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“What Is the Use of a Book Without Pictures?” an Exploration of The
Children’s Literature in Education DOI 10.1007/s10583-016-9279-1 ORIGINAL PAPER ‘‘What is the Use of a Book Without Pictures?’’ An Exploration of the Impact of Illustrations on Reading Experience in A Monster Calls Jen Aggleton1 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract This article examines the effect of Jim Kay’s illustrations on the experience of reading A Monster Calls by Patrick Ness. The author compares the responses of six Key Stage Three children (11–14 years old), three of whom were given an illustrated version of the text, and three a non-illustrated version. The children with an illustrated copy engaged with the text more deeply and critically than the others. They were also more likely to relate the story to their own lives. The illustrations were found to work alongside the participants’ own visualisations rather than replacing them, and opened up further possible interpretations rather than limiting them. The illustrations did not appear to have influenced the partici- pants’ overall enjoyment of the book, nor did they significantly alter the readers’ views on key themes and ideas of the text. Keywords Illustrations Á A Monster Calls Á Reading Experience Á Literacy Education In 2011, Walker Books published A Monster Calls, a young adult novel written by Patrick Ness, based on an original idea by Siobhan Dowd, who tragically died from cancer before being able to write the book herself. Dowd’s publishers asked Ness to fulfil the original concept, and commissioned Jim Kay to illustrate it. -
AUDIOBOOKS Alice in Wonderland Around the World in 80 Days at the Back of the North Wind Birthday of the Enfanter Blue Cup Cruis
AUDIOBOOKS Alice In Wonderland Around the World in 80 days At the Back of the North Wind Birthday of the Enfanter Blue Cup Cruise of the Dazzler Devoted Friend Dragon Farm Dragons - Dreadful Dragon of Hay Hill Dragons - Kind Little Edmund Dragons - Reluctant Dragon Dragons - Snap-Dragons Dragons - The Book of Beasts Dragons - The Deliverers of Their Country Dragons - The Dragon Tamers Dragons - The Fiery Dragon Dragons - The Ice Dragon Dragons - The Isle of the Nine Whirlpools Dragons - The Last of The Dragons Dragons - Two Dragons Dragons - Uncle James Eric Prince of Lorlonia Ernest Fluffy Rabbit Faerie Queene Fifty Stories from UNCLE REMUS Fisherman and his Soul Fisherman and The Goldfish Five Children and It Gentle Alice Brown Ghost of Dorothy Dingley Goblin Market Godmother's Garden Gullivers Travels 1 - A Voyage to Lilliput Gullivers Travels 2 - A Voyage to Brobdingnag Gullivers Travels 3 A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan Gullivers Travels 4 A Voyage to the Country of the Houynhnms Hammond's Hard Lines Happy Prince Her Majesty's Servants Horror of the Heights How I Killed a Bear Huckleberry Finn Hunting of The Snark King of The Golden River Knock Three Times Lair of The White Worm Little Boy Lost Little Round House Loaded Dog Lukundoo Lull Magic Lamplighter Malchish Kibalchish Malcolm Sage Detective Man and Snake Martin Rattler Moon Metal Moonraker Mowgli Mr Papingay's Flying Shop Mr Papingay's Ship New Sun Nightingale and Rose Nutcracker OZ 01 - Wizard of Oz OZ 02 - The Land of Oz OZ 03 - Ozma of Oz -
Consulta Il Programma Completo POP
POP-APP. International Conference 16-19 February 2021 POP-APP. International Centre POP-APP MUSLI POP-APP 2O21 ON INTERACTIVE BOOKS POP-APP Exhibitions LINE Il convegno si svolgerà online sulla piattaforma Zoom Webinar Il nuovo allestimento POP-APP MUSLI e le POP-APP Exhibitions verranno inaugurati il 17 febbraio 2021 durante il convegno online. Sul sito www.pop-app.org sarà possibile effettuare la visita virtuale di tutto il percorso tramite contenuti video. Se le condizioni generali lo permetteranno, il POP-APP MUSLI e le mostre saranno visitabili anche in presenza secondo gli orari, le modalità e i costi che verranno comunicati sui siti www.pop-app.org e www.fondazionetancredidibarolo.com. The conference will be hosted online on Zoom Webinar The new set up POP-APP MUSLI and POP-APP Exhibitions will be opened on February 17, 2021 during the online conference. On www.pop-app.org you could virtually visit the entire exhibition with the support of video content. If conditions will permit, you could visit POP-APP MUSLI and the Torino, Palazzo Barolo exhibitions in person following the scheduled times, modalities Santo Alligo MUSLI Museo della Scuola e del Libro per l’Infanzia and fees that will be notified on the websites www.pop-app.org and www.fondazionetancredidibarolo.com. Via Corte d’Appello 20/C Con il sostegno di Con il contributo di Con il Patrocinio di Società Italiana di Scienze Bibliografiche e Biblioteconomiche DIPARTIMENTO DI LETTERE E (SISBB) CULTURE MODERNE POP-APP 2021 POP-APP 2021 È la prosecuzione di un progetto intorno ai libri animati avviato nel 2017 in collaborazione tra la Fondazione POP-APP 2021 is the continuation of a project on animated books launched in 2017 by Fondazione Tancredi di Barolo e Sapienza Università di Roma. -
Access to Justice: Keeping the Doors Open Transcript
Access to Justice: Keeping the doors open Transcript Date: Wednesday, 20 June 2007 - 12:00AM ACCESS TO JUSTICE: KEEPING THE DOORS OPEN Michael Napier Introduction In this Reading I would like to explore the various doors that need to be located, and then opened, if people are to gain access to justice. Obtaining access means negotiating an opening, so it is appropriate that this evening we are gathered together at Gresham's College, described in Claire Tomalin's biography of Samuel Pepys [1] as the 'first Open University'. In 1684, when Pepys was its President, the Royal Society used to meet at Gresham's College for open discussion, studying the evidence of experiments that would prise open the doors of access to scientific knowledge. But access to legal knowledge is very different from the formulaic precision of a scientific experiment, and those who seek access to justice need to know how to negotiate the route. It is not easy. As we all made our way here this evening along Holborn to the ancient splendour of Barnard's Inn Hall we were actually following in the footsteps of the many citizens who have trodden for centuries the footpaths and byways of Holborn, pursing access to justice: 'London 1853. Michaelmas term lately over. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth and it would not be wonderful to meet a Megalosaurus waddling... up Holborn hill. Fog everywhere. And hard by Temple Bar in Lincoln's Inn Hall at the very heart of the fog sits the Lord High Chancellor.. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Haunted houses: influence and the creative process in Virginia Woolf’s novels Thesis How to cite: De Gay, Jane (1998). Haunted houses: influence and the creative process in Virginia Woolf’s novels. PhD thesis The Open University. For guidance on citations see FAQs. c 1998 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000e191 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk 0NP--ZS7t?1 CTEVIý Haunted Houses Influence and the Creative Process in Virginia Woolf's Novels Jane de Gay, B. A. (Oxon. ) Thesis submitted for the qualification of Ph. D. Department of Literature, The Open University 14 August 1998 \ -fnica 0P 7 O-C,C- "n"Al"EA) For Wayne Stote and in memory of Alma Berry This influence, by which I mean the consciousness of other groups impinging upon ourselves; public opinion; what other people say and think; all those magnets which attract us this way to be like that, or repel us the other and make us different from that; has never been analysed in any of those Lives which I so much enjoy reading, or very superficially. 'A Sketch Past' - Virginia Woolf, of the Abstract This thesis argues that rather than being an innovative, modernist writer, Virginia Woolfs methods, themes, and aspirations were conservative in certain central ways, for her novels were influenced profoundly by the work of writers from earlier eras. -
Select Bibliography
SELECT BIbLIOGRAPHY Aesop. Aesop’s Fables. With instructive morals and refections, abstracted from all party considerations, adapted to all capacities; and design’d to promote religion, morality, and universal benevolence (London: J. F. and C. Rivington, T. Longman, B. Law, W. Nicol, G. G. J. and J. Robinson, T. Cadell, R. Balwin, S. Hayes, W. Goldsmith, W. Lowndes, and Power and Co., ?1775). Aesop. Bewick’s Select Fables, In Three Parts (Newcastle: Thomas Saint, 1784). Aesop. Old Friends in a New Dress; or, Select Fables of Aesop, in verse (London: Darton & Harvey, 1809). Aikin, John, and Anna Laetitia Barbauld. Evenings at Home; or, the Juvenile Budget Opened. Consisting of a Variety of Miscellaneous Pieces, for the Instruction and Amusement of Young Persons (London: J. Johnson, 1792). Alberti, Samuel J. M. M. ‘The Museum Affect: Visiting Collections of Anatomy and Natural History’, in Aileen Fyfe and Bernard Lightman (eds), Science in the Marketplace: Nineteenth-Century Sites and Experiences (Chicago and London: The University of Chicago Press, 2007), pp. 371–403. Allen, David Elliston. The Naturalist in Britain: A Social History (Princeton: Princeton University Press, [1976] 1994). Allman, George James. ‘Critical Notes on the New Zealand Hydroida’, Proceedings of the New Zealand Institute, 8 (1875): 298–302. Allman, George James. ‘Description of Australian, Cape and other Hydroida, mostly new, from the collection of Miss H. Gatty’, Journal of the Linnean Society, 19 (1885): 132–61. © The Author(s), under exclusive license to Springer Nature 277 Switzerland AG 2021 L. Talairach, Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain, Palgrave Studies in Animals and Literature, https://doi.org/10.1007/978-3-030-72527-3 278 SELECT BIBLIOGRAPHY Allman, George James. -
Short Title Listing of the Pollard Collection of Children's Books
Short-title listing of the Pollard Collection of children’s books. Letter L Short title listing of the Pollard Collection of children’s books L La Bhreathanais. London: Religious Tract Society, [n.d.] Box 1686 La Bruyere the less: or, Characters and manners of the children of the present age. By Madame de Genlis Dublin: P. Wogan...: 1801 Box 403 Moral tales. La Roche; Walkman and his dog; Veracity of a Moor. Ludlow: G. Nicholson, [n.d.] Box 2115 The labourers in the vineyard. In “Tracts on the Parables” (Tracts Vol. 17) London: Houlston & Co., [n.d.] Box 1699 The labourers in the vineyard: dioramic scenes in the lives of eminent Christians. By M. Horsburgh London: Hodder and Stoughton, 1885 Box 520 The labours of Hercules. (Books for the Bairns No. XXVII) Edited by W.T. Stead London: “Review of Reviews” Office, [n.d.] Box 1767 The lacemakers: sketches of Irish character, with some account of the effort to establish lacemaking in Ireland. By Mrs. Meredith London: Jackson, Walford, & Hodder, 1865 Box 1292 Page 1 of 86 Short-title listing of the Pollard Collection of children’s books. Letter L A lad of Devon. By Mrs Henry Clarke London...: Thomas Nelson and Sons, 1902 Box 252 A lad of the O'Friel's. School edition. By Seumas MacManus [n.pl.]: Browne & Nolan, [n.d.] Box 654 The ladder to learning: a collection of fables; arranged progressively in words of one, two, and three syllables; with original morals. 13th ed. Edited by Mrs. Trimmer London: John Harris, 1832 Box 1107 The ladder to learning, step the first: being a collection of select fables.. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Charlotte Mary Yonge and Her Circle
Proc Hampsh Field Club Archaeol Soc, 49,1993, 195-205 COLLEGE STREET, HURSLEY AND OTTERBOURNE: CHARLOTTE MARY YONGE AND HER CIRCLE By JULIA COURTNEY ABSTRACT though now converted into flats) in August 1823 and throughout her long life she rarely left the Charlotte Mary Tonge (1823—1901) was a highly successful village for any length of time. She consciously novelist and a prolific writer of religious, educational and rejected what she saw as the 'whirl' of London, historical works. Although proud of her family's Devonshire and went abroad only once. Apart from a solitary origins she was deeply attached to her home village of trip to France her furthest ventures were a Olterbourne, where she lived throughout her seventy-seven years.journe y to Ireland for a family wedding in 1857, A devoted High Anglican Churchmoman, Charlotte Tonge and numerous visits to Chester, Devon and the deliberately cut herself off from the social and intellectual influences of the London literary scene. Yet during her most Isle of Wight. productive years she was part of a lively local cultural circle Yet by the time she was thirty Charlotte Yonge which included the nationally revered religious leader John Keble was a nationally known figure, author of a best as well as Dr George Moberly, reforming Headmaster of selling novel eagerly read by an enthusiastic Winchester College, and the Hampshire grandee Sir William public which included the highest in the land: Heatlicote. After this circle broke up in the mid-1860s Charlotte Queen Victoria was later to discuss Yonge novels Tonge continued to write and to take an increasing part in the in her letters to the Princess Royal. -
View Catalogue
BOW WINDOWS BOOKSHOP 175 High Street, Lewes, Sussex, BN7 1YE T: +44 (0)1273 480 780 F: +44 (0)1273 486 686 [email protected] bowwindows.com CATALOGUE TWO HUNDRED AND ELEVEN Literature - First Editions, Classics, Private Press 1 - 89 Children's and Illustrated Books 90 - 107 Natural History 108 - 137 Maps 138 - 154 Travel and Topography 155 - 208 Art and Architecture 209 - 238 General Subjects - History, Theology, Militaria 239 - 264 Cover images – nos. 93 & 125 All items are pictured on our website and further images can be emailed on request. All books are collated and described as carefully as possible. Payment may be made by cheque, drawn on a sterling account, Visa, MasterCard or direct transfer to Account No. 40009652 at HSBC Bank, Eastbourne, sort code 40-20-69. Our IBAN code is GB02 HBUK40206940009652; SWIFTBIC is MIDL GB22. Postage will be charged at cost. Foreign orders will be sent by airmail unless requested otherwise. Our shop hours are 9.30 a.m. to 5 p.m., Monday to Saturday; an answerphone operates outside of these times. Items may also be ordered via our website. Ric Latham and Jonathan Menezes General Data Protection Regulation We hold on our computer our customers names and addresses, and in some cases phone numbers and email addresses. We do not share this information with third parties. We assume that you will be happy to continue to receive these catalogues and for us to hold this information; should you wish to change anything or come off our mailing list please let us know. LITERATURE FIRST EDITIONS, CLASSICS, PRIVATE PRESS 1. -
Document Template
Chatterbooks Fireside Fiction Activity Pack Reading and activity ideas for your Chatterbooks group Fireside Fiction About this pack Here are some fabulous Fireside Fiction titles for you to enjoy with your group, as well as ideas for discussion and activities. You’ll find stories about Christmas and winter; stories to take you to fantasy worlds and adventures, far away from the wind and the rain and the cold; stories which have been shared through generations; stories to curl up with by the fire , and stories to tell each other when you’re gathered round the fireside – or a cosy radiator. This Fireside Fiction pack is brought to you by The Reading Agency and their Children’s Reading Partner publisher partners. Chatterbooks [ www.chatterbooks.org.uk] is a reading group programme for children aged 4 to 14 years. It is coordinated by The Reading Agency and its patron is author Dame Jacqueline Wilson. Chatterbooks groups run in libraries and schools, supporting and inspiring children’s literacy development by encouraging them to have a really good time reading and talking about books. The Reading Agency is an independent charity working to inspire more people to read more through programmes for adults, young people and Children – including the Summer Reading Challenge, and Chatterbooks. See www.readingagency.org.uk Children’s Reading Partners is a national partnership of children’s publishers and libraries working together to bring reading promotions and author events to as many children and young people as possible. Contents 3 Fireside Fiction: Ideas for discussion, activities and story sharing: Warm up 4 Fireside Fiction: Longer activities 6 Fireside fiction for your Christmas tree 7 Fireside Fiction: the Books! 18 More Fireside Fiction reading ideas 19 A few tips for your Fireside Fiction story sharing Page 2 of 19 Fireside Fiction: Ideas for discussion, activities and story sharing Warm up Have a go at these two word puzzles. -
First Editions: Redrawn
FIRST EDITIONS: REDRAWN LONDON 8 DECEMBER 2014 FRONT COVER HOUSE OF ILLUSTRATION LOGO ILLUSTRATION © JEFF FISHER THIS PAGE LOT 15 THIS PAGE LOT 22 FIRST EDITIONS: REDRAWN AUCTION IN LONDON 8 DECEMBER 2014 SALE L14910 7.30 PM !DOORS OPEN AT 7.15 PM" EXHIBITION Friday 5 December 9 am-4.30 pm Sunday 7 December 12 noon-5 pm Monday 8 December 9 am-4.30 pm 34-35 New Bond Street London, W1A 2AA +44 (0)20 7293 5000 sothebys.com THIS PAGE LOT 16 SPECIALISTS AND AUCTION ENQUIRIES For further information on lots in this auction please contact any of the specialists listed below. SALE NUMBER SALE ADMINISTRATOR There is no buyer’s commission L14910 “ILLUSTRATION” Lukas Baumann charged for this sale. [email protected] BIDS DEPARTMENT +44 (0)20 7293 5287 Please note that all payment for +44 (0)20 7293 5283 !"# +44 (0)20 7293 5904 this sale must be made directly !"# +44 (0)20 7293 6255 with House of Illustration. [email protected] CATALOGUE PRICE £25 at the gallery Payment can be made on the Telephone bid requests should evening of sale or within 28 days Dr. Philip W. Errington be received 24 hours prior FOR SUBSCRIPTIONS CALL of the sale by contacting Director to the sale. This service is +44 (0)20 7293 5000 +44 (0)20 7293 5302 o$ ered for lots with a low estimate for UK & Europe Lucy Plaskett [email protected] of £2,000 and above. +1 212 606 7000 USA Head of Development and Communications PRIVATE CLIENT GROUP House of Illustration +44 %0&20 7293 6429 2 Granary Square [email protected] King’s Cross HEAD OF DEPARTMENT