'My Name Is Boman Irani'
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Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Once Upon a Time …
- Ô RUWANTHI ABEYAKOON Happy Valentine’s Day to all those who are celebrating it out there! This week many events will take place with Valentine’s Day in heart. Amid the many celebrations you can also enjoy the art exhibitions, dramas and musical recitals that take place within this week. Read the ‘Cultural Diary’ and know where to head to break away from the busy work schedule. You can also go for the thrilling movies that are screened at well known venues. If there is an event you would like others to know, drop an email to [email protected] or call us on 011 2429652. FEBRUARY show Alex wants many viewers to free their thoughts, invent connections and discover present day myths. None FEBRUARY Once Upon is wrong as none is correct. ‘Is he dead?’ They are all a part of the meaning to be shared. Imagine find- 27 ing in an old suitcase, a collection of drawings and paintings, ‘Is He Dead?’ presented by Elizabeth Moir School will take stage at the there are angels, three wheelers, forms that are based on betel Lionel Wendt, 18, Guildford Crescent, Colombo 7 on February 18 and 19. Barefoot 18 cutters, jungle and ruins. All familiar, but no words beyond enig- Gallery a time Lionel matic titles, you are left to decipher the image for yourselves. Wendt The illustrations of unwritten tales of an unwritten history- These new paintings also reflect something of Alex’s deepen- `Once upon a time’ by Alex Stewart will take place at Barefoot ing recollections of travelling in Sri Lanka over the last 15 years Gallery, 704, Galle road, Colombo 3, until February 27. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
TREASURES from the YALE FILM ARCHIVE N12o
TREASURES FROM THE YALE FILM ARCHIVE SUNDAY AN ONGOING SERIES OF CLASSIC AND CONTEMPORARY FILMS PRESENTED IN 35MM BY THE YALE FILM STUDY CENTER APRIL 10, 2016 2:00PM • WHITNEY HUMANITIES CENTER PRESENTED WITH SUPPORT FROM 33 IdiotsIdiots PAUL L. JOSKOW ’70 M.PHIL., ’72 PH.D. “If 2009 can begin with DEV.D and end with 3 IDIOTS, it is indeed time to sound the seetis and taalis for one of the most exciting years of contemporary Indian cinema.” o. —The Times of India N S 12 “All is well” in Rajkumar Hirani’s high-energy musical dramedy 3 IDIOTS, an ode to the pure joys of learning and the importance E 2 A S O N of forging your own path despite how much—or how little—is expected of you. The film won scores of awards, including three National Film Awards and five Filmfare Awards, and was described by critic Subhash K. Jha as “a vital, inspiring, and life-revising work of contemporary art with heart imbued into every part.” Loosely based on Chetan Bhagat’s best-selling 2004 novel Five Point Someone and largely told through flashbacks, the film chronicles the academic careers of three mismatched roommates making their way through the highly prestigious and hypercompetitive Imperial College of Engineering (with Bangalore’s iconic Indian Institute of Management buildings standing in for the fictional ICE’s Delhi campus). The film diverges from DIRECTED BY RAJKUMAR HIRANI the novel in scenes set more than a decade after graduation, featuring an epic Himalayan road trip and WRITTEN BY RAJKUMAR HIRANI AND a quest to reveal the secrets surrounding the brilliant and idiosyncratic former student Rancho, played by ABHIJAT JOSHI Bollywood superstar Aamir Khan. -
September Calendar
Hindu Temple of Dayton PUJA & PRIEST SERVICE Over 90 miles $100 Extra EXECUTIVE COMMITTEE: For Priests Overnight Stay, Add $250 per Priest to the Total Cost. 2615 TEMPLE LANE President (937) 885-5685 Rajan Rajendran BEAVERCREEK, OH 45431-8773 Puja Service *In Temple *Outside Temple WITHIN 100 MILES Vice President (937) 886-7097 Dr. Gnan Thakore 937 / 429-4455 Archana $ 11.00 - Priest Ramesh Rajamani Archana Sahasranama $ 51.00 - Secretary (937) 885-3609 Dr. Sateesh Kathula Abhishekam (For One Deity) $101.00 - (off Tuesday) 937-431-9988 Aksharabya $ 51.00 $101.00 Treasurer (937) 339-8249 Suman Kejriwal Annaprasana $ 51.00 $101.00 BOARD OF DIRECTORS: Sri Ashwani Kumar, Priest Anniversary Celebration $ 151.00 $201.00 (off Mon.) 937-429-5815 Ayush Homam/Birthday Cele. $ 101.00 $201.00 Membership / Auditing Basement Rental (6 hours) $ 75.00 - TEMPLE HOURS Engagement Celebrations $151.00 $201.00 Compliance/Operational Analysis/Facilities Management Ragan Rajendran Mon - Fri 9:00 am - 11:00 am Funeral/Cremation NO CHARGES Grahapraveshman - $151.00 Construction / Facilities Management Gnan Thakore 5:00 pm - 8:00 pm Grahapravesam w/ Satyanarayan - $201.00 Fundraising Dr. Sateesh Kathula Sat, Sun and Holidays 9:00 am - 8:00 pm Ground Breaking Ceremony - $151.00 Havan $181.00 - Internal Auditing / Compliance Manoj Kumar (April through October open til 9:00pm) Kalyana Utsavam $ 151.00 - Kesh Kandan $ 51.00 $101.00 Inventory Control / Supplies Anandi Patel Nama Karanam $ 71.00 $101.00 Nitya Seva $101.00 - Mandirvani / Website Dr. Ramesh Gupta DIRECTIONS TO THE TEMPLE: From I-75 Ramayan Path $151.00 $201.00 or I-70 to I-675 and take Exit 17 (North Fairfield Saraswathi Puja $151.00 $181.00 Maintenance Dr. -
Viveck Prabhu Vaswani Selected Profile 2019
VIVECK PRABHU VASWANI SELECTED PROFILE 2019 Campion School,’77 Cathedral School,’80 Sydenham College,’83 (Bachelor of Commerce) PART ONE/ THE ACTOR Theatre (Selected Bibliography) 1. Elephant Man/ Pearl Padamsee 2. Love and God by Woody Allen/ Pearl Padamsee 3. Night of Jan 16 by Ayn Rand/ Pearl Padamsee 4. Antigone/ Vijay Crishna 5. Mary Stuart/ Toni Patel 6. Savaksa by Gieve Patel/ Pearl Padamsee 7. Saint Joan/ Vijay Crishna 8. Bedroom Farce/ Adi Marzban 9. Caught On The Hop/ Hosi Vasunia 10. Loot by Joe Orton/ Hosi Vasunia (with Amjad Khan) 11. You Can’t Take It With You/ Kaufman & Hart/ Hima Devi 12. The Soul Of Chein Nu Leaves Her Body/ Producer 13. A Woman In A Dressing Gown/ Adi Marzban Actor in Films (Selected Filmography) 1. Zulm Hi Zulm/ A Salam 2. Zakham/ Irfan Khan 3. Soldier/ Abbas Mustan 4. Chori Chori Chupke Chupke/ Abbas Mustan 5. 36, Chinatown/ Abbas Mustan 1 6. Khel/ Raakesh Roshan 7. King Uncle/ Raakesh Roshan 8. Loafer/ David Dhawan 9. Hum Kisise Kum Nahin/ David Dhawan 10. Maine Pyar Kyun Kiya/ David Dhawan 11. Inspctor Kirron/ Ashok Panjabi 12. Josh/ Mansoor Khan 13. Aa Ab Laut Chalen/ Rishi Kapoor 14. Aashiq Aawara/ Umesh Mehra 15. Barsaat/ Suneel Darshan 16. Shakalaka Boom Boom/ Suneel Darshan 17. Raju Ban Gaya Gentleman/ Aziz Mirza 18. Patthar Ke Phool/ Anant Balani 19. Gawaahi/ Anant Balani 20. Dulha Mil Gaya/ Mudassar Aziz 21. Mastizaade/ Milap Zaveri 22. Buddha In A Traffic Jam/ Vivek Agnihotri 23. Satta/ Madhur Bhandarkar 24. Luv U Soniyo/ Joe Rajan 25. Hum Hain Rahi Car Ke/ Jyotin Goel 26. -
TRACING the TEMPORAL ASSEMBLAGE of INDIAN MEDIA a Thesis Submitted to the Faculty of the Graduate School O
THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Lakshmi Padmanabhan, Bachelor of Arts Washington, DC April 28, 2011 Copyright 2011 by Lakshmi Padmanabhan All Rights Reserved ii THE AFFECTIVE NATION: TRACING THE TEMPORAL ASSEMBLAGE OF INDIAN MEDIA Lakshmi Padmanabhan, Bachelor of Arts Thesis Advisor: Jatinder P. Singh, Doctor of Philosophy. ABSTRACT This thesis examines two films – Slumdog Millionaire (Boyle, 2008) and Dostana (Mansukhani, 2008) to explore the circulation of national identities within these films and the circulation of the films themselves within larger discourses of the nation, particularly India. This thesis argues that our current cultural moment require changing understandings of the idea of ‘film’, to include its multiple networks of capital and affect, and a changing understanding of ‘nation’ as materially illustrated in these films. The aim of this thesis is to conceive of a way to understand films as a collection of temporalities, and to map the duration of these temporalities as they reveal the emerging networks of circulation that change the ontology of both film and nation. I also argue that the ‘nation’ is an affective construct, and that ‘nationness’ is the ‘trace’ or ‘residue’ that these films bear. This argument also marks a specific approach to the idea of a ‘nation’ itself that includes more than the boundaries of the state, or the ethnicity of the people, but begins to address the way objects possess certain national traces, particularly within cultural objects such as the arts. -
Interview with Raju Hirani
IIMB Management Review (2010) 22, 165e172 available at www.sciencedirect.com IIMB INDIAN INSTITUTE OF MANAGEMENT journal homepage: www.elsevier.com/locate/iimb BANGALORE INTERVIEW Creating a successful cultural product: Interview with Raju Hirani J. Ramachandran a,*, Sourav Mukherji b,1 a Corporate Strategy & Policy Area, Indian Institute of Management Bangalore, Bannerghatta Road, 560 076 Bangalore, India b Organization Behaviour and Human Resource Management Area, Indian Institute of Management Bangalore, India Abstract In seeking to track the elusive causes of the success of cultural goods, where crea- tivity is the key to competitive advantage and managers have to balance the creative, market and organisational dimensions, J. Ramachandran and Sourav Mukherjee spoke to Raju Hirani, the director of three blockbuster Hindi movies, to understand the personal journey of this maker of ‘entertainment products’, and how he juggles the challenges of following his creative urges, co-ordinating a film production team consisting of people with varied skills and differing aesthetic values, and the business aspects of budgeting and estimating returns in an uncertain market. Context of interview unprecedented success rate of 100%. An overarching concern of the discipline of Management is to distinguish Raju Hirani is the director of three blockbuster Hindi successes from failures and then investigate the causes moviesdMunnabhai MBBS, Lage Raho Munnabhai and 3 behind such successes and failures. If one is able to explain Idiots. In an industry where average success rates, be it in why organisation A is more profitable than organisation B, India or worldwide, are rarely more than 10%, Hirani has an why product X has greater market share than product Y or what kind of incentives make an employee come up with more innovative ideas than another, practising managers can make informed choices. -
The Performance Effects of Uniplex, Multiplex and Diverse
Paper to be presented at the DRUID 2012 on June 19 to June 21 at CBS, Copenhagen, Denmark, The performance effects of uniplex, multiplex and diverse social ties: A study of Bollywood film production Mark Lorenzen Copenhagen Business School Department of Organizational Economics [email protected] Kristina Vaarst Andersen Copenhagen Business School Innovation and Organizational Economics [email protected] Abstract In development projects, diverse social ties (multiple affiliations to multiple agents) may moderate the effects of uniplex ties (single affiliations to single agents) and multiplex ties (multiple affiliations to single agents). Extant research on social capital has paid scant attention to these conditional effects of social ties. The paper contributes with new knowledge by investigating the performance effects of uniplex, multiplex, and diverse ties in Bollywood film production projects. In a mixed-method study, we demonstrate that diverse ties among Bollywood filmmakers enhance the positive performance effects of uniplex ties, and reverse the negative effects of multiplex ties. We investigate the mechanisms behind these effects. While uniplex ties allow for resource pre-emption, diverse ties facilitate resource search. Furthermore, multiplex ties signify self-selection based on loyalty (?dharma?), leading to resource iteration. While such resource iteration creates lock-in effects for most filmmakers, those holding diverse ties are able to turn it into a strategic advantage. Jelcodes:O31,- THE PERFORMANCE EFFECTS OF UNIPLEX, MULTIPLEX AND DIVERSE SOCIAL TIES: A STUDY OF BOLLYWOOD FILM PRODUCTION Kristina Vaarst Andersen and Mark Lorenzen Copenhagen Business School [email protected] ! [email protected] ABSTRACT In development projects, diverse social ties (multiple affiliations to multiple agents) may moderate the effects of uniplex ties (single affiliations to single agents) and multiplex ties (multiple affiliations to single agents). -
Shashti Poorthi
Shashti Poorthi Shashti Poorthi (known also as “Shashti Abdha Poorthi” Three different ways are chiseled to carry out the Shanti or “Ugraratha Shanti”) is a Hindu ceremony celebrating aspect. They are “Shounakoktam, Bodhaayanoktam and the 60th birthday of a male, akin to the renewal of marital Shaivaagamoktam” vows. The basic elements of these three ways remain the same, though the contents vary marginally. Of all, Shaivaag- amokta Shanti is very elaborate and ritual-laden. Given 1 Etymology its exhaustive scope of rituals, only a limited few like the kings and the emperors can follow it in toto, though it is Shasti Poorthi is celebrated on completion of 60 years not entirely ruled out for devout householders. of age of the male. This term is derived from San- Kranthi skrit in which Shashti means sixty; abda–year; poorthi- completion. It marks completion of half the years of After the successful completion of the “Shanti” pro- one’s lifetime as in Hinduism, 120 years is considered the gramme, the Kranthi programme follows in which life span of a human being. The sixtieth year in one’s “Kalyaanam” is very important. “Kranthi” means “to step life is a significant milestone, memorable turning point, ahead” and signifies heading towards a new life. a touching reminder of the rich, mellowed life that would “Shastipoorthi” is a good bridge - builder between the unfold in the years to come. householder’s domestic concerns and Vaanaprasta’s spiri- The veda says "Janmaabde, Janmamaasecha Swajan- tual yearnings. During Vaanaprastha, the married couple madivase tathaa, Janmarshe chaiva kartavyaa shanti ru- is to fulfill their life’s mission by staying together through grarathaahvayaa, Devaalaye nadeeteere swagruhe vaa observance of celibacy. -
Festival of Indian Film at WIPO
Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 A GOVERNMENT OF INDIA B Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 Co-Organized by: World Intellectual Property Organization (WIPO) Ministry of Information and Broadcasting, Government of India Permanent Mission of India to the United Nations and other international organizations in Geneva 1 at WIPO (main building) 34 chemin des Colombettes, Geneva GOVERNMENT OF INDIA 100 Years Indian Cinema A Century of Creativity India’s Permanent Representative to the United Nations in Geneva Dilip Sinha said “India is proud of its film industry. It not only The World Intellectual Property entertains, but is a massive Organization (WIPO) is pleased source of employment and wealth to host a festival of Indian films generation, largely because of from December 3 to 7, 2012 at its a robust copyright system that Geneva headquarters to mark 100 encourages creativity.” This, he years of Indian cinema. added, is the main reason that 2 WIPO was chosen as a venue India is the world’s largest producer to host the 100 hundred year of feature films with over 1200 celebration of Indian cinema. releases a year, in more than 25 languages. Indian films entertain “The Indian Government has well beyond the country’s borders, consistently supported and finding acclaim at international film facilitated the development of festivals and pleasing audiences the film industry to ensure that it around the world. continues to flourish and expand,” said Secretary, Ministry of “From the black and white silent Information and Broadcasting, Uday animations of the early 20th Kumar Varma.