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2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN .................................................................................................... -
"I Am Aware of Plan to Oust
THE BOTSWANA GAZEttE WEDNESDAY 02 JUNE 2021 MINISTRY CONCLUDESPAGE 1 INVESTIGATIONS ON MORAKALADI DISMISSAL? WEDNESDAY 02 JUNE 2021 FREE! PAGE 17 “Kitso ke maatla” OP TRANSFERS DCEC TOP BRASS Transfers at the top echelons of DCEC are exercising the minds of observers to find reasons for the move that has reportedly left the head of the corruption-busting agency hanging out to dry. STORY ON PAGE 2 Former DCEC director general, Brigadier Joseph Mathambo and the P100 Billion saga claim more casualties ScRAP THE "I Am Aware LAND BOARD! Of Plan To - BAKGATLA Oust Me" LEADERS - Kablay PAGE 10 PAGE 4 BURS CLOSES IN ON CONSTRUCTION TYCOON , P80M OWED PAGE 2 Check the Botswana website Check the Botswana website Visit sc.com/bw/bankmore/ Visit sc.com/bw/bankmore/ Standard Chartered Bank Botswana Ltd is regulated by Bank of Botswana Standard Chartered Bank Botswana Ltd is regulated by Bank of Botswana Check the Botswana website Visit sc.com/bw/bankmore/ Standard Chartered Bank Botswana Ltd is regulated by Bank of Botswana PAGE 2 NEWS WEDNESDAY 02 JUNE 2021 THE BOTSWANA GAZEttE zette, investigations show that the company made several false tax declarations between 2010 and 2018. In the process, over P100 million was transferred to a bank account in Canada where Liu’s family is said to be residing. Liu is also believed to have invested in property in Canada and the USA. Investigating sources say BURS believes that Sunshine Construc- tion had a turnover of around P500 million between 2010 and 2018 but only P7.5 million was surren- dered in tax to BURS. -
A Dialogue on Spirituality, Science and Humanity
2017 MIND & LIFE XXXII Botho/Ubuntu: A Dialogue on Spirituality, Science and Humanity A Mind & Life Dialogue with the Dalai Lama 17–19 August, 2017 BOTHO UNIVERSITY | GABORONE, BOTSWANA 11 AUGUST 2017 The Private Office of the 14th Dalai Lama informed the Mind & Life Institute today that due to health reasons, His Holiness is unable to travel to Botswana. The important conference will continue as scheduled at Botho University in Gaborone, Botswana. In a statement, the Dalai Lama said, “I was very much looking forward to coming to Africa again and visiting your country. I was especially interested in taking part in discussions of Ubuntu, which I feel reflects my fundamental belief that we are all interdependent and need to conduct ourselves with a sense of universal responsibility. Despite my absence, I am urging the conference organizers to continue with their plans, to hold valuable discussion and publish the results.” WELCOME It is with sincere gratitude to the people of Botswana that I welcome you to the Mind & Life Dialogue, “Botho/Ubuntu: A Dialogue on Spirituality, Science and Humanity with the Dalai Lama.” This historic event was carried forth from the imagination of visionary and determined individuals here in Africa, across oceans and continents to the monks of India, and passed along through the hardworking hands of event planners, government officials and scores of volunteers to this very moment. And now we are together — poised with shared optimism and ready to discover new ideas through expert teachings on Botho/ Ubuntu, healing from the legacy of wars and colonialism, and advancing social justice and women’s equality. -
Pioneers, Settlers, Aliens, Exiles: the Decolonisation of White Identity In
Pioneers, Settlers, Aliens, Exiles J. L. Fisher Pioneers, Settlers, Aliens, Exiles The decolonisation of white identity in Zimbabwe J. L. Fisher THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/pioneers_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Fisher, J. L. (Josephine Lucy) Title: Pioneers, settlers, aliens, exiles : the decolonisation of white identity in Zimbabwe / J. L. Fisher. ISBN: 9781921666148 (pbk.) 9781921666155 (pdf) Notes: Bibliography. Subjects: Decolonization--Zimbabwe. Whites--Zimbabwe. Zimbabwe--Politics and government--1980- Zimbabwe--Race relations. Dewey Number: 320.96891 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by University Printing Services, ANU This edition © 2010 ANU E Press Contents Abbreviations. ix Preface . xi 1 ..Introduction. 1 2 ..Zimbabwe’s.discourse.of.national.reconciliation . 27 3 ..Re-inscribing.the.national.landscape. 55 4 ..Zimbabwe’s.narrative.of.national.rebirth. 79 5 ..Decolonising.settler.citizenship. 103 6 ..The.mobilisation.of.indigeneity. 131 7 ..The.loss.of.certainty. 173 8 ..Zimbabwe’s.governance.and.land.reform.crises—a.postscript.201 -
Digital Music Report 2014 Shows a Fast-Changing, Dynamic Business Is Moving to Unlock It
ifpi_lift-off_ad_HD.pdf 1 28/02/14 14:23 Contents Introduction Long Live the Record Label 4 Plácido Domingo, Chairman, IFPI 24 Daft Punk: A physical campaign in the digital world Frances Moore, Chief Executive, IFPI Avicii: From club DJ to global superstar Hunter Hayes: The YouTube orchestra Facts, Figures and Trends Passenger and the Embassy of Music 6 Streaming and subscriptions surge Engaging fans in social networks in Brazil A diverse global market Katy Perry: A global phenomenon A mixed economy of revenue streams Tommy Torres: Harnessing the power of Twitter Revival in Scandinavia US stabilises as Europe grows Sweden: A Market Transformed Lighting up developing markets 34 A return to growth Attracting consumers to licensed services A continuous revenue stream Growing diversity Most Popular Artists of 2013 What next in Sweden? 12 Top selling global albums IFPI Global Recording Artist Chart China: New Hopes for a Licensed Music Market Top global singles 36 Moving to the paid model The importance of local repertoire Tackling piracy Lighting Up New Markets and Models Africa: Emerging Opportunity 16 The move to mobile 38 Digital services being established Access & ownership Expanding A&R activity The rise and rise of streaming and subscription More discovery, more from mobile Improving the Environment for Digital Music Streaming: “A sustainable income” 40 Consumer attitudes to piracy Monetising music video Website blocking proves effective Internet radio — looking globally vKontakte: Stifling a licensed business in Russia Engaging -
Mampi the Queen Diva: Articulating Feminism in Zambia's Fast Music By
Title Page Mampi the Queen Diva: Articulating Feminism in Zambia’s Fast Music by Mathew Tembo Bachelor of Education with Music, University of Zambia, 2009 Master of Music, Northern Illinois University, 2013 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2019 Committee Membership Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Mathew Tembo It was defended on August 21, 2018 and approved by Dr. Andrew Weintraub, Committee Chair, Music Department Dr. Michael Heller, Committee Member, Music Department Dr. Shalini Ayyagari, Committee Member, Music Department Thesis Advisor: Dr. Andrew Weintraub, Professor, Music Department ii Copyright © by Mathew Tembo 2019 iii Abstract Mampi the Queen Diva: Articulating Feminism in Zambia’s Fast Music Mathew Tembo, MA, Ethnomusicology University of Pittsburgh, 2019 Drawing on fieldwork and published literature on Zambia’s popular music and feminism, I analyze how Zambia’s fast music has provided spaces in which Zambian women musicians articulate feminism as they contest and challenge patriarchal hegemony. Zambia’s fast music is produced quickly, for profit, and consumed by a mass audience. Also colloquially known as Zed Beats, fast music blends indigenous Zambian rhythms with R&B, reggae, rap, Jamaican dancehall, hip-hop, and other popular music genres. Zambia’s fast music is sung in local languages, mostly urban vernaculars Bemba, Nyanja, and English, and celebrates the pleasures of the body. This thesis consists of three main sections. In the first section, I introduce Zambia’s fast music. -
Sito Ufficiale
SITO UFFICIALE www.aunitedkingdom.it A UNITED KINGDOM L’AMORE CHE HA CAMBIATO LA STORIA un film di AMMA ASANTE DAVID OYELOWO ROSAMUND PIKE Durata: 1h 45’ dal 2 febbraio al cinema US UFFICIO STAMPA Via Pierluigi Giovanni Da Palestrina, 47, 00193 Roma, ☎ +39 06916507804 Alessandro +39 3493127219 [email protected] Valerio +39 3357081956 [email protected] I materiali sono disponibili sul sito www.us-ufficiostampa.it DIGITAL PR – 404 Samanta Dalla Longa +39 06 98968055 [email protected] DISTRIBUZIONE VIDEA Via Livigno, 50 - 00188 Roma - Tel 06.331851 [email protected] - www.videaspa.it www.youtube.com/videa - www.twitter.com/videaspa www.facebook.com/videa “L'eredità di Sir Seretse Khama vive nel suo paese che continua ad essere un faro splendente di luce e di ispirazione." Nelson Mandela (2000) SINOSSI BREVE A UNITED KINGDOM – L’AMORE CHE HA CAMBIATO LA STORIA è basato su eventi straordinari realmente accaduti. Eventi straordinari che hanno trasformato il mondo in un posto migliore. Nel 1947, Seretse Khama, erede al trono del Botswana, incontra in un bar Ruth Williams, impiegata bianca londinese e tra loro è amore a prima vista. Un amore travolgente e passionale, che in breve tempo spinge i due a convogliare a nozze. Ruth è affascinata dall’ostinata volontà di Seretse di lottare per un mondo più giusto e decide dal primo momento di sposare e condividere quella stessa visione. Entrambi percepiscono la necessità di un cambiamento: Seretse vede nuove opportunità per il suo popolo in seguito all’indebolimento del potere dell’Impero Britannico, Ruth intuisce la possibilità di una "vita più grande", più importante nel movimento delle donne per l'indipendenza e per l'uguaglianza. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
Digital-Music-Report-2015
CONTENTS 4 25 Introduction Moving to a global release day in 2015 Plácido Domingo, chairman, IFPI Frances Moore, chief executive, IFPI 27 Country case studies 6 Brazil: a top performing market Market overview China: moving towards paid services An evolving portfolio business Germany: streams grow, CDs resilient Regional picture 32 10 Music and the wider economy Most popular artists and global bestsellers of 2014 The broader effect of investment in artists IFPI Global Recording Artist of the Year 2014 Music helps drive social media Top selling global albums & singles of 2014 Music and economic growth How streaming is changing the charts Tomorrow’s world 14 34 Key recording industry trends in 2014 Labels working with artists: four case studies Subscription drives the music portfolio David Guetta: using data intelligently New global services, more reach Lucas Lucco: artist and digital native Smartphones and partnerships drive growth Sam Smith: innovative promotion Getting subscription to the mass market Wakin Chau: interactive digital promotion Streaming revenue models Streaming services compete on curation 38 Payment options diversify Tackling digital piracy Downloads decline Consumer attitudes towards piracy Video streaming surges Website blocking Search engines 20 Advertising and payment providers New IFPI data shows artist payments Piracy and apps as share of revenues are up IFPI’s content protection work 22 41 Fixing the ‘value gap’ in digital music Digital music services worldwide Cover Taylor Swift photo by Sarah Barlow + Stephen Schofield Robin Schulz photo by Geturshot.com Wakin Chau photo courtesy of Rock Group One Direction photo by RJ Shaughnessy Lucas Lucco photo by Guto Costa Ed Sheeran photo by Ben Watts Katy Perry photo by Cass Bird This report includes new findings from a consumer study carried out by IPSOS in January 2015 across 13 of the world’s leading music markets (Australia, Brazil, Canada, France, Germany, Great Britain, Italy, Japan, Mexico, South Korea, Spain, Sweden, United States), www.ifpi.org commissioned by IFPI. -
Freaky Friday
the keeping you on the MaP 12.16 c mpass MaP’s Form Five Class of 2016 unleashing havoc on Freaky Friday FREAKY FRIDAY Ruby Njonde, 5L In true Freaky Friday spirit, Form Fives closed their show swaying from side to side, while an emergency message On the 14th of October, was broadcast on the projector. As Form Fives amassed in the the curtains closed, the entire form fell walkway for their final assembly. to the floor in a heap of white masks. Wearing black shirts and white masks, Freaky Friday took a more exciting they stared ominously at students filing turn during break, when the group into Maitisong. Freaky Friday began unleashed havoc on the field. with a heart-breaking, candle-lit Within minutes, it was full of younger tribute to Fiona Nyathi, who passed students covered in spray paint, mud, away in 2013. Her memorial was mayonnaise and unidentifiable green followed by an intimidating martial arts substances. Shoes were collected and presentation from Yuhan Zhang (5K), a strung up on the football goalposts. comical rap piece, and a spicy salsa The bounty was auctioned away at performed by Samantha Moon (5K). the end of break. In between, hilarious impersonations “To sum it all up in one word, the field of Mr Schmidt, Mr Acheampong, and was colorful,” said Mpapi Moloi (5J). Mr Tshwene were staged. From the Form Five’s perspective, A group of boys danced to O.J by the field was a testimony of the Troyboi, eliciting frantic cheers from hard work poured into two weeks of the audience.