ILCE-7S Product Information Document • ILCE7S/B

Total Page:16

File Type:pdf, Size:1020Kb

ILCE-7S Product Information Document • ILCE7S/B ILCE-7S Product Information Document OFFICIAL NAMES Sony® α7S (Alpha 7S) Mirrorless Interchangeable Lens Digital Camera MODEL NAME IN ADVERTISING COPY • α7S (or Alpha 7S) • a7S (only allowable for web copy where alpha symbol (α) is not useable) KIT VARIATION MODELS (FAMILY) • ILCE-7S/B (black body) (UPC: 027242-881730) • ILCE7S/B (SAP name / SEL compressed model name) ANNOUNCEMENT/SHIP TIMING • Product announce date: 3 p.m. PDT, 04/06/2014/ 6 p.m. EDT 04/06/2014 • RDD: Requested Delivery Date WK27 Product will arrive at dealer’s warehouse. • CDD: Customer Delivery Date - July 8th 2014 • Price at launch $2,500 DESCRIPTION Basic Bullets (55 characters max) Rank Feature Char. 1 35mm sensor w/ large pixels for high-ISO & Dynamic Range 56 2 12.2MP full-frame optimized for 4k and low light video 46 3 High ISO up to 409,600 w/ fast AF in light as low as EV -4 58 4 Uncompressed 4:2:2 Full HD and 4K QFHD output via HDMI*1 56 5 50Mbps XAVC S 1920x1080 at 60P, 1280x720 at 120P 48 6 Picture Profile, S-Log2 and time code for a pro-workflow 56 7 High contrast 2.4-million dot XGA OLED Tru-Finder™ EVF 54 8 Audio level controls, AAC/Linear PCM*2, optional XLR kit 56 9 Silent shutter mode for discreet shooting 41 10 Simple connectivity to smartphones via Wi-Fi® or NFC 52 ADVERTISING & MESAGING Main Headline: Beyond Human Vision. Ad Copy Words 10-word World’s smallest in its class1, the full frame α7S delivers a breakthrough dynamic 17 range and low noise images. 25-word World’s smallest in its class1, the full frame α7S delivers a breakthrough dynamic 27 range and low noise images. See astonishing detail even in the dead of night. 50-word Presenting the α7S, the world’s smallest1 full frame interchangeable lens 55 camera. Images and video come alive with a breakthrough dynamic range. ISO sensitivity up to 409,600 reveals astonishing detail and color even in the dead of night. Video excels with Full Pixel Readout without pixel binning, a 4K-optimized sensor and uncompressed 4K output via HDMI. 1 ILCE-7S Product Information Document POSITIONING (DO NOT USE THIS COPY IN MARKETING – THIS IS FOR REFERENCE ONLY) Target Audience • Professional and Advanced amateur users who frequently shoot both still images and video • Professional and Advanced amateur users seeking high sensitivity and a mobile, large-sensor low-budget video solution. • Professional and Advanced amateur users purchasing a second camera to supplement their current α or a competitors’ full-frame model Major • Panasonic DMC-GH4 Competitors • Canon EOS 5D Mark III / 6D / 1DX / 1DC • Nikon D800 / D800E / D600 / 4DS / Df (still only on Df) Competitive • Sony’s new α7S model puts extraordinary sensitivity, low noise and Features spectacular 4K video quality into the hands of professional photographers and videographers. • The innovative α7S camera features a newly developed, 12.2 effective megapixel 35mm Exmor® CMOS sensor paired with a powerful BIONZ X image processor, allowing it to shoot at a sensitivity range of ISO 50 – 4096002 with unprecedented dynamic range and low noise. Line-up • The α7 series has so far seen the release of the α7, whose selling point Positioning is all-round capabilities, and the α7R, which offers an exceptionally high level of reality and high-precision depiction performance. The α7S will be launched as a new addition to the α7 series with unrivaled sensitivity as its main product concept. Continue… >>> 2 ILCE-7S Product Information Document FEATURE BULLETS Rank Feature Description Rich Asset 1 35mm sensor w/ The innovative α7S features a 12.2 effective large pixels for megapixel 35mm Exmor® CMOS sensor paired high-ISO & with a powerful BIONZ X image processor, Dynamic Range allowing it to shoot at a sensitivity range of ISO 50 – 4096004 with unprecedented dynamic range and low noise. The extra-large pixels on the α7S collects dramatically more light than traditional cameras to produce beautifully detailed, low-noise images in even the most challenging lighting environments. 2 12.2MP sensor The α7S is the world’s first 35mm camera to optimized for 4k incorporate ‘direct pixel readout’ utilizing the and low light video entire width of the full-frame image sensor without line skipping or pixel binning. Therefore in both HD and 4K video acquisition I can read and process data from every one of the sensor’s pixels. This allows video shooters to utilize all of the artistic and creative benefits provided by the unique sensor. 3 Fast Intelligent AF Equipped with the same high-precision Fast in light as low as EV Intelligent AF system as the α7R camera, the -4 α7S drastically improve AF sensitivity in low- light that can go as low as -4EV. 4 New-generation The larger than normal pixel size on the 35mm RGB filter with full-frame image sensor with effective 12.2MP, gapless on-chip employs Sony’s latest image sensor technologies lens design on the α7S. To boost the image sensor’s light collection efficiency, a new-generation RGB color filter has been adopted, in addition to the gapless on-chip lens design, light concentration technology and photodiode expansion technology delivers unprecedented high sensitivity and low- noise levels with high dynamic range in every light condition from severe low light to bright sunlight. By applying an AR coating on the surface of the seal glass over the image sensor, ghosting and flare have been minimized, further contributing to the α7S’s high image quality. 3 ILCE-7S Product Information Document Rank Feature Description Rich Asset 5 Uncompressed In video mode, the α7S can output 4K video at 4:2:2 Full HD and QFHD (3840x2160) in 4:2:2 to an optional 4K QFHD output via external 3rd party 4K recorder via the HDMI*1 HDMI*1 6 50Mbps XAVC S For the first time ever in a Sony α camera, the 1920x1080 at 60P, α7S adopts the workflow-friendly XAVC S 1280x720 at 120P recording format in addition to AVCHD and MP4 codecs. XAVC S format allows for full HD recording at a data rate of 50 mbps with lower compression for improved video quality. The α7S can record full HD (1920x1080) at frame rates of 60p, 60i, 30p and 24p directly to a compatible memory card. Video modes can be changed from full-frame to APS-C (super 35mm equivalent) if desired, and in this crop mode, the camera can support high frame rate 120fps shooting at standard HD resolution (1280 x 720p), creating a 5x slow-motion effect. 7 Pro-workflow w/ The α7S is equipped with S-Log2 gamma. Picture Profile, S- Common to Sony’s range of professional video Log2 and time code cameras, S-Log2 expands the dynamic range by up to 1300% to minimize clipped highlights and loss of detail in shadows. The α7S include a picture profile that can adjust settings like gamma, black, level and color adjustment, and can be saved for use in a multi-camera shoot. It also has Full HD and 4K base band HDMI® output, time code/user bit for easier editing, synchronous recording feature with compatible devices, various marker and zebra displays on both the LCD screen and viewfinder. 4 ILCE-7S Product Information Document Rank Feature Description Rich Asset 8 High contrast 2.4- View every scene in rich detail with the XGA million dot XGA OLED Tru-Finder, which features OLED OLED Tru-Finder™ improvements and the same 3-lens optical EVF system used in the flagship α99. The viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately monitor the results. You’ll enjoy rich tonal gradations and 3 times the contrast of the α99. High-end features like 100% frame coverage and a wide viewing angle are also provided. 9 3.0" 1.23M dot LCD The tiltable 3.0” (1,229k dots) Xtra Fine™ LCD tilts for high and low Display makes it easy to photograph over angle framing crowds or low to capture pets eye to eye by swinging up approx. 84° and down approx. 45°. Easily scroll through menus and preview life thanks to WhiteMagic™ technology that dramatically increases visibility in bright daylight. The large display delivers brilliant- quality still images and movies while enabling easy focusing operation. 10 Audio level controls, The α7S has a Multi-terminal interface shoe that AAC/Linear PCM*2, is compatible with Sony’s XLR Adaptor optional XLR kit Microphone Kits (XLR-K1M plus a new model under development), allowing the use of professional microphone systems. 11 Compatible w/ Sony Directly compatible with the growing family of E- E-mount lenses and mount lenses, the α7S camera can also be many others*3 used with A-mount and others lens systems with optional adapters. Sony’s complete α lens system includes several premium offerings from Carl Zeiss® and G Series Lenses. Sony’s E- mount lens system is particularly well-suited for video shooting, with a variety of models containing “movie-friendly” features like smooth focusing, powered zoom control, and silent iris/aperture control. 5 ILCE-7S Product Information Document Rank Feature Description Rich Asset 12 Simple connectivity Connectivity with smartphones for One-touch to smartphones via sharing/One-touch remote has been simplified Wi-Fi® or NFC with Wi-Fi®/NFC control. In addition to Wi-Fi support for connecting to smartphones, α7S also supports NFC (near field communication) providing “one touch connection” convenience when transferring images to Android™ smartphones and tablets. Users need only touch devices to connect; no complex set-up is required.
Recommended publications
  • 2Nd Hand List Updated on 07/10/2016 6-Month Warranty on All Items Without an Asterisk
    1 of 3 2nd Hand List Updated on 07/10/2016 6-month warranty on all items without an asterisk NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D800 BODY (fr. 18,932) £995 NIKON D700 BODY (fr. 123,300) £449 NIKON D3 BODY (fr. 193,000) £495 NIKON TC-17E II £160 NIKON D3 BODY (fr. 215,721) £499 NIKON TC-17E II £155 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £165 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-20E £95 NIKON D3 BODY (fr. 182,000) £495 NIKON TC-20E III £199 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-20E III £200 NIKON D3S BODY (new shutter) £895 NIKON 12-24MM F4 G AF-S DX £280 NIKON D3S BODY (fr: 502,000) £750 NIKON 12-24MM F4 G AF-S DX £275 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G N FX £895 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 14-24MM F2.8 G N FX £950 NIKON D4 Body (fr, 146,150) £1650 NIKON 16-35MM F4 G VR £550 NIKON D4 Body (fr,172,688) £1,699 NIKON 16-35MM F4 G VR £579 NIKON D4 Body (fr,420,597) £1,699 NIKON 16-35MM F4 G VR £595 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24MM F1.4 AF-S G N £950 NIKON 24MM F2.8 AF-D £179 NIKON 24-70MM F2.8 G N AF-S £650 NIKON 35-135MM F3.5-4.5 AF £65 NIKON MANUAL LENSES £ +VAT NIKON 70-200MM F2.8 G VR £625 NIKON 70-200MM F2.8 G VR 11 £899 NIKON 70-200MM F2.8 G VR 11 £950 NIKON 24MM F3.5 PC-E £850 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 NIKON FLASHES £ +VAT NIKON 300MM F2.8 AF-I £1,325 NIKON 300MM F2.8 G ED VR 11 £2349 NISSIN DI 622 MK II FLASH (NIK FIT) £65 NIKON 300MM F2.8 G ED VR 11 £2495 NIKON 400MM F2.8 G N VR £3,595 NIKON 400MM F2.8 G N VR £3,599 NIKON 400MM F2.8 G N VR £3,750 SIGMA & OTHER LENSES £ +VAT SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON ACCS.
    [Show full text]
  • Accessories for DSLR Cameras with Video Function
    Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Product catalogue DSLR accessories 05/2012 LWS - Lightweight support Follow focus systems – Digital Video (DV): DV StudioRig / DV StudioRig plus DV StudioRig Photo / DV StudioRig plus Photo MatteBox Fluid Zoom Drive Chrosziel GmbH MonitorPack, Lens Support Brackets Klausnerring 6 D-85551 Heimstetten b. München / Munich Germany Carrying Handle, Hand Grips Phone +49 89 90 10 91 0, Fax +49 89 44 70 86 1 E-Mail [email protected], Web www.chrosziel.com Managing Directors: Harm Abrahams, Jürgen Nußbaum HRB 158740 Amtsgericht München ● VAT ID Nr. DE 249425648 For our deliveries and services solely our General Terms of Trade apply. 05/2012 Recommended retail prices in Euro without tax, ex works, subject to change without further notice, issue 05/2012 Chrosziel GmbH, Klausnerring 6, D - 85551 Heimstetten, Tel. +49 89 901 091 0, Fax +49 89 447 086 1, [email protected] 1 Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Lightweight support Rec. retail price Lightweight support, choose according to your camera: 401-421S LWS Lightweight support with twist stopper for DSLR 315.00 € e.g.
    [Show full text]
  • The D800 on Assignment
    The D800 On Assignment Benjamin Antony Monn Cliff Mautner Fine art/Architecture (Germany) Wedding (U.S.A.) As a modern architectural photographer I am always looking for a lightweight, Speed and power, without compromise. That’s how I’d sum up my impression compact and reliable camera system fulfilling the requirements of my personal of the new Nikon D800. Established medium-format image quality is artistic and client expectations. The Nikon D800 will set new standards for now inside a phenomenal, incredibly responsive Nikon machine. At 36.3 the high-end 35mm D-SLR market. I have never worked with a 35mm digital megapixels, the D800 produces unprecedented image quality and resolution camera that produces images with such exceptional quality and detail till within a body that boasts revolutionary technological advances. The 3D color now. Particularly, the live view mode enables extremely precise compositions matrix metering III, wide dynamic range and the improved AF performance and easy focusing in dim lighting, which simplifies my workflow. Superior in low light are just a few features that are glaring improvements. The D800 quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for allows me to concentrate on the light, the composition and my subject architectural photography. From my hands-on experience I found that they without having to think about much else. In years past, wedding photography perfectly match with the newly invented system and produce breathtakingly was traditionally captured with medium-format equipment for maximum clean, clear and sharp files. This camera gives me the photographic flexibility image quality.
    [Show full text]
  • Agfaphoto DC-833M, Alcatel 5035D, Apple Ipad Pro, Apple Iphone 6
    AgfaPhoto DC-833m, Alcatel 5035D, Apple iPad Pro, Apple iPhone 6 plus, Apple iPhone 6s, Apple iPhone 7 plus, Apple iPhone 7, Apple iPhone 8 plus, Apple iPhone 8, Apple iPhone SE, Apple iPhone X, Apple QuickTake 100, Apple QuickTake 150, Apple QuickTake 200, ARRIRAW format, AVT F-080C, AVT F-145C, AVT F-201C, AVT F-510C, AVT F-810C, Baumer TXG14, BlackMagic Cinema Camera, BlackMagic Micro Cinema Camera, BlackMagic Pocket Cinema Camera, BlackMagic Production Camera 4k, BlackMagic URSA Mini 4.6k, BlackMagic URSA Mini 4k, BlackMagic URSA Mini Pro 4.6k, BlackMagic URSA, Canon EOS 1000D / Rebel XS / Kiss Digital F, Canon EOS 100D / Rebel SL1 / Kiss X7, Canon EOS 10D, Canon EOS 1100D / Rebel T3 / Kiss Digital X50, Canon EOS 1200D / Rebel T5 / Kiss X70, Canon EOS 1300D / Rebel T6 / Kiss X80, Canon EOS 200D / Rebel SL2 / Kiss X9, Canon EOS 20D, Canon EOS 20Da, Canon EOS 250D / 200D II / Rebel SL3 / Kiss X10, Canon EOS 3000D / Rebel T100 / 4000D, Canon EOS 300D / Rebel / Kiss Digital, Canon EOS 30D, Canon EOS 350D / Rebel XT / Kiss Digital N, Canon EOS 400D / Rebel XTi / Kiss Digital X, Canon EOS 40D, Canon EOS 450D / Rebel XSi / Kiss Digital X2, Canon EOS 500D / Rebel T1i / Kiss Digital X3, Canon EOS 50D, Canon EOS 550D / Rebel T2i / Kiss Digital X4, Canon EOS 5D Mark II, Canon EOS 5D Mark III, Canon EOS 5D Mark IV, Canon EOS 5D, Canon EOS 5DS R, Canon EOS 5DS, Canon EOS 600D / Rebel T3i / Kiss Digital X5, Canon EOS 60D, Canon EOS 60Da, Canon EOS 650D / Rebel T4i / Kiss Digital X6i, Canon EOS 6D Mark II, Canon EOS 6D, Canon EOS 700D / Rebel T5i
    [Show full text]
  • High-Definition Consumer Hdslrs Cameras Comparison Chart
    High-Definition Consumer HDSLRs Cameras Comparison Chart Canon EOS Rebel T3 Canon EOS Rebel T2i Canon EOS Rebel T3i Nikon D90 Nikon D3200 Nikon D5100 Sony Alpha SLT-A35 Sony Alpha SLT-A55 Sony Alpha SLT-A57 Sensor Type CMOS CMOS CMOS CMOS CMOS CMOS CMOS CMOS CMOS Sensor Size 22 x 14.7mm (APS-C) 22.3 x 14.9mm (APS-C) 22.3 x 14.9mm (APS-C) 23.6 x 15.8mm (DX) 23.2 x 15.4mm (DX) 23.6 x 15.6mm (DX) 23.4 x 15.6mm 23.5 x 15.6mm 23.5 x 15.6mm Effective Pixels 12.2MP 18MP 18MP 12.3MP 24.2MP 16.2MP 16.2MP 16.1MP 16.1MP Not specified by Total Pixels 12.6MP 18.7MP 12.9MP 24.7MP 16.9MP 16.5MP 16.7MP 16.7MP manufacturer Not specified by Movie File Formats MOV MOV MOV MOV MOV AVCHD, MP4 AVCHD, MP4 AVCHD, MP4 manufacturer Not specified by Movie Compression H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 H.264/MPEG-4 manufacturer Not specified by Dolby Digital (AC-3), Dolby Digital (AC-3), Dolby Digital (AC-3), Audio File Formats Linear PCM Linear PCM Linear PCM Linear PCM Linear PCM manufacturer MPEG-4 AAC-LC MPEG-4 AAC-LC MPEG-4 AAC-LC 1920 x 1080, 1280 x 720, 1920 x 1080, 1280 x 720, 1280 x 720, 640 x 424, 1920 x 1080, 1280 x 720, 1920 x 1080, 1280 x 720, 1920 x 1080, 1440 x 1920 x 1080, 1440 x 1920 x 1080, 1440 x Movie Sizes 1280 x 720 640 x 480 640 x 480 320 x 216 640 x 424 640 x 424 1080, 640 x 480 1080, 640 x 480 1080, 640 x 480 1080p/30, 25, 24; 1080p/30, 25, 24; 1080p/30, 25, 24; 1080p/30, 24; 720p/30, 1080i/60; 1080p/30; 1080i/60; 1080p/60, 30, 1080i/60; 1080p/60, 30, Frame Rates (FPS) 720p/30, 25 720p/60, 50; 480p/60, 720p/60, 50; 480p/30, 24 720p/60, 50; 424p/30, 24; 424p/30 480/30p 24; 480p/30 24; 480p/30 50 25 25 Continuous Recording Not specified by Not specified by Not specified by Not specified by Approx.
    [Show full text]
  • List of Qualifying Trade in Models
    List of Qualifying Trade In Models: CANON FUJIFILM MAMIYA PHASE ONE CANON EOS-1D C FUJIFILM GFX50S MAMIYA 645DF PHASE ONE XF 100MP CANON EOS-1D MKII FUJIFILM GFX50R MAMIYA CREDO 40 PHASE ONE 645DF+ CANON EOS-1D MKII N FUJIFILM GFX100 MAMIYA CREDO 50 PHASE ONE IQ1 100MP CANON EOS-1D MKIII MAMIYA CREDO 60 PHASE ONE IQ140 CANON EOS-1D MKIV HASSELBLAD MAMIYA CREDO 80 PHASE ONE IQ1 150 CANON EOS-1DX HASSELBLAD A5D-50C MAMIYA ZD PHASE ONE IQ160 CANON EOS-1DX II HASSELBLAD A5D-80 PHASE ONE IQ180 CANON EOS-1DX III HASSELBLAD H4D-31 NIKON PHASE ONE IQ250 CANON EOS-1DS HASSELBLAD H4D-40 NIKON D3 PHASE ONE IQ260 CANON EOS-1DS MKII HASSELBLAD H4D-60 NIKON D3S PHASE ONE IQ280 CANON EOS-1DS MKIII HASSELBLAD H5D-200C NIKON D3X PHASE ONE IQ3 50MP CANON EOS 5D HASSELBLAD H5D-50C NIKON D4 PHASE ONE IQ3 60MP CANON EOS 5D MKII HASSELBLAD H5X NIKON D4S PHASE ONE IQ3 80MP CANON EOS 5D MKIII HASSELBLAD H6D-100C NIKON DF PHASE ONE P20+ CANON EOS 5D MKIV HASSELBLAD H6D-50C NIKON D600 PHASE ONE P21+ CANON EOS 5DS HASSELBLAD X1D-50C NIKON D610 PHASE ONE P25+ CANON EOS 5DS R HASSELBLAD X1D II-50C NIKON D700 PHASE ONE P30+ CANON EOS 6D HASSELBLAD CFV II-50C NIKON D750 PHASE ONE P40+ CANON EOS R NIKON D800 PHASE ONE P45+ CANON EOS RP SONY NIKON D800E PHASE ONE P65+ CANON EOS R5 SONY ALPHA 7 NIKON D810 CANON EOS R6 SONY ALPHA 7 II NIKON D850 SONY ALPHA 7 III NIKON D810A PANASONIC SONY ALPHA 7c NIKON Z5 LUMIX S1 SONY ALPHA 7R NIKON Z6 LUMIX S1R SONY ALPHA 7R II NIKON Z6 II LUMIX S1H SONY ALPHA 7R III NIKON Z7 LUMIX S5 SONY ALPHA 7R IV NIKON Z7 II SONY ALPHA 7S PENTAX SONY ALPHA 7S II PENTAX 645Z SONY ALPHA 7S III PENTAX 645D SONY ALPHA A9 PENTAX K-1 SONY ALPHA A9 II SONY ALPHA 99 LEICA SONY ALPHA 99 II LEICA S SONY ALPHA 850 LEICA M SONY ALPHA 900 LEICA M-P (TYP 240) LEICA SL ( TYP 601 ).
    [Show full text]
  • Download Brochure
    Updated Sep 2020 Superior Ergonomics BookDrive Perfected Light Design Powerful Software Suite Adjustable “V” Cradle Mark 2 Canon Support Top of the line, FADGI Compliant for A2 books and bound documents Fast Facts - The latest and most powerful model from the Atiz - Superior ergonomics, operator comfort and safety family of book scanners - Major upgrade on image quality and software - Built with close collaboration and feedback from functionality customers and technical specialists THE INDUSTRY STANDARD BookDrive is a de facto industry standard of how libraries around the world digitize their books today. A dual-camera “V” cradle imaging system captures images of books and print materials, without risk of damage to the items being scanned. This scanning solution pioneered by Atiz has become so successful that it is widely embraced even by competitors. SOME OF THE REASONS WHY CUSTOMERS CHOSE THE ATIZ. “We chose the Atiz for the following reasons: Simplicity of its design Cost There are fewer things that can go wrong. There This product was considerably cheaper than the are no motors, and fewer moving parts. other units we were considering. Modularity Speed If we want to upgrade to more powerful lenses The Mark II can capture 2 high-resolution or cameras in the future, we can just buy them images in a couple of seconds including the time and install them ourselves without having to it takes to turn the page. Overhead planetary purchase a whole new machine. Therefore the scanners take many times longer, depending on Atiz Mark II is more safe from obsolescence. the resolution. Size The Atiz Mark II takes up less space than the other units we were considering.
    [Show full text]
  • D-Movie Setting Guide Entire Pages
    D-Movie Setting Guide En Before After Workfl ow Live View Menu Options Other Settings Recording Recording Recording MMakingaking MoviesMovies withwith thethe D800/D800E/D4:D800/D800E/D4: WorkflWorkfl owow Save where otherwise noted, the illustrations in this guide show the D800. 1 Prepare. Before shooting movies, learn the names and locations of Power switch camera controls and secure a reliable power supply as de- scribed in the following sections: ● Camera Controls .....................................................................0 4 ● Optional Batteries and External Power Supplies ........0 6 ● The Live View Display ...........................................................0 9 An optional AC adapter or battery pack is recommended for extended recording. Turn the camera on before proceeding to the next step. 2 Start movie live view and adjust camera settings. Rotate the live view selector to 1 (movie live view) and press the a button. Live view a button selector Adjust settings before recording. See the following topics for settings accessible in movie live view: ● White Balance ...................................................0 12 ● Autofocus and AF-Area Modes ..................0 20 ● Picture Controls ...............................................0 15 ● Monitor Brightness (Movie Live View) ....0 21 ● ISO Sensitivity ...................................................0 19 ● Sound ..................................................................0 22 The following sections describe settings available in the camera menus: ● Image Area
    [Show full text]
  • November 2012 the Impossible Project New Gopro Cameras Nikon D600 Deal / Canon 6D Pre-Orders Renaissance Album Holiday Orders BEAU NEWS
    Photo by Kathy Kinakin on Impossible Project film. Beau Newsletter // November 2012 The Impossible Project New GoPro Cameras Nikon D600 deal / Canon 6D pre-orders Renaissance Album holiday orders BEAU NEWS FILM / ANALOG NEWS Transparencies! Nicole L.-D Impossible Project’s film is versatile, and it is easy to transform it into a transparen- The Impossible Project cy, or even to layer transparencies! Mak- ing a transparency is as simple as taking Fresh from the Impossible laboratories an instant photo, waiting a few minutes and production machines in Enschede, then carefully cutting along the edge of Impossible Project’s newest instant film the photograph and peeling the black with Color Protection! No longer does backing off. For more details check out one need to immediately shield photos the Impossible Project website. as they’re ejected. Available for all Pola- http://blog.the-impossible-project.com/ roid 600 and SX 70 cameras. Coming soon impossible-transparencies for Spectra and 1200 cameras. Emulsion Lifts Discover the world of emulsion lifts us- ing Impossible Project film. Beau has the Impossible Project tools you will need to make your own masterpieces - the Lift It Kit and the Creative Kit. We’ve found you can use a variety of papers, including can- vas! Impossible transparency of a cactus Workshop at Beau Photo just announced! Learn to make your own lifts and transparencies - Thursday December 13th, details to come. Watch our blog, Twitter or Facebook for info. NOVEMBER 2012 RENTAL NEWS JASON K. New in Rentals! Canon 24-70mm f2.8L II I have just received a pair of Canon’s new 24-70mm f2.8L II lenses.
    [Show full text]
  • Page 1 of 3 Fixation Second Hand List 12 Month Guarantee on All Used
    Page 1 of 3 Fixation Second Hand List 08/07/2021 12 month guarantee on all used equipment SKU Description & Notes Price Grade Notes 3006881 Canon BG-E20 Battery Grip for EOS 5D Mark IV £119.00 9- 3006882 Canon BG-E20 Battery Grip for EOS 5D Mark IV £119.00 8 3007938 Canon BG-E6 Battery Grip for EOS 5D Mark II £28.00 7 3002213 Canon EF 16-35mm f2.8 L II USM Lens £661.00 8 3003260 Canon EF 24-105mm f4 L IS USM Lens £333.00 8 Lens shows little use, the lens exhibits a few marks including light wear to the mounts, tears to the weather seal, light wear to the barrel, paint loss to 3002106 Canon EF 24-70mm f2.8L II USM Lens £1,119.00 9- the edges and light wear to the grips. There is light dust throughout the optics, this will not affect images in any way. 3007937 Canon EF 24mm f1.4L II USM Lens £783.00 9 3004161 Canon EF 70-200mm f2.8 L IS USM Lens £566.00 7 3006797 Canon EOS 1D MK IV Digital SLR Camera Body £489.00 8 13000 3005083 Canon EOS 1D X Digital SLR Camera Body £1,136.00 8 New shutter 3007043 Canon EOS 1D X Mark II Digital SLR Camera Body £2,214.00 9- acc 53000 3006796 Canon EOS 1Ds MK III Digital SLR Camera Body £378.00 8 5000 3003259 Canon EOS 5D Mark II DSLR Camera Body £355.00 9- Dust to body, slight discolouration to grips 3007936 Canon EOS 5D Mark III Digital SLR Camera Body £576.00 7 acc 119000 3003480 Canon EOS 5D Mark IV Digital SLR Camera Body £1,854.00 9 acc 27000 3005752 Canon EOS 5D Mark IV Digital SLR Camera Body £1,539.00 8 Acc 91000 3006879 Canon EOS 5D Mark IV Digital SLR Camera Body £1,631.00 9- 56000 acc 3006880 Canon EOS 5D Mark IV Digital SLR Camera Body £1,539.00 8 56000 acc Camera shows very light use, the camera exhibits very few marks including light marks and light wear to the lens mount, light wear to the grips, light shining and light marks to the edges of the body, 3004107 Canon EOS 6D Mark II Digital SLR Camera Body £1,097.00 9 marks and wear to the base of the body, faint marks to the rear LCD screen and marks to the top down LCD screen.
    [Show full text]
  • Nikon D800 DSLR
    Nikon D800 May 2012 EBU - Tech 3335 : Methods of measuring the imaging performance of television cameras for the purposes of characterisation and setting Alan Roberts, May 26 2012 SUPPLEMENT 002 : Assessment of a Nikon D800 DSLR Tests have been conducted in line with EBU R.118. This document is a report of the results of the tests defined in Tech3335 and is not an endorsement of the product. The Nikon D800 is a medium-sized, full-frame, digital single lens reflex camera. As is becoming common, it also offers HDTV recording. Although there are few of the usual controls that go with video cameras, it was thought worthwhile to check its performance as an HDTV camera. The results were mixed. Tests were done on a camera body (serial number 601303) with two lenses (Nikkor AF-S 20-70 1:2.4G, serial number 546609, and AF-S 24-120/4G VR ED, serial number 62001283). The test procedures were as described and recommended by the EBU, in Tech 3335 (http://tech.ebu.ch/docs/tech/tech3335.pdf). The camera is medium-sized (146x123x81mm) and fairly heavy (1kg) for a DSLR. Power is from a lithium- ion battery, rated at 7V/1.9Ah, although an adaptor is available to run it from eight AA-sized batteries. A mains adaptor is available to replace the battery for extensive shooting. Recording is on to 2 card slots, 1 Compact Flash, the other SD. Recording video is at 1920x1080, 1280x720, or 640x424, at a variety of frame rates (including 25Hz). Recorded files are in QuickTime (MOV) with H.264 compression (AVC, MPEG4).
    [Show full text]
  • Technology Forecasting of Digital Single-Lens Reflex Camera Market: the Impact of Segmentation in TFDEA
    Portland State University PDXScholar Engineering and Technology Management Faculty Publications and Presentations Engineering and Technology Management 2013 Technology Forecasting of Digital Single-Lens Reflex Camera Market: The Impact of Segmentation in TFDEA Byung Sung Yoon Portland State University Apisit Charoensupyanan Portland State University Nan Hu Portland State University Rachanida Koosawangsri Portland State University Mimie Abdulai Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/etm_fac See P nextart of page the forEngineering additional Commons authors Let us know how access to this document benefits ou.y Citation Details Yoon, Byung Sung; Charoensupyan, Apisit; Hu, Nan; Koosawangsri, Rachanida; Abdulai, Mimie; and Wang, Xiaowen, Technology Forecasting of Digital Single-Lens Reflex Camera Market: The Impact of Segmentation in TFDEA, Portland International Conference on Management of Engineering and Technology (PICMET), Portland, OR, 2013. This Article is brought to you for free and open access. It has been accepted for inclusion in Engineering and Technology Management Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Authors Byung Sung Yoon, Apisit Charoensupyanan, Nan Hu, Rachanida Koosawangsri, Mimie Abdulai, and Xiaowen Wang This article is available at PDXScholar: https://pdxscholar.library.pdx.edu/etm_fac/36 2013 Proceedings of PICMET '13: Technology
    [Show full text]