§å¢Ü §{ ŽÜ Ž¢[ÎnAҎ¢‚—ï —§§–Ò —Ž–n !AΎn Ž¢ ŽQïA —AÒÜ ïnAÎb ‹Ae í‹AÜ í‹AÜ ‹Ae Ònn¢¼ Ü Ü§¢Ž‚‹ÜËÒ nn܎¢‚ 펗— ¢§Ü Qn A—Ò§ Qnn¢ ҝ傂—ne Ž¢¼ A¶¶nAÎne A[ΧÒÒ Üí§ ¶A‚nÒ §{ A[ÜåA— ÜÎA¢Ò¶§ÎÜ QåÜ A 2‹n §¢—ï íAï ܧ ‚nÜ [§å 2‹n 0å¢eAï 2ŽnÒ —AÒÜ eŽÒ[åÒҎ§¢ §{ —§‚ŽÒ܎[Òb ¢Ž[A܎§¢Ò §åÜ íAÒ ìŽA ÒAÜn——ŽÜn¼ ínn–n¢e A¢e [§å—e —nAìn ¢§ Ž¢Ò¶n[܎§¢ §{ ‚nAÎ ¸Žn ¢§ {—A– !AΎn ‹Ae en[Žene ܧ åÒn A §¢n Ž¢ A¢ï e§åQÜ §{ ܋n Ž¢eŽÒ •A[–nÜÒ §Î ‹n—nÜÒb [A¢ ï§å {ŽÜ 2‹åÎAïA ÒAܶ‹§¢n AÒ A —ŽÜܗn AÒ [ΎŽ¢AÜn 쎧—n¢[n QnŽ¢‚ ܋Înn §¢ A §Ü§ÎQŽ–nb ïnÒb Ž{ ŽÜ ŽÒ ¶§ÒҎQ—n Qn[AåÒn ŽÜÒ [A——Ò [§å—e nÜne §åÜ Qï ܋n 0ïΎA¢ AÎï¼ Ü‹AÜ §Î íA—–¹¼É nAҎ—ï Qn Ž¢ÜnÎ[n¶Üne A¢e ŽÜÒ !AΎnb ‹§ínìnÎb íAÒ ¢nìnÎ nÎ ¶—A¢Ò en—Aïneb ҋn ‹Ae —§[A܎§¢ Žen¢ÜŽ{Žne¼ ¢ÒÜnAeb §¢n ܧ ‚Žìn å¶ §¢ A ÒܧÎï¼ AÒÜ ÜŽn ܧ [AÜ[‹ å¶ íŽÜ‹ §—e ҋn íAÒ AŽ¢—ï Òn¢eŽ¢‚ 0å¢eAï ҋn Ò¶§–n ܧ /ïA¢ A¢e {Ύn¢eÒ Ž¢ ܋n {Žn—e A¢e ÒíA¶ nÒÒA‚nÒ ìŽA 0–ï¶nb 틎[‹ ŽÒ ܋nï eŽÒ[åÒÒne ‹nÎ ¢nîÜ §ìn¼ ܋n —AÜnÒÜ —§[A— Ž¢Ün—¼ ¢ nŽÎåÜ ‹AÎenΠܧ ÜÎA[–b §¢ A¢§Ü‹nÎ 0‹§å—e ҋn ‚§ ܧ A¢§Ü‹nÎ AÎnAb ҋn eŽ¢ne íŽÜ‹ íŽÜ‹ "nŽ— !A[ ÒïÒÜn¼ ‹n AҖne¼ AAb ‹n Ò傂nÒÜneb AÎÃå‹AÎ §{ 2‹n "ní <§Î– 2§ e§ Ò§b ‹§ínìnÎb ҋn íAÒ A¢§Ü‹nÎ [ŽÜï AQ§åÜ Þõ Ž—nÒ 2ŽnÒb ÎnìnA—Ž¢‚ ‹nÎ [§¢[nÎ¢Ò A–Ž¢‚ åÒn §{ nÃ厶n¢Ü AÜ ¢§Î܋¼ !AΎn ܋§å‚‹Ü AQA
Î AQ§åÜ Ü‹n —§§Ž¢‚ ÜΎ¶ A[ΧÒÒ Ü‹n A–nҋŽ{Ü neŽA [n¢ÜÎn ÒnÜ å¶ Ž¢ AQA
Î í‹nÎn ܋n A[ÜŽì ÎnAŽ¢ne ܋n n¶Ž[n¢ÜÎn¼ 2‹n ܋n Q§Îenμ È [A¢¢§Ü ÎnnQnÎ ÎnҎen¢ÜÒ ínÎn ÜnÎΎ{Žne ܋nï A¢ï ÒܧÎï í‹nÎn ܋n Òn[åΎÜï ŽÒÜÒ ‹Ae Qnn¢ 嶗§AeŽ¢‚ ìŽen§Ò ܧ ܋n Ž¢Ün΢nܼ 2‹n [n¢ÜÎn ‹Ae í§å—e Qn җA傋ÜnÎne Ž{ ܋n ҎÜåA܎§¢ íAÒ ¶§Ün¢ÜŽA——ï ܋ŽÒ 0ïΎA¢ AΝï {§Î[ne ŽÜÒ íAï Ž¢¼ QAeb nî[n¶Ü AïQn ‹n[‹¢ïAbÉ A—ÎnAeï [§n å¢enÎ {ŽÎn A¢e Ž¢Ün΢nÜ Òn[åΎÜïb !AΎn Òåҍ 2‹n¢ —AÒÜ 2ånÒeAï A¢§Ü‹nΠҋn ܧ—e ‹Ž¼ nAŽ— eΧ¶¶ne Ž¢Ü§ /ïA¢ËÒ 0‹n eŽ¢neb ܧ§b íŽÜ‹ Ž¢eÒnï ¶n[Üneb ÈíAÒ §åÜ Ü‹n 펢e§íɼ :‹n܋nΠ܋n 0ïΎA¢Ò ínÎn Ž¢Q§î¼ È A Ž¢ AQA
Îb ܋n Ž—Òåb Ž¢Ün΢A܎§¢A— neŽÜ§Î §{ ҋn——Ž¢‚ ÒÜAÎÜne AÜ ×¼ÞõA¼É 0‹n ‹— –—

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 35 of 72

Date: 26 February 2012 Page: 22,23

‹Ae ‚§¢n QA[–¼ Ž¢ ܋n /§ïA—
Î܎——nÎï¼ È2‹n 0‹n ܧ—e ܋n 0å¢eAï 2ŽnÒ Ü§ ‚nÜ ‹nÎ {§§ÜínAÎb A¢§Ü‹nΠҋn——Ž¢‚ ŽÒ §¢—ï ‚nÜ܎¢‚ í§ÎÒn ܋AÜ Ò‹n íA¢Üne ܧ ÒÜAï §¢n Χ[–nÜ —A¢ene AÜ Ü‹n {Χ¢Ü §{ ܋n $/ A—— !AΎnËÒ ‚—A§åÎ A¢e A¢e nî¶n[Ü ŽÜ ܧ [§¢ÜŽ¢ån¼ ¼ ¼  §În eAïb ÒA‚ Ž¢ A¢ nAŽ— ܧ Q厗eŽ¢‚b A {ní ïAÎeÒ AíAï¼ 2‹n Ž¶ÎnÒҎìn [§¢¢n[܎§¢Òb ҋn ÒåÒ¶n[Ü Ü‹AÜ !AΎnËÒ ‹Ž‚‹ ¶Î§ /ïA¢ Òn¢Ü AÜ ®õ¼Þ׶ §¢ Q—AÒÜ –Ž——ne ‹nÎ A¢e $[‹—Ž– ÎnAŽ¢ne e§í¢ ܧ nAÎ܋b A {Ž—n eån ܧ ܋ŽÒ ínn–ËÒ AÜnΎA— 2ånÒeAï ܋AÜ Ò‹n íA¢Üne ܧ ‚§ Ž¢ÒÜA¢Ü—ïb ÎåQQ—n {A——Ž¢‚ §¢ en{n¢enÎ §{ ܋n §¶¶ÎnÒÒne A¢e Ž¢ ¶A¶nÎ A¢e 29 Ž¢ÜnÎìŽníÒ A—Ò§ QA[– ܧ ܋n [—Ž¢Ž[ ܋n {§——§íŽ¢‚ ܋nŽÎ Q§eŽnÒ Ž¢ ܋n ‹A——íAï¼ Ü‹n íΧ¢‚ne¼ 2‹n ¢nîÜ ¶AÎÜ §{ [§¶Î§ŽÒnÒ §åÎ ÒA{nÜï¼É §Î¢Ž¢‚¼ È:n í§å—e ÒÜAï AÒ Ò¶Ž¢§ÒA A¢e A¢Žn—Òb ҋn— ‹nÎ nÒÒA‚n ܧ /ïA¢ Aen n Aeenea È
Ò  A ÒåÎn ï§å —§¢‚ AÒ ¶§ÒҎQ—nÕ §¢[n Ž¢ÒŽen ín ÜnÎne Qï A íA—— Ž¢ÒŽenb nÒ[A¶ne [—nAÎ í‹ï ҋn íAÒ ÎŽÒ–Ž¢‚ ‹nÎ AÎn AíAÎn !AΎn [A¢ Qn ÜΎ[–ï ܧ AÎn ¶ÎnÜÜï ÒA{nbÉ Ò‹n ÒAŽe¼ ìŽÎÜåA——ï å¢Ò[A܋ne¼ §¢Î§ï —Ž{n Qï ÎnÜå΢Ž¢‚ ܧ AQA
Î¼ [§¢ìŽ¢[n §¢[n ҋn ‹AÒ Ü‹n QŽÜ nÎ nÒÒA‚n Ž¢[—åene A íÎï A¢e §åìŽnÎb Ž¢ ܋n —ŽìŽ¢‚ Χ§ ÈÜ ŽÒ Ҏ[–n¢Ž¢‚ ܋AÜ Ü‹n QnÜínn¢ ‹nÎ Ünn܋¼É A{ÜnÎ܋§å‚‹Üa È ‹Aìn Ò¶n¢Ü ¢nAΠ܋n ‹A——b ínÎn ‹ŽÜ Qï ܋n 0ïΎA¢ În‚Žn ŽÒ A——§íne ܧ :‹n¢ [§å¢Ž[A܎§¢Ò ܧ¢Ž‚‹Ü ‚A܋nΎ¢‚ ÒܧΎnÒ {ם Q—AÒÜ A¢e ҋÎA¶¢n—¼ –nn¶ e§Ž¢‚ ܋ŽÒbÉ Ò‹n íΧÜn¼ A——§íneb /ïA¢ A‚AŽ¢ eŽÒ[åÒÒne Ò§n 0
‚åïÒ {ם ܋n {Χ¢Ü¼ §åìŽnÎ íAÒ Ü‹n §ÒÜ È2‹nÎn íAÒ A ҋ§[–Ž¢‚ Ò[n¢n AÜ Ü‹n §¶ÜŽ§¢Ò íŽÜ‹ Q§Ü‹ !AΎn ìnÎ梨n  nnÜ Ž¢ìŽÜnÒ n ܧ ÒnΎ§åҗï í§å¢eneb íŽÜ‹ ܋n A¶AÎܝn¢Ü [—Ž¢Ž[ ܧeAï¼
A¢e §¢Î§ï¼ 2‹nï ҋ§å—e ‚nÜ Ü‹n {Χ¢Üb í‹AÜ ŽÒ ŽÜ íŽÜ‹ nÄÉ å—ÜŽ¶—n {ÎA[ÜåÎnÒ Ü§ ‹nÎ —n‚¼ QAQï Q§ï —Aï §¢ A ‹nAe Ò[AÎ{b §åÜ §{ AQA
Î AÜ Ü‹n {ŽÎÒÜ 2ΧåQ—n A¢e !AΎn ‹Ae §{Ün¢ §¢Î§ï ÜΎne ܧ ÒÜAå¢[‹ Q—§§e ¢A–neb ‹ŽÒ —ŽÜܗn Üåï §¶¶§ÎÜ墎Üïb ‹n ÒAŽe¼ ‚§¢n ܧ‚n܋nÎb QåÜ Ü‹ŽÒ ܎n ¶§åΎ¢‚ {ם ‹ŽÒ —n‚¼
¢ ‹nA쎢‚ AÒ ‹n ÜΎne ܧ QÎnA܋n¼ ¢ÒÜnAeb !AΎn ‹Ae A nҍ ҋn ‹Ae en[Žene ܋nÎn íAÒ ¢§ A[܎ìŽÒÜ ÜΎne ܧ ‹n—¶ ‹Ž 嶼 2‹n e§[ܧΠÒAŽe Êín [A¢ e§ ÒA‚n ܧ ‚nÜ §åÜ {ŽÎÒÜb A nÒÒA‚n ¶§Ž¢Ü ΎҖŽ¢‚ A ìŽÒŽÜ ܧ ܋n {Χ¢Ü È"§b —nAìn n ‹nÎn¼ 0Aìn ï§å΍ ¢§Ü‹Ž¢‚ {§Î ‹ŽË¼ n ‹Ae Qnn¢ {§Î ܋n í§Î—e AQ§åÜ Ü‹n ÜÎå܋ §{ —Ž¢n¼ ÈÜ ŽÒ A —Ž¢n §{ enÒÜΧïne Òn—{bÉ §¢Î§ï În¶—Žne¼ ‹ŽÜ Qï ҋÎA¶¢n— Ž¢ ‹ŽÒ —n{Ü ÒŽen¼ AQA
Î¼ ¢ —Ž¢–Ò ܧ ܋n b Q厗eŽ¢‚Ò¼  e§¢ËÜ Ònn ܋n ¶§Ž¢Ü È2‹nï AÎn í§ÎeÒ  펗— ¢nìnÎ 2‹nï ‹Ae ܧ •åÒÜ —nÜ ‹Ž eŽn AÒ ‹A¢¢n— € "níÒ A¢e ܧ ""b Ž¢ ‚§Ž¢‚b ¢§Î -Aå—b nÒ¶n[ŽA——ï {§Î‚nÜbÉ Ü‹n A[܎ìŽÒÜ ÒAŽe —AÜnμ ‹ŽÒ §Ü‹nÎ ín¶Ü¼É ܋n 40 ¢níÒ ¢nÜí§Î–b ҋn A{ÜnΠ܋n eŽÒ[åÒҎ§¢Ò ï§å A¢e  enÒ[ΎQne ܋n ŽÒnÎï ҋn íAÒ ‹Ae ¸AQ§åÜ Ü‹n ΎҖ¹¼É Ò¶Ž¢§ÒA ‹n—¶ne å¶ A 0‹n –¢ní ܋AÜb Ž¢ A íŽÜ¢nÒҎ¢‚¼ 0‹n ܧ—e ܋n "" /ïA¢ nÒÒA‚ne QA[–a È åÜ  í§å¢ene A[܎ìŽÒÜ A¢e {—ne ܋n ì§ÎA[Ž§åҗï [§¶n܎܎ìn neŽAb ¶ÎnÒn¢ÜnÎ
¢enÎÒ§¢ §§¶nÎ Ò܎—— ܋Ž¢– ï§å ҋ§å—e Qn ÎnAeï ‹§åÒn ܋Χ傋 A ‹Aón §{ eåÒÜ Ü‹nÎn íAÒ A ΎҖ ҋn Ž‚‹Ü Qn ‹§í ҋn ‹Ae íAÜ[‹ne ܋n QAQï ܧ —nAìn :ne¢nÒeAï ¢Ž‚‹Ü Ž{ A¢e ҝ§–n¼ 0å[‹ íAÒ Ü‹n [‹A§Ò În‚AÎene AÒ În¶nA܎¢‚ ‹nÎ nA΍ eŽn¼ ÈÜ ŽÒ A [§¶—nÜn A¢e åÜÜnÎ [§¢eŽÜŽ§¢Ò enÜnΎ§ÎAÜn A¢e A A¢e [§¢{åҎ§¢b ‹n å¢íŽÜ܎¢‚—ï —ŽnÎ În¶§Îܼ nÜn͎¢ne ܋AÜ Ü‹n —Žn ܋nïËÎn §¢—ï ‚§Ž¢‚ A{ÜnÎ ‚Χå¢e §{{n¢ÒŽìn ŽÒ [§Ž¢‚¼É ÒÜn¶¶ne §¢ ܋n Q§eŽnÒ AÒ ‹n í§Î—e ҋ§å—e ¢§Ü Ž‚¢§În 0ïΎAb ÜnÎΧΎÒÜÒ¼ 2‹n 0ïΎA¢ AÎï ŽÒ $¢n §În eAï A¢e ܋nï ín¢Ü¼ ҋn Aeenea È {nn— ÒÜΧ¢‚—ï ܋AÜ ÒŽ¶—ï ҋn——Ž¢‚ A [ŽÜï §{ [§—eb í§å—e Qn §åܼ 2‹AÜ íAÒ Ü‹n ¶—A¢¼ È2‹ŽÒ {§Î n íAÒ Ü‹n §ÒÜ ín ‹Aìn ܧ Ž¢[—åen ܋nÒn ÒܧΎnÒ ÒÜAÎ쎢‚b [ŽìŽ—ŽA¢ÒbÉ Ò‹n ÒAŽe¼
—— ܋n •§å΢A—ŽÒÜÒ ínÎn ‹§ÎΎQ—n ܋Ž¢‚¼  ÒÜn¶¶ne §¢ §{ ܋n Òå{{nΎ¢‚ §{ [ŽìŽ—ŽA¢Ò ܧ AìŽe /n¢Ž[–b neŽÜ§Î §{ 2‹n җnn¶Ž¢‚ í‹n¢b nAΗï ܋n ¢nîÜ Ü‹nŽÎ Q§eŽnÒ¼  eŽe¢ËÜ –¢§í ŽÜ ‚nÜ Ü‹n ¶§Ž¢Ü A[ΧÒÒ¼É "ní <§Î–nÎb ÒAí ‹nÎ "" §Î¢Ž¢‚b ܋n ҋn——Ž¢‚ nÎå¶Üne íAÒ Ü‹nbÉ ‹n ÒAŽe¼ 0嶶—ŽnÒ §{ íAÜnÎ A¢e QΧAe[AÒÜ A¢e ¢§Üne ܋n ¢nîÜ
Ò :Ž——ŽAÒ ÒÜn¶¶ne §ìnÎ n—n[ÜΎ[ŽÜï ínÎn ҋ§Îܼ 2‹n eAïa È2‹nÎn íAÒ [§§— QåÜ A‚AŽ¢¼
{ÜnΠ܋n QΧAe[AÒÜÒ ‹Ae ܋n ܧ —nAìnb ‹n җA¶¶ne ҋn——Ž¢‚ íAÒ íÎnA–Ž¢‚ ‹Aì§[¼ ¶Î§{§å¢e ÎA‚n Ž¢ ‹nΠ짎[n¼É
ÒÒAe §ÎenÎne ܋n ÜΧåQ—nÒ§n $[‹—Ž–ËÒ {A[n ܧ Ònn Ž{ ‹n íAÒ 2í§ [AÎÒ eΎìn¢ Qï A[܎ìŽÒÜÒ
{ÜnÎ ‹nÎ În¶§ÎÜ Ž¢ 2‹n [Ύ܎[Ò ÒŽ—n¢[neÄ Ü íAÒ [—nAÎ {§Î A—Žìn¼ 2‹nÎn íAÒ ¢§ ÎnÒ¶§¢Òn ‹Ae Qnn¢ ‹ŽÜ ܋AÜ eAïb ҋn ‹Ae 0å¢eAï 2ŽnÒ A [§å¶—n §{ eAïÒ nŽ‚¢ •§å΢A—ŽÒÜÒ ‹Ae ‚§Ü Ž¢Ü§ A¢e ‹n §ìne §¢¼ nAŽ—neb §¢n enÒÜΧïne¼ nAǎnÎb !AΎnËÒ QΧAe[AÒÜÒ AQA
Î u A¢e ܋n 0ïΎA¢Ò 2‹n •§å΢A—ŽÒÜÒ A¢e A[܎ìŽÒÜÒ Χ펢‚ Ž¢[ÎnAҎ¢‚—ï [§¢ ÎAne ‹§n ܋n ¶§Ž¢Üa AÜΧ[Ž AÎn –¢§í¢ ܧ Qn AQ—n ܧ —§[AÜn ÒÜÎ傂—ne Ž¢Ü§ A ‹§åÒn §¶¶§ÒŽÜn [n΢ne {§Î ‹nÎ ÒA{nÜïb /ïA¢ ܎nÒ ínÎn QnŽ¢‚ [§ŽÜÜne¼ ÒAÜn——ŽÜn ÜÎA¢ÒŽÒҎ§¢Ò¼ 2‹n ܋n neŽA [n¢ÜÎn A¢e ܋n ÎnÒ¶§¢enea È˝ A—AΝne ܧ
ÒÒAe A¢e ‹ŽÒ ‚n¢nÎA—Ò [§å—e ¢§ nA¢Ò ܧ ÜA΂nÜ Ü‹n •§å΢A—ŽÒÜÒ Ò‹n——Ž¢‚ [§¢ÜŽ¢åne¼ 2‹nï ÎnAe í‹AÜ ‹A¶¶n¢ne ܧ ܋n Üí§ —§¢‚nÎ [§¢[nA— ܋n ‹§ÎΧÎÒ §{ ínÎn ܋nÎnb QåÜ ¢§ §¢n [A¢ Qn A¢A‚neb íŽÜ‹ ܋n ‹n—¶ §{ A [AÎÒ¼ ¼ ¼ ܋n {ŽÎÒÜ VÃånÒ܎§¢W ŽÒ ܋nŽÎ ܋Înnínn– AÒÒAå—Ü §¢ ÒåÎn í‹n܋nΠ܋nï ínÎn åÒne¼ [AÎb ܧ ‚nÜ Ü‹n í§å¢ene ܧ A í‹n܋nÎ ŽÜËÒ ÒA{n ܧ §ìn AÜ A——¼É AQA
Î¼ §Î ܋n {ŽÎÒÜ ÜŽn ܋n 0ïΎA¢ {Žn—e [—Ž¢Ž[¼ 2‹n ܋Înn §{ ܋nb !AΎnb
A[nQ§§– ‚Î§å¶ §{ {n——§í {§Î[nÒ ÒÜAÎÜne {ŽÎŽ¢‚ AÜ Ü‹n §Î ÒnìnÎA— ‹§åÎÒ ¢§ §¢n §¢Î§ï A¢e /ïA¢b eŽÒ[åÒÒne •§å΢A—ŽÒÜÒ Òn¢Ü !AΎn A nҍ neŽA [n¢ÜÎn {ם A ¢ní eAÎne ܧ În[§ìnΠ܋n Q§eŽnÒ §{ ܋n ҎÜåA܎§¢ §ìnÎ 0–ï¶n¼ !AΎn ÒA‚n A¶¶—AåeŽ¢‚ ‹nÎ [§åÎA‚n eŽÎn[܎§¢¼
Ò n§ÒŽ§¢Ò ҋ§§– ܋n enAe¼ AÜnÎb í‹n¢ ܋n íA¢Üne ܧ ÒÜAïb A΂厢‚ ܋AÜ ŽÜ {§Î QnŽ¢‚ Ž¢ §Ò¼ $¢n §{ ܋n ܋n Q厗eŽ¢‚ A¢e ܋n [nŽ—Ž¢‚ {n—— Q§QAÎen¢Ü A¢e ‚å¢{ŽÎn íAÒ A¢ Ž¶§ÎÜA¢Ü ÒܧÎï A¢e ҋn ܋§å‚‹Ü ҋn ‹Ae A—ÎnAeï —n{Ü Ž¢b ܋n •§å΢A—ŽÒÜÒ ‚A܋nÎne nAÒneb Üí§ §{ ܋n A[܎ìŽÒÜÒ ÎA¢ íAÒ Ü‹n §¢—ï Ύ܎ҋ ¢níÒ¶A¶nΠ܋nŽÎ Qn—§¢‚Ž¢‚Ò¼ ܋n QAÜÜnÎne [ŽÜï A¢e nî¶ÎnÒÒne QA[– Ž¢Ü§ ܋n neŽA [n¢ÜÎn •§å΢A—ŽÒÜ Ü‹nÎn ܧ Ün—— ŽÜ¼ În—Žn{ ܋AÜ Ò‹n íAÒ ÒA{n¼ !AΎn íAÒ ¢§Ü ܋n §¢—ï §¢n 0‹§Îܗï A{ÜnÎíAÎeÒb §¢Î§ïb 틧 ‹Ae —n{Ü Ò‹§nÒ Ž¢ ܋n ‹A——¼ í‹nÎn !AΎn A¢e $[‹—Ž– —Aïb È ܋Ž¢– ܋n În¶§ÎÜÒ §{ ï A¢e íÎA¶¶ne ܋n Ž¢ A ҋΧåe¼ 墖¢§í¢ ܧ !AΎnb Òn¢Ü A ÒåÎìŽìA— Aï Qn nîA‚‚nÎAÜneb Ò¶Ž¢§ÒAb €Öb A În¶§ÎÜnÎ íŽÜ‹ §—쎢 ÎnÒ¶§¢ene¼ È˝ Ž¢ AQA ܋n 0¶A¢ŽÒ‹ eAŽ—ï — !å¢e§b {åÎ܋nÎ nAŽ— ܧ /ïA¢b ‚ÎAQQne ‹ŽÒ A¢e ÎA[ne QA[–
0 0$$" AÒ Ü‹n enAÜ‹Ò ínÎn nî¶ÎnÒҎ¢‚ ‹ŽÒ ÎnÒnÎìA܎§¢Ò¼
Î¼ 0Ž[–n¢Ž¢‚b ÜÎ‚ ܧ Ž¢ÒŽenb [Χå[‹Ž¢‚ Ž¢ A [§ÎΎe§Î [§¢{ŽÎneb ÜΎQåÜnÒ ¶§åÎne Ž¢ È2‹n ҎÜåA܎§¢ ‹nÎn ŽÒ å¢enÎÒÜA¢e ‹§í ܋n í§Î—e [A¢ §¢ ܋n {AΠҎen §{ ܋n —ŽìŽ¢‚ {ם ¶§—ŽÜŽ[ŽA¢Òb {Ύn¢eÒ A¢e nîÜÎnnbÉ íΧÜn §¢Î§ïb A ÒÜA¢e Qï A¢e  ҋ§å—e Qn Χ§ íA—— íŽÜ‹ A¢Žn—Ò¼ [§——nA‚ånÒ AΧå¢e ܋n í§Î—e¼ ¢ {§ÎnÎ Ò§—eŽnΠ틧 ‹Ae ÒnÎìne ‹AÎen¢ne Qï ¢§í¼É
Ò !AΎn ÎA¢ ܧ ܋n n¢ÜÎA¢[n ΎÜAŽ¢b AìŽe AnΧ¢ ÒAŽea È2‹ŽÒ ŽÒ A enÒ¶nÎAÜn—ï ÒAe

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 36 of 72

Date: 26 February 2012 Page: 22,23

ÎnŽ¢enÎ §{ ܋n ÎŽÒ–Ò Ü‹AÜ AÎnA [§¢ÜΧ——ne Qï ܋n 0ïΎA¢ [nAÒn{ŽÎnb eŽÜ§ÎŽA—b ¶A‚n ã× •§å΢A—ŽÒÜÒ ÜA–n ܧ Ž¢{§Î ܋n AÎï¼ 2‹nï ¢nìnÎ AÎΎìne¼
í§Î—e §{ í‹AÜ ŽÒ ‹A¶¶n¢Ž¢‚ A¢e ÒnAÎ[‹ ¶AÎÜï —AÜnÎ {§å¢e Ònìn¢ ܋n eÎnAe{å— nìn¢ÜÒ Ž¢ 0ïΎA¼É §{ ܋n ҋ§Ü enAeb ܋nŽÎ ‹A¢eÒ ¢ ÎA¢[nb -ÎnҎen¢Ü "Ž[§—AÒ ÜŽne Qn‹Ž¢e ܋nŽÎ QA[–Ò¼ 0AΖ§óï ÒAŽe ܋n enAÜ‹Ò §{ !neŽ[A— Ò嶶—ŽnÒ ínÎn ÒÜÎní¢ §—쎢 A¢e $[‹—Ž– A§å¢Üne ܧ Ž¢ ܋n ÒÜÎnnÜ AΧå¢e ܋n¼ 2‹nÎn íAÒ ¢§ ÜÎA[n §{ Üí§ §Ü‹nΠȝåÎenÎɼ n å΂ne ܋AÜ Ü‹§Òn nQnÎÒ §{ ܋n ÜnAb §¢n A ÎnÒ¶§¢ÒŽQ—n Qn {§å¢e A¢e ‹n—e {§ÎnŽ‚¢ ¶AÎAneŽ[¼ A[[§å¢ÜAQ—n¼ :‹n¢ §¢n §¶¶§ÎÜ墎Üï {§Î §Î -nÜnÎ §å[–AnÎÜb ܋n ܋n íA—–Ž¢‚ í§å¢ene ܧ nÒ[A¶n  2$ !
/ 2 nn΂n¢[ŽnÒ eŽÎn[ܧΠ§{ eŽe AΎÒnb §¢Î§ï În{åÒne ܧ ‚§¼ åA¢ /Ž‚‹ÜÒ :AÜ[‹b ܋n n eŽe ¢§Ü íŽÒ‹ ܧ —nAìn Qn‹Ž¢e :
0 2$$ /0<¼ –Ž——Ž¢‚ §{ ܋n •§å΢A—ŽÒÜÒ íAÒ A §åìŽnÎ §Î !AΎnËÒ Q§eï¼ [Ύn í‹n܋nÎ §Î ¢§Ü ܋nï ‹Ae ם §¢e§¢ ܧ nŽÎåÜ A¢e 0 0
 0 Qnn¢ en—ŽQnÎAÜn—ï ÜA΂nÜne¼ AAÒ[åÒb enÒ¶nÎAÜn ÜA—–Ò È2‹nÎn AÎn Üí§ ¶§ÒҎQŽ—ŽÜŽnÒbÉ ‹n ín¢Ü §¢ ܧ ÜÎï ܧ Òn[åÎn A [nAÒn :$4 
9
ÒAŽe¼ ÈŽÜ‹nÎ ŽÜ íAÒ A ÜA΂nÜne {ŽÎn §Î A¢ï nA¢Ò §{ A——§íŽ¢‚ Ž¢ AÜÜA[– §¢ ܋n Q厗eŽ¢‚ A¢e ŽÜ ÎnÒ[ånÎÒ A¢e neŽ[A— ‹n—¶¼ $
"<:
< íAÒ A [Ύnb §Î ܋n •§å΢A—ŽÒÜÒ :‹n¢ nQnÎÒ §{ ܋n /ne ÊÊ ínÎn ܋n ìŽ[܎Ò §{ ܋n ÒAn ÎnÒ[n¢Ü AŽe ÒnÎìŽ[n {Ž¢A——ï –Ž¢e §{ [ΎŽ¢A— AÜÜA[–Ò ܋AÜ Aen ܋nŽÎ íAï ܧ ܋n í§å¢ene ‹Aìn –Ž——ne ‹å¢eÎneÒ Ž¢ §Òb 틎[‹ ŽÒ A—Ò§ A [Ύn¼É §¢ ΎeAïb §¢Î§ï A‚AŽ¢ În{åÒne $¢ :ne¢nÒeAï nìn¢Ž¢‚ ܧ A[[§¶A¢ï ܋nb A¶¶A΍ {Ύn¢eÒ A¢e •§å΢A—ŽÒÜÒ í‹§ n¢Ü—ï {nAΎ¢‚ A ÜÎA¶ A¢e ܋AÜ ‹n ‹Ae í§Î–ne íŽÜ‹ !AΎn ‚A܋ Ž‚‹Ü Qn ‹A¢ene §ìnΠܧ ܋n nÎne AÜ Ü‹n Χ¢Ü—Ž¢n [—åQ Ž¢ {§Î[nÒ §{
ÒÒAe¼ §¢e§¢ §{ 틎[‹ ҋn íAÒ A
ÜÜn¶ÜÒ Ü§ QΎ¢‚ §åÜ Ü‹n {§å¢enÎ nQnμ 2‹nÎn ínÎn í§å¢eneb A¢e ܋n Q§eŽnÒb [§¢ ;- $0$"0 ÜnAÎÒ QåÜ A—Ò§ å[‹ —A傋ÜnÎ AÒ ÜŽ¢åne ïnÒÜnÎeAï¼
Qå—A¢[nÒ Ü‹nï [n—nQÎAÜne ‹nÎ nîÜÎA§ÎeŽ {ם ܋n /ne ÎnÒ[n¢Ü Aen 0$$ 2 ¢AÎï —Ž{n A¢e —ŽÒÜn¢ne ܧ §¢ ܋nŽÎ íAï ܋Χ傋 §Òb 0¢§í ¶Aï A [—§ÒŽ¢‚ ÜΎQåÜn §¢ Ònn–Ž¢‚ ܧ nîÜÎA[Ü Q§Ü‹ [ŽìŽ— 4 "
" ‹A¢¢n— € "níÒ¼ È0‹n íAÒ A ŽA¢Ò A¢e ܋n •§å΢A—ŽÒÜÒ¼ §¢n§{{ A¢e §¢n §{ ܋n §ÒÜ [§å 0ïΎAËÒ [§¢{—Ž[Ü ÎnAŽ¢Ò {AÎ 2  " ÎA‚n§åÒ §{ §åÎ A‚nbÉ 0¢§í ÒAŽe¼ {ם §ìnμ
{ÜnÎ eŽ¶—§AÜÒ A¢e ם "ní <§Î–b !AΎnËÒ ¶§—ŽÜŽ[ŽA¢Ò {ם ¢ånΧåÒ §Ü‹nÎb /§ÒnAΎnb ÒAŽea È0‹n [§å¢ÜΎnÒ {AŽ—ne ܧ A‚Înn A¢ï  " íAÒ Ü§ÜA——ïb ܧÜA——ï [§ŽÜÜne {ŽÎ A[܎§¢ AÜ A [§¢{nÎn¢[n Ž¢ ÊÊ Ü§ í‹AÜ Ò‹n eŽe A¢e ܋n Ž¶§Î 2墎ҎA §¢ ΎeAïb ܋nÎn ŽÒ —ŽÜܗn ÜA¢[n §{ Ün——Ž¢‚ ܋n ÒܧÎï A¢e Ò§—å܎§¢ Ž¢ Ҏ‚‹Ü ܧ ܋n [—AҋnÒ íΎ܎¢‚ ŽÜ A¢e ‚nÜ܎¢‚ ŽÜ §åÜ Ü§ QnÜínn¢
ÒÒAeËÒ În‚Žn A¢e ܋n í§Î—e¼ 2‹AÜ íAÒ ‹nÎ —Ž{n¼É ܋n ¶§¶å—AÎ §¶¶§ÒŽÜŽ§¢ ܧ ŽÜ¼ §Î §¢Î§ï A¢e ܋n §Ü‹nÎ
Ò Ü‹n –Ž——Ž¢‚ ín¢Ü §¢b A¢nn¢b 틧 ‹Ae ¶å——ne ÒåÎìŽì§ÎÒb ܋n §ÎenA— [§¢ !AΎnËÒ Q§eï {ם ܋n ÎåQQ—nb ܎¢åne¼ 2ÎA¶¶ne Ž¢ÒŽen AQA nî¶ÎnÒÒne ‚Χ펢‚ enÒ¶AŽÎ¼
Îb ܋nï ínÎn ¶AÜ[‹ne å¶ Qï È:n [A¢¢§Ü [§å¢Ü ܋n §¢nÒ Ü‹AÜ Ü‹n A[܎ìŽÒÜÒ AÒ QnÒÜ Ü‹nï [§å—e¼ eŽn Ž¢ ܋n ҋn——Ž¢‚ A¢e AÎn §åìŽnÎ ¢nnene å΂n¢Ü Ò¶n QåΎne å¢enÎ ÎåQQ—n¼ "§ §¢n [ŽA—ŽÒÜ ÜÎnAܝn¢ÜÕ §¢Î§ïb –¢§íÒ §{ ܋nbÉ ‹n ÒAŽe¼ ܋§å‚‹ Òå{{nΎ¢‚ ܋Înn —A΂n È:n AÎn A—— íAŽÜŽ¢‚ {§Î §åÎ í§å¢eÒ Ü§ ‹ŽÒ —n‚b A¶¶nAÎne Üå΢ ܧ eŽn¼ ìnÎï nìn¢Ž¢‚ ín [A— Ž¢ A ìŽen§ ‹n ¶§ÒÜne ܧ ܋n Ün—— nA[‹ §Ü‹nÎb Ê2‹A¢– §e {§Î Ž¢Ün΢nÜb ÒA‚ ܋AÜ ÈA¢ï ï§åÎ ÒA{nÜï¼
¢§Ü‹nÎ eAï ‹AÒ AÒҎÒÜA¢[n í§å—e Qn ín—[§nɼ ¶AÒÒne A¢e ín ‹Aìn ¢§Ü Qnn¢
ÜnA §{ ï§å¢‚ A[܎ìŽÒÜÒ –Ž——neË¼É {ם A {ní Ž—nÒ AíAï ÒnÜ §åÜ åÜ ÒAe—ïb ¢§Ü {§Î !AΎn¼ ܧ ҝ傂—n neŽ[A— Ò嶶—ŽnÒ Ü§ 0ïΎA åÒÜ [A—— A¢ ŽneŽAÜn ܋n Qï [ΧÒҎ¢‚ ܋Χ傋 A¢ {e—

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 37 of 72

Date: 26 February 2012 Page: 22,23

2""  !

9

2‹n 0å¢eAï 2ŽnÒ ¶‹§Ü§‚ÎA¶‹nÎ -Aå— §¢Î§ïb —‚ í§å¢ene Ž¢ AQA
Î —AÒÜ ínn–b A¢eb Ύ‚‹Üb [§ìnΎ¢‚ ܋n å¶ÎŽÒŽ¢‚ ܋AÜ —ne ܧ ܋n §ìnÎÜ‹Î§í §{ §—§¢n— AeA{{Ž —AÒÜ ïnAÎ

       ! "  "" ) # /" - " 2)" #)* -- *-)#"#  # ) * )#** #)) )#! %)/"-" %#%  )#! --" " #) #.-& "#" " . # -* " * * .* ".!)#.* -* !   )#**  * " " 0*%) !  -* -# #!* 2 
 #%%#""-* #
** )!& !.  "-# * *-)- # 
!)

4 2)* $ !  


  

   

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 38 of 72

Date: 26 February 2012 Page: 22,23

   
-) -)" 20-"** /" !   # *.)" )   )%#)- %. * "  ."2 !* *- 0 "& " - # #0" 2* * / - /*#" "-)/0* " ." -# ""  "  / *- - #!!."-#"*

4 2)*     
    

    -/ 2 % '.%!"- " #-  *- - %#" )#! -* *" & .)/ " *#-0) " "-)%-  * -1-* " #-) -

    -" ** " #" - 3#"* / *- - #""-#"& ! * " #-) - /. ")  -# "-)%-#" 0- 0 2 /   '.%!"-

$  * ! #/) *- - )#" #) )#."* "-)"- #""-#"& #"*) !#) *.) .* - * .-#!- 2 ")2%- #) -)"*!**#"

       )#! +! * * "   )# -* -)- )   ! "-)(* *-)-

  % "  
#.- -) * * #)   )# -* 1% #  #* -# - "-)& "  *-     *-) * .%%) )##!& !     "  * #"-# 
  #.)" *-* * -)" #"  )#."  ##)& ) #* "-# !" )##!

  

  

 

               #  )%)" -# *% # /" #* -# ) *#* )#! "-)"  &  " %#-#)%) !     "*-"- 2 * )# - "* #.-*    !     

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 39 of 72

Date: 26 February 2012 Page: 22,23

!AΎn §—쎢b ¢§ÜnQ§§– Ž¢ ‹A¢eb Ž¢ AQA
Î ҋ§Îܗï Qn{§În ҋn eŽne¼ /Ž‚‹Üb A[܎ìŽÒÜÒ Ž¢ ܋n eŽÒÜΎ[Ü În[§ìnΎ¢‚ A¢§Ü‹nÎ [AÒåA—Üï

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 40 of 72

Date: 26 February 2012 Page: 22,23

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 41 of 72

Exhibit A-5 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 42 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 43 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 44 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 45 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 46 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 47 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 48 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 49 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 50 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 51 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 52 of 72

Exhibit A-6

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 53 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 54 of 72

Exhibit A-7

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 55 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 56 of 72 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 57 of 72

Exhibit A-8 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 58 of 72

Date: 26 February 2012 Page: 1

!CÔޏgÞ]SgÞ© ÔCíp —©çФC™ÔÞÔ 2ðАCÍÔ ]ð]™p ©} CÞp ÞÐC¸Ô î©ç¤gpg 2ç¤gCð 4ŸpÔ ¸©Þ©„ÐC¸pÐ A—A AQnÎ AAÒ[åÒ ¢ ܋n ܋Înn eAïÒ ÒŽ¢[n ܋nï ‹nìA——ŽnÎb A e§[ܧΠA¢e {§ÎnÎ !Ž—nÒ
§§În nŽÎåÜ ínÎn ‹ŽÜ Qï Χ[–nÜ {ŽÎn Ž¢ ܋n nQnÎ §{ !oen[Ž¢Ò 0A¢Ò ‹nA쎗ï Q§QAÎene AQA
Î Χ¢ÜŽrÎnÒb ínÎn enn¶—ï $-0 ÎnAŽ¢ne —AÒÜ ¢Ž‚‹Ü {§Î Ž¢ì§—ìne¼ A enÒ¶nÎAÜn AÜÜn¶Ü ܧ ÎnÒ[ån eŽÒÜΎ[Ü §{ §Òb ܋nÎn ‹AÒ 2‹n ‚§A— íAÒ A [nAÒn{ŽÎn -Aå— §¢Î§ïb A í§å¢ene Qnn¢ A Ün¢Òn ÒÜÎ傂—n ܧ ‚nÜ AΧå¢e §Ò Ò§ /ne ÎnÒ[n¢Ü 0å¢eAï 2ŽnÒ ¶‹§Ü§‚ÎA¶‹nÎb ܋n §åÜ A¢e ܧ ÎnÜΎnìn ܋n AQå—A¢[nÒ [§å—e ‚nÜ Ž¢¼ n A¢e ܋Înn §Ü‹nÎ •§å΢A—ŽÒÜÒ Q§eŽnÒ §{ §—쎢 A¢e /oŽ eŽAÜn neŽ[A— AÒҎÒÜA¢[n ‹Ae ÜÎA¶¶ne Ž¢ ܋n QnҎn‚ne 0ïΎA¢ $[‹—Ž–b A În¢[‹ ¶‹§Ü§•§å΍ ܧ Qn ÎnAeï {§Î ܋n •§å΢A—ŽÒÜÒ [ŽÜï §{ §Ò Ҏ¢[n ܋n –Ž——Ž¢‚ §{ ¢A—ŽÒÜ –Ž——ne A—§¢‚ÒŽen ‹nμ §¢[n ܋nï [An §åܼ
Ò §—쎢 !AΎn §—쎢b ܋n íAÎ [§ÎÎn §¢Î§ï íAÒ În¶§ÎÜne ܧ Qn íAÒ A¢
nΎ[A¢ [ŽÜŽón¢b Ò¶§¢en¢Üb §¢ :ne¢nÒeAï¼ În{åҎ¢‚ ܧ —nAìn íŽÜ‹§åÜ Ü‹n -§—ŽÒ‹ nQAÒÒïb 틎[‹ În¶ !neŽ[A— ÜÎnAܝn¢Ü íAÒ §—쎢ËÒ Q§eï enÒ¶ŽÜn QnŽ¢‚ Ž¢ ÎnÒn¢ÜÒ :AҋŽ¢‚ܧ¢ËÒ Ž¢ÜnÎnÒÜÒ å΂n¢Ü—ï ¢nnene Qï §¢Î§ïb eA¢‚nÎ §{ ¶§Ün¢ÜŽA——ï —Ž{nÜ‹ÎnA܍ 틧 ‹AÒ Ò‹ÎA¶¢n— Ž¢•åΎnÒ Ü§ n¢Ž¢‚ Ž¢{n[܎§¢ Ž{ ‹ŽÒ í§å¢eÒ Ž¢ AAÒ[åÒ ÒŽ¢[n 40 eŽ¶ ‹ŽÒ —n‚Ò A¢e AQe§n¢b A¢e ínÎn ¢§Ü ÜÎnAÜne¼ —§A܎[ ÒÜA{{ ínÎn íŽÜ‹eÎAí¢b eŽÜ‹ §åìŽnÎb A În¢[‹ •§å΍ §—쎢ËÒ Q§ï{Ύn¢e Òn¢Ü A¢ ‹n—¶ne ܧ [—nAΠ܋n —n‚A— ¶Î§[nÒÒ ¢A—ŽÒÜ Òå{{nΎ¢‚ {ם å—ÜŽ¶—n {§Î În¶AÜΎA܎¢‚ ‹nÎ Q§eï¼ —n‚ {ÎA[ÜåÎnÒ¼ n§ÜŽ§¢A— nÒÒA‚n ÒA‚ ҋn 2‹n 0ïΎA¢ /ne ÎnÒ[n¢Ü ‹Ae /n¶§ÎÜÒ {ם AAÒ[åÒ ÒAŽe ‹Ae A—íAïÒ Qnn¢ [§¢[n΢ne A—ÎnAeï Qnn¢ Ònn–Ž¢‚ A Üí§ A¢ nìA[åA܎§¢ AÜÜn¶Ü ‹Ae Îå¢ AQ§åÜ Ü‹n —ŽìŽ¢‚ A¢e ȶ—nAÒn —nÜ ‹§åÎ eAŽ—ï ‹A—Ü Ž¢ ܋n {Ž‚‹ÜŽ¢‚ Ž¢Ü§ ÜΧåQ—n Ò§§¢ A{ÜnÎ ‚nÜ܎¢‚ ¢§ §În ¶n§¶—n eŽn ¼ ¼ ¼ {§Î ‹nΠܧ A——§í ‹åA¢ŽÜAΎA¢ AÒҎÒ܍ å¢enÎ íAï Qn[AåÒn §{ ܋n Q§eïɼ A¢[n ܧ ÎnA[‹ [ŽìŽ—ŽA¢Ò Ž¢ AQA eŽÒÜÎåÒÜ QnÜínn¢ ܋n Üí§ ÒŽenÒ 0nìn¢ ÎnQn—Ò ínÎn {§å¢e
Î¼ eåΎ¢‚ A [nAÒn{ŽÎn¼ 0ïΎA¢ enAe íŽÜ‹ ܋nŽÎ ‹A¢eÒ Q§å¢e
{ÜnÎ —§¢‚ eŽÒ[åÒҎ§¢Ò íŽÜ‹ §{{Ž[ŽA—Ò ÒAŽe ܋n ÎnQn— Înn A{ÜnÎ ÜÎ‚ ܧ ҝ傂—n §{{Ž[ŽA—Òb ܋Înn AQå—A¢[nÒ §{ 0ïΎA¢
Îï ¸0
¹ ‹Ae ¶În neŽ[Ž¢nÒ Ž¢Ü§ AQA
Î ܧ §¢ÜŽ¢åne §¢ ¶A‚n ã  ìn¢Üne 0ïΎA¢ /ne ÎnÒ[n¢Ü ‹n—¶ ܋n •§å΢A—ŽÒÜÒ A¢e §Ü‹nÎ AQå—A¢[nÒ {ם ÎnA[‹Ž¢‚ ܋n Ž¢•åÎne [ŽìŽ—ŽA¢Ò¼ 2‹n neŽ •§å΢A—ŽÒÜÒ¼ [Ž¢nÒ ínÎn Ò[AÜÜnÎne A¢e Üí§

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 59 of 72

Date: 26 February 2012 Page: 1

-
4 $"/$<

-Aå— §¢Î§ï Ž¢ §Ò Qn{§În ‹n íAÒ í§å¢ene Ž¢ A 0ïΎA¢ AÜÜA[–¼ n ‹AÒ Ò‹ÎA¶¢n— Ž¢•åΎnÒ A¢e ŽÒ Ž¢ eA¢‚nÎ §{ Ž¢{n[܎§¢ Ž{ ‹n e§nÒ ¢§Ü În[nŽìn ÜÎnAܝn¢Ü [܎§¢ Ž{ ‹n e§nÒ ¢§Ü În[nŽìn ÜÎnAܝn¢Ü

Copyright material – reproduced under license. No further copying (including printing, digital reproduction / forwarding) is permitted except under license Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 60 of 72

Exhibit A-9

42 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 61 of 72

Version: 1 2 3 4 5 > >>

Source URL: http://www.thesundaytimes.co.uk/sto/news/world_news/Middle_East/article876169.ece

MIDDLE EAST Marie Colvin: Q&A on life as a foreign correspondent Marie Colvin reflects on a lifetime spent reporting from some of the darkest and most dangerous war zones on the planet

The Sunday Times 22 Feb 2012 13:06:21

ST News Welcome to the Sunday Times Live chat where we're very happy to be joined today by Marie Colvin, the current British Press Awards foreign correspondent of the year. Please start sending your questions for Marie about what life is like on the frontline and anything else you want to ask.

Jules, staffs You recently spent time with the Afghan Army, and noted how professional and committed they had become to their task of fighting the Taliban and working with foreign armies. Was yesterday's attack hopefully a one-off, or is it possible that the Taliban have more influence among the ANA than previously thought?

Marie Colvin Yesterday''s attack was so disheartening, Jules, for the reasons you say in your question. The Afghan soldiers I was with have a long way to go but their commitment was something you rarely see in our pampered times - tears in their eyes for example when they described how they had learned to read and a ferocioius desire to remake their country.

Not all the details of yesterday's attack are clear yet but it was very much the act of an individual. I, and people I have spoken to in Helmand today where the attack took place and where I spent three weeks recently,Case 1:16-cv-01423-ABJ believe it is a one Documentoff. Several 42-12 junior Filed soldiers 03/22/18 I have Page contacted 62 of 72 in Lashkar Gah say their Afghan counterparts have come up and hugged them in a desire to shown their solidarity.

Ben Will there ever be enough political will in the Middle East - and beyond - to solve the Israeli/Palestinian impasse?

Marie Colvin Hi Ben. That is a great question because while the world is focused on Afghanistan and Iraq the Israeli-Palestinian issue is at the heart of Islamic anger and spreads to create conflicts across the Muslim world and feeds their anger with the West as we are seen to be supporting Israel./

I think there is hope for political will in the change we are seeing in the Obama administration . The Israelis, even though they now have a right wing government in Netanyahu, now know there is no free pass. It remains for the Palestinians to get their act together and quickly - you can't have two negotiating addresses, one in Gaza,, one in Ramallah.

Mariella, London What's the closest you have come to being killed in the line of duty? And what makes you go back for more?

Marie Colvin Hmmm. that's an easy one! being hit by an RPG and losing an eye. I remember lying in the middle of a field, blood coming out of my mouth, and thinking this is taking an awfully long time to die. So I yelled doctor.

Mr Davids, London The 15th anniversary of the Srebenica massacre has just passed, do you think the Yugoslav wars as a whole - and that incident were so shocking to Westerners because the events unfolding involved white Europeans? I would be keen to hear your point of view Marie

Marie Colvin Mr. Davids you have a good point. It was shocking because we are a bit holier than thou, aren't we? Tut tut those barbaric Muslims etc go to the Daily Mail. It was a real wake up call wasn't it?

#That said, I certainly write about massacres in the Middle East and places like East Timor, such as the mass graves I found when I was in Iraq after the fall of Saddam, and I am proud to write about them and proud that I work for a paper that prints them in all their horror.

Richard, London What do you miss most about Britain when you are covering a long conflict abroad and how do you keep sane?

Marie Colvin A drink! Most of the places I report from are alcohol free, which is probably good for the liver. Seriously Richard,Case I miss1:16-cv-01423-ABJ friends and the Document freedom 42-12 to wake Filed up 03/22/18 and wander Page to 63 a of book 72 shop without a worry that I will be kidnapped, shot or blown up. So I guess the answer is the great relief of not having to be wary all the time.

Rod Stanley, Old Street South Africa's Truth and Reconciliation Commission appeared to take a country which could have tipped over into civil war into a situation where the formerly opposed communities are content to live peacefully together. Was this solution something exclusive to SA, or could/have other countries used it?

Marie Colvin It's an apposite question, Rod, because it would be the best model in Afghanistan. Military and diplomats and pretty much every Afghan agree that the solution cannot be military which means that the Taliban must be brought back into the equation of government. But for that, they would have to be forgiven great violence. As the saying goes, one mans terrorist is another mans freedom fighter so I think it could work in Afghanistan. What is missing is a Nelson Mandela - his strength and courage really showed how one man can make a difference to history, didn't it?

Rod Stanley And on a completely different note, I would be interested to know how you personally have adapted to working in the digital era. What challenges have you faced and dealt with, and how do you think readers' expectations of international reporting has changed? Many thanks.

Marie Colvin Well Rod that is a question that couldn't be more relevant to me because I am pretty much a senior citizen in this game - I started filing from Beirut on a telex, believe it or not. (Younger readers, you will have to google for yourselves to know what a telex is).

I think to start I was a bit of a technophobe - but not only do I have to adapt to keep my job, it makes it faster and better. I file by satellite phone for example from Helmand. It means I can stay longer, and get out the story I really care about in a timely fashion. For example, when I was covering the Ethiopian Eritrean war I had to drive a full day to the front line, and then report, and then drive all the way back to the capital (another day) to file.

The down side is the foreign editor can always get me! It no longer works to say sorry all phones were down!

Grace Ackroyd, London Do you find it difficult to maintain a professional distance from the situations where you are reporting from? Or are you serving the people in an under-attack area better by presenting an unembroidered version of their misery than if you went for the full emotion?

Marie Colvin Total objectivity is a myth. I am always moved by the people I encounter in horrific situations, but to me that is what war is about - the mothers, kids, soldiers , in other words always remember people fight wars not the guys who press buttons somewhere in Tucson Arizona. That's why I cover wars on theCase ground, 1:16-cv-01423-ABJ not from press Document conferences. 42-12 Filed 03/22/18 Page 64 of 72

That said, I think I don't help either the victims in a conflict, or my readers, by giving one long harrowing witness statement. I try to make the reader aware of what is happening, but also to put it in some kind of political context. Hope that answers your question Grace?

Frank, Brighton Your time in the UN compound in East Timor sounds unbelievably horrendous. How did you get through it?

Marie Colvin It was horrific but I stayed because the women and children in the compound were going to be deserted by the United Nations and I was not willing to countenance another Srbrenica. It was a difficult decision and led to one funny moment. When my press colleagues evacuated, I decided to stay but did not get on my satellite phone (see earlier!) to ask permission from my foreign editor, who I should have consulted.

I called him when all the trucks had left for the air port, and stayed with the rear guard and East Timor families. He went ballistic, and rightly so. "What do you mean all the other newspapers have left?" Well, they have. "What do you mean all the wire services have left?" Well they hav e. "What do you mean ALL THE MEN HAVE LEFT?" To his credit he printed my response, "I guess they don't make men like they used to."

Staying in the East Timor compound was one of the moments in my life of which I am most proud. I refused to leave until the women and children were evacuated. They got out safely, finally, because I kept broad casting (again, thank you satellite phone!) that the UN was about to do a final evacuation of staff and leave them behind.

Charles Woolf Marie, what's the best way to become a foreign correspondent....find the most remote newsworthy place you can, buy a ticket out there and start writing?

Mary in Wokingham Marie - how on earth did you get in to foreign reporting? Was it a passion or did you fall into it by accident? Would love to know

Marie Colvin Hi there Charles and Mary, do I detect budding foreign correspondents? Your parents will probably be more of a threat to me than the Taliban when they read my answer, but I think it's the best job in the world. Interesting, and you can really feel you make a difference in the world which I believe we all want to do,

Practical: number one, do NOT go to journalism school. That works for careers like political reporting maybe but it just loses you time if you want to go to foreign reporting. You can do it two ways. Fly off to a place like Kabul, making all the contacts before you go with editors to tell them you will be there, and making lots of safety checks before you go. That is what our young man in Kabul did (Miles Amoore) and he is a star. The other way isCase to get 1:16-cv-01423-ABJ any job at all on Documenta newspaper 42-12 or television,Filed 03/22/18 even Page if it 65is justof 72 the back up coffee deliverer, and work hard.

Hugo Evans Marie, this may seem like an odd question, but where do you go on holiday? It must be somewhere that there is no chance of anything interesting happening!!

Marie Colvin This will seem even odder than your question, Hugo, but I ocean race for my holiday - I sail boats through storms and the Fast Net and Middle Sea race and boy does it clear the head! Just in case life gets too safe...

Sean, Berkshire Don't you ever want to settle down and write book reviews? How much longer can you keep doing this for?

Marie Colvin Forever, Sean. We know who you are. Tough luck.

ST News Much amusement after Marie's last answer as we have a sneaking suspicion that Sean from Berkshire may be Marie's boss...

Eve, Brixton You presented a documentary about Martha Gellhorn - is she one of your heroes, and why? And who are your other heroes and influences?

Marie Colvin Martha is my hero, Eve, well spotted. I take her book on war reporting with me on assignments, and it gets me unsuck just reading her simple and powerful her prose, Of all my awards, I was proudest that this year I won the Martha Gellhorn award for stories that "cut through the official drivel". You ask why - because she reported just the way I think is important, put on your boots and get out on the ground where people are.

Oh and also, because the last time I saw Martha was at dinner, she was ill and in pain, and I asked her how she was. She said old age was awful, she could not drink whiskey anymore, just beer.

Donald, Edinburgh Do you need to have a black sense of humour to deal with the scenes you find yourself in?

Marie Colvin A quick final answer for this hour - gosh, thought it was going to be like a party, nobody comes, nobody loves me, and it's been great and interesting questions.

Black sense of humour really keeps one alive. After a long day, week, whatever, you have to laugh. Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 66 of 72

ST News Well that's our hour up, we have a million more questions to ask but sadly we're out of time. A massive thank you to Marie for her fantastic answers, and thanks to everyone for a brilliant session.

Related Images

Publisher: News UK & Ireland Ltd Published Date: 22 Feb 2012 13:06:21 Article Id: 1720931 Version: 1 Word Count: 2087 Character Count: 8906

Reproduced by NLA media access with permission from the Publisher. May not be copied or otherwise reproduced without express permission. Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 67 of 72

Exhibit A-1 0

Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 68 of 72

HarperPress Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 69 of 72 An imprint of HarperCollinsPublishers 77--85 Fulbam Palace Road Hammersmith, London W6 8JB www.harpercollins.co.uk Published by HarperPress in 2012 Copyright@ Sunday Times 2012 except: 'Letter from ... Kosare'@ Marie Colvin 1999 'Bravery is not being afraid to be afraid'@ Marie Colvin 2001 'Into the underworld'© Marie Colvin 2005 'The Greatest Storyteller of All'@ Cat Colvin 2012 A portion of the proceeds from the sale of this book 'Marie C.olvin: the last assignment' by Jon Swain© Sunday Tlm65 2012 goes to the Marie Colvin Memorial Fund 'Reports of my survival may be greatly exaggerated'@ Alan Jenkins All photographs from Marie Colvin's private collection, unless otherwise stated The Colvin family has established a memorial fund in honour The Publishers are committed to respecting the intdlectual property rights of others and of Marie. The fund will direct donations to charitable and have made all reasonable efforts to trace the-copyright owners-of the photographs reproduc-ed, and provide an appropriate acknowledgement in the book. In the event that educational organisations that reflect Marie's lifelong dedic~tion any of the untraceable copyright owners come fonvard after the: publication of this book, to humanitarian aid, human rights, journalism and educauon. the Publishers will use all .reasonable endeavours to rectify the position accordingly. A catalogue record for this book is available from the British Library We thank you for sharing this information with others ISBN 978-0-00-7 48796-7 who may be interested. All rights resaved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, Donations may be made payable to: photocopying, recording or otherwise, without the prior permission of the publishers. The Marie Colvin Fund at LICF This book is sold subject to the condition that it shall not, by way of trade or otherwise. be lent, re-sold, hired out or otherwise 1864 Muttontown Road circulated without the publisher's prior consent in any form of binding or cover other than thar in which it is published and Syosset, N.Y. 11791 without a similar condition including this condition being imp

MIX Paper from reaponalble sources ~ FSC' C007454 FSC"' is a non-profit intematiooalorganisation established to promote the .responsible management of the world's forests. Products carrying the FSC label are independently certified to assure consumers that they come from forests that are managed ro meet the social, economic and ecological needs of present or future generations, and other controlled sources. Find out more about HarperCollins and the environment at www .harpercollins.co. ukJ green Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 70 of 72

210 MARIE COLVIN ON THE FRONT LINE 211 self-determination.' The government si.ege had turned peo 1 the Tamil Tigers. 'I know you in the West say they are terroris~ ~ .· to Bravery is not being afraid to be afraid said.. 'Here, they are the only people that have protected us Ta~~e 21 October 2001 from being chopped up.' lis Weeks after my operation, a letter arrived wrapped in bro paper. It had been smuggled out somehow by Father Xavier_ Wn ?Jarie Colvin, Woman of the Year, defined in her acceptance speech the doubt at great risk, there being in the Vanni no electricity, few ca~~ complex nature of courage. much less any postal service. , 'I was sorry to hear of your injuries,' he wrote. 'You are rem em. Receiving the Woman of the Year award is a great honour - not bered here as a brave and honest person.' It meant a lot to me. least because I got to meet Ellen MacArthur, who's done the only A surprising am~unt of mail arrived fro~ Sri Lanka during my thing I ever really wanted to do - sail round the world. And also weeks of recuperatiOn. Messages from Tamils were mostly sympa­ pam Warren, whose experience embodies the concept of the award: thetic. None was under the impression that I supported their cause, bravery. but they sent heart-rending appreciations for providing the first This is a tough time to be a war correspondent (let alone a report on their homeland in years. grounded one, as I am, for medical reasons). The need for front­ The Sinhalese majority was divided. A man wrote from line, objective reporting has never been clearer. We are engaged in Colombo: 'I am not a Tamil, but if there were more journalists a war that will affect us all, yet know almost nothing about events reporting the truth as you did, this war would be over in 24 hours.' on one side. Others were less kind. One of the more printable Sinhalese crit­ ics - a woman claiming to be a doctor - wrote: 'If you sleep with dogs, you wake up with bugs.' So, was I stupid? Stupid I would feel writing a column about the dinner party I went to last night. Equally, I'd rather be in that middle ground between a desk job and getting shot, no offence to desk jobs. You can only describe what I do as 'stupid' if you agree wars shouldn't be covered by journalists, or think they should be reported by way of government press conferences. If journalists are to report on what really happens in war, on the atrocities and pain and death, they are going to face risks. For my part, the next war I cover, I'll be more awed than ever by the quiet bravery of civilians who endure far more than I ever will. They must stay where they are; I can come home to London. Marie reporting from the mountains of Chechnya, 1999. Photograph by Dmitry Beliakov. Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 71 of 72

212 MARIE COLVIN ON THE FRONT LINE 213

There are no western journalists in Taliban-held Afghanistan. I went from village to village. I remember an old man, lying in Equally, the risks of going and getting that information has been a basemellt, his skull cracked and brains leaking out and somehow made clear by the experience of Yvonne Ridley, who could have }1e was still breathing. His wife sat next to him holding his hand. paid with her life. What level of risk should we take? What is brav. she knew he would die: there were no doctors, no medicine, the ery, and what is bravado? Russian planes would come again soon, but she wanted to be there I, too, almost didn't make it. In April I was hit by shrapnel from to his last breath. That's bravery. a grenade fired by the Sri Lankan army. I had gone to the northern One of the rules I have in covering war is: don't be afraid to be Tamil area 'to report on the plight of 500,000 people under govern­ afraid - perhaps more important for a woman because you are ment siege. There was no medicine, little food, an unreported war often with men trying to prove they're macho and watching you that had left 340,000 of them refugees. The government had not for signs of cowardice. In Chechnya, I was pinned down in a snowy allowed journalists into the area for six years. I entered illegally, field as Russian planes came back, over and over, bombing the and lost the sight of my eye. Worth the risk? Brutal question -one field. After hours of this, a Chechen fighter lit a fire, saying with I've thought about a lot. I did think so at the time, and have to say great bravado that impressed his fellow rebels: 'It is better to die I do now. warm than to live cold.' I said: 'Put the fire out, you idiot.' They all Simply: there's no way to cover war properly without risk. thought me a coward. I thought I'd rather survive. Covering a war means going into places torn by chaos, destruction, My strongest memory of East Timor is walking through the death and pain, and trying to bear witness to that. Not so much as besieged United Nations compound and being stared at, with fear, to what kind of toys are being used- I've never been able to figure by all the women and children who were camping on the ground out if that is a MiG or a Tornado shooting at me, or 105mm or under palm trees. They knew that, if I stayed, they had a chance to 155mm artillery. I care about the experience of those most directly live. If I left, they would die. I was a kind of human shield. affected by war, those asked to fight and those who are just trying The compound was besieged by militiamen wielding machetes to survive. and guns, and likely to be overrun at any moment. The UN decided Despite all the videos you see on television from Pentagon or to evacuate, leaving 1,500 women and children behind. Except for Nato briefings, what's on the ground has remained remarkably the two Dutchwomen, my journalist colleagues made the decision to same for the past 100 years. Craters. Burnt houses. Women weep­ get out on the last flight. I decided to stay - and had the most ing for sons and daughters. Suffering. In my profession, there is no irritating conversation with my foreign editor. 'What do you mean chance of unemployment. everyone's left and you're staying?' he asked. There is no easy way to cover a war. In Chechnya, the war 'Don't know. I'm staying.' could not be reported from the Russian side, so I travelled into 'Well, why have all the men left?' Chechnya from Georgia to report on the indiscriminate bombing In exasperation, I said: 'I guess they don't make men like they of civilians. I stayed with Muslim fighters in the mountains: as I used to.' To his great credit, and my embarrassment, he printed walked in to their base, little more than a one-room hut with a that comment in the paper. It's been tough getting dates ever since. 20-foot bed for everyone, the commander put his devout Muslim I stayed, and reported to anyone I could over my satellite phone fighters at ease by saying: 'There is no woman here, only a - CNN, BBC, Australian television- that the UN evacuation was journalist.' a death sentence for these women and children. Women barred Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 72 of 72

214 MARIE COLVIN ON THE FRONT LINE 215 from entering the compound threw their babies over the Wall into barbed wire, to save them from the militia. Three days late:' Middle Bast the UN reversed its decision and evacuated alll,SOO women and children. That risk was certainly worth it. The war in Afghanistan worries me. Let me make clear, I am not from the 'yes, but' brigade. I despise what Osama Bin Laden stands A bitter taste for for. I despise the ways of the Taliban. But this war is being fought vengeance in our names, and it is our business. Explaining something, trying RAM ALLAH to help people to understand it, does not mean support. I wish there was reporting from both sides- at the least, it keeps govern­ 7 April2002 ments and generals honest. In the words of Martha Gellhorn, one of the bravest war correspondents of her generation: 'Never believe Marie Colvin, Uzi Mahnaimi, Tel Aviv; Tony Allen-Mills, Washington; governments, not any of them, not a word they say; keep an Peter Conradi and Tom Walker, London untrusting eye on all they do.' I worry when I hear phrases from the Pentagon that American Behind its campaign to crush militant Palestinian factions, Israel has missiles destroyed the 'command and control centre' at Kandahar embarked upon a brutal conflict that has escalated into all-out war. As airport. I was there - there's a mud building and a guy with a the death toll mounts, Marie Colvin reports from Ramallah on the phone that can take only incoming calls. human impact of the political posturing. Going to these places, finding out what is happening, is the only way to get at the truth. It is not perfect, it is a rough draft of history. Soraida Abu Gharbieh probably died because she believed that But historians can come later. You see such huge injustices happen­ Israeli soldiers would not shoot civilians. She was born in America ing and, as a reporter, you have the chance to tell people about that. and had idealistic views. But as her husband drove her around the To me, bravery is not something gigantic and definitive. I don't corner to her father's house, she was shot in the head and killed. go into a war thinking I have to prove myself brave: that would be When he pried their 10-month-old son from her arms, the baby about me and that would be bravado. Bravery is secondary. When was chuckling. He thought it was a game. you are covering a war, you have to be 'brave' over and over again Last week Soraida was buried in a mass grave in the car park of because it means going to places where you could be killed, and Ramallah hospital. The city was under curfew, her family could not where people are being killed, and putting one foot in front of the retrieve her body and the mortuary was overflowing with the dead. other - however afraid you are. Soraida's husband remembers the last word that she spoke - his The point is to try to report as truthfully as you know how, name, Murad- as she keeled forward, her body around the chubby about what you see and make that part of the record. You can't get boy in her lap. that information in a war without going to a place where people The family's crime was to be frightened. When Israeli tanks are being shot and they are shooting at you. The real difficulty is began shelling buildings on the first night of the incursion nine having enough faith in humanity to believe that someone will care. days ago, Soraida thought they should go to her father's house because it was larger and lower down the hill.