Master Guide to Rigging a Nikon D800/D800e

Total Page:16

File Type:pdf, Size:1020Kb

Master Guide to Rigging a Nikon D800/D800e MASTER GUIDE TO RIGGING A NIKON D800/D800E Disclosure: Links in this document may be to our affiliates; sales through affiliate links may benefit this site. Please help support wolfcrow by patronizing Amazon. It won’t cost you anything extra. Disclaimer: You understand that this is only a simple guide intended as information and that you should make your own inquiries and read the manual of each product prior to purchasing. You are responsible for your own purchases and the author is not liable for any damages incurred. Copyright © Sareesh Sudhakaran 2012. If this list or my blog has helped you in any way please support me. This is a full list of parts for rigging a Nikon D800 / D800E for video use, as detailed on the wolfcrow website. The full menu can be found here: MASTER GUIDE TO RIGGING A NIKON D800/D800E MENU It is not a comprehensive list, only the author’s recommendations for the same. Do your own research before buying. FULL CHECKLIST Camera: Nikon D800 Nikon D800E F-mount Adapters: Fotodiox Fotodiox Pro Leitax Lenses: Wide: Nikon 14-24mm f/2.8G ED AF-S Zeiss Compact Prime CP.2 21mm/T2.9 Nikon 24mm f/1.4G ED AF-S RF SWM Prime Zeiss Compact Prime CP.2 25mm/T2.9 Medium: Nikon 24-70mm f/2.8G ED AF-S Zoom Zeiss Compact Prime CP.2 28mm/T2.1 Samyang 35mm f/1.4 Manual Zeiss Compact Prime CP.2 35mm/T2.1 1 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Nikon 50mm f/1.4G SIC SW Prime Zeiss Compact Prime CP.2 50mm/T2.1 Makro Telephoto: Nikon 70-200mm f/2.8G ED VR II AF-S Zoom Nikon 85mm f/1.4D AF Zeiss Compact Prime CP.2 85mm/T2.1 Zeiss Compact Prime CP.2 100mm/T2.1 CF Nikon 200mm f/2G AF-S ED VR II Nikon's Recommendations: Nikon recommends these lenses in the technical guide as being acceptable for the D800 / D800E: 14–24 mm f/2.8G ED 24–70 mm f/2.8G ED 70–200 mm f/2.8G ED VR II 16–35 mm f/4G ED VR 24–120 mm f/4G ED VR 200–400 mm f/4G ED VR II 24 mm f/1.4G ED 35 mm f/1.4G 200 mm f/2G ED VR II 300 mm f/2.8G ED VR II 400 mm f/2.8G ED VR 500 mm f/4G ED VR 600 mm f/4G ED VR Micro NIKKOR 60 mm f/2.8G ED VR Micro-Nikkor 105 mm f/2.8G IF-ED Extension Tubes: Nikon PK11A Auto Extension Ring Nikon PK-12 Ai Auto Extension Tube 14mm Nikon PK-13 Ai Auto Extension Tube 27.5mm Teleconverters: Nikon TC-14E II (1.4x) Teleconverter AF-S Nikon TC-17E II (1.7x) Teleconverter AF-S Nikon TC-20E III AF-S 2x Teleconverter Step up and step down rings: Fotodiox 2 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Wide angle converters: Opteka HD² 0.20X Professional Super AF Fisheye Lens Zeikos ZE-WA58B 58mm 0.45X HD Super Wide Angle lens with Macro Lens Hoods: Nikon Lens Caps: Nikon Matte Boxes: The Genus GL System: Genus GL GWMC Wide Angle Matte Box Genus GL GFFW French Flag Assembly Genus GL GAR77 77 mm Lens Adaptor Ring Genus GMKDSLR-77 Mattebox Kit Cavision 5″ x 5″ Matte Box Kit Arri MMB-2 Matte Box kit Follow Focus Systems: Digital Shoulder Rig and Follow Focus Genus G-SFOC Superior Follow Focus System Arri MFF-2 Follow focus system UV Filter: B+W 77mm UV Filter Polarizing Filters: B+W 77mm Kaesemann Circular Polarizer Schneider Optics 4″x 4″ True-Pol Circular Polarizer Neutral Density Filters: Tiffen 77mm Neutral Density 0.9 Filter Schneider Optics 4″x 4″ ND 0.3, Neutral Density Filter Singh-Ray Vari-ND Variable Neutral Density Filter B+W 77mm Grad ND Filter Schneider Optics 4″x 4″ Neutral Density ND 0.9, Soft Edge Graduated Filter 3 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Diffusion Filters: Tiffen 77mm Glimmer Glass 3 Filter Tiffen 4×4 Gold Diffusion Special Effects (FX) Filter #1 Handheld Rigs: Class One: Zacuto Z-DSP Scorpion Rig Vocas DSLR Rig Pro Kit Class Two: DVTEC Multi Rig Pro Stabilizing System ePhoto Premium DSLR Rig Class Three: Glidecam X10/HD-4000 Kit 3D Stereoscopy/HDR Rig: Hurricane 3D Camera Rig Tripod and Head: Manfrotto 504HD+546BK Video Tripod Kit Sachtler 18 S1 SL MCF, with Speed Lock CF HD Tripod Hi-hat: Bogen Imaging Manfrotto 529B Hi Hat Jib/Crane: ProAm® DVC210 DSLR Camera Jib Crane Motorized Pan/Tilt Head: Bescor MP-360 Full 360° Motorized Pan and Tilt Head Slider/Dolly: Glidetrack HD 39 inch (1m) Heavy Duty Slider Car Rig: Varizoom Ultimate Auto Rig Kit 4 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Underwater Rig: Ikelite Ultra Compact Housing for Nikon D800, D800E Cameras DSLR Cage: Zacuto Z-DZC DSLR Z-Cage Base plate and Rods: Zacuto Z-DSLR-B DSLR Base Plate HDMI Support: Lockport D800 Blue Echo hd EZ lock Universal HDMI Lock AC Power: Nikon EP-5B Power Supply Connector EH-5b AC Adapter Batteries: Nikon EN-EL15 Rechargeable Li-Ion Battery Nikon EN-EL18 Rechargeable Li-ion Battery (with Grip only) Charger: Nikon MH-25 Quick Charger for EN-EL15 Battery Grip: Nikon MB-D12 Multi Battery Power Pack Additional Power: Something like this: Anton Bauer Gold Mount for Canon EOS 5DMkII, 7D, 60D External Monitors: LILLIPUT 7” HDMI LCD Monitor Small HD DP6 Marshall V-LCD651STX-HDMI-VM 6.5″ 24 Pofessional Studio Monitor With HDSDI LCD Arm: ePhoto 11-Inch Articulating Magic Arm 5 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com LCD Hood: Marshall V-H50 Sun Hood Optical Viewfinder: Zacuto Z-Find-Pro3 Optical Viewfinder Zacuto Z-Finder Mounting Frame Electronic Viewfinder: Zacuto Z-Finder EVF Pro 3.2 inch L/C Finder: Nikon DR-5, Right Angle, Screw-In Finder Eyepiece Magnifier: Nikon DG-2 2x Eyepiece Magnifier Eyepiece Accessories: Nikon DK-22 Eyepiece Adapter Nikon DK-19 Rubber Eyecup External Recorders: Atomos Ninja 2 AJA Ki Pro Mini Blackmagic Design HyperDeck Shuttle 2 Convergent Design NanoFlash SSD Drive: Intel 320 Series 160 GB SATA 3.0 Gb-s 2.5-Inch SSD Compact Flash and SDHC Cards: SanDisk 16GB Extreme Pro CF Card HDMI to SDI Converter: Blackmagic Design HDMI to SDI Converter HDMI Cables: Zacuto Z-HDMI 18 inch Mini Male (Type C) HDMI to Standard Male (Type A) HDMI Cable 6 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Microphones: Nikon ME-1 Stereo Microphone Sennheiser ME66 Professional Shotgun Microphone with K6 Dual Powerd Module Sennheiser MKH60P48 Wired Super-Cardioid Short Shotgun Condenser Microphone Sennheiser G3 Wireless System Microphone Accessories: Micover Slipover Windscreen for Nikon ME-1 K-Tek Zeppelin Microphone Wind Protection System Headphones: Sennheiser HD 580 Dynamic HiFi Professional Headphone Sennheiser HD800 Over-Ear Circum-Aural Dynamic Premiere Headphone Audio Recorder : Zoom H4n Handy Portable Digital Recorder Sound Devices 744T Recorder Marantz PMD661 Portable SD Recorder Mixer: Sound Devices 552 Production Mixer XLR Cables: K-Tek 1.5′ to 9′ XLR Male to XLR Female XLR to 3.5mm Adapter: XLR Jack to Stereo 3.5mm Mini Plug Audio Cable 6ft Slate/Clapper: Campro Professional Acrylic Production Slate Audio Storage Rack: HD Mixer & Audio Transportation & Storage Rack Flash/Speedlights: Nikon SB-910 Speedlight Yongnuo YN-565EX ETTL Speedlite Wireless Transmitters: Nikon WT-4A Wireless Transmitter Yongnuo RF-603 N1 2.4GHz Wireless 7 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Gels: Rosco Strobist 55 Piece Cinegel Filter Kit Shoe Clamp: Photoflex Light and Umbrella Shoe Mount Clamp Softbox: Photoflex LiteDome XS Kit Lightstand: Ravelli ALS Photo Video Light Stand Intervalometer: NIKON MC-36 Multi-Function Remote Cord ( 33.5 inches ) Cable Release: NIKON MC30 Remote Cable Release (31.5 in) Wireless Remote Trigger: Nikon ML-3 Compact Modulite Remote Set GPS System: Nikon GP-1 GPS Unit USB Connector: Nikon UC-E14 USB Cable Light Meter: Sekonic L-398A Light Meter White Balance Card: Lastolite LL LR1250 12-Inch Ezybalance Card (Grey/White) Color Checker: X-Rite MSCCC ColorChecker Chart Rain Cover: Polaroid SLR Rain Cover Protector Cleaning Kit: Zeiss Ikon Complete Optics Cleaning Kit Cloth Bags: Carrying: Think Tank Retrospective 10, Pinestone Lowepro 350 AW DSLR Video Fastpack Lowepro Pro Trekker 600 AW Camera Backpack Air travel Cabin: Think Tank Airport International V 2.0 Think Tank Airport Security V 2.0 Air travel Check-in: Tamrac 694 Camera Rolling Case Portabrace CAR-2B Cargo Case 8 Copyright © Sareesh Sudhakaran 2012 – www.wolfcrow.com Hard Cases: Pelican 1650 Case w/Foam with Pelican 1659 Lid Organizer 12 Space (12) ATA Rack Amp Road Case (20″ Deep) with Casters Neck Strap: OP/TECH Pro Strap Wrist Strap: OP/TECH SLR Wrist Strap That’s it! Hope this has helped you plan your rig. If you have rigged up, please share it with me! Here’s the full menu in case you need explanations on why I chose certain items over others: Part 1 : Lens Adapters, Lenses, Extenders, Converters, etc " Part 2 : Matte Boxes, Follow Focus systems and Filters Part 3 : Handheld Rigs and Stereoscopic Rigs Part 4 : Tripods, Heads, Hi-hats, Jibs/Cranes, Sliders/Dollies, Car Rigs and Underwater Rigs Part 5 : Cages, Base plates, Rods, HDMI support, Batteries, Chargers, Adapters and Grips Part 6 : External Monitors, Viewfinders and Accessories Part 7 : External Recorders, Cables, Media and Accessories Part 8 : Microphones, Headphones, Recorders, Mixers, Cables and Accessories Part 9 : Flash/Speedlights, Wireless Transmitters and Accessories Part 10: Intervalometers, GPS, Controls, Meters, Rain Covers, WB/Color and Miscellaneous Part 11: Bags, Cases, Racks and Straps Part 12: Menu and PDF Checklist If this list or my blog has helped you in any way please support me.
Recommended publications
  • Canon EOS R Specifications in Detail
    Canon EOS R Specifications in detail Image Sensor Type 36 x 24 mm CMOS Effective Pixels Approx. 30.3 megapixels Total Pixels Approx. 31.7 megapixels Aspect Ratio 3:2 Low-Pass Filter Built-in/Fixed Sensor Cleaning EOS integrated cleaning system Colour Filter Type Primary Colour Image Processor Type DIGIC 8 Lens Lens Mount RF (EF and EF-S lenses can be attached using Mount Adapter EF-EOS R, Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R. EF-M lenses not compatible) Focal Length Equivalent to 1.0x the focal length of the lens with RF and EF lenses 1.6x with EF-S Focusing Type Phase-difference detection system with image sensor (Dual Pixel CMOS AF) AF System/ Points With Area 88% horizontal and 100% vertical AF working range EV -6 – 18 (at 23°C & ISO100) AF Modes One Shot Servo AF AF Point Selection Automatic selection: Face + tracking Manual selection: 1-point AF (AF frame size can be changed) Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding Manual selection: Zone AF (all AF points divided into 9 focusing zones) Manual selection: Large Zone AF (Vertical) Manual selection: Large Zone AF (Horizontal) AF Lock Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo AF Assist Beam Emitted by built in LED or optional dedicated Speedlite (flash) Manual Focus Selected on lens Exposure Control Metering modes Real-time with image sensor, 384-zone metering.
    [Show full text]
  • ILCE-7S Product Information Document • ILCE7S/B
    ILCE-7S Product Information Document OFFICIAL NAMES Sony® α7S (Alpha 7S) Mirrorless Interchangeable Lens Digital Camera MODEL NAME IN ADVERTISING COPY • α7S (or Alpha 7S) • a7S (only allowable for web copy where alpha symbol (α) is not useable) KIT VARIATION MODELS (FAMILY) • ILCE-7S/B (black body) (UPC: 027242-881730) • ILCE7S/B (SAP name / SEL compressed model name) ANNOUNCEMENT/SHIP TIMING • Product announce date: 3 p.m. PDT, 04/06/2014/ 6 p.m. EDT 04/06/2014 • RDD: Requested Delivery Date WK27 Product will arrive at dealer’s warehouse. • CDD: Customer Delivery Date - July 8th 2014 • Price at launch $2,500 DESCRIPTION Basic Bullets (55 characters max) Rank Feature Char. 1 35mm sensor w/ large pixels for high-ISO & Dynamic Range 56 2 12.2MP full-frame optimized for 4k and low light video 46 3 High ISO up to 409,600 w/ fast AF in light as low as EV -4 58 4 Uncompressed 4:2:2 Full HD and 4K QFHD output via HDMI*1 56 5 50Mbps XAVC S 1920x1080 at 60P, 1280x720 at 120P 48 6 Picture Profile, S-Log2 and time code for a pro-workflow 56 7 High contrast 2.4-million dot XGA OLED Tru-Finder™ EVF 54 8 Audio level controls, AAC/Linear PCM*2, optional XLR kit 56 9 Silent shutter mode for discreet shooting 41 10 Simple connectivity to smartphones via Wi-Fi® or NFC 52 ADVERTISING & MESAGING Main Headline: Beyond Human Vision. Ad Copy Words 10-word World’s smallest in its class1, the full frame α7S delivers a breakthrough dynamic 17 range and low noise images.
    [Show full text]
  • Understanding the EOS RP
    Understanding the EOS RP Especially written for Canon EOS users A fast track guide to understanding how to use the EOS RP’s key controls and functions Contents include: • Camera layout • Exposure modes • AF controls • Key camera overrides • Menu options in-depth • Customisations • Custom functions Written by Nina Bailey About this book PREVIEW EDITION The EOS RP is the second model in the new R system of full frame mirrorless cameras. Going to full frame is a aspiration for many photographers but they have been put off in the past by the size and weight of the system. With new mirrorless technology reducing both size and weight of the new models, full frame digital photography is now within everyone’s reach. I have historically produced two separate books, when covering a camera of this complexity. However, what I am finding is there is a significant amount of repetition needed to ensure that someone only getting one of the books has all the relevant information they need to operate the camera. So with smart devices now having more storage and download speeds getting faster all the time I have combined what was two volumes into a single book, which does allow me to provide better navigation around the book using hyper links. It is designed to present the information in a much more accessible way than is found in the manual and is liberally illustrated throughout with screen images and also images to show what the features actually do to the images that you take. There is also a companion Pocketbook available to provide a small A6 size guide that is easy to take with you when shooting, to help you remember how to set the key features on the camera.
    [Show full text]
  • Instruction Manual English
    INSTRUCTION MANUAL ENGLISH INSTRUCTION MANUAL Thank you for purchasing a Canon product. The EOS 450D is a high-performance, digital single-lens reflex camera with a 12.20-megapixel image sensor. The camera provides many features such as Picture Styles to expand your photographic expression, fast and high-precision 9-point autofocus for moving subjects, and diverse shooting modes for beginners as well as advanced users. It also incorporates the EOS Integrated Cleaning System to eliminate dust spots on images and the Self Cleaning Sensor Unit to shake off dust on the sensor. Take a Few Test Shots to Familiarize Yourself with the Camera With a digital camera, you can immediately view the image you have captured. While reading this manual, take a few test shots and see how they come out. You can then better understand the camera. To avoid botched pictures and accidents, read the Safety Warnings (p.186,187) and Handling Precautions (p.12,13). Test the Camera Before Using and Liability After shooting, playback and check whether the image has been properly recorded. If the camera or memory card is faulty and the images cannot be recorded or downloaded to the personal computer, Canon cannot be held liable for any loss or inconvenience caused. Copyrights Copyright laws in your country may prohibit the use of your recorded images of people and certain subjects for anything but private enjoyment. Also be aware that certain public performances, exhibitions, etc., may prohibit photography even for private enjoyment. This camera is compatible with SD memory cards and SDHC memory cards.
    [Show full text]
  • 2Nd Hand List Updated on 07/10/2016 6-Month Warranty on All Items Without an Asterisk
    1 of 3 2nd Hand List Updated on 07/10/2016 6-month warranty on all items without an asterisk NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D800 BODY (fr. 18,932) £995 NIKON D700 BODY (fr. 123,300) £449 NIKON D3 BODY (fr. 193,000) £495 NIKON TC-17E II £160 NIKON D3 BODY (fr. 215,721) £499 NIKON TC-17E II £155 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £165 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-20E £95 NIKON D3 BODY (fr. 182,000) £495 NIKON TC-20E III £199 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-20E III £200 NIKON D3S BODY (new shutter) £895 NIKON 12-24MM F4 G AF-S DX £280 NIKON D3S BODY (fr: 502,000) £750 NIKON 12-24MM F4 G AF-S DX £275 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G N FX £895 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 14-24MM F2.8 G N FX £950 NIKON D4 Body (fr, 146,150) £1650 NIKON 16-35MM F4 G VR £550 NIKON D4 Body (fr,172,688) £1,699 NIKON 16-35MM F4 G VR £579 NIKON D4 Body (fr,420,597) £1,699 NIKON 16-35MM F4 G VR £595 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24MM F1.4 AF-S G N £950 NIKON 24MM F2.8 AF-D £179 NIKON 24-70MM F2.8 G N AF-S £650 NIKON 35-135MM F3.5-4.5 AF £65 NIKON MANUAL LENSES £ +VAT NIKON 70-200MM F2.8 G VR £625 NIKON 70-200MM F2.8 G VR 11 £899 NIKON 70-200MM F2.8 G VR 11 £950 NIKON 24MM F3.5 PC-E £850 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 NIKON FLASHES £ +VAT NIKON 300MM F2.8 AF-I £1,325 NIKON 300MM F2.8 G ED VR 11 £2349 NISSIN DI 622 MK II FLASH (NIK FIT) £65 NIKON 300MM F2.8 G ED VR 11 £2495 NIKON 400MM F2.8 G N VR £3,595 NIKON 400MM F2.8 G N VR £3,599 NIKON 400MM F2.8 G N VR £3,750 SIGMA & OTHER LENSES £ +VAT SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON ACCS.
    [Show full text]
  • Game on Technical Specifications
    TECHNICAL SPECIFICATIONS GAME ON GAME ON With four times the detail of 4K, EOS R5 is the world’s first interchangeable lens digital camera with 8K movie capability1. World’s best Image Stabilization 8-stops2 with Coordinated Control IS. Combines 5-axis In Body Image Stabilizer with lens based Image Stabilizer in selected RF lenses for increased effectiveness. 100% AF coverage3 with Dual Pixel CMOS AF II. Advanced Face and Eye Detect. Perfect portraits with advanced tracking of human subjects with eye, face and head detect. High speed 20fps shooting4, 45MP Full Frame CMOS & DIG!C X processing. The 45MP full frame Canon CMOS sensor offers amazing resolution for large prints and the flexibility to crop in your images. EOS 5 series operability and reliability. You get the 5D series heritage and trust. The EOS R5 has dual card slots (CF Express + SD cards), AF joystick & rear scroll wheel and new higher capacity battery (back compatible). *Shopper Media Survey February 2020, n=20,431 1Among all interchangeable lens digital cameras. Based on Canon research as of 9th July 2020. 1Only when setting crop [Off], up to 29.97 fps / 25.00 fps.1 The video recording time of the Canon EOS R5 is limited by heat. 2Among all interchangeable lens digital cameras. As of 9th July 2020 (based on Canon research). 2Based on the CIPA standard, 8.0 steps with RF 24-105mm F4 L IS USM at a focal distance of 105mm. 2The RF 24-105mm F 4 L IS USM has Coordinated IS and most IS performance. 2Depending on the time of purchase, the lens firmware needs to be updated.2 The Canon EOS R5’s IS performance is the same as that of the Canon EOS R6.
    [Show full text]
  • Using a Canon EOS M50 As a Dedicated, Afocal, Microscope Camera Steve Neeley (USA)
    Using a Canon EOS M50 as a Dedicated, Afocal, Microscope Camera Steve Neeley (USA) From Wikipedia: “Afocal photography, also called afocal imaging or afocal projection, is a method of photography where the camera with its lens attached is mounted over the eyepiece of another image forming system such as an optical telescope or optical microscope, with the camera lens taking the place of the human eye.” Except for a very few hours experimenting with a borrowed Canon 40D back in 2011, I had no experience with coupling and using a camera with my Leitz Ortholux I microscope. But I was able to get surprisingly good coverage of its sensor – which was encouraging. Above: Phase Contrast Image of a diatom strew slide from experiments with a Canon 40D in 2011. Recently, in trying to rekindle and expand my hobby, I bought my own camera -- a Canon M50 -- to use as a dedicated microscope camera. This article shares my experience in coupling and using the M50 on the Ortholux. Disclaimer. As a colleague often says, “I’m not buying or selling here” – meaning, in this case, that I did earnest, but certainly spotty, research before buying the M50, and it was only after I had it in hand and could work with it on the scope, that I finally understood some things, as in ‘Oh! NOW I understand.” I bought what I could afford, not what was the absolute best solution for my priorities. Not ‘selling’ you on the M50 – you might find something better. 1 Priorities 1. To share my hobby in ‘live view’, on screen, with family so they do not need to use the eyepieces (this is especially hard for children).
    [Show full text]
  • Canon EOS R 5 a Field Review
    Canon EOS R 5 A field review All text and photos © SimonDP/Actionimage 2020, unless otherwise noted (web: www.actionimage.co.za email: [email protected]) INTRODUCTION AND BACKGROUND The Canon EOS R5 continues the newer direction that Canon is taking with their full-frame mirrorless range of cameras using their RF lens mount system. Along with the previously released R and RP, Canon now offers the R5 at the upper end of the scale in terms of features, performance and pricing. This camera also came with the lens mount adapter, of which three different models are offered, to make the RF mount compatible with the current huge range of Canon EF and EF-S lenses. The standard EF/EF-S to RF adapter was provided boxed with the camera. Standard disclaimer: I do my reviews in the way a camera is likely to be used; out in the field, real life conditions with real life subjects. There are enough intelligent guys out there for the lab tests and special sensor resolution tests etc. What I present is how the camera fared under certain conditions using typical lenses. If a parameter does not work for me, it does not mean it won’t work for someone else. We all have our own requirements and preferences when choosing camera equipment. When I reviewed the Canon EOS R some time ago, it initially left me a little cold, and warming up to it after some time using it. But I never got really intrigued by the EOS R to the point where I wanted to go out and buy one.
    [Show full text]
  • Accessories for DSLR Cameras with Video Function
    Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Product catalogue DSLR accessories 05/2012 LWS - Lightweight support Follow focus systems – Digital Video (DV): DV StudioRig / DV StudioRig plus DV StudioRig Photo / DV StudioRig plus Photo MatteBox Fluid Zoom Drive Chrosziel GmbH MonitorPack, Lens Support Brackets Klausnerring 6 D-85551 Heimstetten b. München / Munich Germany Carrying Handle, Hand Grips Phone +49 89 90 10 91 0, Fax +49 89 44 70 86 1 E-Mail [email protected], Web www.chrosziel.com Managing Directors: Harm Abrahams, Jürgen Nußbaum HRB 158740 Amtsgericht München ● VAT ID Nr. DE 249425648 For our deliveries and services solely our General Terms of Trade apply. 05/2012 Recommended retail prices in Euro without tax, ex works, subject to change without further notice, issue 05/2012 Chrosziel GmbH, Klausnerring 6, D - 85551 Heimstetten, Tel. +49 89 901 091 0, Fax +49 89 447 086 1, [email protected] 1 Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Lightweight support Rec. retail price Lightweight support, choose according to your camera: 401-421S LWS Lightweight support with twist stopper for DSLR 315.00 € e.g.
    [Show full text]
  • The D800 on Assignment
    The D800 On Assignment Benjamin Antony Monn Cliff Mautner Fine art/Architecture (Germany) Wedding (U.S.A.) As a modern architectural photographer I am always looking for a lightweight, Speed and power, without compromise. That’s how I’d sum up my impression compact and reliable camera system fulfilling the requirements of my personal of the new Nikon D800. Established medium-format image quality is artistic and client expectations. The Nikon D800 will set new standards for now inside a phenomenal, incredibly responsive Nikon machine. At 36.3 the high-end 35mm D-SLR market. I have never worked with a 35mm digital megapixels, the D800 produces unprecedented image quality and resolution camera that produces images with such exceptional quality and detail till within a body that boasts revolutionary technological advances. The 3D color now. Particularly, the live view mode enables extremely precise compositions matrix metering III, wide dynamic range and the improved AF performance and easy focusing in dim lighting, which simplifies my workflow. Superior in low light are just a few features that are glaring improvements. The D800 quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for allows me to concentrate on the light, the composition and my subject architectural photography. From my hands-on experience I found that they without having to think about much else. In years past, wedding photography perfectly match with the newly invented system and produce breathtakingly was traditionally captured with medium-format equipment for maximum clean, clear and sharp files. This camera gives me the photographic flexibility image quality.
    [Show full text]
  • EOS-1D Mark IV Is a Top-Of-The-Line, High-Performance EOS DIGITAL SLR Camera Featuring a Large, Fine-Detail CMOS Sensor with Approx
    COPY INSTRUCTION MANUAL E INSTRUCTION E MANUAL Thank you for purchasing a Canon product. The EOS-1D Mark IV is a top-of-the-line, high-performance EOS DIGITAL SLR camera featuring a large, fine-detail CMOS sensor with approx. 16.10 effective megapixels, Dual “DIGIC 4”, high-precision and high-speed 45-point AF (39 cross-type points), approx. 10 fps continuous shooting, Live View shooting, and Full HD (Full High- Definition) movie shooting. The camera is highly responsive to any shooting situation, provides many features for demanding shoots, highly reliable even in harsh environments, and compatible with a wide range of accessories to expand shooting possibilities. Take a Few Test Shots to Familiarize Yourself with the Camera With a digital camera, you can immediately view the image you have captured. While reading this manual, take a few test shots and see how they come out. You can then better understand the camera. To avoid botched pictures and accidents, first read the Safety Warnings (p.266,267) and Handling Precautions (p.12,13). Testing the Camera Before Use and Liability After shooting, playback and checkCOPY whether the image has been properly recorded. If the camera or memory card is faulty and the images cannot be recorded or downloaded to a computer, Canon cannot be held liable for any loss or inconvenience caused. Copyrights Copyright laws in your country may prohibit the use of your recorded images of people and certain subjects for anything but private enjoyment. Also be aware that certain public performances, exhibitions, etc., may prohibit photography even for private enjoyment.
    [Show full text]
  • Canon's EOS 5D Mark II
    Equipment review Astroimager’s delight: Canon’s EOS 5D Mark II Ease of use, tons of features, and a whopping 21 megapixels of resolution are all reasons to look at this camera. by Mike Reynolds ow resolutions, slow responses, and Canon’s EOS 5D Mark II contains a high-priced gizmos — astroimaging 21.1-megapixel, full-frame complementary has come a long way since its metal-oxide semiconductor (CMOS) sensor L that captures celestial objects in high inception. The past 50 years have seen resolution. All camera images courtesy of Canon U.S.A. major advances in film chemistry, film sensitivity, new imaging techniques such as using cold cameras and hypersensitized films, and, of course, digital imaging. My first digital single-lens reflex (DSLR) camera was Canon’s EOS 10D, which featured a 6.3-megapixel chip. For my next camera, I moved up to Canon’s EOS 20Da, which the company opti- mized for astronomical photography. This 8.2-megapixel camera integrated a special filter that increased transmission of the Hydrogen-alpha line, a wavelength many nebulae emit. The result was better images of red nebulae. Mega-features Enter the high-megapixel, full-frame DSLRs like Canon’s EOS 5D Mark II. For the many amateur astronomers who have invested in the Canon line, this is a natu- The 5D Mark II offers ISO speeds CompactFlash® (memory) card. With my ral upgrade. This camera contains a from 100 to 6400 (expandable to a low old EOS 10D, waiting for the camera to 21.1-megapixel, full-frame complemen- ISO of 50 and a high of 25600).
    [Show full text]