Classical Studies Curriculum Specification
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The Roman Salute
The Roman Salute The Roman Salute Cinema, History, Ideology Martin M. Winkler THE OHIO STATE UNIVERSITY PREss COLUMBus Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Winkler, Martin M. The Roman salute : cinema, history, ideology / Martin M. Winkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-0864-9 (cloth : alk. paper) ISBN-10: 0-8142-0864-9 (cloth : alk. paper) 1. Rome—In motion pictures. 2. Rome—In art. 3. Rome—In literature. 4. Salutations. I. Title. PN1995.9.R68W56 2009 700'.45837 [22] 2008041124 This book is available in the following editions: Cloth (ISBN 978-0-8142-0864-9) CD-ROM (ISBN 978-0-8142-9194-8) Cover design by Laurence J. Nozik Text design by Juliet Williams Type set in Adobe Bembo Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 contents Illustrations vii Acknowledgments xi Introduction 1 1. History and Ideology: Half-Truths and Untruths 1 2. Ideology and Spectacle: The Importance of Cinema 6 3. About This Book 11 One Saluting Gestures in Roman Art and Literature 17 Two Jacques-Louis David’s Oath of the Horatii 42 Three Raised-Arm Salutes in the United States before Fascism: From the Pledge of Allegiance to Ben-Hur on Stage 57 Four Early Cinema: American and European Epics 77 Five Cabiria: The Intersection of Cinema and Politics 94 1. -
A-LEVEL CLASSICAL CIVILISATION – YOU HAVE CHOSEN an AMAZING A-LEVEL! What Is Classical Civilisation?
1 WELCOME TO A-LEVEL CLASSICAL CIVILISATION – YOU HAVE CHOSEN AN AMAZING A-LEVEL! What is Classical Civilisation? Classical Civilisation is the study of ancient classical civilisations from the 7th Century BC to approximately the 5th Century AD. It is a unique A-Level because of its versatility covering all aspects of the ancient world including culture, religion, politics, society, literature, art, drama, philosophy and architecture. It involves the critical exploration of artefacts and what they reveal about the people that lived over two thousand or more years ago and considers what these can teach us about the modern world as well as what they reveal about the people and period in which they were created. It is a truly fascinating insight into worlds that are at once entirely different from our own and yet simultaneously the very foundation of Western Civilisation. Why Choose Classical Civilisation A-Level? It is perhaps the most diverse of all the A-Levels that you could choose given the number of skills and subjects with which it could be linked. You will not only get to study the first great literary works, but also explore them in terms of their historical contexts and the monuments, vases and buildings which they inspired and in which they were performed. It is also one of the most highly respected A- Levels with the Russell Group labelling it an ‘informed choice’ for aspirational candidates. However, most importantly, it is a unique and engaging subject that will open up whole new areas of study that you will never have covered before. -
Experiencing the Ancient Theatre: a Perspective on Interpreting the Ancient Greek and Roman Theatre Through Reflections from the Space of the Performer
EXPERIENCING THE ANCIENT THEATRE: A PERSPECTIVE ON INTERPRETING THE ANCIENT GREEK AND ROMAN THEATRE THROUGH REFLECTIONS FROM THE SPACE OF THE PERFORMER A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY MEHMET SALİH YILDIRIM IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF HISTORY OF ARCHITECTURE JANUARY 2013 Approval of the Graduate School of Social Sciences Prof. Dr. Meliha ALTUNIŞIK Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Güven A. SARGIN Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Prof. Dr. Suna GÜVEN Supervisor Examining Committee Members Assoc. Prof. Dr. Namık ERKAL (METU, AH) Prof. Dr. Suna GÜVEN (METU, AH) Asst. Prof. Dr. İdil KARABABA (BİLGİ U., IND) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name : MEHMET SALİH YILDIRIM Signature : iii ABSTRACT EXPERIENCING THE ANCIENT THEATRE: A PERSPECTIVE ON INTERPRETING THE ANCIENT GREEK AND ROMAN THEATRE THROUGH REFLECTIONS FROM THE SPACE OF THE PERFORMER YILDIRIM, Mehmet Salih M. A. Department oF History oF Architecture Supervisor: Prof. Dr. Suna Güven January 2013, 161 pages This thesis, in the very broad sense, evaluates the perception of an architectural structure through its history. -
Theatrum Arbitrt: Theatrical Elements in the Satyr1ca of Petronius
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] “THEATRUM ARBITRT: THEATRICAL ELEMENTS IN THE SATYR1CA OF PETRONIUS. t y COSTAS PANAYOTAKIS Submitted for the degree of Doctor of Philosophy (Ph.D.) to the University of Glasgow, Faculty of Arts, Department of Classics. © Costas Panayotakis, August 1993. ProQuest Number: 10992179 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992179 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC.