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April 19-23, 1978 Carousel May 24-27, 1978 Finishing Touches July 26-29, 1978 You're A Good Man, Charlie Brown
Ann ARBOR CIVIC:: THEATRE Jacobson's Liberty at Maynard - Ann Arbor ANN ARBOR CIVIC THEATRE PRESENTS CAROUSEL Music by Richard Rodgers Book and Lyrics by Oscar Hammerstein 2nd Adapted from the play "Lilliom" by Ferenc Molnar Artistic Director/Choreographer James Posante Musical Director William W. Boggs Scenic Design Lighting Design Alice B. Crawford, USAA Eileen Wilkinson Costume Design Makeup Design Susan Alford Sophie Farah Amy Vuolo Assistant Director Stage Manager Richard Lewis Claudia Kerfoot Produced by Carol Deniston
Presented by special arrangement with the Rodgers & Hammerstein Music Library, New York.
AACT BOARD OF DIRECTORS
Susan Morris, President Joy Scarpuzza, Front of House Mark Bowles, Vice President Bettie Seeman, Social Jerry Scofield, Treasurer Carol Deniston, Minor Productions Runelda Medrano, Secretary Fred Beutler, Communications Steve Stannard, Production Coordinator Larry Hill, Property Management Claudia Kerfoot, Membership Harriett Kirk, Publicity sc ua.iillerer JEWELRY AND FINE WATCHES
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THE CAST
Jigger ...... • ... • ...... • ...... Terry Arment Principal ...... • .. _...... • ...... •..... Martha Krehbiel Louise ...... •...... • ..... Bridget Connors Carrie ...... •...... Susan Dawson Mr. Snow ...... ·... • ...... Jerry Epstein 1st Policeman ...... •...•..- ...... •..... Ed Glazier 2nd Policeman .... ·... . •. • ...... •.• ...... AI Hainen Starkeeper ..... : . . .. : ...... · ...... ·...... Harold Haugh Aunt Nettie ... _...... •...... _...... Barbara Hilbish Mrs. Mullin ...... · ...... Sandra Hudson Heavenly Friend ·...... · ...... Ed Lesher Carnival Boy ...... , ...... David Marshall Mr. Bascombe_ ...... · : ...... Dick Phillips Julie ...... Alison Reed Robison Billy ...... • ...... Thomas M. Scholten Enoch Jr ...... :: ...... Ed Smit Juggler ...... : . . .. , ...... Norman Sm it Captain ...... Charles Sutherland Beauty of Europe .-.- ...... , ...... Bridget Connors Snow Children ...... Jean Ann Chmielewski, Miriam Faith Epstein Paul Epstein, Danny Russo Ellen Wisniewski
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Chorus ...... Chris Barry, Pam Courtney Paul Couture, Thomas Farnell Steven Flynn, Ed Glazier, AI Hainen Jill Hoffman, Marilyn Kennedy jeff Krehbiel, Martha Krehbiel Brenda Lawrence, Ruth Lorenz Dick Phillips, judy Powers jacqueline Radlow, judy Robison Mary Beth Seiler, Norman Smit Charles Sutherland, Hal C. Trebilcox, Jr. Kathy Vander, Alene Watches JAMES POSANTE Director/Choreographer
Nearly every theatrical company in town has made use of Jim's talents in the last few years. For AACT, he has directed and choreographed Oklahoma!; for U of M G & S Society, H.M.S. Pinafore and Pirates of Penzance; for Cocktail Playhouses, The Fantasticks; for Greenhills School, The Boy Friend and Kiss Me Kate.
As a performer, Jim portrayed Harry Beaton, the dramatic sword dancer in Civic's Briga doon last season. He appeared in St. joe's Plays the Palace at the Michigan Theatre, and has been in U of M's Michigan Rep in 1976 and 1977, and in other AACT and G & S produc tions. He was choreographer for the aMaizin' Blu es' performances in Los Angeles during Rose Bowl week, and recently in Ann Arbor.
Ann Arbor Civic Theatre dance workshops for the past two years have been under Jim's direction. And in his spare time, whenever that is? Why, he likes to dance, of course!
WILLIAM W. BOGGS Musical Director
Among the major musicals for which Bill has been musical director are South Pacific, Music Man and Fiddler on the Roof. He was both musical and stage director for a production of Man of La Mancha. Bill holds a bachelor of music degree from Indiana University, and a master's degree in choral conducting from the U of M. For the past four years he has been choral director at Ypsilanti High School.
The opening night of Ann Arbor Civic Theatre's production of Carousel, April 19, 1978, is exactly thirty-three years after the original opening, April 19, 1945, on Broadway in New York City. ABOUT THE CAST
Terry Arment (Jigger) is a graduate of the University of Michigan Department of Theatre. He has been seen on Ann Arbor stages in a variety of roles, including Harold Hill in The Music Man, Lancelot in Camelot and Cornelius Hackl in Hello, Dolly! Presently he works for Kroger, and soon wiil be moving to New York City to pursue his theatrical career.
Chris Barry (Chorus) danced and sang in the chorus of the UAC-Musket production of Music Man recent ly. A sophomore working toward a teaching certificate in English at the University of Michigan, Chris is appearing in her first production with AACT.
Jean Ann Chmielewski (Snow Child) is in her first year at Gabriel Richard High School. She has been acting since grade school, but this is her first appearance with AACT. Jean's hobbies include tennis, swim ming, reading and the flute.
Bridget Connors (Beauty of Europe, Louise) is a junior at Huron High School, where she has been active in theatre, music and forensics. On the stage, she was Nelly Forbush in South Pacific, and appeared in The Rea//n;pector Hound and The Hidden Oasis musical review, all at Huron. A voice and dance student, Bridget danced in Civic's Oklahoma! in 1975.
Pam Courtney (Chorus) appears in her first Ann Arbor Civic Theatre show this week. A senior at Huron High School, she has been very active in music and theatre. Most recently, she performed in South Pacific at Huron. Pam attended the National Music Camp at Interlochen last summer, where she was in Gilbert & Sullivan's Ruddigore. She is studying voice and dance, and plans to attend the U of Min the fall.
Paul Couture (Chorus) is a newcomer to Civic Theatre and to the stage. He participated in the fall work shops in music and dance at AACT. Paul is a planner/architect for the University Hospital.
Susan Dawson (Carrie) recently completed her MAin acting at the U of M as a PTP fellow. Before coming to Ann Arbor, she had played leading roles in Oklahoma!, jacques Brei. .., Romeo and juliet, You Can't Take It With You and Ah, Wilderness. While here, she has been seen as Bianca/Lois Lane in Kiss Me Kate, as Gwendolyn in Civic Theatre's Little Mary Sunshine, in St. joe's Plays the Palace and, most recently, as Sally Bowles in Cabaret. Susan is a legal assistant with an Ann Arbor law firm.
Jerry Epstein (Mr. Snow) is a veteran of four Civic Theatre musicals, beginning as one of the singing doctors in Most Happy Fe/la. He then sang in Promises Promises, Fiorello' and Annie, Get Your Gun. An ophthalmologist in private practice in Ann Arbor, Jerry is also a clinical associate professor at the U of M.
Miriam Faith Epstein (Snow Child) is in fifth grade at Bader School. Her theatrical efforts have included Linus in You're A Good Man, Charlie Brown, Nancy in Oliver and Batman in Batman and Robin, all at summer camp. Miriam likes to skate, ski and dive. More About The Cast
Paul Epstein (Snow Child) loves acting and dancing. However, as a seventh grader at Tappan School, he also enjoys bottle co ll ecting, tennis, hockey and water skiing. Paul's dog is named "Bear."
Thomas Farnell (Chorus) appeared in the choruses of Oklahoma! and The Boy Friend while in high school, and as Sky Masterson in Guys and Dolls. This is his first role for AACT. He's 20, single, and works as a carpenter in the area.
Steven Flynn (Dancer) is a young veteran of fifteen years in the theatre. Locally he has appeared in Hello, Dolly! with the Saline Area Players, in Pajama Game with the Chelsea Area Players, and as the fearsome Yellow Feather in Ann Arbor Civic Theatre's Little Mary Sunshine. As manager of the Movies at Br iarwood, Steve has been considered to be the youngest theatre manager in Michigan.
Ed Glazier (Chorus, 1st Policeman) makes his third consecutive appearance in an AACT Spring musical. He was jeff Douglas in Brigadoon last season, and Ali Hakim in Oklahoma! in 1976. Last year he also por trayed Albert Peterson in Bye-Bye, Birdie at the Croswel l Opera House in Adrian, and Bun thorne in the U of M Gi lbert & Sullivan Society's Patience. Ed has been Chairman of Civ ic's playreading committee more than once, and th is year was Chairman for the season's tryouts.
AI Ha inen (Chorus, 2nd Policeman) has been a teacher in the Pinckney Community Schools for six years, but this is his first official theatrical experience. A native of Ann Arbor, AI received his bachelor and master's degrees from Eastern Michigan University, where his graduate study continues.
Harold Haugh (Starkeeper) is known theatrically for his leading roles in Civic Theatre's Man of La Man cha and I Never Sang For My Father, and in Com ic Opera Guild's Orpheus in the Underworld and La Belle Helene. Musically he was for thirty years the leading oratorio tenor in the country, and appeared widely with symphony orchestras and choral societies under the batons of conductors such as Beecham and Ormandy. From 1948 until his retirement last year, Harold was Professor of Voice in the University of Michigan School of Music, where he has been honored with the Harold Haugh Award.
Barbara Hilbish (Aunt Nettie) returns to the musical comedy stage after a long absence. She began her performance career as a child, graduating from song and dance routines to a career in class ical music. She has her own voice studio, and has been a soloist at the First Presbyterian Church, and with the Ph iladelphia and Detroit Symphony orchestras. Barbara holds an MM degree from Westm inster Choir College, and has taught at Interlochen since 1966.
Jill Hoffman (Chorus) was in Civic's Brigadoon last Spring, and her high school career included several appearances at Pioneer, at In terlochen, and for JLO. She has been Dorothy in The Wizard ofOz, Marie in The Lesson, and the Dutchess in Alice in Wonderland, among others. She also was Asst. Director and Stage Manager fo r Pioneer's The Diary of Anne Frank. Jill is moving to New York th is summer. More About the Cast
Sandra Hudson (Mrs. Mullin) would have had 'perfect attendance' on stage this season for AACT, except that Sleuth didn't have any fern ale roles! She appeared in both Waltz of the Toreadors and You Never Can Tell, and has sung and danced a little in prior years with the Gilbert & Sullivan society. She was Miss Prism in Ernest in Love a few years back. Sandy has master's degrees both in mathematics and in developmental psychology.
Marilyn Kennedy (Chorus) has been a concert performer for rnany years. 1978 marks her first appear ances in musical productions, however. She began in the chorus of Cornie Opera Guild's Orpheus in the Underworld in February, then carne directly into the cast of Carousel. Marilyn is an interior designer at an Ann Arbor studio. She is married and mother of four. jeff Krehbiel (Chorus) returns to the stage after a long absence. He appeared in a jLO production while in junior high. He plans to enroll in Hope College next fall. jeff was an exchange student in Mexico prior to his 1977 graduation.
Martha Krehbiel (Chorus, Principal) is making her fourth recent Civic Theatre appearance. She was Mare in Spofford, Aunt Eller in Oklahoma! and in the chorus of Promises Promises. Martha is the mother of five children.
Brenda Lawrence (Chorus) comes frorn Ypsilanti, where she is a voice major at Eastern Michigan. She sings in the EMU choir, and also plays piano.
Ed Lesher (Heavenly Friend) has worked on AACT sets, rnove-ins and strikes for about ten years. His first ever stage appearance was as one of the 'rnen in the cellar' in Arsenic and Old Lace. He followed that with his first speaking role, Bailey in The Night Thoreau Spent in jail, for which he was honored as Civic's cameo award winner for the year. Last year he played Pycraft in Spofford. Ed is Professor of Aerospace Engineer ing at the U of M. He has designed, built and flown his own 'Teal' airplane, in which he has claimed seven world class records for light planes.
Ruth Lorenz (Chorus) appeared first for Ann Arbor Civic Theatre in the chorus of Fiorello! The next fall she sang the role of Mrs. Gobineau in her own and Civic's first opera, Menotti's The Medium. She was in the chorus of Oklahoma! for AACT, and of Fiddler on the Roof for Saline Area Players. Ruth is a sec retary for a plastics firrn locally.
David Marshall (Carnival Boy) recently portrayed the title role in William Butler Yeats' The Cuchulain Saga, the featured work of the Yeats Festival at the University of Michigan. As a professional dancer, he has performed in concert in New York, Washington and Detroit. Carousel is David's fourth musical appearance with AACT, fo llowing Annie, Get Your Gun, Brass and Grass Forever, and Anything Goes. His dramatic credits include Antigone, Anastasia and Waltz of the Toreadors. QUALITY COOKWARE OF All NATIONS
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MUSICAL NUMBERS ACT ONE
Prologue ("The Carousel Waltz") ...... •...... Orchestra "Mister Snow" ...... Carrie and Julie "If I Loved You" ...... Julie and Billy " June Is Bustin' Out All Over" ...... Nettie, Carrie, Chorus Girls' Dance "Mister Snow," Reprise ...... Carrie, Girls, Mr. Snow Carrie and Mr. Snow ("When the Children Are Asleep") .....• ...... Carrie, Mr. Snow "Blow High, Blow Low" ...... Bi ll y, Jigger, Men Hornpipe ...... Billy, Jigger, Chorus Soli loquy ...... Bill y
ACT TWO Entr'acte ...... Orchestra "A Real Nice Clambake"...... The Company "Geraniums in the Winder" ...... Mr. Snow, Jigger, Chorus "What's the Use ofWond'rin?" ...... Julie, Girls "You'll Never Walk Alone" ...... Nettie, Jul ie Ballet ...... Louise, Carnival Boy Carnival Men and Girls, Ruffians Porch Scene ("If I Loved You," Reprise) ...... Bill y " You'll Never Walk Alone," Reprise ...... The Company
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SYNOPSIS OF SCENES
ACT ONE
Scene 7. Prologue- An Amusement Park on the New England Coast_ May. Scene 2. A tree-lined path along the shore. A few minutes later. Scene 3. Nettie Fowler's Spa on the ocean front. june.
ACT TWO
Scene 7. On an island across the bay. That night. Scene 2. Mainland waterfront. An hour later. Scene 3. Up there. Scene 4. Down here. On a beach. Fifteen years later. Scene 5. Outside julie's cottage. Scene 6. Outside a schoolhouse. Same day.
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Dick PhiUips (Chorus, Mr. Bascombe) is Professor of computer graphics at the U of M. He made his act ing debut in Civic Theatre's Promises Promises. Since then he has played in Jules Feiffer's Crawling Arnold, Albee's The American Dream, and in the chorus of Oklahoma!. Last year he appeared as Hucklebce in The Fantasticks at the Campus Inn. Dick says he loves bicycling, but only tolerates jogging.
Judy Powers (Chorus) has appeared with the aMaizin' Blues, the U of M performing ensemble. At one time, she was a singing waitress at the Wickertree Restaurant inN. Falmouth, Mass. She's a skier too.
Jacqueline Radlow (Chorus) has been on and behind the stage for productions at the U of M. She par ticipated in the Civic Theatre workshops last year in musical theatre, acting, movement and dance. A graduate in French and German from the U of M, she will return there to pursue a graduate degree in communications arts. Her hobbies include filmmaking and travel.
Alison Reed Robison (Julie) has been singing on local stages for several years, including several appear ances with AACT. She was Meg in Brigadoon, Effie in Ernest in Love and Annie in Annie, Get Your Gun. For Saline Area Pl ayers she has played Nellie in South Pacific and Alice in You Can't Take It With You. A graduate of the music school at EMU, Alison has been teaching music at Graham Elementary School in Westland for five years.
Judy Robison (Chorus) may be a record holder in Civic Theatre. She has appeared in every musical since Promises Promises in 1975. The list includes Oklahoma!, Little Mary Sunshine, in which she was Cora, and Brigadoon. Before coming to Ann Arbor, Judy had appeared in Guys and Dolls while at Penn State Univer sity. She is a dental assistant.
Danny Russo (Snow Child) returns to the AACT stage for his second role. He made his debut in The Night Thoreau Spent in jail. On other stages, Danny has appeared in Summertree at EMU, in The Six Bunnie Wunnies at Community High, and in You're A Good Man, Charlie Brown at theY. A seventh grader at Forsythe School, he states that his hobby is not homework.
Thomas M. Scholten (Bi ll y) is a sophomore student at the U of M School of Music. His credits include leading roles in Oliver, Music Man and Godspe/1. A voice performance major, he also has appeared in two U of M operas. Tom performs professionally as a singer and guitarist during the summer.
Mary Beth Seiler (Chorus) is a graduate of Kent State University, and works currentl y in Ann Arbor as a substitute teacher. She was in Oklahoma! in th e spring of last year.
Ed Smit (Enoch Jr.) began his AACT career some years ago in Skin of Our Teeth. His school credits in clude The King and 1, Music Man, Fiddler on the Roof, Oklahoma! and, currently, West Side Story at Slauson. More About the Cast
Norman Smit (Chorus, juggler) is an engineering student at the U of M. He has appeared in The King and I, South Pacific, Marne and Skin of Our Teeth.
Charles Sutherland (Captain, Chorus) is well known locall y for his many roles with various theatre groups. Among his most recent performances were those in AACT's Brigadoon and Little Mary Sunshine, and in St. joe's Plays the Palace last fall. Charlie has directed You Never Can Tell, Spofford and Harvey for Civic Theatre, and until recently he served on th e Board of Directors. He is a third grade teacher in Detroit.
Hal C. Trebilcox, Jr. (Chorus) attended college in Kalamazoo, then returned home to Ann Arbor, where his stage appearances have included You're A Good Man, Charlie Brown, and a variety of "good ol' fash ioned American musicals." Rusty, as he prefers to be called, hopes to return to Europe eventually, to pursue a career in patient health care in the South of France.
Kathy Vander (Dancer) is a member of the aMaizin ' Blues performing group at the University of Michi gan. She appeared in the Soph Show production of How To Succeed in Business Without Really Trying at the U of M.
Alene Watches (Chorus) has found time from her active career with Comic Opera Guild to join the chorus of her first AACT production. Besides her participation on the board of directors of the Guild, she has appeared in seven productions and a film, including Minerva in Orpheus in the Underworld, Zozo in The Merry Widow and Little Bo Peep in Babes in Toyland. COG is not Alene's only 'alma mater,' however. While a student at Northern Michigan University, she even played Carrie in Carousel. In 1976 she was Vibrata in A Funny Thing Happened on the Way to the Forum at the Ann Arbor In n.
Eilen Wisniewski (Snow Child) attends Bach School. She has been a ball et student for seven years, and has appeared in several studio recitals. ABOUT THE STAFF
Susan Alford (Costume Designer) comes to Ann Arbor Civic Theatre after designing costumes for two productions last year for Saline Area Players: Fiddler on the Roof and The Mousetrap. Susan has a seven year old daughter, and enjoys New England and antique collecting.
Diane Boggs (Assistant Musical Director) has performed lead ing roles in Fiddler on the Roof, Sound of Music, Ernest in Love, Cindy, The Misanthrope, Dames at Sea and Welcome to the Monkey House, among ot~ers. She has a degree in voice and piano from the U of M, and teaches music in the Clinton schools.
Margie Cohen (Properties) has been a Civic Theatre member for several years. She has been active in summer and winter workshops, and has assisted with props and costumes for various productions. When Margie was in school, she did children's radio programs over her school radio station and on WWJ.
Alice B. Crawford, USAA (Scenic Designer) is a veteran of the Ann Arbor theatre. She has designed sets for all of the theatre groups in town, including over thirty plays and musicals fo r AACT. This season Alice has designed Patience for U of M G & S Society, Orpheus in the Underworld and Servo Padrona and Ba- To Clan for the Comic Opera Guild. Other recent productions include: La Boheme, U of M School of Music opera; Hello, Dolly!, Musket; The Merry Widow, Comic Opera Guild; Oklahoma! and Anastasia for Civic Theatre. Alice is a member of the United Scenic Artists union.
Carol Deniston (Producer) has been Civic Theatre's President, box office chairperson, and producer of numerous musicals. She currently serves on the Board of Directors (again), and on the theatre advisory committee for the Michigan Council for the Arts. Active in many areas of AACT management, including promotion, social and season tickets sales, Carol also carries out a major role in the Ann Arbor Council for the Performing Arts.
Sophie Farah (Makeup Chairman) has worked in almost every area of the theatre except on stage. She is a former Board member of AACT, and has been corresponding secretary, Spotlight editor and social chair man. For Carousel, Sophie returns to her main area of endeavor. She has been makeup designer for the U of M School of Music operas since 1964, and her Civic Theatre career in the Mendelssohn basement extends over 11many years."
Claudia Kerfoot (Stage Manager) is a member of the AACT Board of Di rectors, in charge of membership. She has been stage manager for a half dozen Civic shows, most recently for Promises Promises. A producer, properties head, and stage and light crew member for various Civic shows since 1971, Claudia is social work supervisor of Child and Family Services of Michigan-Flint Branch.
Richard Lewis (Assistant Di rector) had the title role in You're A Good Man, Charlie Brown, and was Algernon in The Importance of Being Earnest while a student of dramatic literature at MSU. After receiving his BA degree, he has written four plays for production in Detroit and Kalamazoo, and is working on anoth er. Richard co-directed Lady on the Rocks, an AACT workshop production, and manned lhe light board for Sleuth. He is staff reviewer for the Michigan Daily_ More About The Staff
Robert Seeman (Set Builder) was Civic Theatre President, has served on the Board of Directors, has run the scene shop, worked. on stage crews, put up and taken down countless sets, driven the truck, and gener all y helped hold AACT together for many years. Of course, he has been on stage as well, as the mute King in Once Upon A Mattress, and in Hogan's Goat and Ten Little Indians.
Dwight Smith (Set Builder) hasn't missed help in g to put a show on the stage since he joined Civic in 1976. He has worked on set building and stage crews for seven produc~ions, and he was the assistant set builder for Sleuth. Having had theatre in his blood since high school, Dwight produced a variety show wh ile in col lege.
Amy Vuolo (Makeup Cochairman) has appeared in eleven AACT productions, and her makeup has ap peared on the faces of performers in over fifty other shows. Winner of the best supporting actress award for her role in Civic's Barefoot in the Park, Amy is a former member of the Board of Directors.
Eileen Wilkinson (Lighting Designer) is a PhD candidate at the U of M. She taught speech and theatre in high schools in Michigan and New York for ten years before coming to Ann Arbor. While at the University, Eileen has designed lighting for The Real Inspector Hound and El Hajj Malik, settings for The Trojan Women, as well as the lighting for Civic Theatre's production of Spofford. She hopes to join a university theatre department somewhere, next faiL STAFF
Assistant Director Richard Lewis Asst. Musical Director Diane Boggs Set Builders Robert Seeman, Dwight Smith Set Construction Mike Alexander, Jeannie Baardsen, Ed Baardsen, Diane Baker, David Barhydt, Elise Borgstad, Sammie Chang, Ted Farah, Ed Lesher, Veronique Liem, Jim Mattson, Joe Medrano, Mark Murphy, Bob Pace, Erika Pelz, Tadd Rosa, Charlie Rosa, Ruth Trombley Costume Construction Susan Anderson, Christine Apostolaris, Sammie Chang, Cathy Dwyer, Elsie Eads, Judith Green, Miriam Marshall, Judy McCormick, Erika Pelz, Betty Spooner, Kim Stringer, Rebecca Vogt Properties Margie Cohen (head), Lynn Deniston, Carolyn Epstein, Mearl Gable, Barbara Heston Makeup Helen Barry, Colleen Chauvin, Mary Jo Clapsdale, Betsy Diehls, Cheryl Melby, Dorothy Milne, Roberta Rizzardi, Kathy Sanford, Betty Schnebelt Stage Manager Claudia Kerfoot Stage Crew Diane Baker, Dwight Smith, Mark Murphy, Tadd Rosa Lighting Crew Larry Hill, David Barhydt, Lighting Setup Larry Hill, David Barhydt, Jon Lawniczak, john Ducmanis, Promotion Carol Deniston Photography Fred Beutler Lobby Display Sue Beutler Poster Design Alice B. Crawford USAA Program Notes David Gilbert Box Office Gerry Briegel, Amy Vuolo Head Usher Joy Scarpuzza Ticket Agent Trudy Maglott Wardrobe Mistress Miriam Marshall
Special thanks to all those who worked on the show but whose names are not included here.
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Violin French Horn Flute Linda Bischak, David Goldberg Louise Hauenstein concert mistress Ann Schlitt Ph y llis Taylor- Lucinda Kelly Kerry Thompson Cathy Monson Clarinet Timothy Vesey Viola Trumpet Mary Kleam Rob Koch Scott Schroeder Guy Bordo Oboe/ English Horn Cello Carrie Crall Eileen Garden Trombone David Nettleman Bassoon Bass Viol Laurie Penpraze Dean Zimmerman Catherine Twining Percussion Harp Tuba Steve Whitford Helen Rifas Leonard Swanson Diane Boggs
Rehearsal accompanists Neil Lawrence Eunice Relyea Jean Diekoff
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AACT PATRONS
Dohrman & Mildred Byers Mr. & Mrs. C. Samborski Mark & Mindy Bowles Donald & Elizabeth Katz Wi lli am & Barbara Heston The Rev. Canon G. Alexander Miller Raymond & janet Crabtree Harold Haugh Fred & Sue Beutler Ben & Libby Benjamin
ACKNOWLEDGMENTS
Edward's jewelers The Real Seafood Company Fleetwood Diner U of M Gilbert & Sullivan Society jane Robertson Golden Lady House of Beauty David Marshall Don Klein janet Crabtree Norman Gibson Ed Lesher Tice's Men's Wear Shop
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take-aut service NO. OF DOLLAR PERFORMANCE OUR NEXT PRODUCTION TICKETS AMOUNT Wednesday $3.00 Thursday $3.00 FINISHING TOUCHES Friday $3.50 By Jean Kerr Saturday $3.50 Curtain Time: 8:00p.m. May 24-27, 1978
Seating preference: orchestra __ balcony __
NAME ______PHON E ______
ADDRESS ------
CITY ______STATE --- Z IP ---- Make checks payable to Ann Arbor Civic Theatre. Mail orders to AACT Tickets, P. 0. Box 1993, Ann Arbor, Ml48106. Please enclos~ stamped, self-addressed envelope. The University of n PROFESSIONAL THEATRE PROGRAM
i~ ftle®ed k k antongol 1/w ftolwn6 of Ann JtiiM ~vee 9/,eal-a.e
TheMuscallkrSIOiloiShakespeare'sComedy, July 5-9 1\vo Gentlenten - or·\er-ona in Repertory July 25- August 6 The~~i:.: llr•usteiHs l\lnoow by George Bernard Shaw by Lc.-raine Hansberry:
·Mendelssohn Theatre ·Ann SERVING GOOD FOOD MALLIS' IN ANN ARBOR SINCE 1953 2204 W. STADIUM BLVD. Your Hosts Angelo Mallis Family
after the theatre ...
208 W. HURON
STEAKS • SEA FOOD SANDWICHES • SA LAD COCKTAILS
HOURS: Monday- Saturdi!y, 11:00 a.m. to 2:00a.m. Kitchen open 'ti11 :00 a.m. Sunday 4:00p.m. to 1 :00 a.m. Kitchen open 'til midnite .
••••••••••••••••••••••••••••••• : After the show : : wheredoyougot : • When the show is over, it would be nice to fi nd a quiet little spot nearby • • where you cou ld make the most of a good evening. You can fi nd it at the • • Street Scene; the place where people from both sides of the footli ghts come • • to relax after a fine performance. The Street Scene. It's just a five-minute • • walk. • • .A,at the Campus Inn • • - Huron and State Streets e •••••••••••••••••••••••••••••••• •